Short answer: both are discontinued, so this only matters if you are buying used. Used, the KEF R5 is the better pick: it ranks #40 of 188 floorstanding speakers by sound quality (rated 4.4/5), against #177 (rated 2.8/5) for the Sony SS-CS3. If you want one new, the Sony SS-CS3 M2 replaces the Sony SS-CS3 and is rated 3.0/5 at $346.

The KEF R5 is the more accurate option. Slim three-way tower with the acoustic advantages of KEF’s coincident Uni-Q midrange/tweeter: horizontal and vertical off-axis responses track the direct sound smoothly, producing stable imaging and a well-behaved directivity index. Its measured preference score, a predictor of how neutral it sounds, is 5.78 against 4.11 for the Sony SS-CS3. Watch for: The unusual gap between 77Hz F3 and 33Hz F10 indicates a gradual bass contour rather than flat deep-bass output; a subwoofer and roughly 80Hz high-pass are recommended for high-level playback.
What the Sony SS-CS3 does well: Affordable entry-level floorstanding tower offering solid sensitivity (88.6dB SPL at 2.83V/1m), making it easy to power with standard budget AVRs. Watch for: Severe cabinet and driver resonances plague the passband between 100Hz and 600Hz, imparting audible coloration and chesty resonances to male vocals and acoustic instruments.
Buy the KEF R5 only if you find one used in good condition; both are discontinued, and it is the better rated of the two. For a new speaker, buy the Sony SS-CS3 M2, which replaces the Sony SS-CS3.
Looking for alternatives? See the complete Passive Home rankings.
Specifications Side By Side
| KEF R5 | Sony SS-CS3 | |
|---|---|---|
| Price | $2,999 per pair Discontinued | $450 per pair Discontinued |
| Ranked | #40 of 188 in Large Size Floorstanding Speakers | #177 of 188 in Large Size Floorstanding Speakers |
| Bass Extension (-3dB) | 77Hz (measured, Erin’s Audio Corner) | 72Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-10dB) | 33Hz (measured, Erin’s Audio Corner) | 39Hz (measured, Erin’s Audio Corner) |
| Sensitivity | Approximately 86dB/2.83V/1m (measured, Erin’s Audio Corner) | 88.6dB (measured average, Erin’s Audio Corner) |
| Impedance | Approximately 3.5 ohms minimum near 150Hz (measured, Erin’s Audio Corner) | 6 ohms nominal |
| Drivers | 1” aluminum tweeter coaxial with 5” midrange; dual 5.25” woofers | 0.75 in. supertweeter, 0.98 in. polyester main tweeter, dual 5.12 in. MRC woofers |
| Dimensions | 40.4”H x 6.9”W x 13.5”D | 36.3”H x 9.1”W x 10.2”D (922 x 230 x 260 mm) |
| Weight | 59.5 lbs (27 kg) each | 25.4 lbs (11.5 kg) each |
| Woofer Cabinet | ported, rear | ported, front |
| Spinorama Preference Score | 5.78 | 4.11 |
| Spinorama Preference Score with Perfect Sub | 7.40 | 6.65 |
| DIY Kit | No | No |
Related Speaker Comparisons
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- KEF Blade Two Meta vs KEF R5
- MoFi SourcePoint 888 vs KEF R5
- Revel F328Be vs KEF R5
- KEF R5 Meta vs KEF R5
- Revel F226Be vs KEF R5
Prices on this page were last checked October 9, 2026 at 8:01 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
KEF R5: $2,999 per pair Discontinued eBay
Same family: the KEF R3 (bookshelf, rated 4.5/5), the KEF R7 (larger floorstanding, ranked lower, estimated 4.2/5), the KEF R11 (larger floorstanding, ranked lower, estimated 4.3/5) and the KEF R2c (center, rated 4/5).
Pros: Slim three-way tower with the acoustic advantages of KEF’s coincident Uni-Q midrange/tweeter: horizontal and vertical off-axis responses track the direct sound smoothly, producing stable imaging and a well-behaved directivity index. Erin measured deep low-frequency reach for the cabinet width (77Hz F3 but 33Hz F10) and less than 1% harmonic distortion at 86dB. At 96dB it remains clean when high-passed, and its mild response deviations are suitable for equalization because the radiation pattern stays orderly. Measured bass extension of 77Hz (-3dB), with a measured sensitivity of 86dB.
Cons: The unusual gap between 77Hz F3 and 33Hz F10 indicates a gradual bass contour rather than flat deep-bass output; a subwoofer and roughly 80Hz high-pass are recommended for high-level playback. Erin measured a minimum near 3.5 ohms around 150Hz, although most of the curve remains above 4 ohms, so amplifier quality still matters. Sensitivity is approximately 86dB/2.83V/1m. At 102dB, compression reaches roughly 1dB around 150Hz, showing the limits of the twin 5.25-inch woofers. This original model lacks the Meta version’s MAT rear-wave absorption. Discontinued.
Full KEF R5 review and specifications →
| Bass Extension (-10dB) | 33Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 77Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 40.4”H x 6.9”W x 13.5”D |
| Drivers | 1” aluminum tweeter coaxial with 5” midrange; dual 5.25” woofers |
| Impedance | Approximately 3.5 ohms minimum near 150Hz (measured, Erin’s Audio Corner) |
| Sensitivity | Approximately 86dB/2.83V/1m (measured, Erin’s Audio Corner) |
| Spinorama Preference Score | 5.78 |
| Spinorama Preference Score with Perfect Sub | 7.40 |
| Weight | 59.5 lbs (27 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
Sony SS-CS3: $450 per pair Discontinued eBay
Newer model: the Sony SS-CS3 M2, ranked higher, estimated 3/5.
Same family: the Sony SS-CS5 (bookshelf, rated 3.5/5).
Pros: Affordable entry-level floorstanding tower offering solid sensitivity (88.6dB SPL at 2.83V/1m), making it easy to power with standard budget AVRs. Harmonic distortion remains reasonably low at moderate listening levels (86dB SPL) when high-pass filtered above 80-100Hz with a dedicated subwoofer. Front-ported design allows relatively close placement to front boundaries without excessive port occlusion. Measured bass extension of 72Hz (-3dB), with a measured sensitivity of 88.6dB.
Cons: Severe cabinet and driver resonances plague the passband between 100Hz and 600Hz, imparting audible coloration and chesty resonances to male vocals and acoustic instruments. Irregular frequency response peaks and dips make automated receiver room correction difficult to equalize effectively. Poor low-frequency extension (F3 of 72Hz, F10 of 39Hz) for a floorstander, combined with rapid distortion escalation below 80Hz at higher SPLs (96dB+). Supertweeter driver adds crossover complexity without providing audible high-frequency benefit within the human hearing spectrum. Discontinued.
Full Sony SS-CS3 review and specifications →
| Bass Extension (-10dB) | 39Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 72Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 36.3”H x 9.1”W x 10.2”D (922 x 230 x 260 mm) |
| Drivers | 0.75 in. supertweeter, 0.98 in. polyester main tweeter, dual 5.12 in. MRC woofers |
| Impedance | 6 ohms nominal |
| Sensitivity | 88.6dB (measured average, Erin’s Audio Corner) |
| Spinorama Preference Score | 4.11 |
| Spinorama Preference Score with Perfect Sub | 6.65 |
| Weight | 25.4 lbs (11.5 kg) each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons

