Revel Concerta2 F35 vs Monolith Encore T6

Last updated: August 25, 2026

Short answer: the Revel Concerta2 F35 for better sound quality, the Monolith Encore T6 for the lower price. The Revel Concerta2 F35 ranks #23 of 71 floorstanding speakers at $900. The Monolith Encore T6 ranks #50 at $800, $100 cheaper.

What the Revel Concerta2 F35 offers: Two-and-a-half-way, four-driver design: a 1” aluminum dome tweeter on a waveguide, a 5.25” mid-range, and dual 5.25” mid-bass drivers in a rear-ported cabinet. Measured sensitivity of 89.4dB closely matches the 90dB spec, and distortion looks good at both 86dB and 96dB, holding up well even with a high-pass filter applied. At its sale price (around $900/pair, down from full retail), the reviewer calls it a “no-brainer,” undercutting comparable budget floorstanders like the ELAC DF63. Frequency response and directivity mismatches are largely EQ-able, since most of what shows up in measurements traces to physical tweeter/mid-range separation rather than a fundamental flaw. Compression is fairly well controlled for the price - about 1dB of loss around 100Hz under long-term compression, described as “par for the course” at this cost. Watch for: F3 of 61Hz and F10 of 39Hz mean a subwoofer is needed for real bass extension. A dip in the lower midrange/2-3kHz region reduces attack and detail, and a peak around 5kHz adds some edge and sibilance in the lower treble. A peak in off-axis energy around 3kHz reflects off sidewalls at roughly 60-70° off-axis and arrives louder than the direct sound - this specific issue can’t be fixed with EQ (boosting the direct sound would boost the stronger reflection too) and would need acoustic absorption to properly address, though the reviewer considers it a minor, optional fix at this price. A couple of minor resonances appear in the impedance plot, including one around 300Hz that may partly explain a subtle sense of vocal warmth noticed in listening, though it’s more likely room-related. Minimum impedance around 3.8 ohms. Short-term compression testing shows some increased distortion in the tweeter and higher-frequency compression at loud output.

What the Monolith Encore T6 offers: Three 6.5-inch pulp-cone drivers provide more displacement and cleaner cinema output than the B6, with good compression behavior at normal levels. Erin found the revised waveguided tweeter’s horizontal radiation consistent enough for predictable EQ, while the gloss-capped, heavily braced 49lb cabinet feels far above its price. The tower can produce useful midbass impact when crossed to a subwoofer. Watch for: Despite its size, Erin measured F3 around 68Hz, so the tower does not eliminate the need for a subwoofer. The native response needs equalization: crossover-region unevenness and excess top-octave energy prevent a fully neutral presentation. The four-ohm load and low-frequency phase angle warrant a robust amplifier, and the tall multi-driver array creates a narrower vertical listening window than a compact two-way.

Buy the Revel Concerta2 F35 if sound quality matters more than the price. Buy the Monolith Encore T6 if the price matters more than sound quality.

Revel Concerta2 F35 vs Monolith Encore T6

Specifications Side By Side

Revel Concerta2 F35 Monolith Encore T6
Price$900$800/pair
Ranked#23 of 71 in Large Size Floorstanding Speakers#50 of 71 in Large Size Floorstanding Speakers
Bass Extension (-10dB)50Hz (measured, Erin’s Audio Corner)31.1Hz (measured, Erin’s Audio Corner)
Bass Extension (-3dB)70Hz (measured, Erin’s Audio Corner)~68Hz (measured, Erin’s Audio Corner)
Dimensions40.3"H x 8.4"W x 12.2"D (1023.6 x 213.4 x 309.9 mm)40H x 7.9W x 13.8D inches
Impedance6 ohms nominal (3.8 ohms minimum, measured by Erin’s Audio Corner)4 ohms nominal
Sensitivity89.4dB (measured, Erin’s Audio Corner; 90dB manufacturer specified)87.8dB/2.83V/1m (manufacturer)
Drivers3x 5.25" deep anodized aluminum cone woofers, 1" Aluminum TweeterThree 6.5-inch pulp woofers; 25mm waveguided silk dome
Weight41 lbs / 18.6 kg each49.2lb each
Woofer Cabinetported, rear-

More useful head-to-heads from the same speaker class:

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The Two Speakers In Full

Revel Concerta2 F35: $900 Crutchfield eBay

Revel Concerta2 F35 ranking card

Pros: Two-and-a-half-way, four-driver design: a 1” aluminum dome tweeter on a waveguide, a 5.25” mid-range, and dual 5.25” mid-bass drivers in a rear-ported cabinet. Measured sensitivity of 89.4dB closely matches the 90dB spec, and distortion looks good at both 86dB and 96dB, holding up well even with a high-pass filter applied. At its sale price (around $900/pair, down from full retail), the reviewer calls it a “no-brainer,” undercutting comparable budget floorstanders like the ELAC DF63. Frequency response and directivity mismatches are largely EQ-able, since most of what shows up in measurements traces to physical tweeter/mid-range separation rather than a fundamental flaw. Compression is fairly well controlled for the price - about 1dB of loss around 100Hz under long-term compression, described as “par for the course” at this cost.

Cons: F3 of 61Hz and F10 of 39Hz mean a subwoofer is needed for real bass extension. A dip in the lower midrange/2-3kHz region reduces attack and detail, and a peak around 5kHz adds some edge and sibilance in the lower treble. A peak in off-axis energy around 3kHz reflects off sidewalls at roughly 60-70° off-axis and arrives louder than the direct sound - this specific issue can’t be fixed with EQ (boosting the direct sound would boost the stronger reflection too) and would need acoustic absorption to properly address, though the reviewer considers it a minor, optional fix at this price. A couple of minor resonances appear in the impedance plot, including one around 300Hz that may partly explain a subtle sense of vocal warmth noticed in listening, though it’s more likely room-related. Minimum impedance around 3.8 ohms. Short-term compression testing shows some increased distortion in the tweeter and higher-frequency compression at loud output.

Bass Extension (-10dB)50Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)70Hz (measured, Erin's Audio Corner)
Dimensions40.3"H x 8.4"W x 12.2"D (1023.6 x 213.4 x 309.9 mm)
Drivers3x 5.25" deep anodized aluminum cone woofers, 1" Aluminum Tweeter
Impedance6 ohms nominal (3.8 ohms minimum, measured by Erin's Audio Corner)
Sensitivity89.4dB (measured, Erin's Audio Corner; 90dB manufacturer specified)
Weight41 lbs / 18.6 kg each
Woofer Cabinetported, rear

Monolith Encore T6: $800/pair Amazon Monoprice eBay

Monolith Encore T6 ranking card

Pros: Three 6.5-inch pulp-cone drivers provide more displacement and cleaner cinema output than the B6, with good compression behavior at normal levels. Erin found the revised waveguided tweeter’s horizontal radiation consistent enough for predictable EQ, while the gloss-capped, heavily braced 49lb cabinet feels far above its price. The tower can produce useful midbass impact when crossed to a subwoofer.

Cons: Despite its size, Erin measured F3 around 68Hz, so the tower does not eliminate the need for a subwoofer. The native response needs equalization: crossover-region unevenness and excess top-octave energy prevent a fully neutral presentation. The four-ohm load and low-frequency phase angle warrant a robust amplifier, and the tall multi-driver array creates a narrower vertical listening window than a compact two-way.

Bass Extension (-10dB)31.1Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)~68Hz (measured, Erin's Audio Corner)
Dimensions40H x 7.9W x 13.8D inches
DriversThree 6.5-inch pulp woofers; 25mm waveguided silk dome
Impedance4 ohms nominal
Sensitivity87.8dB/2.83V/1m (manufacturer)
Weight49.2lb each