Short answer: the ELAC DF63. It ranks #25 of 54 floorstanding speakers by sound quality at $649; the Polk Reserve R500 ranks #26 and costs $699, so there is not much of a tradeoff to weigh.
What the ELAC DF63 offers: Three-driver floorstanding layout: two 6” dedicated midbase drivers plus a separate 6” mid-range driver (confirmed by measuring different driver impedance/inductance) and a 1” dome tweeter, each woofer given its own stuffed… Watch for: A genuine measured resonance around 200-300Hz (visible in frequency response, impedance, and group delay) causes an audible “droning” coloration on female vocals.
What the Polk Reserve R500 offers: Dual 5.25” midwoofers paired with a ring radiator tweeter in a floorstanding tower design. Watch for: A bump around 4-6kHz gives a “shouty,” mildly sibilant quality in the lower treble.
Buy the ELAC DF63. It ranks higher for sound quality than the Polk Reserve R500 and costs less, so there is no real case for the other one.
Specifications Side By Side
| ELAC DF63 | Polk Reserve R500 | |
|---|---|---|
| Price | $649.00 | $699.00 |
| Ranked | #25 of 54 in Large Size Floorstanding Speakers | #26 of 54 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 29Hz (measured, Erin’s Audio Corner) | 33Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 71Hz (measured, Erin’s Audio Corner) | 51Hz (measured, Erin’s Audio Corner) |
| Dimensions | 43.1"H x 7.7"W x 10.6"D (1094.7 x 195.6 x 269.2 mm) | 40.3"H x 6.8"W x 12.4"D (1023.6 x 172.7 x 315 mm) |
| Impedance | 6 ohms nominal (3.4 ohms minimum, measured, Erin’s Audio Corner) | 4.1 ohms minimum above 80Hz (measured, Erin’s Audio Corner; 8 ohms nominal per manufacturer) |
| Drivers | Two 6.5" Aramid Fiber woofer, 6.5" Aramid Fiber midrange, 1" Aluminum Dome tweeter | Two 5.25" Turbine Cone woofer, 1" Pinnacle Ring Radiator tweeter |
| Sensitivity | 86.6dB (measured, Erin’s Audio Corner) | 86.2dB (measured, Erin’s Audio Corner) |
| Weight | 58.2 lbs / 26.4 kg each | 39.2 lbs / 17.8 kg each |
| Woofer Cabinet | ported, rear | ported, rear |
Related Speaker Comparisons
More useful head-to-heads from the same speaker class:
- Linkwitz Lab LXmini vs Infinity Primus 360
- Arendal 1961 Tower vs PSB Imagine T65
- PSB Imagine T65 vs Klipsch Heresy IV
- ELAC DF63 vs Infinity Primus 360
- Polk Reserve R500 vs Linkwitz Lab LXmini
The Two Speakers In Full
ELAC DF63: $649.00 Amazon
Pros: Three-driver floorstanding layout: two 6” dedicated midbase drivers plus a separate 6” mid-range driver (confirmed by measuring different driver impedance/inductance) and a 1” dome tweeter, each woofer given its own stuffed chamber inside the cabinet. The dedicated midrange driver keeps distortion low even at higher output, avoiding the intermodulation grain typical of two-way bookshelf designs. The waveguide keeps high-frequency directivity well controlled, and overall horizontal directivity is good up to about 2kHz. Harmonic distortion looks good at both 86dB and 96dB, and multitone distortion stays below the reviewer’s 3% threshold. A shallow bass rolloff (F3 71Hz, F10 29Hz) lets it extend fairly low without a hard cutoff. Preferred by the reviewer over the similarly-priced Polk R500 (too much high-frequency narrowing, less neutral) and considered ahead of the Polk R700 as well.
