Short answer: the Polk Reserve R500 for better sound quality, the Infinity Reference 253 for the lower price. The Polk Reserve R500 ranks #36 of 71 floorstanding speakers at $699. The Infinity Reference 253 ranks #60 at $400, $299 cheaper.
What the Polk Reserve R500 offers: Dual 5.25” midwoofers paired with a ring radiator tweeter in a floorstanding tower design. Surprisingly neutral overall compared to Polk’s smaller bookshelf models - notably more even-handed than the brighter-sounding R200 the reviewer tested previously. Good linearity on-axis, within about -3/+2dB. Sensitivity close to 86dB, easily driven to adequate levels in a small-to-medium room with a 100W-capable amplifier. Takes very well to EQ - a single band of correction (about a 2dB cut around 4-5kHz) resolves the main tonal issue and transforms the sound. Dynamic range and compression performance is solidly “medium,” holding up fine through about 20dB of level increase before higher-frequency and bass output start to taper at extreme volumes. Watch for: A bump around 4-6kHz gives a “shouty,” mildly sibilant quality in the lower treble. Counterintuitively, toeing the speaker out to reduce brightness makes this worse rather than better, since the ring-radiator tweeter’s directivity narrows rapidly above about 6-7kHz - pointed on-axis retains enough top-end air to balance the bump, but toed away that air drops off and the shoutiness stands out more. Bass is adequate for its 5.25” woofers but lacks real weight below about 40-50Hz; a subwoofer is still needed for movies and bass-heavy music. A cabinet resonance around 160-170Hz subtracts from rather than adds boom to the mid-bass region. Vertical listening window is fairly narrow - sitting more than about 10-20° above or below the tweeter axis causes a suckout in the 2-5kHz range, reducing clarity and attack. Multitone distortion ramps up noticeably around 1kHz, and crossing over to a subwoofer at 80Hz doesn’t meaningfully reduce it - likely a surround-related effect rather than excursion-related. Without applying corrective EQ, the reviewer says the 4-6kHz brightness would make it harder to live with day to day.
What the Infinity Reference 253 offers: Horizontal beamwidth of about ±60 degrees is fairly smooth and well controlled. Really amazing value for the performance. Watch for: CEA2034 spinorama and predicted in-room response both show elevated treble above 4kHz (“too hot”), a dip around 2kHz, and bass shelved down relative to the midrange. Vertical directivity requires staying at or below the tweeter axis for accurate tonal balance. Distortion at 96dB SPL/1m is broadly elevated above the reviewer’s audibility threshold across much of the midrange. Minimum impedance dips to 4.2 ohms.
Buy the Polk Reserve R500 if sound quality matters more than the price. Buy the Infinity Reference 253 if the price matters more than sound quality.
If sound quality matters at all to you, skip the Infinity Reference 253. It ranks near the bottom of the 71 floorstanding speakers, so look higher up the list instead.
Specifications Side By Side
| Polk Reserve R500 | Infinity Reference 253 | |
|---|---|---|
| Price | $699.00 | $400 used, Discontinued |
| Ranked | #36 of 71 in Large Size Floorstanding Speakers | #60 of 71 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 33Hz (measured, Erin’s Audio Corner) | 38Hz (measured, Audio Science Review) |
| Bass Extension (-3dB) | 51Hz (measured, Erin’s Audio Corner) | 78Hz (measured, Audio Science Review) |
| Dimensions | 40.3"H x 6.8"W x 12.4"D (1023.6 x 172.7 x 315 mm) | 40.3"H x 6.8"W x 12.4"D (1023.6 x 172.7 x 315 mm) |
| Impedance | 4.1 ohms minimum above 80Hz (measured, Erin’s Audio Corner; 8 ohms nominal per manufacturer) | 6 ohms |
| Sensitivity | 86.2dB (measured, Erin’s Audio Corner) | 86.9dB (measured by Audio Science Review; 88dB manufacturer specified) |
| Drivers | Two 5.25" Turbine Cone woofer, 1" Pinnacle Ring Radiator tweeter | Dual 5.25" (130mm) CMMD™ woofers, 5.25" (130mm) flat-piston CMMD™ midrange, 1" (25mm) CMMD™ tweeter |
| Weight | 39.2 lbs / 17.8 kg each | 39.2 lbs / 17.8 kg each |
| Woofer Cabinet | ported, rear | ported, rear |
| Discontinued | - | Yes |
Related Speaker Comparisons
More useful head-to-heads from the same speaker class:
- ELAC Debut 3.0 DF63 vs Sony SS-CS3
- Sony SS-CS3 vs JBL Stage 2 280F
- ELAC Debut 3.0 DF63 vs Definitive Technology BP-9020
- Infinity Reference 253 vs JBL Stage 2 280F
- Polk Reserve R500 vs Sony SS-CS3
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The Two Speakers In Full
Polk Reserve R500: $699.00 Amazon eBay
Pros: Dual 5.25” midwoofers paired with a ring radiator tweeter in a floorstanding tower design. Surprisingly neutral overall compared to Polk’s smaller bookshelf models - notably more even-handed than the brighter-sounding R200 the reviewer tested previously. Good linearity on-axis, within about -3/+2dB. Sensitivity close to 86dB, easily driven to adequate levels in a small-to-medium room with a 100W-capable amplifier. Takes very well to EQ - a single band of correction (about a 2dB cut around 4-5kHz) resolves the main tonal issue and transforms the sound. Dynamic range and compression performance is solidly “medium,” holding up fine through about 20dB of level increase before higher-frequency and bass output start to taper at extreme volumes.
