Short answer: the KEF R5 for better sound quality, the Sony SS-CS3 for the lower price. The KEF R5 ranks #10 of 71 floorstanding speakers at $2999. The Sony SS-CS3 ranks #59 at $450, $2549 cheaper.
What the KEF R5 offers: Slim three-way tower with the acoustic advantages of KEF’s coincident Uni-Q midrange/tweeter: horizontal and vertical off-axis responses track the direct sound smoothly, producing stable imaging and a well-behaved directivity index. Erin measured deep low-frequency reach for the cabinet width—77Hz F3 but 33Hz F10—and less than 1% harmonic distortion at 86dB. At 96dB it remains clean when high-passed, and its mild response deviations are suitable for equalization because the radiation pattern stays orderly. Watch for: The unusual gap between 77Hz F3 and 33Hz F10 indicates a gradual bass contour rather than flat deep-bass output; a subwoofer and roughly 80Hz high-pass are recommended for high-level playback. Erin measured a minimum near 3.5 ohms around 150Hz, although most of the curve remains above 4 ohms, so amplifier quality still matters. Sensitivity is approximately 86dB/2.83V/1m. At 102dB, compression reaches roughly 1dB around 150Hz, showing the limits of the twin 5.25-inch woofers. This original model lacks the Meta version’s MAT rear-wave absorption.
What the Sony SS-CS3 offers: Affordable entry-level floorstanding tower offering solid sensitivity (88.6dB SPL at 2.83V/1m), making it easy to power with standard budget AVRs. Harmonic distortion remains reasonably low at moderate listening levels (86dB SPL) when high-pass filtered above 80-100Hz with a dedicated subwoofer. Front-ported design allows relatively close placement to front boundaries without excessive port occlusion. Watch for: Severe cabinet and driver resonances plague the passband between 100Hz and 600Hz, imparting audible coloration and chesty resonances to male vocals and acoustic instruments. Irregular frequency response peaks and dips make automated receiver room correction difficult to equalize effectively. Poor low-frequency extension (F3 of 72Hz, F10 of 39Hz) for a floorstander, combined with rapid distortion escalation below 80Hz at higher SPLs (96dB+). Supertweeter driver adds crossover complexity without providing audible high-frequency benefit within the human hearing spectrum.
Buy the KEF R5 if sound quality matters more than the price. Buy the Sony SS-CS3 if the price matters more than sound quality.
If sound quality matters at all to you, skip the Sony SS-CS3. It ranks near the bottom of the 71 floorstanding speakers, so look higher up the list instead.
Specifications Side By Side
| KEF R5 | Sony SS-CS3 | |
|---|---|---|
| Price | $2,999/pair Discontinued | $450.00 Discontinued |
| Ranked | #10 of 71 in Large Size Floorstanding Speakers | #59 of 71 in Large Size Floorstanding Speakers |
| Bass Extension (-3dB) | 77Hz (measured, Erin’s Audio Corner) | 72Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-10dB) | 33Hz (measured, Erin’s Audio Corner) | 39Hz (measured, Erin’s Audio Corner) |
| Sensitivity | Approximately 86dB/2.83V/1m (measured, Erin’s Audio Corner) | 88.6dB (measured average, Erin’s Audio Corner) |
| Impedance | Approximately 3.5 ohms minimum near 150Hz (measured, Erin’s Audio Corner) | 6 ohms nominal |
| Drivers | 1" aluminum tweeter coaxial with 5" midrange; dual 5.25" woofers | 0.75 in. supertweeter, 0.98 in. polyester main tweeter, dual 5.12 in. MRC woofers |
| Dimensions | 40.4"H x 6.9"W x 13.5"D | 36.3"H x 9.1"W x 10.2"D (922 x 230 x 260 mm) |
| Discontinued | Yes | Yes |
| Weight | 59.5 lb each | 25.4 lbs / 11.5 kg each |
| Woofer Cabinet | ported, rear | ported, front |
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Prices on this page were last checked August 25, 2026 at 6:19 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
KEF R5: $2,999/pair Discontinued eBay
Pros: Slim three-way tower with the acoustic advantages of KEF’s coincident Uni-Q midrange/tweeter: horizontal and vertical off-axis responses track the direct sound smoothly, producing stable imaging and a well-behaved directivity index. Erin measured deep low-frequency reach for the cabinet width—77Hz F3 but 33Hz F10—and less than 1% harmonic distortion at 86dB. At 96dB it remains clean when high-passed, and its mild response deviations are suitable for equalization because the radiation pattern stays orderly.
Cons: The unusual gap between 77Hz F3 and 33Hz F10 indicates a gradual bass contour rather than flat deep-bass output; a subwoofer and roughly 80Hz high-pass are recommended for high-level playback. Erin measured a minimum near 3.5 ohms around 150Hz, although most of the curve remains above 4 ohms, so amplifier quality still matters. Sensitivity is approximately 86dB/2.83V/1m. At 102dB, compression reaches roughly 1dB around 150Hz, showing the limits of the twin 5.25-inch woofers. This original model lacks the Meta version’s MAT rear-wave absorption. Discontinued.
Full KEF R5 review and specifications →
| Bass Extension (-10dB) | 33Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 77Hz (measured, Erin's Audio Corner) |
| Dimensions | 40.4"H x 6.9"W x 13.5"D |
| Discontinued | Yes |
| Drivers | 1" aluminum tweeter coaxial with 5" midrange; dual 5.25" woofers |
| Impedance | Approximately 3.5 ohms minimum near 150Hz (measured, Erin's Audio Corner) |
| Sensitivity | Approximately 86dB/2.83V/1m (measured, Erin's Audio Corner) |
| Weight | 59.5 lb each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
Sony SS-CS3: $450.00 Discontinued eBay
Pros: Affordable entry-level floorstanding tower offering solid sensitivity (88.6dB SPL at 2.83V/1m), making it easy to power with standard budget AVRs. Harmonic distortion remains reasonably low at moderate listening levels (86dB SPL) when high-pass filtered above 80-100Hz with a dedicated subwoofer. Front-ported design allows relatively close placement to front boundaries without excessive port occlusion.
Cons: Severe cabinet and driver resonances plague the passband between 100Hz and 600Hz, imparting audible coloration and chesty resonances to male vocals and acoustic instruments. Irregular frequency response peaks and dips make automated receiver room correction difficult to equalize effectively. Poor low-frequency extension (F3 of 72Hz, F10 of 39Hz) for a floorstander, combined with rapid distortion escalation below 80Hz at higher SPLs (96dB+). Supertweeter driver adds crossover complexity without providing audible high-frequency benefit within the human hearing spectrum. Discontinued.
Full Sony SS-CS3 review and specifications →
| Bass Extension (-10dB) | 39Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 72Hz (measured, Erin's Audio Corner) |
| Dimensions | 36.3"H x 9.1"W x 10.2"D (922 x 230 x 260 mm) |
| Discontinued | Yes |
| Drivers | 0.75 in. supertweeter, 0.98 in. polyester main tweeter, dual 5.12 in. MRC woofers |
| Impedance | 6 ohms nominal |
| Sensitivity | 88.6dB (measured average, Erin's Audio Corner) |
| Weight | 25.4 lbs / 11.5 kg each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons