Revel F208 vs Polk Reserve R500

Last updated: August 24, 2026

Short answer: the Revel F208 for better sound quality, the Polk Reserve R500 for the lower price. The Revel F208 ranks #15 of 68 floorstanding speakers at $2400. The Polk Reserve R500 ranks #36 at $699, $1701 cheaper.

What the Revel F208 offers: CEA2034 spinorama shows a fairly even on-axis response with sensitivity matching spec at ~87-88dB. Predicted in-room response is a smooth, textbook-quality downward slope that should translate well to most rooms without correction. Early reflections sum so cleanly with the direct sound that side-wall absorption isn’t recommended - it would work against the speaker’s naturally well-integrated off-axis behavior. Distortion stays below 0.5% from 100Hz up at 96dB/1m, with all distortion components falling below audible threshold above 200Hz. Very wide horizontal directivity of about ±75 degrees. Measured performance was judged very close to Revel’s own flagship Salon2, and Revel’s speakers (including this one) are developed using Harman’s double-blind listening test methodology. Preference score of 6.6 (7.7 with a subwoofer added). Watch for: Some directivity error and tweeter-response ripple right at the 2.2kHz crossover point. A notable on-axis dip at about 4kHz, attributed to probable cabinet diffraction. Cumulative spectral decay (waterfall) shows an unexplained resonance around 4-5kHz that the reviewer couldn’t pin down a clear cause for. Vertical directivity shows narrowband interference nulls just above and below the tweeter axis (roughly 2-3kHz), typical of a non-coaxial tower with vertically separated drivers, so listening height matters more than it would with a coincident design. Minimum impedance dips to 3.4 ohms, calling for a robust, high-current amplifier. Distortion climbs substantially below about 80-100Hz (up to ~5% in the deep bass) when driven hard, an excursion-limited trade-off typical of towers at high output. Isolating the woofers alone shows their usable range ending around 500-700Hz at the crossover, with somewhat elevated (though still low in absolute terms) 2nd/3rd harmonic distortion in the 100-300Hz region.

What the Polk Reserve R500 offers: Dual 5.25” midwoofers paired with a ring radiator tweeter in a floorstanding tower design. Surprisingly neutral overall compared to Polk’s smaller bookshelf models - notably more even-handed than the brighter-sounding R200 the reviewer tested previously. Good linearity on-axis, within about -3/+2dB. Sensitivity close to 86dB, easily driven to adequate levels in a small-to-medium room with a 100W-capable amplifier. Takes very well to EQ - a single band of correction (about a 2dB cut around 4-5kHz) resolves the main tonal issue and transforms the sound. Dynamic range and compression performance is solidly “medium,” holding up fine through about 20dB of level increase before higher-frequency and bass output start to taper at extreme volumes. Watch for: A bump around 4-6kHz gives a “shouty,” mildly sibilant quality in the lower treble. Counterintuitively, toeing the speaker out to reduce brightness makes this worse rather than better, since the ring-radiator tweeter’s directivity narrows rapidly above about 6-7kHz - pointed on-axis retains enough top-end air to balance the bump, but toed away that air drops off and the shoutiness stands out more. Bass is adequate for its 5.25” woofers but lacks real weight below about 40-50Hz; a subwoofer is still needed for movies and bass-heavy music. A cabinet resonance around 160-170Hz subtracts from rather than adds boom to the mid-bass region. Vertical listening window is fairly narrow - sitting more than about 10-20° above or below the tweeter axis causes a suckout in the 2-5kHz range, reducing clarity and attack. Multitone distortion ramps up noticeably around 1kHz, and crossing over to a subwoofer at 80Hz doesn’t meaningfully reduce it - likely a surround-related effect rather than excursion-related. Without applying corrective EQ, the reviewer says the 4-6kHz brightness would make it harder to live with day to day.

Buy the Revel F208 if sound quality matters more than the price. Buy the Polk Reserve R500 if the price matters more than sound quality.

Revel F208 vs Polk Reserve R500

Specifications Side By Side

Revel F208 Polk Reserve R500
Price$2400 used, Discontinued$699.00
Ranked#15 of 68 in Large Size Floorstanding Speakers#36 of 68 in Large Size Floorstanding Speakers
Bass Extension (-10dB)24Hz (measured, Audio Science Review)33Hz (measured, Erin’s Audio Corner)
Bass Extension (-3dB)47Hz (measured, Audio Science Review)51Hz (measured, Erin’s Audio Corner)
Dimensions46.6"H x 13.5"W x 14.8"D (1183.6 x 342.9 x 375.9 mm)40.3"H x 6.8"W x 12.4"D (1023.6 x 172.7 x 315 mm)
Impedance8 ohms nominal, 3.5 ohms minimum (measured, Audio Science Review)4.1 ohms minimum above 80Hz (measured, Erin’s Audio Corner; 8 ohms nominal per manufacturer)
DriversDual 8" (20 cm) Aluminum Cone, Cast-frame Woofers, 5.25" (13.3 cm) Aluminum Cone, Cast-frame Midrange, 1" (2.5 cm) Aluminum Tweeter with Acoustic Lens WaveguideTwo 5.25" Turbine Cone woofer, 1" Pinnacle Ring Radiator tweeter
Sensitivity88.2dB (measured by Audio Science Review; 88.5dB manufacturer specified)86.2dB (measured, Erin’s Audio Corner)
Weight79.4 lbs / 36 kg each39.2 lbs / 17.8 kg each
Woofer Cabinetported, frontported, rear
DiscontinuedYes-

