Short answer: the Revel F208 for better sound quality, the JBL Stage 2 280F for the lower price. The Revel F208 ranks #15 of 71 floorstanding speakers at $2400. The JBL Stage 2 280F ranks #62 at $659.95, $1740.05 cheaper.
What the Revel F208 offers: CEA2034 spinorama shows a fairly even on-axis response with sensitivity matching spec at ~87-88dB. Predicted in-room response is a smooth, textbook-quality downward slope that should translate well to most rooms without correction. Early reflections sum so cleanly with the direct sound that side-wall absorption isn’t recommended - it would work against the speaker’s naturally well-integrated off-axis behavior. Distortion stays below 0.5% from 100Hz up at 96dB/1m, with all distortion components falling below audible threshold above 200Hz. Very wide horizontal directivity of about ±75 degrees. Measured performance was judged very close to Revel’s own flagship Salon2, and Revel’s speakers (including this one) are developed using Harman’s double-blind listening test methodology. Preference score of 6.6 (7.7 with a subwoofer added). Watch for: Some directivity error and tweeter-response ripple right at the 2.2kHz crossover point. A notable on-axis dip at about 4kHz, attributed to probable cabinet diffraction. Cumulative spectral decay (waterfall) shows an unexplained resonance around 4-5kHz that the reviewer couldn’t pin down a clear cause for. Vertical directivity shows narrowband interference nulls just above and below the tweeter axis (roughly 2-3kHz), typical of a non-coaxial tower with vertically separated drivers, so listening height matters more than it would with a coincident design. Minimum impedance dips to 3.4 ohms, calling for a robust, high-current amplifier. Distortion climbs substantially below about 80-100Hz (up to ~5% in the deep bass) when driven hard, an excursion-limited trade-off typical of towers at high output. Isolating the woofers alone shows their usable range ending around 500-700Hz at the crossover, with somewhat elevated (though still low in absolute terms) 2nd/3rd harmonic distortion in the 100-300Hz region.
What the JBL Stage 2 280F offers: Genuinely impressive output capability and low compression/distortion for the price, courtesy of the dual 8” woofers - the reviewer’s standout praise for this pair. High sensitivity (89.5dB measured) and low impedance make it easy to drive. Decent bass extension (F3 48Hz, F10 30Hz) reaches about 50Hz in-room. Horizontal dispersion is reasonably consistent (~55 degrees), meaning the speaker takes reasonably well to EQ correction. Watch for: Explicitly called out as disappointing relative to expectations for the JBL name and this price point - lacks native linearity compared to similarly-priced alternatives like the Polk Reserve R500, which the reviewer recommends instead for anyone who doesn’t want to rely on EQ. Treble falls off a cliff above about 10-12kHz, giving a notable lack of air/space that needs real correction (a wide +Q0.5 boost from 10-20kHz) to fix. A sharp impedance resonance around 900Hz-1.1kHz is nearly impossible to EQ out cleanly even with narrow filters. Elevated multitone distortion in the 600Hz-2.5kHz range, tied to the midwoofer rather than the tweeter. Compared to the similarly-priced Klipsch RP-6000F II/RP-8000F II, this JBL is less directive and native-flat but does extend roughly 20Hz deeper in the bass - a real tradeoff either way, not a clean win.
Buy the Revel F208 if sound quality matters more than the price. Buy the JBL Stage 2 280F if the price matters more than sound quality.
If sound quality matters at all to you, skip the JBL Stage 2 280F. It ranks near the bottom of the 71 floorstanding speakers, so look higher up the list instead.
Specifications Side By Side
| Revel F208 | JBL Stage 2 280F | |
|---|---|---|
| Price | $2400 used, Discontinued | $659.95 |
| Ranked | #15 of 71 in Large Size Floorstanding Speakers | #62 of 71 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 24Hz (measured, Audio Science Review) | 30Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 47Hz (measured, Audio Science Review) | 48Hz (measured, Erin’s Audio Corner) |
| Dimensions | 46.6"H x 13.5"W x 14.8"D (1183.6 x 342.9 x 375.9 mm) | 43.8" x 14.1" x 16.5" (1113 x 358 x 419 mm) |
| Impedance | 8 ohms nominal, 3.5 ohms minimum (measured, Audio Science Review) | 6 ohms nominal, 3.9 ohms minimum (measured, Erin’s Audio Corner) |
| Drivers | Dual 8" (20 cm) Aluminum Cone, Cast-frame Woofers, 5.25" (13.3 cm) Aluminum Cone, Cast-frame Midrange, 1" (2.5 cm) Aluminum Tweeter with Acoustic Lens Waveguide | 1" anodized aluminum dome tweeter with HDI waveguide, dual 8" polycellulose woofers |
| Sensitivity | 88.2dB (measured by Audio Science Review; 88.5dB manufacturer specified) | 89.5dB (2.83V/1m, measured by Erin’s Audio Corner) |
| Weight | 79.4 lbs / 36 kg each | 55.1 lbs / 25 kg (55.2 lb) each |
| Woofer Cabinet | ported, front | ported, rear |
| Discontinued | Yes | - |
| Crossover Frequency | - | 1.1kHz, 2.1kHz |
| Output Power | - | 125W RMS |
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The Two Speakers In Full
Revel F208: $2400 used, Discontinued eBay
Pros: CEA2034 spinorama shows a fairly even on-axis response with sensitivity matching spec at ~87-88dB. Predicted in-room response is a smooth, textbook-quality downward slope that should translate well to most rooms without correction. Early reflections sum so cleanly with the direct sound that side-wall absorption isn’t recommended - it would work against the speaker’s naturally well-integrated off-axis behavior. Distortion stays below 0.5% from 100Hz up at 96dB/1m, with all distortion components falling below audible threshold above 200Hz. Very wide horizontal directivity of about ±75 degrees. Measured performance was judged very close to Revel’s own flagship Salon2, and Revel’s speakers (including this one) are developed using Harman’s double-blind listening test methodology. Preference score of 6.6 (7.7 with a subwoofer added).
