Audio-Technica ATH-AD500X vs Jabra Evolve 40

Last updated: October 10, 2026

Short answer: the Audio-Technica ATH-AD500X, if you are buying new, though neither ranks well in its class. The Jabra Evolve 40 measures as well as it (#123 vs #122 of 134 over-ear headphones, 2.6/5 vs 2.6/5) but is discontinued, so only consider it used; the Audio-Technica ATH-AD500X is still sold new at $119. Both are rated below 3.0/5 among the 134 over-ear headphones, so if sound quality matters, consider the HIFIMAN HE400se instead, ranked #15 at $109.

Audio-Technica ATH-AD500X vs Jabra Evolve 40

What the Audio-Technica ATH-AD500X does well: The open-back design gives a spacious, airy presentation, and the 48 ohm impedance with 100 dB sensitivity works directly from a phone or laptop. The catch: Treble from 6 to 10 kHz is about 9 dB below target and a 16 dB dip near 7.2 kHz removes cymbal and sibilance detail, so the sound is dark and veiled.

The case for the Jabra Evolve 40: Closed-back, 0.2 lbs (113 g) and a built-in microphone make this a light office headset that also works for calls. The catch: Sub-bass below 60 Hz sits about 20 dB under the target, so kick drums and bass synths have almost no rumble.

Buy the Audio-Technica ATH-AD500X if you want one new; the Jabra Evolve 40 is discontinued, so only look for it used.

Want more options? Browse the full Headphones rankings.

Specifications Side By Side

Audio-Technica ATH-AD500X Jabra Evolve 40
Price$119.00$142.73 Discontinued
Ranked#122 of 134 in Over-Ear Headphones#123 of 134 in Over-Ear Headphones
Form FactorOver-earOver-ear
Harman Preference Score50 (measured by oratory1990, via AutoEQ)50 (measured by oratory1990, via AutoEQ)
Deviation From Target3.75 dB standard deviation4.29 dB standard deviation
Tonal Tilt-1.10 (negative is warmer, positive brighter)+0.69 (negative is warmer, positive brighter)
ConnectionWiredWired
BackOpenClosed
Driver TypeDynamic-
Drivers1 x 53mm dynamic1 x 28mm
Impedance48 ohms32 ohms
Sensitivity100 dB/mW93.6 dB
Weight0.5 lbs (235 g)0.2 lbs (113 g)
Frequency Response5Hz - 25kHz (Manufacturer specified)20Hz - 20kHz (Manufacturer specified)
Built-in Microphone-Yes

More top alternatives to Audio-Technica ATH-AD500X:

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The Two Headphones In Full

Audio-Technica ATH-AD500X: $119.00 Amazon eBay

Audio-Technica ATH-AD500X ranking card

Pros: The open-back design gives a spacious, airy presentation, and the 48 ohm impedance with 100 dB sensitivity works directly from a phone or laptop. At 235 g it is light for a full-size headphone. The lower midrange is within half a dB of target, so the body of voices and guitars sounds natural.

Cons: Treble from 6 to 10 kHz is about 9 dB below target and a 16 dB dip near 7.2 kHz removes cymbal and sibilance detail, so the sound is dark and veiled. Sub-bass is about 9 dB low under 60 Hz, so deep bass lacks rumble. Open backs leak sound and give no isolation. The Anker Soundcore Space One has a higher rating at a lower price.

Released2012 (14 years ago)
BackOpen
ConnectionWired
Deviation From Target3.75 dB standard deviation
Driver TypeDynamic
Drivers1 x 53mm dynamic
Form FactorOver-ear
Frequency Response5Hz - 25kHz (Manufacturer specified)
Harman Preference Score50 (measured by oratory1990, via AutoEQ)
Impedance48 ohms
Sensitivity100 dB/mW
Tonal Tilt-1.10 (negative is warmer, positive brighter)
Weight0.5 lbs (235 g)
EQ preset to match the Harman target

Set a preamp of -6.5 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.

FilterFrequencyGainQ
Low shelf105 Hz+7.0 dB0.70
Peak132 Hz-4.4 dB0.44
Peak8,349 Hz+6.5 dB1.37
Peak1,295 Hz-3.9 dB1.00
Peak2,506 Hz+4.7 dB1.39
High shelf10,000 Hz-2.0 dB0.70
Peak4,177 Hz-3.9 dB5.95
Peak3,282 Hz+3.3 dB5.84
Peak2,773 Hz-1.6 dB6.00
Peak4,931 Hz+1.7 dB6.00

Jabra Evolve 40: $142.73 Discontinued Amazon eBay

Jabra Evolve 40 ranking card

Pros: Closed-back, 113 g and a built-in microphone make this a light office headset that also works for calls. A 32 ohm impedance runs fine straight from a laptop or phone. Midrange and treble sit within about 2 dB of the Harman target from 1 kHz to 10 kHz, so voices are reasonably natural, and it suits neutral or bright tastes.

Cons: Sub-bass below 60 Hz sits about 20 dB under the target, so kick drums and bass synths have almost no rumble. A 9 dB dip near 11 kHz and air that is about 6 dB low make cymbals dull. Its preference score of 50 is middling for the class, and the Bowers & Wilkins Px7 S2 is rated higher at a similar price. Discontinued.

ReleasedNov 2014 (11 years ago)
BackClosed
Built-in MicrophoneYes
ConnectionWired
Deviation From Target4.29 dB standard deviation
Drivers1 x 28mm
Form FactorOver-ear
Frequency Response20Hz - 20kHz (Manufacturer specified)
Harman Preference Score50 (measured by oratory1990, via AutoEQ)
Impedance32 ohms
Sensitivity93.6 dB
Tonal Tilt+0.69 (negative is warmer, positive brighter)
Weight0.2 lbs (113 g)
EQ preset to match the Harman target

Set a preamp of -6.2 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.

FilterFrequencyGainQ
Low shelf105 Hz+6.1 dB0.70
Peak200 Hz-4.1 dB0.76
Peak90 Hz+3.4 dB1.81
Peak1,208 Hz+4.4 dB2.15
Peak703 Hz-2.5 dB1.74
High shelf10,000 Hz+2.7 dB0.70
Peak2,662 Hz+2.7 dB1.26
Peak1,969 Hz-3.8 dB3.23
Peak9,699 Hz+3.6 dB2.55
Peak2,750 Hz+0.8 dB4.49