Short answer: the Revel F226Be if sound quality matters most, the JBL Stage 2 280F if price matters most. The Revel F226Be ranks #15 of 226 floorstanding speakers, rated 4.6/5, at $8,469.90. The JBL Stage 2 280F ranks #187, rated 3.4/5, at $1,319.90, $7,150 cheaper.
The Revel F226Be is the more accurate pick. Its measured preference score, a predictor of how neutral it sounds, is 5.96 against 4.69 for the JBL Stage 2 280F. The tradeoff: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle.
The JBL Stage 2 280F is the deeper-bass pick. Genuinely impressive output capability and low compression/distortion for the price, courtesy of the dual 8” woofers: the reviewer’s standout praise for this pair. Its bass reaches about 48Hz before falling 3dB, against 56Hz for the Revel F226Be. Watch for: Explicitly called out as disappointing relative to expectations for the JBL name and this price point: lacks native linearity compared to similarly-priced alternatives like the Polk Reserve R500, which the reviewer recommends instead for anyone who doesn’t want to rely on EQ.
Buy the Revel F226Be if sound quality matters more than the price. Buy the JBL Stage 2 280F if the price matters more than sound quality.
Still deciding? The full Passive Home rankings cover every ranked option.
Specifications Side By Side
| Revel F226Be | JBL Stage 2 280F | |
|---|---|---|
| Price | $8,469.90 per pair | $1,319.90 per pair |
| Ranked | #15 of 226 in Large Size Floorstanding Speakers | #187 of 226 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 36Hz (measured, Erin’s Audio Corner) | 30Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 56Hz (measured, Erin’s Audio Corner) | 48Hz (measured, Erin’s Audio Corner) |
| Dimensions | 41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm) | 43.8” x 14.1” x 16.5” (1113 x 358 x 419 mm) |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) | 6 ohms nominal, 3.9 ohms minimum (measured, Erin’s Audio Corner) |
| Drivers | Two 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter | 1” anodized aluminum dome tweeter with HDI waveguide, dual 8” polycellulose woofers |
| Sensitivity | 89.7dB (measured, Erin’s Audio Corner) | 89.5dB (2.83V/1m, measured by Erin’s Audio Corner) |
| Weight | 58.2 lbs (26.4 kg) each | 55.1 lbs (25 kg) each |
| Woofer Cabinet | ported, front | ported, rear |
| Spinorama Preference Score | 5.96 (spinorama.org) | 4.69 |
| Spinorama Preference Score with Perfect Sub | 8.15 (spinorama.org) | 6.14 |
| DIY Kit | No | No |
| Crossover Frequency | - | 1.1kHz, 2.1kHz |
| Power Handling | - | 125W RMS |
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Prices on this page were last checked October 9, 2026 at 8:01 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
Revel F226Be: $8,469.90 per pair Crutchfield eBay
Older model: the Revel F206 (ranked lower, rated 4.5/5). See every Revel Performa generation.
Same family: the Revel M126Be (bookshelf, rated 4.3/5), the Revel F228Be (larger floorstanding, ranked lower, rated 4.5/5), the Revel F328Be (larger floorstanding, ranked higher, rated 4.7/5) and the Revel C426Be (center, rated 4/5).
Pros: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range, and dual 6.5” woofers (not a coaxial layout): all Deep Ceramic Composite aluminum cones engineered specifically to avoid breakup outside their crossover bands, and it measures that way: neither the woofers nor the mid-range show breakup spikes even well outside their intended pass bands, and even the front port measures unusually clean (only a mild ~3dB bump around 150Hz, well controlled versus the resonances the reviewer typically sees from ports). On-axis frequency response holds within about ±1.5dB above roughly 65Hz (excellent linearity) and off-axis behavior tracks it closely, with only mild, subdued peaking around 4-6kHz that doesn’t show up as real resonance in the spinorama data. Average sensitivity around 90dB (2.83V/1m), notably higher than some competing three-way designs and most bookshelf speakers, translating directly into better dynamic range at both low and high listening levels: one reviewer specifically praised its ability to deliver full transient impact (snare hits, kick drum) even at quiet, conversational volumes rather than needing to be cranked up to feel dynamic. Wide, consistent horizontal radiation of about ±60-70° at the -6dB point, landing right in the reviewer’s preferred range for an enveloping soundstage without excess diffusion, and exceptionally wide vertical dispersion: roughly ±80° up to 10kHz and still ±70° above that, which one reviewer called the widest vertical radiation pattern he had measured to date. Distortion stays under 3% even at 104dB SPL, and in real-world testing up to 105dB from 12-14 feet away, full-range with no crossover, the reviewer heard no audible mechanical noise, port chuffing, or compression at all. Flat enough on- and off-axis response that toeing the speaker 10-15° away from the listener preserves the same tonal balance rather than changing it, and the wide, well-controlled directivity lets sidewall reflections reinforce rather than smear the soundstage. Measured bass extension of 56Hz (-3dB), with a measured sensitivity of 89.7dB.
Cons: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle. F3 of 56Hz and F10 of 36Hz mean it doesn’t extend nearly as low as some three-way rivals with larger woofers: a dedicated subwoofer (10-12”, or 15” for content below 30Hz) is recommended for home theater or bass-heavy music, even though the speaker itself can play surprisingly loud without one. Vertical directivity tolerance is tighter in the crossover handoff region than a true coaxial design would offer, since the tweeter, midrange, and woofers are physically separated: a mild directivity bump appears around 2-2.5kHz that’s typical of non-coaxial multi-way speakers, though not audibly problematic within about ±10° vertically. On-axis, the top end reads as a bit bright according to one reviewer’s subjective impression, generally benefiting from some toe-out. High-gloss cabinet finish can create distracting reflections if used behind a projector screen in a home theater setup. Front-ported, so it can technically sit close to a wall, but doing so makes the bass boomier.
Full Revel F226Be review and specifications →
| Bass Extension (-10dB) | 36Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm) |
| Drivers | Two 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) |
| Sensitivity | 89.7dB (measured, Erin’s Audio Corner) |
| Spinorama Preference Score | 5.96 (spinorama.org) |
| Spinorama Preference Score with Perfect Sub | 8.15 (spinorama.org) |
| Weight | 58.2 lbs (26.4 kg) each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: Revel PerformaBe F226Be Floorstanding Loudspeaker Review. I love this speaker. More from Erin’s Audio Corner →
- Erin’s Audio Corner: Should You Buy the Revel F226Be or the MoFi 888?
- Erin’s Audio Review Website Revel F226B
- Erin’s Audio Corner: My Top 5 Speakers at Any Price
- Erin’s Audio Corner Measurements (spinorama.org)
- Head-to-Head Comparisons
JBL Stage 2 280F: $1,319.90 per pair Amazon eBay
Older model: the JBL Stage A180 (ranked higher, rated 3.8/5). See every JBL Arena and Stage generation.
Same family: the JBL Stage 2 240B (smaller bookshelf, estimated 2.7/5), the JBL Stage 250B (larger bookshelf, rated 3.2/5), the JBL Stage 2 260F (smaller floorstanding, ranked higher, estimated 4.2/5), the JBL Stage 2 245C (center, estimated 3.2/5), the JBL Stage 200P (smaller subwoofer, estimated 3.5/5) and the JBL Stage 220P (larger subwoofer, estimated 3.7/5).
Pros: Genuinely impressive output capability and low compression/distortion for the price, courtesy of the dual 8” woofers: the reviewer’s standout praise for this pair. High sensitivity (89.5dB measured) and low impedance make it easy to drive. Decent bass extension (F3 48Hz, F10 30Hz) reaches about 50Hz in-room. Horizontal dispersion is reasonably consistent (~55 degrees), meaning the speaker takes reasonably well to EQ correction. Measured bass extension of 48Hz (-3dB), with a measured sensitivity of 89.5dB.
Cons: Explicitly called out as disappointing relative to expectations for the JBL name and this price point: lacks native linearity compared to similarly-priced alternatives like the Polk Reserve R500, which the reviewer recommends instead for anyone who doesn’t want to rely on EQ. Treble falls off a cliff above about 10-12kHz, giving a notable lack of air/space that needs real correction (a wide +Q0.5 boost from 10-20kHz) to fix. A sharp impedance resonance around 900Hz-1.1kHz is nearly impossible to EQ out cleanly even with narrow filters. Elevated multitone distortion in the 600Hz-2.5kHz range, tied to the midwoofer rather than the tweeter. Compared to the similarly-priced Klipsch RP-6000F II/Klipsch RP-8000F II, this JBL is less directive and native-flat but does extend roughly 20Hz deeper in the bass: a real tradeoff either way, not a clean win.
Full JBL Stage 2 280F review and specifications →
| Bass Extension (-10dB) | 30Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 48Hz (measured, Erin’s Audio Corner) |
| Crossover Frequency | 1.1kHz, 2.1kHz |
| DIY Kit | No |
| Dimensions | 43.8” x 14.1” x 16.5” (1113 x 358 x 419 mm) |
| Drivers | 1” anodized aluminum dome tweeter with HDI waveguide, dual 8” polycellulose woofers |
| Impedance | 6 ohms nominal, 3.9 ohms minimum (measured, Erin’s Audio Corner) |
| Power Handling | 125W RMS |
| Sensitivity | 89.5dB (2.83V/1m, measured by Erin’s Audio Corner) |
| Spinorama Preference Score | 4.69 |
| Spinorama Preference Score with Perfect Sub | 6.14 |
| Weight | 55.1 lbs (25 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- JBL Stage 2 280F vs Polk Signature Elite ES60
- JBL Stage 2 280F vs Magnepan LRS+
- JBL Stage 2 280F vs Infinity Reference 253
- JBL Stage 2 280F vs Polk Audio XT60
- JBL Stage 2 280F vs Polk Audio XT70
- JBL Stage 2 280F vs Focal Aria Evo X N°2
- JBL Stage 2 280F vs Sony SS-CS3
- JBL Stage 2 280F vs JBL Studio 590
- See all 39 comparisons