Short answer: the Revel F206 for better sound quality, the Dynaudio Emit 30 for the lower price. The Revel F206 ranks #22 of 68 floorstanding speakers at $2000. The Dynaudio Emit 30 ranks #53 at $1274.25, $725.75 cheaper.
What the Revel F206 offers: CEA2034 spinorama shows a pretty even on-axis response. Predicted in-room response is excellent, with a smooth downward slope. Horizontal beamwidth of about ±65 degrees is wide, if a bit uneven. Distortion is very nice at 86dB SPL/1m, falling below the frequency range where human hearing is most sensitive, and stays excellent even at 96dB SPL/1m. Near-field measurements of the individual drivers show nice suppression of port and woofer resonances. Really amazing value for the performance. Watch for: Some directivity error and a small peak around 4.5kHz show up alongside the directivity error around 3kHz. Vertical directivity means listening position needs to stay within the tweeter axis, though the reviewer notes there is some leeway. Minimum impedance dips to 3.3 ohms, calling for an amplifier comfortable with a demanding load.
What the Dynaudio Emit 30 offers: A 2.5-way floorstander: two 5.25” mid-woofers paired with a roughly 1” dome tweeter, driven through dual rear bass-reflex ports. The two woofers hand off at staggered crossover points (around 1kHz and 3.5kHz) rather than sharing one, which avoids the acoustic lobing a shared crossover point would cause between the tweeter and the lower woofer, and adds a few dB of sensitivity in the process. Genuinely deep bass for a speaker around this price - measured F3 near 44Hz and extends audibly down to about 40Hz in-room without much difficulty. Harmonic distortion measures clean and low at both 86dB and 96dB SPL/1m. Good CTA-2034 sound power and uniform directivity mean the speaker takes EQ correction well if a listener wants to dial in its one tonal weak point. Dynamic range and compression performance are strong overall, with only a minor, high-Q compression artifact tied to a cone-edge resonance that’s unlikely to be audible. Wide, consistent horizontal dispersion around ±70° with just a small ~10° narrowing between 1-3kHz, and a reasonably forgiving ±20° vertical window centered on the tweeter axis. Watch for: A dip and inconsistency in the lower-treble presence region (roughly 2-5kHz) makes the top end sound uneven - sometimes soft, sometimes forward - depending on the specific instrument or frequency being reproduced; male vocals can lack presence and cymbals can lack sizzle as a result. A cone-edge surround resonance shows up around 1-1.3kHz in burst-decay measurements (a trait the reviewer has also seen on other Dynaudio models) and lines up with elevated multitone distortion across roughly 600Hz-1.5kHz. An enclosure resonance appears around 350Hz in the impedance curve. Placed too close to a rear wall, the dual ports make the bass noticeably boomy - pulling the speaker out is needed to keep the low end from overloading the room. Fully resolving the top-end inconsistency needs a modest EQ correction (roughly +2dB with a Q of about 1, centered 3-6kHz), so out-of-the-box tonal accuracy in that band isn’t quite class-leading despite otherwise strong measured performance.
Buy the Revel F206 if sound quality matters more than the price. Buy the Dynaudio Emit 30 if the price matters more than sound quality.
If sound quality matters at all to you, skip the Dynaudio Emit 30. It ranks near the bottom of the 68 floorstanding speakers, so look higher up the list instead.

Specifications Side By Side
| Revel F206 | Dynaudio Emit 30 | |
|---|---|---|
| Price | $2000 used, Discontinued | $1,274.25 |
| Ranked | #22 of 68 in Large Size Floorstanding Speakers | #53 of 68 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 34Hz (measured, Audio Science Review) | 36Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 60Hz (measured, Audio Science Review) | 44Hz (measured, Erin’s Audio Corner) |
| Dimensions | 40.3"H x 8.4"W x 12.2"D (1023.6 x 213.4 x 309.9 mm) | 35.4"H x 6.7"W x 10.7"D (900.0 x 170.0 x 272.0 mm) |
| Discontinued | Yes | - |
| Impedance | 4 ohms nominal (3.3 ohms minimum, measured by Audio Science Review) | 4 ohms |
| Drivers | Dual 6.5" (16.5 cm) Aluminum Cone, Cast-frame Woofers, 5.25" (13.3 cm) Aluminum Cone, Cast-frame Midrange, 1" (2.5 cm) Aluminum Tweeter with Acoustic Lens Waveguide | Dual 5.25" mid-woofers, 1" soft dome tweeter |
| Sensitivity | 87dB (measured, Audio Science Review) | 87dB |
| Weight | 57.3 lbs / 26 kg each | 34.2 lbs / 15.5 kg |
| Woofer Cabinet | ported, front | ported, rear (dual) |
| Frequency Response | - | 44Hz - 25kHz (±3dB, manufacturer specified) |
| Power Handling | - | 180W (IEC rated) |
| Country of Origin | - | Denmark |
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- Klipsch RP-8000F II vs Klipsch RP-6000F II
- Dynaudio Emit 30 vs JBL Studio 590
- Revel F206 vs KEF Q11 Meta
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The Two Speakers In Full
Revel F206: $2000 used, Discontinued eBay
Pros: CEA2034 spinorama shows a pretty even on-axis response. Predicted in-room response is excellent, with a smooth downward slope. Horizontal beamwidth of about ±65 degrees is wide, if a bit uneven. Distortion is very nice at 86dB SPL/1m, falling below the frequency range where human hearing is most sensitive, and stays excellent even at 96dB SPL/1m. Near-field measurements of the individual drivers show nice suppression of port and woofer resonances. Really amazing value for the performance.
Cons: Some directivity error and a small peak around 4.5kHz show up alongside the directivity error around 3kHz. Vertical directivity means listening position needs to stay within the tweeter axis, though the reviewer notes there is some leeway. Minimum impedance dips to 3.3 ohms, calling for an amplifier comfortable with a demanding load. Discontinued.
Full Revel F206 review and specifications →
| Bass Extension (-10dB) | 34Hz (measured, Audio Science Review) |
|---|---|
| Bass Extension (-3dB) | 60Hz (measured, Audio Science Review) |
| Dimensions | 40.3"H x 8.4"W x 12.2"D (1023.6 x 213.4 x 309.9 mm) |
| Discontinued | Yes |
| Drivers | Dual 6.5" (16.5 cm) Aluminum Cone, Cast-frame Woofers, 5.25" (13.3 cm) Aluminum Cone, Cast-frame Midrange, 1" (2.5 cm) Aluminum Tweeter with Acoustic Lens Waveguide |
| Impedance | 4 ohms nominal (3.3 ohms minimum, measured by Audio Science Review) |
| Sensitivity | 87dB (measured, Audio Science Review) |
| Weight | 57.3 lbs / 26 kg each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
Dynaudio Emit 30: $1,274.25 Amazon eBay
Pros: A 2.5-way floorstander: two 5.25” mid-woofers paired with a roughly 1” dome tweeter, driven through dual rear bass-reflex ports. The two woofers hand off at staggered crossover points (around 1kHz and 3.5kHz) rather than sharing one, which avoids the acoustic lobing a shared crossover point would cause between the tweeter and the lower woofer, and adds a few dB of sensitivity in the process. Genuinely deep bass for a speaker around this price - measured F3 near 44Hz and extends audibly down to about 40Hz in-room without much difficulty. Harmonic distortion measures clean and low at both 86dB and 96dB SPL/1m. Good CTA-2034 sound power and uniform directivity mean the speaker takes EQ correction well if a listener wants to dial in its one tonal weak point. Dynamic range and compression performance are strong overall, with only a minor, high-Q compression artifact tied to a cone-edge resonance that’s unlikely to be audible. Wide, consistent horizontal dispersion around ±70° with just a small ~10° narrowing between 1-3kHz, and a reasonably forgiving ±20° vertical window centered on the tweeter axis.
Cons: A dip and inconsistency in the lower-treble presence region (roughly 2-5kHz) makes the top end sound uneven - sometimes soft, sometimes forward - depending on the specific instrument or frequency being reproduced; male vocals can lack presence and cymbals can lack sizzle as a result. A cone-edge surround resonance shows up around 1-1.3kHz in burst-decay measurements (a trait the reviewer has also seen on other Dynaudio models) and lines up with elevated multitone distortion across roughly 600Hz-1.5kHz. An enclosure resonance appears around 350Hz in the impedance curve. Placed too close to a rear wall, the dual ports make the bass noticeably boomy - pulling the speaker out is needed to keep the low end from overloading the room. Fully resolving the top-end inconsistency needs a modest EQ correction (roughly +2dB with a Q of about 1, centered 3-6kHz), so out-of-the-box tonal accuracy in that band isn’t quite class-leading despite otherwise strong measured performance.
Full Dynaudio Emit 30 review and specifications →
| Bass Extension (-10dB) | 36Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 44Hz (measured, Erin's Audio Corner) |
| Country of Origin | Denmark |
| Dimensions | 35.4"H x 6.7"W x 10.7"D (900.0 x 170.0 x 272.0 mm) |
| Drivers | Dual 5.25" mid-woofers, 1" soft dome tweeter |
| Frequency Response | 44Hz - 25kHz (±3dB, manufacturer specified) |
| Impedance | 4 ohms |
| Power Handling | 180W (IEC rated) |
| Sensitivity | 87dB |
| Weight | 34.2 lbs / 15.5 kg |
| Woofer Cabinet | ported, rear (dual) |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Dynaudio Emit 30 vs Klipsch RP-6000F II
- Dynaudio Emit 30 vs Klipsch RP-8000F II
- Dynaudio Emit 30 vs Polk T50
- Dynaudio Emit 30 vs SVS Ultra Evolution Pinnacle
- Dynaudio Emit 30 vs Focal Aria Evo X N°2
- Dynaudio Emit 30 vs Klipsch RP-5000F II
- Dynaudio Emit 30 vs Sony SS-CS3
- Dynaudio Emit 30 vs Infinity Reference 253
- See all 28 comparisons

