Short answer: the JBL Studio 698, which avoids the R500’s shouty lower treble. The Polk Reserve R500 is a tower with dual 5.25” midwoofers and a ring radiator tweeter, but a bump around 4-6kHz gives it a “shouty,” mildly sibilant quality. The Studio 698’s HDI horn waveguide and 1” compression driver provide excellent high-frequency directivity control, though a prominent mid-bass bump around 80Hz can sound thick or chesty in smaller rooms.
Buy the JBL Studio 698. It is rated higher for sound quality, and saving $239.92 with the Polk Reserve R500 does not make up for the sound-quality gap.
Still deciding? The full Passive Home rankings cover every ranked option.
Specifications Side By Side
| JBL Studio 698 | Polk Reserve R500 | |
|---|---|---|
| Price | $1,499.90 per pair | $1,259.98 per pair |
| Ranked | #30 of 74 in Large Size Floorstanding Speakers | #37 of 74 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 34Hz (measured, Erin’s Audio Corner) | 33Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 53Hz (measured, Erin’s Audio Corner) | 51Hz (measured, Erin’s Audio Corner) |
| Dimensions | 41.7”H x 11.8”W x 15.7”D (1058 x 300 x 400 mm) | 40.3”H x 6.8”W x 12.4”D (1023.6 x 172.7 x 315 mm) |
| Impedance | 6 ohms nominal (4.1 ohms minimum above 80Hz, measured by Erin’s Audio Corner) | 4.1 ohms minimum above 80Hz (measured, Erin’s Audio Corner; 8 ohms nominal per manufacturer) |
| Sensitivity | 90dB (measured average, Erin’s Audio Corner) | 86.2dB (measured, Erin’s Audio Corner) |
| Drivers | 1 in. High-Definition Imaging compression driver, 6 in. PolyPlas midrange, dual 8 in. PolyPlas woofers | Two 5.25” Turbine Cone woofer, 1” Pinnacle Ring Radiator tweeter |
| Weight | 78.9 lbs (35.8 kg) each | 39.2 lbs (17.8 kg) each |
| Woofer Cabinet | ported, rear | ported, rear |
| Spinorama Preference Score | 4.20 | 5.86 |
| Spinorama Preference Score with Perfect Sub | 6.14 | 7.44 |
| DIY Kit | No | No |
Related Speaker Comparisons
More top alternatives to JBL Studio 698:
- JBL Studio 698 vs GR-Research NX-Treme
- JBL Studio 698 vs KEF Blade Two Meta
- JBL Studio 698 vs MoFi SourcePoint V10 Master Edition
- JBL Studio 698 vs MoFi SourcePoint 888
- Revel F328Be vs JBL Studio 698
Prices on this page were last checked October 3, 2026 at 10:26 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
As an eBay Partner, we may be compensated if you make a purchase.
The Two Speakers In Full
JBL Studio 698: $1,499.90 per pair Crutchfield eBay
Older model: the JBL Studio 590 (ranked lower, rated 2.8/5).
Pros: High-Definition Imaging (HDI) horn waveguide paired with a 1” compression driver provides excellent high-frequency directivity control and seamless acoustic handoff to the 6” PolyPlas midrange. Dual 8” PolyPlas woofers deliver robust low-end authority with solid bass extension down to an F3 of 53Hz and F10 of 34Hz. High voltage sensitivity (90dB SPL at 2.83V/1m) and clean power handling provide effortless dynamic headroom and low distortion for home theater and music listening. Measured bass extension of 53Hz (-3dB), with a measured sensitivity of 90dB.
Cons: Measured response exhibits a prominent mid-bass emphasis bump around 80Hz that can sound overly thick or chesty in smaller rooms without DSP EQ. Treble response lacks top-octave ‘air’ above 12kHz compared to high-end dome or ribbon tweeters. Physically large, heavy cabinet (35.8 kg per speaker) requires careful room placement and a wide acoustic footprint.
Full JBL Studio 698 review and specifications →
| Bass Extension (-10dB) | 34Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 53Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 41.7”H x 11.8”W x 15.7”D (1058 x 300 x 400 mm) |
| Drivers | 1 in. High-Definition Imaging compression driver, 6 in. PolyPlas midrange, dual 8 in. PolyPlas woofers |
| Impedance | 6 ohms nominal (4.1 ohms minimum above 80Hz, measured by Erin’s Audio Corner) |
| Sensitivity | 90dB (measured average, Erin’s Audio Corner) |
| Spinorama Preference Score | 4.20 |
| Spinorama Preference Score with Perfect Sub | 6.14 |
| Weight | 78.9 lbs (35.8 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- JBL Studio 698 vs JBL HDI-3600
- JBL Studio 698 vs Morel Avyra 633
- JBL Studio 698 vs Polk Audio Reserve R700
- JBL Studio 698 vs Arendal 1961 Tower
- JBL Studio 698 vs KEF R11 Meta
- JBL Studio 698 vs PSB Imagine T65
- JBL Studio 698 vs Emotiva Airmotiv T2+
- JBL Studio 698 vs Ascend Acoustics Sierra Titan Tower
- See all 51 comparisons
Polk Reserve R500: $1,259.98 per pair Amazon eBay
Pros: Dual 5.25” midwoofers paired with a ring radiator tweeter in a floorstanding tower design. Surprisingly neutral overall compared to Polk’s smaller bookshelf models: notably more even-handed than the brighter-sounding R200 the reviewer tested previously. Good linearity on-axis, within about -3/+2dB. Sensitivity close to 86dB, easily driven to adequate levels in a small-to-medium room with a 100W-capable amplifier. Takes very well to EQ: a single band of correction (about a 2dB cut around 4-5kHz) resolves the main tonal issue and transforms the sound. Dynamic range and compression performance is solidly “medium,” holding up fine through about 20dB of level increase before higher-frequency and bass output start to taper at extreme volumes. Measured bass extension of 51Hz (-3dB), with a measured sensitivity of 86.2dB.
Cons: A bump around 4-6kHz gives a “shouty,” mildly sibilant quality in the lower treble. Counterintuitively, toeing the speaker out to reduce brightness makes this worse rather than better, since the ring-radiator tweeter’s directivity narrows rapidly above about 6-7kHz: pointed on-axis retains enough top-end air to balance the bump, but toed away that air drops off and the shoutiness stands out more. Bass is adequate for its 5.25” woofers but lacks real weight below about 40-50Hz; a subwoofer is still needed for movies and bass-heavy music. A cabinet resonance around 160-170Hz subtracts from rather than adds boom to the mid-bass region. Vertical listening window is fairly narrow: sitting more than about 10-20° above or below the tweeter axis causes a suckout in the 2-5kHz range, reducing clarity and attack. Multitone distortion ramps up noticeably around 1kHz, and crossing over to a subwoofer at 80Hz doesn’t meaningfully reduce it: likely a surround-related effect rather than excursion-related. Without applying corrective EQ, the reviewer says the 4-6kHz brightness would make it harder to live with day to day.
Full Polk Reserve R500 review and specifications →
| Bass Extension (-10dB) | 33Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 51Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 40.3”H x 6.8”W x 12.4”D (1023.6 x 172.7 x 315 mm) |
| Drivers | Two 5.25” Turbine Cone woofer, 1” Pinnacle Ring Radiator tweeter |
| Impedance | 4.1 ohms minimum above 80Hz (measured, Erin’s Audio Corner; 8 ohms nominal per manufacturer) |
| Sensitivity | 86.2dB (measured, Erin’s Audio Corner) |
| Spinorama Preference Score | 5.86 |
| Spinorama Preference Score with Perfect Sub | 7.44 |
| Weight | 39.2 lbs (17.8 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Polk Reserve R500 vs ELAC Debut 3.0 DF63
- Polk Reserve R500 vs Linkwitz Lab LXmini
- Polk Reserve R500 vs Emotiva Airmotiv T2+
- Polk Reserve R500 vs PSB Imagine T65
- Polk Reserve R500 vs Infinity Primus 360
- Polk Reserve R500 vs Polk Audio Reserve R700
- Polk Reserve R500 vs Q Acoustics 5040
- Polk Reserve R500 vs Klipsch Forte IV
- See all 34 comparisons