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The Two Speakers In Full

Revel F208: $2400 used, Discontinued eBay

Revel F208 ranking card

Pros: CEA2034 spinorama shows a fairly even on-axis response with sensitivity matching spec at ~87-88dB. Predicted in-room response is a smooth, textbook-quality downward slope that should translate well to most rooms without correction. Early reflections sum so cleanly with the direct sound that side-wall absorption isn’t recommended - it would work against the speaker’s naturally well-integrated off-axis behavior. Distortion stays below 0.5% from 100Hz up at 96dB/1m, with all distortion components falling below audible threshold above 200Hz. Very wide horizontal directivity of about ±75 degrees. Measured performance was judged very close to Revel’s own flagship Salon2, and Revel’s speakers (including this one) are developed using Harman’s double-blind listening test methodology. Preference score of 6.6 (7.7 with a subwoofer added).

Cons: Some directivity error and tweeter-response ripple right at the 2.2kHz crossover point. A notable on-axis dip at about 4kHz, attributed to probable cabinet diffraction. Cumulative spectral decay (waterfall) shows an unexplained resonance around 4-5kHz that the reviewer couldn’t pin down a clear cause for. Vertical directivity shows narrowband interference nulls just above and below the tweeter axis (roughly 2-3kHz), typical of a non-coaxial tower with vertically separated drivers, so listening height matters more than it would with a coincident design. Minimum impedance dips to 3.4 ohms, calling for a robust, high-current amplifier. Distortion climbs substantially below about 80-100Hz (up to ~5% in the deep bass) when driven hard, an excursion-limited trade-off typical of towers at high output. Isolating the woofers alone shows their usable range ending around 500-700Hz at the crossover, with somewhat elevated (though still low in absolute terms) 2nd/3rd harmonic distortion in the 100-300Hz region. Discontinued.

Bass Extension (-10dB)24Hz (measured, Audio Science Review)
Bass Extension (-3dB)47Hz (measured, Audio Science Review)
Dimensions46.6"H x 13.5"W x 14.8"D (1183.6 x 342.9 x 375.9 mm)
DiscontinuedYes
DriversDual 8" (20 cm) Aluminum Cone, Cast-frame Woofers, 5.25" (13.3 cm) Aluminum Cone, Cast-frame Midrange, 1" (2.5 cm) Aluminum Tweeter with Acoustic Lens Waveguide
Impedance8 ohms nominal, 3.5 ohms minimum (measured, Audio Science Review)
Sensitivity88.2dB (measured by Audio Science Review; 88.5dB manufacturer specified)
Weight79.4 lbs / 36 kg each
Woofer Cabinetported, front

Polk Reserve R500: $699.00 Amazon eBay

Polk Reserve R500 ranking card

Pros: Dual 5.25” midwoofers paired with a ring radiator tweeter in a floorstanding tower design. Surprisingly neutral overall compared to Polk’s smaller bookshelf models - notably more even-handed than the brighter-sounding R200 the reviewer tested previously. Good linearity on-axis, within about -3/+2dB. Sensitivity close to 86dB, easily driven to adequate levels in a small-to-medium room with a 100W-capable amplifier. Takes very well to EQ - a single band of correction (about a 2dB cut around 4-5kHz) resolves the main tonal issue and transforms the sound. Dynamic range and compression performance is solidly “medium,” holding up fine through about 20dB of level increase before higher-frequency and bass output start to taper at extreme volumes.

Cons: A bump around 4-6kHz gives a “shouty,” mildly sibilant quality in the lower treble. Counterintuitively, toeing the speaker out to reduce brightness makes this worse rather than better, since the ring-radiator tweeter’s directivity narrows rapidly above about 6-7kHz - pointed on-axis retains enough top-end air to balance the bump, but toed away that air drops off and the shoutiness stands out more. Bass is adequate for its 5.25” woofers but lacks real weight below about 40-50Hz; a subwoofer is still needed for movies and bass-heavy music. A cabinet resonance around 160-170Hz subtracts from rather than adds boom to the mid-bass region. Vertical listening window is fairly narrow - sitting more than about 10-20° above or below the tweeter axis causes a suckout in the 2-5kHz range, reducing clarity and attack. Multitone distortion ramps up noticeably around 1kHz, and crossing over to a subwoofer at 80Hz doesn’t meaningfully reduce it - likely a surround-related effect rather than excursion-related. Without applying corrective EQ, the reviewer says the 4-6kHz brightness would make it harder to live with day to day.

Bass Extension (-10dB)33Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)51Hz (measured, Erin's Audio Corner)
Dimensions40.3"H x 6.8"W x 12.4"D (1023.6 x 172.7 x 315 mm)
DriversTwo 5.25" Turbine Cone woofer, 1" Pinnacle Ring Radiator tweeter
Impedance4.1 ohms minimum above 80Hz (measured, Erin's Audio Corner; 8 ohms nominal per manufacturer)
Sensitivity86.2dB (measured, Erin's Audio Corner)
Weight39.2 lbs / 17.8 kg each
Woofer Cabinetported, rear