Short answer: the Revel F228Be, if you are buying new. The Revel F208 ranks higher than the Polk Reserve R500 (#27 vs #74 of 188 floorstanding speakers) but is discontinued; its replacement, the Revel F228Be, is rated 4.5/5 at $11,000 and is still sold new.

The case for the Revel F208: CEA2034 spinorama shows a fairly even on-axis response with sensitivity matching spec at ~87-88dB. Watch for: Some directivity error and tweeter-response ripple right at the 2.2kHz crossover point.
What the Polk Reserve R500 does well: Dual 5.25” midwoofers paired with a ring radiator tweeter in a floorstanding tower design. The tradeoff: A bump around 4-6kHz gives a “shouty,” mildly sibilant quality in the lower treble.
Buy the Revel F228Be, the replacement for the discontinued Revel F208; it is rated higher for sound quality than the Polk Reserve R500.
Looking for alternatives? See the complete Passive Home rankings.
Specifications Side By Side
| Revel F208 | Polk Reserve R500 | |
|---|---|---|
| Price | $4,800 per pair used, Discontinued | $1,118 per pair |
| Ranked | #27 of 188 in Large Size Floorstanding Speakers | #74 of 188 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 24Hz (measured, Audio Science Review) | 33Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 47Hz (measured, Audio Science Review) | 51Hz (measured, Erin’s Audio Corner) |
| Dimensions | 46.6”H x 13.5”W x 14.8”D (1183.6 x 342.9 x 375.9 mm) | 40.3”H x 6.8”W x 12.4”D (1023.6 x 172.7 x 315 mm) |
| Impedance | 8 ohms nominal, 3.5 ohms minimum (measured, Audio Science Review) | 4.1 ohms minimum above 80Hz (measured, Erin’s Audio Corner; 8 ohms nominal per manufacturer) |
| Drivers | Dual 8” (20 cm) Aluminum Cone, Cast-frame Woofers, 5.25” (13.3 cm) Aluminum Cone, Cast-frame Midrange, 1” (2.5 cm) Aluminum Tweeter with Acoustic Lens Waveguide | Two 5.25” Turbine Cone woofer, 1” Pinnacle Ring Radiator tweeter |
| Sensitivity | 88.2dB (measured by Audio Science Review; 88.5dB manufacturer specified) | 86.2dB (measured, Erin’s Audio Corner) |
| Weight | 79.4 lbs (36 kg) each | 39.2 lbs (17.8 kg) each |
| Woofer Cabinet | ported, front | ported, rear |
| Spinorama Preference Score | 6.35 | 5.86 |
| Spinorama Preference Score with Perfect Sub | 7.67 | 7.44 |
| DIY Kit | No | No |
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The Two Speakers In Full
Revel F208: $4,800 per pair used Discontinued eBay
Newer model: the Revel F228Be, ranked lower, rated 4.5/5.
Same family: the Revel M105 (smaller bookshelf, rated 4.2/5), the Revel M106 (larger bookshelf, rated 4.6/5), the Revel F206 (smaller floorstanding, ranked lower, rated 4.5/5), the Revel Performa3 C205 (smaller center, rated 4.1/5) and the Revel Performa3 C208 (larger center, rated 4/5).
Pros: CEA2034 spinorama shows a fairly even on-axis response with sensitivity matching spec at ~87-88dB. Predicted in-room response is a smooth, textbook-quality downward slope that should translate well to most rooms without correction. Early reflections sum so cleanly with the direct sound that side-wall absorption isn’t recommended: it would work against the speaker’s naturally well-integrated off-axis behavior. Distortion stays below 0.5% from 100Hz up at 96dB/1m, with all distortion components falling below audible threshold above 200Hz. Very wide horizontal directivity of about ±75 degrees. Measured performance was judged very close to Revel’s own flagship Salon2, and Revel’s speakers (including this one) are developed using Harman’s double-blind listening test methodology. Preference score of 7.4 (7.7 with a subwoofer added). Measured bass extension of 47Hz (-3dB), with a measured sensitivity of 88.2dB.
Cons: Some directivity error and tweeter-response ripple right at the 2.2kHz crossover point. A notable on-axis dip at about 4kHz, attributed to probable cabinet diffraction. Cumulative spectral decay (waterfall) shows an unexplained resonance around 4-5kHz that the reviewer couldn’t pin down a clear cause for. Vertical directivity shows narrowband interference nulls just above and below the tweeter axis (roughly 2-3kHz), typical of a non-coaxial tower with vertically separated drivers, so listening height matters more than it would with a coincident design. Minimum impedance dips to 3.4 ohms, calling for a robust, high-current amplifier. Distortion climbs substantially below about 80-100Hz (up to ~5% in the deep bass) when driven hard, an excursion-limited trade-off typical of towers at high output. Isolating the woofers alone shows their usable range ending around 500-700Hz at the crossover, with somewhat elevated (though still low in absolute terms) 2nd/3rd harmonic distortion in the 100-300Hz region. Discontinued.
Full Revel F208 review and specifications →
| Bass Extension (-10dB) | 24Hz (measured, Audio Science Review) |
|---|---|
| Bass Extension (-3dB) | 47Hz (measured, Audio Science Review) |
| DIY Kit | No |
| Dimensions | 46.6”H x 13.5”W x 14.8”D (1183.6 x 342.9 x 375.9 mm) |
| Drivers | Dual 8” (20 cm) Aluminum Cone, Cast-frame Woofers, 5.25” (13.3 cm) Aluminum Cone, Cast-frame Midrange, 1” (2.5 cm) Aluminum Tweeter with Acoustic Lens Waveguide |
| Impedance | 8 ohms nominal, 3.5 ohms minimum (measured, Audio Science Review) |
| Sensitivity | 88.2dB (measured by Audio Science Review; 88.5dB manufacturer specified) |
| Spinorama Preference Score | 6.35 |
| Spinorama Preference Score with Perfect Sub | 7.67 |
| Weight | 79.4 lbs (36 kg) each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
Polk Reserve R500: $1,118 per pair Amazon eBay
Same family: the Polk Reserve R100 (smaller bookshelf, rated 3.4/5), the Polk R200 (larger bookshelf, rated 3.2/5), the Polk Reserve R600 (larger floorstanding, ranked lower, estimated 4.2/5), the Polk Audio Reserve R700 (larger floorstanding, ranked higher, rated 4.3/5), the Polk Audio Reserve R300 (smallest center, estimated 3.6/5), the Polk Audio Reserve R350 (center, rated 3.7/5) and the Polk Audio Reserve R400 (largest center, estimated 3.8/5).
Pros: Dual 5.25” midwoofers paired with a ring radiator tweeter in a floorstanding tower design. Surprisingly neutral overall compared to Polk’s smaller bookshelf models: notably more even-handed than the brighter-sounding R200 the reviewer tested previously. Good linearity on-axis, within about -3/+2dB. Sensitivity close to 86dB, easily driven to adequate levels in a small-to-medium room with a 100W-capable amplifier. Takes very well to EQ: a single band of correction (about a 2dB cut around 4-5kHz) resolves the main tonal issue and transforms the sound. Dynamic range and compression performance is solidly “medium,” holding up fine through about 20dB of level increase before higher-frequency and bass output start to taper at extreme volumes. Measured bass extension of 51Hz (-3dB), with a measured sensitivity of 86.2dB.
Cons: A bump around 4-6kHz gives a “shouty,” mildly sibilant quality in the lower treble. Counterintuitively, toeing the speaker out to reduce brightness makes this worse rather than better, since the ring-radiator tweeter’s directivity narrows rapidly above about 6-7kHz: pointed on-axis retains enough top-end air to balance the bump, but toed away that air drops off and the shoutiness stands out more. Bass is adequate for its 5.25” woofers but lacks real weight below about 40-50Hz; a subwoofer is still needed for movies and bass-heavy music. A cabinet resonance around 160-170Hz subtracts from rather than adds boom to the mid-bass region. Vertical listening window is fairly narrow: sitting more than about 10-20° above or below the tweeter axis causes a suckout in the 2-5kHz range, reducing clarity and attack. Multitone distortion ramps up noticeably around 1kHz, and crossing over to a subwoofer at 80Hz doesn’t meaningfully reduce it: likely a surround-related effect rather than excursion-related. Without applying corrective EQ, the reviewer says the 4-6kHz brightness would make it harder to live with day to day.
Full Polk Reserve R500 review and specifications →
| Bass Extension (-10dB) | 33Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 51Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 40.3”H x 6.8”W x 12.4”D (1023.6 x 172.7 x 315 mm) |
| Drivers | Two 5.25” Turbine Cone woofer, 1” Pinnacle Ring Radiator tweeter |
| Impedance | 4.1 ohms minimum above 80Hz (measured, Erin’s Audio Corner; 8 ohms nominal per manufacturer) |
| Sensitivity | 86.2dB (measured, Erin’s Audio Corner) |
| Spinorama Preference Score | 5.86 |
| Spinorama Preference Score with Perfect Sub | 7.44 |
| Weight | 39.2 lbs (17.8 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Polk Reserve R500 vs ELAC Debut 3.0 DF63
- Polk Reserve R500 vs Linkwitz Lab LXmini
- Polk Reserve R500 vs Emotiva Airmotiv T2+
- Polk Reserve R500 vs Infinity Primus 360
- Polk Reserve R500 vs PSB Imagine T65
- Polk Reserve R500 vs Polk Audio Reserve R700
- Polk Reserve R500 vs JBL HDI-3600
- Polk Reserve R500 vs JBL Studio 698
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