Short answer: the Revel F226Be. It ranks #15 of 226 floorstanding speakers by sound quality (rated 4.6/5) at $8,469.90 and is still sold new; the Sony SS-CS3 ranks #213 (rated 2.8/5) and is discontinued, so it is only an option used. The Sony SS-CS3’s replacement, the Sony SS-CS3 M2, is rated 3.0/5.
The Revel F226Be is the more accurate, deeper-bass option. Its measured preference score, a predictor of how neutral it sounds, is 5.96 against 4.11 for the Sony SS-CS3. Its bass reaches about 56Hz before falling 3dB, against 72Hz for the Sony SS-CS3. The catch: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle.
The case for the Sony SS-CS3: Affordable entry-level floorstanding tower offering solid sensitivity (88.6dB SPL at 2.83V/1m), making it easy to power with standard budget AVRs. The tradeoff: Severe cabinet and driver resonances plague the passband between 100Hz and 600Hz, imparting audible coloration and chesty resonances to male vocals and acoustic instruments.
Buy the Revel F226Be. It is rated higher for sound quality; the Sony SS-CS3 is no longer sold new.
Want more options? Browse the full Passive Home rankings.
Specifications Side By Side
| Revel F226Be | Sony SS-CS3 | |
|---|---|---|
| Price | $8,469.90 per pair | $450 per pair Discontinued |
| Ranked | #15 of 226 in Large Size Floorstanding Speakers | #213 of 226 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 36Hz (measured, Erin’s Audio Corner) | 39Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 56Hz (measured, Erin’s Audio Corner) | 72Hz (measured, Erin’s Audio Corner) |
| Dimensions | 41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm) | 36.3”H x 9.1”W x 10.2”D (922 x 230 x 260 mm) |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) | 6 ohms nominal |
| Drivers | Two 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter | 0.75 in. supertweeter, 0.98 in. polyester main tweeter, dual 5.12 in. MRC woofers |
| Sensitivity | 89.7dB (measured, Erin’s Audio Corner) | 88.6dB (measured average, Erin’s Audio Corner) |
| Weight | 58.2 lbs (26.4 kg) each | 25.4 lbs (11.5 kg) each |
| Woofer Cabinet | ported, front | ported, front |
| Spinorama Preference Score | 5.96 (spinorama.org) | 4.11 |
| Spinorama Preference Score with Perfect Sub | 8.15 (spinorama.org) | 6.65 |
| DIY Kit | No | No |
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Prices on this page were last checked October 9, 2026 at 8:01 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
Revel F226Be: $8,469.90 per pair Crutchfield eBay
Older model: the Revel F206 (ranked lower, rated 4.5/5). See every Revel Performa generation.
Same family: the Revel M126Be (bookshelf, rated 4.3/5), the Revel F228Be (larger floorstanding, ranked lower, rated 4.5/5), the Revel F328Be (larger floorstanding, ranked higher, rated 4.7/5) and the Revel C426Be (center, rated 4/5).
Pros: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range, and dual 6.5” woofers (not a coaxial layout): all Deep Ceramic Composite aluminum cones engineered specifically to avoid breakup outside their crossover bands, and it measures that way: neither the woofers nor the mid-range show breakup spikes even well outside their intended pass bands, and even the front port measures unusually clean (only a mild ~3dB bump around 150Hz, well controlled versus the resonances the reviewer typically sees from ports). On-axis frequency response holds within about ±1.5dB above roughly 65Hz (excellent linearity) and off-axis behavior tracks it closely, with only mild, subdued peaking around 4-6kHz that doesn’t show up as real resonance in the spinorama data. Average sensitivity around 90dB (2.83V/1m), notably higher than some competing three-way designs and most bookshelf speakers, translating directly into better dynamic range at both low and high listening levels: one reviewer specifically praised its ability to deliver full transient impact (snare hits, kick drum) even at quiet, conversational volumes rather than needing to be cranked up to feel dynamic. Wide, consistent horizontal radiation of about ±60-70° at the -6dB point, landing right in the reviewer’s preferred range for an enveloping soundstage without excess diffusion, and exceptionally wide vertical dispersion: roughly ±80° up to 10kHz and still ±70° above that, which one reviewer called the widest vertical radiation pattern he had measured to date. Distortion stays under 3% even at 104dB SPL, and in real-world testing up to 105dB from 12-14 feet away, full-range with no crossover, the reviewer heard no audible mechanical noise, port chuffing, or compression at all. Flat enough on- and off-axis response that toeing the speaker 10-15° away from the listener preserves the same tonal balance rather than changing it, and the wide, well-controlled directivity lets sidewall reflections reinforce rather than smear the soundstage. Measured bass extension of 56Hz (-3dB), with a measured sensitivity of 89.7dB.
Cons: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle. F3 of 56Hz and F10 of 36Hz mean it doesn’t extend nearly as low as some three-way rivals with larger woofers: a dedicated subwoofer (10-12”, or 15” for content below 30Hz) is recommended for home theater or bass-heavy music, even though the speaker itself can play surprisingly loud without one. Vertical directivity tolerance is tighter in the crossover handoff region than a true coaxial design would offer, since the tweeter, midrange, and woofers are physically separated: a mild directivity bump appears around 2-2.5kHz that’s typical of non-coaxial multi-way speakers, though not audibly problematic within about ±10° vertically. On-axis, the top end reads as a bit bright according to one reviewer’s subjective impression, generally benefiting from some toe-out. High-gloss cabinet finish can create distracting reflections if used behind a projector screen in a home theater setup. Front-ported, so it can technically sit close to a wall, but doing so makes the bass boomier.
Full Revel F226Be review and specifications →
| Bass Extension (-10dB) | 36Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm) |
| Drivers | Two 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) |
| Sensitivity | 89.7dB (measured, Erin’s Audio Corner) |
| Spinorama Preference Score | 5.96 (spinorama.org) |
| Spinorama Preference Score with Perfect Sub | 8.15 (spinorama.org) |
| Weight | 58.2 lbs (26.4 kg) each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: Revel PerformaBe F226Be Floorstanding Loudspeaker Review. I love this speaker. More from Erin’s Audio Corner →
- Erin’s Audio Corner: Should You Buy the Revel F226Be or the MoFi 888?
- Erin’s Audio Review Website Revel F226B
- Erin’s Audio Corner: My Top 5 Speakers at Any Price
- Erin’s Audio Corner Measurements (spinorama.org)
- Head-to-Head Comparisons
Sony SS-CS3: $450 per pair Discontinued eBay
Newer model: the Sony SS-CS3 M2, ranked higher, estimated 3/5.
Same family: the Sony SS-CS5 (bookshelf, rated 3.5/5).
Pros: Affordable entry-level floorstanding tower offering solid sensitivity (88.6dB SPL at 2.83V/1m), making it easy to power with standard budget AVRs. Harmonic distortion remains reasonably low at moderate listening levels (86dB SPL) when high-pass filtered above 80-100Hz with a dedicated subwoofer. Front-ported design allows relatively close placement to front boundaries without excessive port occlusion. Measured bass extension of 72Hz (-3dB), with a measured sensitivity of 88.6dB.
Cons: Severe cabinet and driver resonances plague the passband between 100Hz and 600Hz, imparting audible coloration and chesty resonances to male vocals and acoustic instruments. Irregular frequency response peaks and dips make automated receiver room correction difficult to equalize effectively. Poor low-frequency extension (F3 of 72Hz, F10 of 39Hz) for a floorstander, combined with rapid distortion escalation below 80Hz at higher SPLs (96dB+). Supertweeter driver adds crossover complexity without providing audible high-frequency benefit within the human hearing spectrum. Discontinued.
Full Sony SS-CS3 review and specifications →
| Bass Extension (-10dB) | 39Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 72Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 36.3”H x 9.1”W x 10.2”D (922 x 230 x 260 mm) |
| Drivers | 0.75 in. supertweeter, 0.98 in. polyester main tweeter, dual 5.12 in. MRC woofers |
| Impedance | 6 ohms nominal |
| Sensitivity | 88.6dB (measured average, Erin’s Audio Corner) |
| Spinorama Preference Score | 4.11 |
| Spinorama Preference Score with Perfect Sub | 6.65 |
| Weight | 25.4 lbs (11.5 kg) each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons