Short answer: the Revel F226Be, if you are buying new. The JBL 4367 measures as well as it (#11 vs #10 of 73 floorstanding speakers, 4.6/5 vs 4.6/5) but is discontinued, so only consider it used; the Revel F226Be is still sold new at $7,700.
The case for the Revel F226Be: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range, and dual 6.5” woofers (not a coaxial layout): all Deep Ceramic Composite aluminum cones engineered specifically to avoid breakup outside their crossover bands, and it measures that way: neither the woofers nor the mid-range show breakup spikes even well outside their intended pass bands, and even the front port measures unusually clean (only a mild ~3dB bump around 150Hz, well controlled versus the resonances the reviewer typically sees from ports). The catch: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle.
What the JBL 4367 does well: Three-way design pairing a 15” front-ported woofer with a compression driver on a controlled-dispersion horn/waveguide, crossed over at 700Hz. The catch: At roughly $16500/pair, this is a major investment: the reviewer recommends buying from a dealer with a liberal return policy.
Buy the Revel F226Be new; the JBL 4367 is no longer sold new, so it only makes sense as a used find.
Want more options? Browse the full Passive Home rankings.
Specifications Side By Side
| Revel F226Be | JBL 4367 | |
|---|---|---|
| Price | $7700 per pair | $16500 per pair Discontinued |
| Ranked | #10 of 73 in Large Size Floorstanding Speakers | #11 of 73 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 36Hz (measured, Erin’s Audio Corner) | 31Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 56Hz (measured, Erin’s Audio Corner) | 43Hz (measured, Erin’s Audio Corner) |
| Dimensions | 41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm) | 37.2”H x 22.2”W x 16.8”D (944.9 x 563.9 x 426.7 mm) |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) | 4 ohms nominal (5.3 ohms minimum above 80Hz, measured by Erin’s Audio Corner) |
| Drivers | Two 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter | 15” (380mm) 2216Nd-1 Dual Differential Drive® woofer, 3” (75mm) D2430K dual compression tweeter |
| Sensitivity | 89.7dB (measured, Erin’s Audio Corner) | 92.5dB (measured average, Erin’s Audio Corner) |
| Weight | 58.2 lbs (26.4 kg) each | 119 lbs (54 kg) each |
| Woofer Cabinet | ported, front | ported, front |
| Spinorama Preference Score | 5.96 (spinorama.org) | 5.07 |
| Spinorama Preference Score with Perfect Sub | 8.15 (spinorama.org) | 6.88 |
| DIY Kit | No | No |
Related Speaker Comparisons
How Revel F226Be compares with other leading options:
- Revel F226Be vs KEF Blade Two Meta
- Revel F226Be vs MoFi SourcePoint V10 Master Edition
- MoFi SourcePoint 888 vs Revel F226Be
- Revel F328Be vs Revel F226Be
- Radiant Acoustics Clarity 66 vs Revel F226Be
Prices on this page were last checked September 30, 2026 at 2:57 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
As an eBay Partner, we may be compensated if you make a purchase.
The Two Speakers In Full
Revel F226Be: $7700 per pair Crutchfield eBay
Older model: the Revel F206 (ranked lower, rated 4.5/5).
Pros: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range, and dual 6.5” woofers (not a coaxial layout): all Deep Ceramic Composite aluminum cones engineered specifically to avoid breakup outside their crossover bands, and it measures that way: neither the woofers nor the mid-range show breakup spikes even well outside their intended pass bands, and even the front port measures unusually clean (only a mild ~3dB bump around 150Hz, well controlled versus the resonances the reviewer typically sees from ports). On-axis frequency response holds within about ±1.5dB above roughly 65Hz (excellent linearity) and off-axis behavior tracks it closely, with only mild, subdued peaking around 4-6kHz that doesn’t show up as real resonance in the spinorama data. Average sensitivity around 90dB (2.83V/1m), notably higher than some competing three-way designs and most bookshelf speakers, translating directly into better dynamic range at both low and high listening levels: one reviewer specifically praised its ability to deliver full transient impact (snare hits, kick drum) even at quiet, conversational volumes rather than needing to be cranked up to feel dynamic. Wide, consistent horizontal radiation of about ±60-70° at the -6dB point, landing right in the reviewer’s preferred range for an enveloping soundstage without excess diffusion, and exceptionally wide vertical dispersion: roughly ±80° up to 10kHz and still ±70° above that, which one reviewer called the widest vertical radiation pattern he had measured to date. Distortion stays under 3% even at 104dB SPL, and in real-world testing up to 105dB from 12-14 feet away, full-range with no crossover, the reviewer heard no audible mechanical noise, port chuffing, or compression at all. Flat enough on- and off-axis response that toeing the speaker 10-15° away from the listener preserves the same tonal balance rather than changing it, and the wide, well-controlled directivity lets sidewall reflections reinforce rather than smear the soundstage. Measured bass extension of 56Hz (-3dB), with a measured sensitivity of 89.7dB.
Cons: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle. F3 of 56Hz and F10 of 36Hz mean it doesn’t extend nearly as low as some three-way rivals with larger woofers: a dedicated subwoofer (10-12”, or 15” for content below 30Hz) is recommended for home theater or bass-heavy music, even though the speaker itself can play surprisingly loud without one. Vertical directivity tolerance is tighter in the crossover handoff region than a true coaxial design would offer, since the tweeter, midrange, and woofers are physically separated: a mild directivity bump appears around 2-2.5kHz that’s typical of non-coaxial multi-way speakers, though not audibly problematic within about ±10° vertically. On-axis, the top end reads as a bit bright according to one reviewer’s subjective impression, generally benefiting from some toe-out. High-gloss cabinet finish can create distracting reflections if used behind a projector screen in a home theater setup. Front-ported, so it can technically sit close to a wall, but doing so makes the bass boomier.
Full Revel F226Be review and specifications →
| Bass Extension (-10dB) | 36Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm) |
| Drivers | Two 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) |
| Sensitivity | 89.7dB (measured, Erin’s Audio Corner) |
| Spinorama Preference Score | 5.96 (spinorama.org) |
| Spinorama Preference Score with Perfect Sub | 8.15 (spinorama.org) |
| Weight | 58.2 lbs (26.4 kg) each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: Revel PerformaBe F226Be Floorstanding Loudspeaker Review. I love this speaker. More from Erin’s Audio Corner →
- Erin’s Audio Corner: Should You Buy the Revel F226Be or the MoFi 888?
- Erin’s Audio Review Website Revel F226B
- Erin’s Audio Corner: My Top 5 Speakers at Any Price
- Erin’s Audio Corner Measurements (spinorama.org)
- Head-to-Head Comparisons
- Revel F226Be vs KEF R5 Meta
- Revel F226Be vs KEF Reference 203
- Revel F226Be vs Ascend Acoustics ELX Ribbon Tower
- Revel F226Be vs JBL HDI-3800
- Revel F226Be vs Radiant Acoustics Clarity 66
- Revel F226Be vs Revel F328Be
- Revel F226Be vs Focal Chora 816
- Revel F226Be vs MoFi SourcePoint 888
- See all 48 comparisons
JBL 4367: $16500 per pair Discontinued eBay
Newer model: the JBL 4369. It’s likely to perform similarly, though we don’t have measurements to confirm that yet.
Pros: Three-way design pairing a 15” front-ported woofer with a compression driver on a controlled-dispersion horn/waveguide, crossed over at 700Hz. On-axis frequency response is nearly dead flat, holding within about ±1.5dB, with the listening window tracking it closely except right at the crossover. Distortion stays below 1% THD across the entire audible band at both 86dB and 96dB. Compression/dynamic-range linearity is exceptional: within about a quarter of a dB from 76dB to 102dB, among the best the reviewer has measured. High sensitivity (about 92.6dB average) eases the amplifier match despite the speaker’s size. Minimal rear radiation thanks to the 15” woofer’s directivity and front-firing ports: rear energy runs about 20dB down from the primary wavefront, giving it a near-cardioid radiation pattern. Well-controlled horn directivity keeps the soundstage from noticeably shifting in width across the 700Hz crossover region. A natural high-frequency rolloff above about 7-8kHz gives it an easy, non-fatiguing character for extended listening sessions. Measured bass extension of 43Hz (-3dB), with a measured sensitivity of 92.5dB.
Cons: At roughly $16500/pair, this is a major investment: the reviewer recommends buying from a dealer with a liberal return policy. Vertical response shows dips beyond about ±10-20°, with a larger null further out: an inherent trade-off of mating a 15” woofer to a horn compression driver at a 700Hz crossover, since crossing lower would hurt power handling and dynamic range. Horizontal directivity isn’t perfectly consistent with frequency: narrow (about ±20°) through 200-800Hz, briefly widening to near ±50° above the crossover, then narrowing again at high frequency. An unusual, non-constant pattern. The high-frequency rolloff that gives it an easy-listening character also reduces the sense of air and space in the soundstage when listening from off-center seats. Massive and heavy (about 120 lbs, roughly 36-37” tall): needs to be raised on a stand to bring the horn to ear level, and isn’t something one person easily moves alone. Only modest EQ adjustment is available on the speaker itself (about ±1-2dB bass/treble trim). Discontinued.
Full JBL 4367 review and specifications →
| Bass Extension (-10dB) | 31Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 43Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 37.2”H x 22.2”W x 16.8”D (944.9 x 563.9 x 426.7 mm) |
| Drivers | 15” (380mm) 2216Nd-1 Dual Differential Drive® woofer, 3” (75mm) D2430K dual compression tweeter |
| Impedance | 4 ohms nominal (5.3 ohms minimum above 80Hz, measured by Erin’s Audio Corner) |
| Sensitivity | 92.5dB (measured average, Erin’s Audio Corner) |
| Spinorama Preference Score | 5.07 |
| Spinorama Preference Score with Perfect Sub | 6.88 |
| Weight | 119 lbs (54 kg) each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons