Short answer: the JBL HDI-3800 for better sound quality, the Polk Reserve R500 for the lower price. The JBL HDI-3800 ranks #7 of 68 floorstanding speakers at $5000. The Polk Reserve R500 ranks #36 at $699, $4301 cheaper.
What the JBL HDI-3800 offers: 2410H-2 1” Teonex compression driver matched to a custom High-Definition Imaging (HDI) horn geometry achieves exceptional horizontal directivity control, high output capability, and effortless transient response. Triple 8” Advanced Aluminum Matrix woofers deliver deep, authoritative bass extension down to an F3 of 37Hz and F10 of 28Hz with minimal low-frequency compression. Outstanding sensitivity (92dB SPL at 2.83V/1m) and ultra-low THD/multitone distortion allow extremely high undistorted SPL output in large home theater spaces. Watch for: On-axis frequency response features a narrow upper-frequency elevation around 8-10kHz, performing noticeably smoother when toed out 10-20° off-axis. Vertical directivity handoff across the triple woofer layout creates vertical soundstage height tilt depending on listening distance and ear height. Minimum impedance dips to 3.8 ohms, requiring high-current amplifier stability. Substantial cabinet dimensions and 38kg weight require significant room real estate.
What the Polk Reserve R500 offers: Dual 5.25” midwoofers paired with a ring radiator tweeter in a floorstanding tower design. Surprisingly neutral overall compared to Polk’s smaller bookshelf models - notably more even-handed than the brighter-sounding R200 the reviewer tested previously. Good linearity on-axis, within about -3/+2dB. Sensitivity close to 86dB, easily driven to adequate levels in a small-to-medium room with a 100W-capable amplifier. Takes very well to EQ - a single band of correction (about a 2dB cut around 4-5kHz) resolves the main tonal issue and transforms the sound. Dynamic range and compression performance is solidly “medium,” holding up fine through about 20dB of level increase before higher-frequency and bass output start to taper at extreme volumes. Watch for: A bump around 4-6kHz gives a “shouty,” mildly sibilant quality in the lower treble. Counterintuitively, toeing the speaker out to reduce brightness makes this worse rather than better, since the ring-radiator tweeter’s directivity narrows rapidly above about 6-7kHz - pointed on-axis retains enough top-end air to balance the bump, but toed away that air drops off and the shoutiness stands out more. Bass is adequate for its 5.25” woofers but lacks real weight below about 40-50Hz; a subwoofer is still needed for movies and bass-heavy music. A cabinet resonance around 160-170Hz subtracts from rather than adds boom to the mid-bass region. Vertical listening window is fairly narrow - sitting more than about 10-20° above or below the tweeter axis causes a suckout in the 2-5kHz range, reducing clarity and attack. Multitone distortion ramps up noticeably around 1kHz, and crossing over to a subwoofer at 80Hz doesn’t meaningfully reduce it - likely a surround-related effect rather than excursion-related. Without applying corrective EQ, the reviewer says the 4-6kHz brightness would make it harder to live with day to day.
Buy the JBL HDI-3800 if sound quality matters more than the price. Buy the Polk Reserve R500 if the price matters more than sound quality.

Specifications Side By Side
| JBL HDI-3800 | Polk Reserve R500 | |
|---|---|---|
| Price | $5,000.00 Discontinued | $699.00 |
| Ranked | #7 of 68 in Large Size Floorstanding Speakers | #36 of 68 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 28Hz (measured, Erin’s Audio Corner) | 33Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 37Hz (measured, Erin’s Audio Corner) | 51Hz (measured, Erin’s Audio Corner) |
| Dimensions | 43.3"H x 11.8"W x 16.4"D (1100.5 x 300.0 x 417.8 mm) | 40.3"H x 6.8"W x 12.4"D (1023.6 x 172.7 x 315 mm) |
| Discontinued | Yes | - |
| Impedance | 4 ohms nominal (3.8 ohms minimum, measured by Erin’s Audio Corner) | 4.1 ohms minimum above 80Hz (measured, Erin’s Audio Corner; 8 ohms nominal per manufacturer) |
| Sensitivity | 92dB (measured average, Erin’s Audio Corner) | 86.2dB (measured, Erin’s Audio Corner) |
| Drivers | 1 in. 2410H-2 Teonex compression driver with HDI horn, triple 8 in. Advanced Aluminum Matrix cone woofers | Two 5.25" Turbine Cone woofer, 1" Pinnacle Ring Radiator tweeter |
| Weight | 83.8 lbs / 38.0 kg each | 39.2 lbs / 17.8 kg each |
| Woofer Cabinet | ported, rear | ported, rear |
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- JBL HDI-3600 vs ELAC Debut 3.0 DF63
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- JBL HDI-3800 vs ELAC Debut 3.0 DF63
- JBL HDI-3800 vs JBL Studio 698
Prices on this page were last checked August 24, 2026 at 6:53 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
JBL HDI-3800: $5,000.00 Discontinued eBay
Pros: 2410H-2 1” Teonex compression driver matched to a custom High-Definition Imaging (HDI) horn geometry achieves exceptional horizontal directivity control, high output capability, and effortless transient response. Triple 8” Advanced Aluminum Matrix woofers deliver deep, authoritative bass extension down to an F3 of 37Hz and F10 of 28Hz with minimal low-frequency compression. Outstanding sensitivity (92dB SPL at 2.83V/1m) and ultra-low THD/multitone distortion allow extremely high undistorted SPL output in large home theater spaces.
Cons: On-axis frequency response features a narrow upper-frequency elevation around 8-10kHz, performing noticeably smoother when toed out 10-20° off-axis. Vertical directivity handoff across the triple woofer layout creates vertical soundstage height tilt depending on listening distance and ear height. Minimum impedance dips to 3.8 ohms, requiring high-current amplifier stability. Substantial cabinet dimensions and 38kg weight require significant room real estate. Discontinued.
Full JBL HDI-3800 review and specifications →
| Bass Extension (-10dB) | 28Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 37Hz (measured, Erin's Audio Corner) |
| Dimensions | 43.3"H x 11.8"W x 16.4"D (1100.5 x 300.0 x 417.8 mm) |
| Discontinued | Yes |
| Drivers | 1 in. 2410H-2 Teonex compression driver with HDI horn, triple 8 in. Advanced Aluminum Matrix cone woofers |
| Impedance | 4 ohms nominal (3.8 ohms minimum, measured by Erin's Audio Corner) |
| Sensitivity | 92dB (measured average, Erin's Audio Corner) |
| Weight | 83.8 lbs / 38.0 kg each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: JBL HDI-3800 Floorstanding Speaker Review More from Erin’s Audio Corner →
- Erin’s Audio Corner: Choosing the Ultimate Speaker: JBL Studio 698 or HDI-3800?
- Erin’s Audio Corner Website JBL HDI-3800
- Erin’s Audio Corner Measurements (spinorama.org)
- Reddit Search for JBL HDI-3800 Review
- Head-to-Head Comparisons
Polk Reserve R500: $699.00 Amazon eBay
Pros: Dual 5.25” midwoofers paired with a ring radiator tweeter in a floorstanding tower design. Surprisingly neutral overall compared to Polk’s smaller bookshelf models - notably more even-handed than the brighter-sounding R200 the reviewer tested previously. Good linearity on-axis, within about -3/+2dB. Sensitivity close to 86dB, easily driven to adequate levels in a small-to-medium room with a 100W-capable amplifier. Takes very well to EQ - a single band of correction (about a 2dB cut around 4-5kHz) resolves the main tonal issue and transforms the sound. Dynamic range and compression performance is solidly “medium,” holding up fine through about 20dB of level increase before higher-frequency and bass output start to taper at extreme volumes.
Cons: A bump around 4-6kHz gives a “shouty,” mildly sibilant quality in the lower treble. Counterintuitively, toeing the speaker out to reduce brightness makes this worse rather than better, since the ring-radiator tweeter’s directivity narrows rapidly above about 6-7kHz - pointed on-axis retains enough top-end air to balance the bump, but toed away that air drops off and the shoutiness stands out more. Bass is adequate for its 5.25” woofers but lacks real weight below about 40-50Hz; a subwoofer is still needed for movies and bass-heavy music. A cabinet resonance around 160-170Hz subtracts from rather than adds boom to the mid-bass region. Vertical listening window is fairly narrow - sitting more than about 10-20° above or below the tweeter axis causes a suckout in the 2-5kHz range, reducing clarity and attack. Multitone distortion ramps up noticeably around 1kHz, and crossing over to a subwoofer at 80Hz doesn’t meaningfully reduce it - likely a surround-related effect rather than excursion-related. Without applying corrective EQ, the reviewer says the 4-6kHz brightness would make it harder to live with day to day.
Full Polk Reserve R500 review and specifications →
| Bass Extension (-10dB) | 33Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 51Hz (measured, Erin's Audio Corner) |
| Dimensions | 40.3"H x 6.8"W x 12.4"D (1023.6 x 172.7 x 315 mm) |
| Drivers | Two 5.25" Turbine Cone woofer, 1" Pinnacle Ring Radiator tweeter |
| Impedance | 4.1 ohms minimum above 80Hz (measured, Erin's Audio Corner; 8 ohms nominal per manufacturer) |
| Sensitivity | 86.2dB (measured, Erin's Audio Corner) |
| Weight | 39.2 lbs / 17.8 kg each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Polk Reserve R500 vs ELAC Debut 3.0 DF63
- Polk Reserve R500 vs Linkwitz Lab LXmini
- Polk Reserve R500 vs PSB Imagine T65
- Polk Reserve R500 vs Definitive Technology BP-9020
- Polk Reserve R500 vs Q Acoustics 5040
- Polk Reserve R500 vs Polk Audio Reserve R700
- Polk Reserve R500 vs Infinity Primus 360
- Polk Reserve R500 vs Klipsch Forte IV
- See all 26 comparisons