Cons: Some directivity error and tweeter-response ripple right at the 2.2kHz crossover point. A notable on-axis dip at about 4kHz, attributed to probable cabinet diffraction. Cumulative spectral decay (waterfall) shows an unexplained resonance around 4-5kHz that the reviewer couldn’t pin down a clear cause for. Vertical directivity shows narrowband interference nulls just above and below the tweeter axis (roughly 2-3kHz), typical of a non-coaxial tower with vertically separated drivers, so listening height matters more than it would with a coincident design. Minimum impedance dips to 3.4 ohms, calling for a robust, high-current amplifier. Distortion climbs substantially below about 80-100Hz (up to ~5% in the deep bass) when driven hard, an excursion-limited trade-off typical of towers at high output. Isolating the woofers alone shows their usable range ending around 500-700Hz at the crossover, with somewhat elevated (though still low in absolute terms) 2nd/3rd harmonic distortion in the 100-300Hz region. Discontinued.
Full Revel F208 review and specifications →
| Bass Extension (-10dB) | 24Hz (measured, Audio Science Review) |
|---|---|
| Bass Extension (-3dB) | 47Hz (measured, Audio Science Review) |
| Dimensions | 46.6"H x 13.5"W x 14.8"D (1183.6 x 342.9 x 375.9 mm) |
| Discontinued | Yes |
| Drivers | Dual 8" (20 cm) Aluminum Cone, Cast-frame Woofers, 5.25" (13.3 cm) Aluminum Cone, Cast-frame Midrange, 1" (2.5 cm) Aluminum Tweeter with Acoustic Lens Waveguide |
| Impedance | 8 ohms nominal, 3.5 ohms minimum (measured, Audio Science Review) |
| Sensitivity | 88.2dB (measured by Audio Science Review; 88.5dB manufacturer specified) |
| Weight | 79.4 lbs / 36 kg each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
JBL Stage 2 280F: $659.95 Amazon eBay
Pros: Genuinely impressive output capability and low compression/distortion for the price, courtesy of the dual 8” woofers - the reviewer’s standout praise for this pair. High sensitivity (89.5dB measured) and low impedance make it easy to drive. Decent bass extension (F3 48Hz, F10 30Hz) reaches about 50Hz in-room. Horizontal dispersion is reasonably consistent (~55 degrees), meaning the speaker takes reasonably well to EQ correction.
Cons: Explicitly called out as disappointing relative to expectations for the JBL name and this price point - lacks native linearity compared to similarly-priced alternatives like the Polk Reserve R500, which the reviewer recommends instead for anyone who doesn’t want to rely on EQ. Treble falls off a cliff above about 10-12kHz, giving a notable lack of air/space that needs real correction (a wide +Q0.5 boost from 10-20kHz) to fix. A sharp impedance resonance around 900Hz-1.1kHz is nearly impossible to EQ out cleanly even with narrow filters. Elevated multitone distortion in the 600Hz-2.5kHz range, tied to the midwoofer rather than the tweeter. Compared to the similarly-priced Klipsch RP-6000F II/RP-8000F II, this JBL is less directive and native-flat but does extend roughly 20Hz deeper in the bass - a real tradeoff either way, not a clean win.
Full JBL Stage 2 280F review and specifications →
| Bass Extension (-10dB) | 30Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 48Hz (measured, Erin's Audio Corner) |
| Crossover Frequency | 1.1kHz, 2.1kHz |
| Dimensions | 43.8" x 14.1" x 16.5" (1113 x 358 x 419 mm) |
| Drivers | 1" anodized aluminum dome tweeter with HDI waveguide, dual 8" polycellulose woofers |
| Impedance | 6 ohms nominal, 3.9 ohms minimum (measured, Erin's Audio Corner) |
| Output Power | 125W RMS |
| Sensitivity | 89.5dB (2.83V/1m, measured by Erin's Audio Corner) |
| Weight | 55.1 lbs / 25 kg (55.2 lb) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- JBL Stage 2 280F vs Magnepan LRS+
- JBL Stage 2 280F vs Infinity Reference 253
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- JBL Stage 2 280F vs JBL Studio 590
- JBL Stage 2 280F vs Polk T50
- JBL Stage 2 280F vs Triangle Esprit Antal Ez
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