Cons: A bump around 4-6kHz gives a “shouty,” mildly sibilant quality in the lower treble. Counterintuitively, toeing the speaker out to reduce brightness makes this worse rather than better, since the ring-radiator tweeter’s directivity narrows rapidly above about 6-7kHz - pointed on-axis retains enough top-end air to balance the bump, but toed away that air drops off and the shoutiness stands out more. Bass is adequate for its 5.25” woofers but lacks real weight below about 40-50Hz; a subwoofer is still needed for movies and bass-heavy music. A cabinet resonance around 160-170Hz subtracts from rather than adds boom to the mid-bass region. Vertical listening window is fairly narrow - sitting more than about 10-20° above or below the tweeter axis causes a suckout in the 2-5kHz range, reducing clarity and attack. Multitone distortion ramps up noticeably around 1kHz, and crossing over to a subwoofer at 80Hz doesn’t meaningfully reduce it - likely a surround-related effect rather than excursion-related. Without applying corrective EQ, the reviewer says the 4-6kHz brightness would make it harder to live with day to day.
Full Polk Reserve R500 review and specifications →
| Bass Extension (-10dB) | 33Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 51Hz (measured, Erin's Audio Corner) |
| Dimensions | 40.3"H x 6.8"W x 12.4"D (1023.6 x 172.7 x 315 mm) |
| Drivers | Two 5.25" Turbine Cone woofer, 1" Pinnacle Ring Radiator tweeter |
| Impedance | 4.1 ohms minimum above 80Hz (measured, Erin's Audio Corner; 8 ohms nominal per manufacturer) |
| Sensitivity | 86.2dB (measured, Erin's Audio Corner) |
| Weight | 39.2 lbs / 17.8 kg each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Polk Reserve R500 vs ELAC Debut 3.0 DF63
- Polk Reserve R500 vs Linkwitz Lab LXmini
- Polk Reserve R500 vs PSB Imagine T65
- Polk Reserve R500 vs Definitive Technology BP-9020
- Polk Reserve R500 vs Q Acoustics 5040
- Polk Reserve R500 vs Polk Audio Reserve R700
- Polk Reserve R500 vs Infinity Primus 360
- Polk Reserve R500 vs Klipsch Forte IV
- See all 34 comparisons
Infinity Reference 253: $400 used, Discontinued eBay
Pros: Horizontal beamwidth of about ±60 degrees is fairly smooth and well controlled. Really amazing value for the performance.
Cons: CEA2034 spinorama and predicted in-room response both show elevated treble above 4kHz (“too hot”), a dip around 2kHz, and bass shelved down relative to the midrange. Vertical directivity requires staying at or below the tweeter axis for accurate tonal balance. Distortion at 96dB SPL/1m is broadly elevated above the reviewer’s audibility threshold across much of the midrange. Minimum impedance dips to 4.2 ohms. Discontinued.
Full Infinity Reference 253 review and specifications →
| Bass Extension (-10dB) | 38Hz (measured, Audio Science Review) |
|---|---|
| Bass Extension (-3dB) | 78Hz (measured, Audio Science Review) |
| Dimensions | 40.3"H x 6.8"W x 12.4"D (1023.6 x 172.7 x 315 mm) |
| Discontinued | Yes |
| Drivers | Dual 5.25" (130mm) CMMD™ woofers, 5.25" (130mm) flat-piston CMMD™ midrange, 1" (25mm) CMMD™ tweeter |
| Impedance | 6 ohms |
| Sensitivity | 86.9dB (measured by Audio Science Review; 88dB manufacturer specified) |
| Weight | 39.2 lbs / 17.8 kg each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Infinity Reference 253 vs Sony SS-CS3
- Infinity Reference 253 vs JBL Stage 2 280F
- Infinity Reference 253 vs Focal Aria Evo X N°2
- Infinity Reference 253 vs Magnepan LRS+
- Infinity Reference 253 vs Polk T50
- Infinity Reference 253 vs Klipsch RP-6000F II
- Infinity Reference 253 vs Dynaudio Emit 30
- Infinity Reference 253 vs Klipsch RP-8000F II
- See all 33 comparisons