Short answer: the Revel Concerta2 F35. It ranks #23 of 68 floorstanding speakers by sound quality at $900; the Dynaudio Emit 30 ranks #53 and costs $1274.25, so there is not much of a tradeoff to weigh.
What the Revel Concerta2 F35 offers: Two-and-a-half-way, four-driver design: a 1” aluminum dome tweeter on a waveguide, a 5.25” mid-range, and dual 5.25” mid-bass drivers in a rear-ported cabinet. Measured sensitivity of 89.4dB closely matches the 90dB spec, and distortion looks good at both 86dB and 96dB, holding up well even with a high-pass filter applied. At its sale price (around $900/pair, down from full retail), the reviewer calls it a “no-brainer,” undercutting comparable budget floorstanders like the ELAC DF63. Frequency response and directivity mismatches are largely EQ-able, since most of what shows up in measurements traces to physical tweeter/mid-range separation rather than a fundamental flaw. Compression is fairly well controlled for the price - about 1dB of loss around 100Hz under long-term compression, described as “par for the course” at this cost. Watch for: F3 of 61Hz and F10 of 39Hz mean a subwoofer is needed for real bass extension. A dip in the lower midrange/2-3kHz region reduces attack and detail, and a peak around 5kHz adds some edge and sibilance in the lower treble. A peak in off-axis energy around 3kHz reflects off sidewalls at roughly 60-70° off-axis and arrives louder than the direct sound - this specific issue can’t be fixed with EQ (boosting the direct sound would boost the stronger reflection too) and would need acoustic absorption to properly address, though the reviewer considers it a minor, optional fix at this price. A couple of minor resonances appear in the impedance plot, including one around 300Hz that may partly explain a subtle sense of vocal warmth noticed in listening, though it’s more likely room-related. Minimum impedance around 3.8 ohms. Short-term compression testing shows some increased distortion in the tweeter and higher-frequency compression at loud output.
What the Dynaudio Emit 30 offers: A 2.5-way floorstander: two 5.25” mid-woofers paired with a roughly 1” dome tweeter, driven through dual rear bass-reflex ports. The two woofers hand off at staggered crossover points (around 1kHz and 3.5kHz) rather than sharing one, which avoids the acoustic lobing a shared crossover point would cause between the tweeter and the lower woofer, and adds a few dB of sensitivity in the process. Genuinely deep bass for a speaker around this price - measured F3 near 44Hz and extends audibly down to about 40Hz in-room without much difficulty. Harmonic distortion measures clean and low at both 86dB and 96dB SPL/1m. Good CTA-2034 sound power and uniform directivity mean the speaker takes EQ correction well if a listener wants to dial in its one tonal weak point. Dynamic range and compression performance are strong overall, with only a minor, high-Q compression artifact tied to a cone-edge resonance that’s unlikely to be audible. Wide, consistent horizontal dispersion around ±70° with just a small ~10° narrowing between 1-3kHz, and a reasonably forgiving ±20° vertical window centered on the tweeter axis. Watch for: A dip and inconsistency in the lower-treble presence region (roughly 2-5kHz) makes the top end sound uneven - sometimes soft, sometimes forward - depending on the specific instrument or frequency being reproduced; male vocals can lack presence and cymbals can lack sizzle as a result. A cone-edge surround resonance shows up around 1-1.3kHz in burst-decay measurements (a trait the reviewer has also seen on other Dynaudio models) and lines up with elevated multitone distortion across roughly 600Hz-1.5kHz. An enclosure resonance appears around 350Hz in the impedance curve. Placed too close to a rear wall, the dual ports make the bass noticeably boomy - pulling the speaker out is needed to keep the low end from overloading the room. Fully resolving the top-end inconsistency needs a modest EQ correction (roughly +2dB with a Q of about 1, centered 3-6kHz), so out-of-the-box tonal accuracy in that band isn’t quite class-leading despite otherwise strong measured performance.
Buy the Revel Concerta2 F35. It ranks higher for sound quality than the Dynaudio Emit 30 and costs less, so there is no real case for the other one.
If sound quality matters at all to you, skip the Dynaudio Emit 30. It ranks near the bottom of the 68 floorstanding speakers, so look higher up the list instead.
Specifications Side By Side
| Revel Concerta2 F35 | Dynaudio Emit 30 | |
|---|---|---|
| Price | $900 | $1,274.25 |
| Ranked | #23 of 68 in Large Size Floorstanding Speakers | #53 of 68 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 50Hz (measured, Erin’s Audio Corner) | 36Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 70Hz (measured, Erin’s Audio Corner) | 44Hz (measured, Erin’s Audio Corner) |
| Dimensions | 40.3"H x 8.4"W x 12.2"D (1023.6 x 213.4 x 309.9 mm) | 35.4"H x 6.7"W x 10.7"D (900.0 x 170.0 x 272.0 mm) |
| Impedance | 6 ohms nominal (3.8 ohms minimum, measured by Erin’s Audio Corner) | 4 ohms |
| Sensitivity | 89.4dB (measured, Erin’s Audio Corner; 90dB manufacturer specified) | 87dB |
| Drivers | 3x 5.25" deep anodized aluminum cone woofers, 1" Aluminum Tweeter | Dual 5.25" mid-woofers, 1" soft dome tweeter |
| Weight | 41 lbs / 18.6 kg each | 34.2 lbs / 15.5 kg |
| Woofer Cabinet | ported, rear | ported, rear (dual) |
| Frequency Response | - | 44Hz - 25kHz (±3dB, manufacturer specified) |
| Power Handling | - | 180W (IEC rated) |
| Country of Origin | - | Denmark |
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The Two Speakers In Full
Revel Concerta2 F35: $900 Crutchfield eBay
Pros: Two-and-a-half-way, four-driver design: a 1” aluminum dome tweeter on a waveguide, a 5.25” mid-range, and dual 5.25” mid-bass drivers in a rear-ported cabinet. Measured sensitivity of 89.4dB closely matches the 90dB spec, and distortion looks good at both 86dB and 96dB, holding up well even with a high-pass filter applied. At its sale price (around $900/pair, down from full retail), the reviewer calls it a “no-brainer,” undercutting comparable budget floorstanders like the ELAC DF63. Frequency response and directivity mismatches are largely EQ-able, since most of what shows up in measurements traces to physical tweeter/mid-range separation rather than a fundamental flaw. Compression is fairly well controlled for the price - about 1dB of loss around 100Hz under long-term compression, described as “par for the course” at this cost.
Cons: F3 of 61Hz and F10 of 39Hz mean a subwoofer is needed for real bass extension. A dip in the lower midrange/2-3kHz region reduces attack and detail, and a peak around 5kHz adds some edge and sibilance in the lower treble. A peak in off-axis energy around 3kHz reflects off sidewalls at roughly 60-70° off-axis and arrives louder than the direct sound - this specific issue can’t be fixed with EQ (boosting the direct sound would boost the stronger reflection too) and would need acoustic absorption to properly address, though the reviewer considers it a minor, optional fix at this price. A couple of minor resonances appear in the impedance plot, including one around 300Hz that may partly explain a subtle sense of vocal warmth noticed in listening, though it’s more likely room-related. Minimum impedance around 3.8 ohms. Short-term compression testing shows some increased distortion in the tweeter and higher-frequency compression at loud output.
Full Revel Concerta2 F35 review and specifications →
| Bass Extension (-10dB) | 50Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 70Hz (measured, Erin's Audio Corner) |
| Dimensions | 40.3"H x 8.4"W x 12.2"D (1023.6 x 213.4 x 309.9 mm) |
| Drivers | 3x 5.25" deep anodized aluminum cone woofers, 1" Aluminum Tweeter |
| Impedance | 6 ohms nominal (3.8 ohms minimum, measured by Erin's Audio Corner) |
| Sensitivity | 89.4dB (measured, Erin's Audio Corner; 90dB manufacturer specified) |
| Weight | 41 lbs / 18.6 kg each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Audio Science Review Revel Concerta2 F35 More from Audio Science Review →
- Erin’s Audio Corner: Revel F35 Review: Great Sound, Lower Price! More from Erin’s Audio Corner →
- Erin’s Audio Review Website Revel Concerta2 F35
- Audio Science Review Measurements (spinorama.org)
- Reddit Search for Revel Concerta2 F35 Review
- Head-to-Head Comparisons
- Revel Concerta2 F35 vs Revel F206
- Revel Concerta2 F35 vs JBL Studio 698
- Revel Concerta2 F35 vs KEF R11 Meta
- Revel Concerta2 F35 vs JBL HDI-3600
- Revel Concerta2 F35 vs Emotiva Airmotiv T2+
- Revel Concerta2 F35 vs Revel F228Be
- Revel Concerta2 F35 vs Revel F208
- Revel Concerta2 F35 vs Polk Audio Reserve R700
- See all 38 comparisons
Dynaudio Emit 30: $1,274.25 Amazon eBay
Pros: A 2.5-way floorstander: two 5.25” mid-woofers paired with a roughly 1” dome tweeter, driven through dual rear bass-reflex ports. The two woofers hand off at staggered crossover points (around 1kHz and 3.5kHz) rather than sharing one, which avoids the acoustic lobing a shared crossover point would cause between the tweeter and the lower woofer, and adds a few dB of sensitivity in the process. Genuinely deep bass for a speaker around this price - measured F3 near 44Hz and extends audibly down to about 40Hz in-room without much difficulty. Harmonic distortion measures clean and low at both 86dB and 96dB SPL/1m. Good CTA-2034 sound power and uniform directivity mean the speaker takes EQ correction well if a listener wants to dial in its one tonal weak point. Dynamic range and compression performance are strong overall, with only a minor, high-Q compression artifact tied to a cone-edge resonance that’s unlikely to be audible. Wide, consistent horizontal dispersion around ±70° with just a small ~10° narrowing between 1-3kHz, and a reasonably forgiving ±20° vertical window centered on the tweeter axis.
Cons: A dip and inconsistency in the lower-treble presence region (roughly 2-5kHz) makes the top end sound uneven - sometimes soft, sometimes forward - depending on the specific instrument or frequency being reproduced; male vocals can lack presence and cymbals can lack sizzle as a result. A cone-edge surround resonance shows up around 1-1.3kHz in burst-decay measurements (a trait the reviewer has also seen on other Dynaudio models) and lines up with elevated multitone distortion across roughly 600Hz-1.5kHz. An enclosure resonance appears around 350Hz in the impedance curve. Placed too close to a rear wall, the dual ports make the bass noticeably boomy - pulling the speaker out is needed to keep the low end from overloading the room. Fully resolving the top-end inconsistency needs a modest EQ correction (roughly +2dB with a Q of about 1, centered 3-6kHz), so out-of-the-box tonal accuracy in that band isn’t quite class-leading despite otherwise strong measured performance.
Full Dynaudio Emit 30 review and specifications →
| Bass Extension (-10dB) | 36Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 44Hz (measured, Erin's Audio Corner) |
| Country of Origin | Denmark |
| Dimensions | 35.4"H x 6.7"W x 10.7"D (900.0 x 170.0 x 272.0 mm) |
| Drivers | Dual 5.25" mid-woofers, 1" soft dome tweeter |
| Frequency Response | 44Hz - 25kHz (±3dB, manufacturer specified) |
| Impedance | 4 ohms |
| Power Handling | 180W (IEC rated) |
| Sensitivity | 87dB |
| Weight | 34.2 lbs / 15.5 kg |
| Woofer Cabinet | ported, rear (dual) |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Dynaudio Emit 30 vs Klipsch RP-6000F II
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- Dynaudio Emit 30 vs Polk T50
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