Short answer: the Superlux HD 681. It ranks #165 of 216 over-ear headphones by sound quality, rated 3.1/5, at $33.29; the Koss KPH40 ranks #182, rated 2.8/5, and costs $39.99, so there is not much of a tradeoff to weigh.
The Superlux HD 681 is the better-sounding choice. A very low price and a 32 ohm, 98 dB/mW load make it an easy pick for use straight from a phone or laptop. The catch: Sub-bass sits 9.7 dB below target in oratory1990’s measurement and falls 6 dB short by 42 Hz, so bass sounds thin and lacks impact.
The case for the Koss KPH40: It is one of the cheapest options in its class, and the open-back design gives a more airy, spacious feel than most closed budget headsets. The tradeoff: Sub-bass rolls off about 7 dB below target under 60 Hz, so kick drums and synth bass lack rumble.
Buy the Superlux HD 681. It is rated higher for sound quality than the Koss KPH40 and costs less, which makes it the one to get unless you need something the other one does better.
Looking for alternatives? See the complete Headphones rankings.
Specifications Side By Side
| Superlux HD 681 | Koss KPH40 | |
|---|---|---|
| Price | $33.29 | $39.99 |
| Ranked | #165 of 216 in Over-Ear Headphones | #182 of 216 in Over-Ear Headphones |
| Form Factor | Over-ear | Over-ear |
| Harman Preference Score | 61 (measured by oratory1990, via AutoEQ) | 54 (measured by oratory1990, via AutoEQ) |
| Deviation From Target | 2.58 dB standard deviation | 3.35 dB standard deviation |
| Tonal Tilt | +1.34 (negative is warmer, positive brighter) | -1.21 (negative is warmer, positive brighter) |
| Sub-bass Extension | Falls 6 dB below target at 42 Hz (-9.8 dB at 30 Hz) | Falls 6 dB below target at 38 Hz (-9.1 dB at 30 Hz) |
| Connection | Wired | Wired |
| Back | Semi-open | Open |
| Driver Type | Dynamic | Dynamic |
| Drivers | 1 x 50mm dynamic | - |
| Impedance | 32 ohms | 60 ohms |
| Sensitivity | 98 dB/mW | 101 dB SPL/1mW |
| Frequency Response | 10Hz - 30kHz (Manufacturer specified) | 15Hz - 25kHz (Manufacturer specified) |
| Built-in Microphone | No | - |
| Weight | 0.5 lbs (230 g) | - |
Related Headphone Comparisons
How Superlux HD 681 compares with other leading options:
- Superlux HD 660 Pro 150 Ohm vs Superlux HD 681
- FiiO EH11 vs Superlux HD 681
- Koss KPH30i vs Superlux HD 681
- Superlux HD 681 vs HyperX Cloud II
- Superlux HD 681 vs Koss KSC75
Prices on this page were last checked October 11, 2026 at 4:59 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Headphones In Full
Superlux HD 681: $33.29 B&H Photo Video eBay
Pros: A very low price and a 32 ohm, 98 dB/mW load make it an easy pick for use straight from a phone or laptop. From the upper midrange through the air band its response stays within 2 dB of target on average, which suits listeners who like a bright or studio-flat balance. It rates higher than the Koss KPH40 at a similar price.
Cons: Sub-bass sits 9.7 dB below target in oratory1990’s measurement and falls 6 dB short by 42 Hz, so bass sounds thin and lacks impact. A 5.7 dB peak at 4.8 kHz right next to a 5.1 dB dip at 4.1 kHz can make vocals and guitars edgy, and the semi-open back lets some sound escape. The AKG K240 Studio and HyperX Cloud Alpha rate higher for a little more money.
Full Superlux HD 681 review and specifications →
| Back | Semi-open |
|---|---|
| Built-in Microphone | No |
| Connection | Wired |
| Deviation From Target | 2.58 dB standard deviation |
| Driver Type | Dynamic |
| Drivers | 1 x 50mm dynamic |
| Form Factor | Over-ear |
| Frequency Response | 10Hz - 30kHz (Manufacturer specified) |
| Harman Preference Score | 61 (measured by oratory1990, via AutoEQ) |
| Impedance | 32 ohms |
| Sensitivity | 98 dB/mW |
| Sub-bass Extension | Falls 6 dB below target at 42 Hz (-9.8 dB at 30 Hz) |
| Tonal Tilt | +1.34 (negative is warmer, positive brighter) |
| Weight | 0.5 lbs (230 g) |
EQ preset to match the Harman target
Set a preamp of -5.8 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | +5.8 dB | 0.70 |
| Peak | 496 Hz | +2.4 dB | 1.05 |
| Peak | 1,105 Hz | -1.8 dB | 0.57 |
| Peak | 5,194 Hz | -6.1 dB | 4.12 |
| Peak | 174 Hz | +1.0 dB | 1.11 |
| High shelf | 10,000 Hz | -3.2 dB | 0.70 |
| Peak | 7,758 Hz | -2.3 dB | 3.68 |
| Peak | 3,826 Hz | +3.2 dB | 5.94 |
| Peak | 2,458 Hz | -1.4 dB | 3.46 |
| Peak | 65 Hz | -0.5 dB | 2.20 |
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
Koss KPH40: $39.99 Amazon eBay
Pros: It is one of the cheapest options in its class, and the open-back design gives a more airy, spacious feel than most closed budget headsets. Bass between 60 and 200 Hz sits about 2 dB above target and the lower mids are slightly full, which suits a warm, relaxed listener. Sensitivity of 101 dB at 60 ohms means a phone can drive it.
Cons: Sub-bass rolls off about 7 dB below target under 60 Hz, so kick drums and synth bass lack rumble. A 14.5 dB dip near 4.4 kHz makes vocals and instrument detail sound distant, and treble is about 4 dB low overall, so the sound is dark and muffled. Open backs also leak sound and offer no isolation.
Full Koss KPH40 review and specifications →
| Back | Open |
|---|---|
| Connection | Wired |
| Deviation From Target | 3.35 dB standard deviation |
| Driver Type | Dynamic |
| Form Factor | Over-ear |
| Frequency Response | 15Hz - 25kHz (Manufacturer specified) |
| Harman Preference Score | 54 (measured by oratory1990, via AutoEQ) |
| Impedance | 60 ohms |
| Sensitivity | 101 dB SPL/1mW |
| Sub-bass Extension | Falls 6 dB below target at 38 Hz (-9.1 dB at 30 Hz) |
| Tonal Tilt | -1.21 (negative is warmer, positive brighter) |
EQ preset to match the Harman target
Set a preamp of -6.1 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | +7.5 dB | 0.70 |
| Peak | 79 Hz | -7.6 dB | 0.37 |
| Peak | 3,725 Hz | +4.9 dB | 3.94 |
| Peak | 614 Hz | +1.5 dB | 2.05 |
| Peak | 37 Hz | +3.9 dB | 1.16 |
| High shelf | 10,000 Hz | +1.9 dB | 0.70 |
| Peak | 7,429 Hz | +4.0 dB | 0.78 |
| Peak | 5,445 Hz | -7.7 dB | 4.24 |
| Peak | 1,941 Hz | -2.0 dB | 2.35 |
| Peak | 1,012 Hz | +0.3 dB | 1.84 |
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons


