Superlux HD 651 vs Superlux HD 681

Last updated: October 13, 2026

Short answer: the Superlux HD 681. It ranks #292 of 417 over-ear headphones by sound quality (rated 3.1/5); the Superlux HD 651 ranks #355 (rated 2.6/5).

Superlux HD 651 vs Superlux HD 681

The case for the Superlux HD 651: Lower mids sit within about 0.5 dB of target, keeping voices and guitars natural. Watch for: Presence sits about 3.4 dB low with a 17.4 dB dip near 9.7 kHz, so vocals and instruments lose some bite.

The Superlux HD 681 is the better-sounding option. A very low price and a 32 ohm, 98 dB/mW load make it an easy pick for use straight from a phone or laptop. The tradeoff: Sub-bass sits 9.7 dB below target in oratory1990’s measurement and falls 6 dB short by 42 Hz, so bass sounds thin and lacks impact.

Buy the Superlux HD 681. It is rated higher for sound quality than the Superlux HD 651.

Still deciding? The full Headphones rankings cover every ranked option.

Specifications Side By Side

Superlux HD 651 Superlux HD 681
Price-$33.29
Ranked#355 of 417 in Over-Ear Headphones#292 of 417 in Over-Ear Headphones
Form FactorOver-earOver-ear
BackClosedSemi-open
ConnectionWiredWired
Driver TypeDynamicDynamic
Drivers1 x 40mm dynamic1 x 50mm dynamic
Impedance32 ohms32 ohms
Frequency Response20Hz - 20kHz10Hz - 30kHz (Manufacturer specified)
Weight0.3 lbs (149 g)0.5 lbs (230 g)
Harman Preference Score51 (measured by oratory1990, via AutoEQ)61 (measured by oratory1990, via AutoEQ)
Deviation From Target4.52 dB standard deviation2.58 dB standard deviation
Tonal Tilt+0.41 (negative is warmer, positive brighter)+1.34 (negative is warmer, positive brighter)
Sub-bass ExtensionFalls 6 dB below target at 126 Hz (-20.1 dB at 30 Hz)Falls 6 dB below target at 42 Hz (-9.8 dB at 30 Hz)
Sensitivity-98 dB/mW
Built-in Microphone-No

More top alternatives to Superlux HD 681:

Prices on this page were last checked October 13, 2026 at 3:17 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.

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The Two Headphones In Full

Superlux HD 651 eBay

Superlux HD 651 ranking card

Pros: Lower mids sit within about 0.5 dB of target, keeping voices and guitars natural. It uses 1 x 40mm dynamic with an easy 32 ohm load.

Cons: Presence sits about 3.4 dB low with a 17.4 dB dip near 9.7 kHz, so vocals and instruments lose some bite. Sub-bass is 20.1 dB short at 30 Hz, so deep bass lacks rumble. A Harman score of 51 places it in the lower part of the over-ear rankings.

Released2010 (16 years ago)
BackClosed
ConnectionWired
Deviation From Target4.52 dB standard deviation
Driver TypeDynamic
Drivers1 x 40mm dynamic
Form FactorOver-ear
Frequency Response20Hz - 20kHz
Harman Preference Score51 (measured by oratory1990, via AutoEQ)
Impedance32 ohms
Sub-bass ExtensionFalls 6 dB below target at 126 Hz (-20.1 dB at 30 Hz)
Tonal Tilt+0.41 (negative is warmer, positive brighter)
Weight0.3 lbs (149 g)
EQ preset to match the Harman target

Set a preamp of -6.7 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.

FilterFrequencyGainQ
Low shelf105 Hz+5.9 dB0.70
Peak328 Hz-4.3 dB1.25
Peak108 Hz+2.8 dB1.38
Peak908 Hz-1.3 dB2.44
Peak467 Hz-1.1 dB2.11
High shelf10,000 Hz+4.8 dB0.70
Peak9,733 Hz+3.8 dB0.71
Peak4,762 Hz-6.3 dB6.00
Peak1,595 Hz-1.3 dB4.05
Peak2,993 Hz-2.8 dB6.00

Superlux HD 681: $33.29 B&H Photo Video $33.29 eBay

Superlux HD 681 ranking card

Pros: A very low price and a 32 ohm, 98 dB/mW load make it an easy pick for use straight from a phone or laptop. From the upper midrange through the air band its response stays within 2 dB of target on average, which suits listeners who like a bright or studio-flat balance. It rates higher than the Koss KPH40 at a similar price.

Cons: Sub-bass sits 9.7 dB below target in oratory1990’s measurement and falls 6 dB short by 42 Hz, so bass sounds thin and lacks impact. A 5.7 dB peak at 4.8 kHz right next to a 5.1 dB dip at 4.1 kHz can make vocals and guitars edgy, and the semi-open back lets some sound escape. The AKG K240 Studio and HyperX Cloud Alpha rate higher for a little more money.

BackSemi-open
Built-in MicrophoneNo
ConnectionWired
Deviation From Target2.58 dB standard deviation
Driver TypeDynamic
Drivers1 x 50mm dynamic
Form FactorOver-ear
Frequency Response10Hz - 30kHz (Manufacturer specified)
Harman Preference Score61 (measured by oratory1990, via AutoEQ)
Impedance32 ohms
Sensitivity98 dB/mW
Sub-bass ExtensionFalls 6 dB below target at 42 Hz (-9.8 dB at 30 Hz)
Tonal Tilt+1.34 (negative is warmer, positive brighter)
Weight0.5 lbs (230 g)
EQ preset to match the Harman target

Set a preamp of -5.8 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.

FilterFrequencyGainQ
Low shelf105 Hz+5.8 dB0.70
Peak496 Hz+2.4 dB1.05
Peak1,105 Hz-1.8 dB0.57
Peak5,194 Hz-6.1 dB4.12
Peak174 Hz+1.0 dB1.11
High shelf10,000 Hz-3.2 dB0.70
Peak7,758 Hz-2.3 dB3.68
Peak3,826 Hz+3.2 dB5.94
Peak2,458 Hz-1.4 dB3.46
Peak65 Hz-0.5 dB2.20