Cons: A genuine measured resonance around 200-300Hz (visible in frequency response, impedance, and group delay) causes an audible “droning” coloration on female vocals. A mild peak around 10kHz makes shakers and similar high-frequency percussion jump too far forward in the mix; needed about 2dB of EQ to tame in testing. A dip in the 1-3kHz range gives the speaker a warm, slightly veiled character - the reviewer suspects the tweeter crossover point (around 2-3kHz) is set a bit high and could be lowered to fill this in. Directivity shows a noticeable handoff mismatch around 2.5kHz where the midrange driver hands off to the tweeter, though it’s minor at the -6dB point. Vertical directivity is narrower than horizontal, so listeners need to stay close to the tweeter axis. Low EPDR (about 1.5 ohms minimum) means a Class AB amplifier should be well-ventilated. Best positioned pointed directly at the listener and closer to the front wall - toeing it out into the room causes too much high-frequency rolloff.
Full ELAC DF63 review and specifications →
| Bass Extension (-10dB) | 29Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 71Hz (measured, Erin's Audio Corner) |
| Dimensions | 43.1"H x 7.7"W x 10.6"D (1094.7 x 195.6 x 269.2 mm) |
| Drivers | Two 6.5" Aramid Fiber woofer, 6.5" Aramid Fiber midrange, 1" Aluminum Dome tweeter |
| Impedance | 6 ohms nominal (3.4 ohms minimum, measured, Erin's Audio Corner) |
| Sensitivity | 86.6dB (measured, Erin's Audio Corner) |
| Weight | 58.2 lbs / 26.4 kg each |
| Woofer Cabinet | ported, rear |
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Polk Reserve R500: $699.00 Amazon
Pros: Dual 5.25” midwoofers paired with a ring radiator tweeter in a floorstanding tower design. Surprisingly neutral overall compared to Polk’s smaller bookshelf models - notably more even-handed than the brighter-sounding R200 the reviewer tested previously. Good linearity on-axis, within about -3/+2dB. Sensitivity close to 86dB, easily driven to adequate levels in a small-to-medium room with a 100W-capable amplifier. Takes very well to EQ - a single band of correction (about a 2dB cut around 4-5kHz) resolves the main tonal issue and transforms the sound. Dynamic range and compression performance is solidly “medium,” holding up fine through about 20dB of level increase before higher-frequency and bass output start to taper at extreme volumes.
Cons: A bump around 4-6kHz gives a “shouty,” mildly sibilant quality in the lower treble. Counterintuitively, toeing the speaker out to reduce brightness makes this worse rather than better, since the ring-radiator tweeter’s directivity narrows rapidly above about 6-7kHz - pointed on-axis retains enough top-end air to balance the bump, but toed away that air drops off and the shoutiness stands out more. Bass is adequate for its 5.25” woofers but lacks real weight below about 40-50Hz; a subwoofer is still needed for movies and bass-heavy music. A cabinet resonance around 160-170Hz subtracts from rather than adds boom to the mid-bass region. Vertical listening window is fairly narrow - sitting more than about 10-20° above or below the tweeter axis causes a suckout in the 2-5kHz range, reducing clarity and attack. Multitone distortion ramps up noticeably around 1kHz, and crossing over to a subwoofer at 80Hz doesn’t meaningfully reduce it - likely a surround-related effect rather than excursion-related. Without applying corrective EQ, the reviewer says the 4-6kHz brightness would make it harder to live with day to day.
Full Polk Reserve R500 review and specifications →
| Bass Extension (-10dB) | 33Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 51Hz (measured, Erin's Audio Corner) |
| Dimensions | 40.3"H x 6.8"W x 12.4"D (1023.6 x 172.7 x 315 mm) |
| Drivers | Two 5.25" Turbine Cone woofer, 1" Pinnacle Ring Radiator tweeter |
| Impedance | 4.1 ohms minimum above 80Hz (measured, Erin's Audio Corner; 8 ohms nominal per manufacturer) |
| Sensitivity | 86.2dB (measured, Erin's Audio Corner) |
| Weight | 39.2 lbs / 17.8 kg each |
| Woofer Cabinet | ported, rear |
As an eBay Partner, we may be compensated if you make a purchase.
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- Head-to-Head Comparisons