Short answer: the Revel F228Be for better sound quality, the KEF Q11 Meta for the lower price. The Revel F228Be ranks #16 of 68 floorstanding speakers at $7000. The KEF Q11 Meta ranks #46 at $1249.99, $5750.01 cheaper.
What the KEF Q11 Meta offers: Three-way tower design with a coaxial layout: a 3/4” aluminum dome tweeter (with KEF’s Metamaterial Absorption Technology behind it) mounted at the center of a 4” mid-range, plus three 6.5” bass drivers. Extremely linear estimated in-room response when placed correctly, thanks to a deliberately declining on-axis response paired with well-controlled directivity - a technically sound design philosophy, even though it reads as “dark” in raw anechoic on-axis measurements. In-room bass extension to about 40-50Hz when placed near a wall, thanks to extended bass-shelf tuning. Sounds excellent whether pointed directly at the listener or toed out a full 30° parallel to the back wall - unusually flexible placement. More vertical listening leeway than standard non-coaxial two-way designs, thanks to the coincident tweeter/midrange. Distortion looks good at both 86dB and 96dB, and multitone distortion holds up well too. Comes with a plinth/outrigger kit for stability given its floorstanding height (about 43-44”). Watch for: Genuinely dark-sounding on raw on-axis measurement, and needs a typical room with sidewall reflections (within about 6 feet/2 meters) to sound properly neutral - in a large room with little sidewall interaction, it may sound too dull for some listeners. Must be placed close to a rear wall (about 1 foot) to get proper bass - pulling it out to the “standard” 3-foot audiophile recommendation causes bass output to drop off noticeably. Horizontal radiation of about ±50° is narrower than the reviewer’s preferred ±60°, giving a slightly less enveloping soundstage than some rivals. Notably darker than sibling KEF models in the same product family - measures 2-5dB less top-end energy than the R3 Meta and a few dB less than the Q Concerto Meta. Minor lingering resonances appear in burst decay measurements between 500Hz-1kHz. The tweeter shows some strain at very high output volumes, a limitation the reviewer notes is common even among more budget-friendly speakers generally.
What the Revel F228Be offers: CEA2034 spinorama shows an essentially flat on-axis response with very nice directivity. Predicted in-room response is nearly perfect, with a smooth slope down from bass to treble. Horizontal beamwidth of about ±70 degrees is wide and holds up well until narrowing above 8kHz. Vertical directivity offers more degrees of listening-height freedom than a typical bookshelf design, a benefit of this tower’s driver layout. Distortion is extremely low across the full audio range at 86dB SPL/1m and stays comfortable even at 96dB SPL/1m. Near-field measurements of the individual drivers show nice, well-integrated crossover behavior with only low-level resonances. Watch for: Minimum impedance dips to 3.4 ohms with a secondary rise around 2kHz, calling for an amplifier comfortable with a demanding load. Very expensive and very heavy (51 kg each).
Buy the KEF Q11 Meta if the price matters more than sound quality. Buy the Revel F228Be if sound quality matters more than the price.
Specifications Side By Side
| KEF Q11 Meta | Revel F228Be | |
|---|---|---|
| Price | $1,249.99 | $7000 |
| Ranked | #46 of 68 in Large Size Floorstanding Speakers | #16 of 68 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 29Hz (measured, Erin’s Audio Corner) | 25Hz (measured, Audio Science Review) |
| Bass Extension (-3dB) | 60Hz (measured, Erin’s Audio Corner) | 61Hz (measured, Audio Science Review) |
| Drivers | 25mm tweeter + dual 165mm drivers | Dual 8" (200mm) Deep Ceramic Composite aluminum cones, with cast frames woofers, 5-1/4" (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1" (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Weight | 106.9 lbs / 48.5 kg | 112.4 lbs / 51 kg each |
| Sensitivity | 88.6dB (measured, Erin’s Audio Corner) | 89.3dB (300Hz-3kHz @ 2.83V/1m, measured by Audio Science Review; 90dB manufacturer specified) |
| Impedance | 4 ohms nominal (3.2 ohms minimum, measured, Erin’s Audio Corner) | 8 ohms |
| Dimensions | 43.8"H x 12.5"W x 15"D (1112.8 x 317.5 x 381.0 mm) | 50.9"H x 13.5"W x 17.6"D (1292.9 x 342.9 x 447 mm) |
| Woofer Cabinet | ported, rear | ported, front |
Related Speaker Comparisons
More useful head-to-heads from the same speaker class:
- Klipsch Forte IV vs Revel F208
- JBL HDI-3800 vs Revel F208
- KEF Reference 203 vs Revel F208
- Revel F228Be vs Q Acoustics 5040
- Dynaudio Emit 30 vs Revel F228Be
Prices on this page were last checked August 24, 2026 at 6:53 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
As an eBay Partner, we may be compensated if you make a purchase.
The Two Speakers In Full
KEF Q11 Meta: $1,249.99 Amazon eBay
Pros: Three-way tower design with a coaxial layout: a 3/4” aluminum dome tweeter (with KEF’s Metamaterial Absorption Technology behind it) mounted at the center of a 4” mid-range, plus three 6.5” bass drivers. Extremely linear estimated in-room response when placed correctly, thanks to a deliberately declining on-axis response paired with well-controlled directivity - a technically sound design philosophy, even though it reads as “dark” in raw anechoic on-axis measurements. In-room bass extension to about 40-50Hz when placed near a wall, thanks to extended bass-shelf tuning. Sounds excellent whether pointed directly at the listener or toed out a full 30° parallel to the back wall - unusually flexible placement. More vertical listening leeway than standard non-coaxial two-way designs, thanks to the coincident tweeter/midrange. Distortion looks good at both 86dB and 96dB, and multitone distortion holds up well too. Comes with a plinth/outrigger kit for stability given its floorstanding height (about 43-44”).
Cons: Genuinely dark-sounding on raw on-axis measurement, and needs a typical room with sidewall reflections (within about 6 feet/2 meters) to sound properly neutral - in a large room with little sidewall interaction, it may sound too dull for some listeners. Must be placed close to a rear wall (about 1 foot) to get proper bass - pulling it out to the “standard” 3-foot audiophile recommendation causes bass output to drop off noticeably. Horizontal radiation of about ±50° is narrower than the reviewer’s preferred ±60°, giving a slightly less enveloping soundstage than some rivals. Notably darker than sibling KEF models in the same product family - measures 2-5dB less top-end energy than the R3 Meta and a few dB less than the Q Concerto Meta. Minor lingering resonances appear in burst decay measurements between 500Hz-1kHz. The tweeter shows some strain at very high output volumes, a limitation the reviewer notes is common even among more budget-friendly speakers generally.
Full KEF Q11 Meta review and specifications →
| Bass Extension (-10dB) | 29Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 60Hz (measured, Erin's Audio Corner) |
| Dimensions | 43.8"H x 12.5"W x 15"D (1112.8 x 317.5 x 381.0 mm) |
| Drivers | 25mm tweeter + dual 165mm drivers |
| Impedance | 4 ohms nominal (3.2 ohms minimum, measured, Erin's Audio Corner) |
| Sensitivity | 88.6dB (measured, Erin's Audio Corner) |
| Weight | 106.9 lbs / 48.5 kg |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- KEF Q11 Meta vs KLH Model Five
- KEF Q11 Meta vs Klipsch RP-5000F II
- KEF Q11 Meta vs Klipsch Heresy IV
- KEF Q11 Meta vs SVS Ultra Evolution Pinnacle
- KEF Q11 Meta vs Polk Audio XT60
- KEF Q11 Meta vs Monolith THX-365T
- KEF Q11 Meta vs Klipsch Forte IV
- KEF Q11 Meta vs Klipsch RP-8000F II
- See all 35 comparisons
Revel F228Be: $7000 Crutchfield eBay
Pros: CEA2034 spinorama shows an essentially flat on-axis response with very nice directivity. Predicted in-room response is nearly perfect, with a smooth slope down from bass to treble. Horizontal beamwidth of about ±70 degrees is wide and holds up well until narrowing above 8kHz. Vertical directivity offers more degrees of listening-height freedom than a typical bookshelf design, a benefit of this tower’s driver layout. Distortion is extremely low across the full audio range at 86dB SPL/1m and stays comfortable even at 96dB SPL/1m. Near-field measurements of the individual drivers show nice, well-integrated crossover behavior with only low-level resonances.
Cons: Minimum impedance dips to 3.4 ohms with a secondary rise around 2kHz, calling for an amplifier comfortable with a demanding load. Very expensive and very heavy (51 kg each).
Full Revel F228Be review and specifications →
| Bass Extension (-10dB) | 25Hz (measured, Audio Science Review) |
|---|---|
| Bass Extension (-3dB) | 61Hz (measured, Audio Science Review) |
| Dimensions | 50.9"H x 13.5"W x 17.6"D (1292.9 x 342.9 x 447 mm) |
| Drivers | Dual 8" (200mm) Deep Ceramic Composite aluminum cones, with cast frames woofers, 5-1/4" (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1" (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Impedance | 8 ohms |
| Sensitivity | 89.3dB (300Hz-3kHz @ 2.83V/1m, measured by Audio Science Review; 90dB manufacturer specified) |
| Weight | 112.4 lbs / 51 kg each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons


