Short answer: the Revel F328Be for better sound quality, the Revel F226Be for the lower price. The Revel F328Be ranks #7 of 56 floorstanding speakers at $13600. The Revel F226Be ranks #10 at $7700, $5900 cheaper.
What the Revel F328Be gets right: CEA2034 spinorama shows a quite flat on-axis response with superb directivity and efficiency above 90dB. The catch: Vertical directivity is asymmetric - the reviewer recommends staying between -20 and +40 degrees relative to the tweeter axis, reflecting the driver layout of this three-way tower.
The case for the Revel F226Be: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range. The tradeoff: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle.
Buy the Revel F328Be if sound quality matters more than the price. Buy the Revel F226Be if the price matters more than sound quality.
Specifications Side By Side
| Revel F328Be | Revel F226Be | |
|---|---|---|
| Price | $13600 | $7700 |
| Ranked | #7 of 56 in Large Size Floorstanding Speakers | #10 of 56 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 39Hz (measured, Audio Science Review) | 36Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 74Hz (measured, Audio Science Review) | 56Hz (measured, Erin’s Audio Corner) |
| Dimensions | 50.9"H x 13.5"W x 17.6"D (1292.9 x 342.9 x 447 mm) | 41.3"H x 9.8"W x 13.7"D (1049 x 248.9 x 348 mm) |
| Impedance | 8 ohms nominal (3 ohms minimum, measured by Audio Science Review) | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) |
| Drivers | Three 8" (200mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4" (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1" (25mm) Beryllium dome, with acoustic lens waveguide tweeter | Two 6.5" (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4" (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1" (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Sensitivity | 91dB (measured, Audio Science Review) | 89.7dB (measured, Erin’s Audio Corner) |
| Weight | 112.4 lbs / 51 kg each | 58.2 lbs / 26.4 kg each |
| Woofer Cabinet | ported, rear | ported, front |
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The Two Speakers In Full
Revel F328Be: $13600 Crutchfield
Pros: CEA2034 spinorama shows a quite flat on-axis response with superb directivity and efficiency above 90dB. Predicted in-room response is extremely accurate, with a smooth ~5dB downward slope from bass to treble that suits typical rooms without correction. Early reflections sum very nicely with the direct sound. Horizontal beamwidth of about ±70 degrees is wide and quite smooth. At 96dB SPL/1m distortion stays easily below the reviewer’s audibility threshold across nearly the whole range.
Cons: Vertical directivity is asymmetric - the reviewer recommends staying between -20 and +40 degrees relative to the tweeter axis, reflecting the driver layout of this three-way tower. Impedance dips to a minimum of 3 ohms with an additional resonance-driven phase swing, calling for an amplifier comfortable with a demanding load. Very expensive and very heavy (51 kg each).
Full Revel F328Be review and specifications →
| Bass Extension (-10dB) | 39Hz (measured, Audio Science Review) |
|---|---|
| Bass Extension (-3dB) | 74Hz (measured, Audio Science Review) |
| Dimensions | 50.9"H x 13.5"W x 17.6"D (1292.9 x 342.9 x 447 mm) |
| Drivers | Three 8" (200mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4" (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1" (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Impedance | 8 ohms nominal (3 ohms minimum, measured by Audio Science Review) |
| Sensitivity | 91dB (measured, Audio Science Review) |
| Weight | 112.4 lbs / 51 kg each |
| Woofer Cabinet | ported, rear |
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Revel F226Be: $7700 Crutchfield
Pros: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range, and dual 6.5” woofers (not a coaxial layout) - all Deep Ceramic Composite aluminum cones engineered specifically to avoid breakup outside their crossover bands, and it measures that way: neither the woofers nor the mid-range show breakup spikes even well outside their intended pass bands, and even the front port measures unusually clean (only a mild ~3dB bump around 150Hz, well controlled versus the resonances the reviewer typically sees from ports). On-axis frequency response holds within about ±1.5dB above roughly 65Hz - excellent linearity - and off-axis behavior tracks it closely, with only mild, subdued peaking around 4-6kHz that doesn’t show up as real resonance in the spinorama data. Average sensitivity around 90dB (2.83V/1m), notably higher than some competing three-way designs and most bookshelf speakers, translating directly into better dynamic range at both low and high listening levels - one reviewer specifically praised its ability to deliver full transient impact (snare hits, kick drum) even at quiet, conversational volumes rather than needing to be cranked up to feel dynamic. Wide, consistent horizontal radiation of about ±60-70° at the -6dB point, landing right in the reviewer’s preferred range for an enveloping soundstage without excess diffusion, and exceptionally wide vertical dispersion - roughly ±80° up to 10kHz and still ±70° above that, which one reviewer called the widest vertical radiation pattern he had measured to date. Distortion stays under 3% even at 104dB SPL, and in real-world testing up to 105dB from 12-14 feet away, full-range with no crossover, the reviewer heard no audible mechanical noise, port chuffing, or compression at all. Flat enough on- and off-axis response that toeing the speaker 10-15° away from the listener preserves the same tonal balance rather than changing it, and the wide, well-controlled directivity lets sidewall reflections reinforce rather than smear the soundstage.
Cons: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle. F3 of 56Hz and F10 of 36Hz mean it doesn’t extend nearly as low as some three-way rivals with larger woofers - a dedicated subwoofer (10-12”, or 15” for content below 30Hz) is recommended for home theater or bass-heavy music, even though the speaker itself can play surprisingly loud without one. Vertical directivity tolerance is tighter in the crossover handoff region than a true coaxial design would offer, since the tweeter, midrange, and woofers are physically separated - a mild directivity bump appears around 2-2.5kHz that’s typical of non-coaxial multi-way speakers, though not audibly problematic within about ±10° vertically. On-axis, the top end reads as a bit bright according to one reviewer’s subjective impression, generally benefiting from some toe-out. High-gloss cabinet finish can create distracting reflections if used behind a projector screen in a home theater setup. Front-ported, so it can technically sit close to a wall, but doing so makes the bass boomier.
Full Revel F226Be review and specifications →
| Bass Extension (-10dB) | 36Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin's Audio Corner) |
| Dimensions | 41.3"H x 9.8"W x 13.7"D (1049 x 248.9 x 348 mm) |
| Drivers | Two 6.5" (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4" (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1" (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin's Audio Corner) |
| Sensitivity | 89.7dB (measured, Erin's Audio Corner) |
| Weight | 58.2 lbs / 26.4 kg each |
| Woofer Cabinet | ported, front |
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