Revel F208 vs Infinity Primus 360

Last updated: August 25, 2026

Short answer: the Revel F208 for better sound quality, the Infinity Primus 360 for the lower price. The Revel F208 ranks #15 of 71 floorstanding speakers at $2400. The Infinity Primus 360 ranks #40 at $650, $1750 cheaper.

What the Revel F208 offers: CEA2034 spinorama shows a fairly even on-axis response with sensitivity matching spec at ~87-88dB. Predicted in-room response is a smooth, textbook-quality downward slope that should translate well to most rooms without correction. Early reflections sum so cleanly with the direct sound that side-wall absorption isn’t recommended - it would work against the speaker’s naturally well-integrated off-axis behavior. Distortion stays below 0.5% from 100Hz up at 96dB/1m, with all distortion components falling below audible threshold above 200Hz. Very wide horizontal directivity of about ±75 degrees. Measured performance was judged very close to Revel’s own flagship Salon2, and Revel’s speakers (including this one) are developed using Harman’s double-blind listening test methodology. Preference score of 6.6 (7.7 with a subwoofer added). Watch for: Some directivity error and tweeter-response ripple right at the 2.2kHz crossover point. A notable on-axis dip at about 4kHz, attributed to probable cabinet diffraction. Cumulative spectral decay (waterfall) shows an unexplained resonance around 4-5kHz that the reviewer couldn’t pin down a clear cause for. Vertical directivity shows narrowband interference nulls just above and below the tweeter axis (roughly 2-3kHz), typical of a non-coaxial tower with vertically separated drivers, so listening height matters more than it would with a coincident design. Minimum impedance dips to 3.4 ohms, calling for a robust, high-current amplifier. Distortion climbs substantially below about 80-100Hz (up to ~5% in the deep bass) when driven hard, an excursion-limited trade-off typical of towers at high output. Isolating the woofers alone shows their usable range ending around 500-700Hz at the crossover, with somewhat elevated (though still low in absolute terms) 2nd/3rd harmonic distortion in the 100-300Hz region.

What the Infinity Primus 360 offers: A three-way tower from 2005 (two 6.5” mid-woofers, a 4” mid-range, and a 0.75” dome tweeter, 8 ohms nominal) that holds up remarkably well by modern measurement standards: on-axis linearity is within about ±2dB, and the listening window stays consistent out to roughly ±30° horizontal and ±10° vertical off the mid-range axis. Horizontal directivity is well controlled out to about ±75° before tonality starts to drift, meaning the reflected sound in a room stays close in character to the direct sound - a speaker that takes EQ well without fighting itself. Harmonic distortion measures low at both 86dB and 96dB, and multitone distortion stays under the reviewer’s 3% threshold. Silky, smooth midrange with a rich lower-midrange/upper-bass character. No mechanical issues or surround degradation found in a 20-year-old pair, and a second unit measured within about 1-1.5dB of the first, suggesting good long-term consistency for the design. Watch for: Manufacturer-spec sensitivity of 93dB runs about 3-4dB optimistic versus the measured 89.4dB average. Bass output drops off fairly quickly below about 50Hz in-room (F3 53Hz, F10 37Hz), so a subwoofer is needed for real low-end extension. Resonances show up around 170Hz, 220Hz, and 350Hz. On-axis, the lower treble can sound a bit bright or sibilant when the speaker is aimed directly at the listener; toeing out about 10-15° (rather than the more extreme 30°) gave the best balance, and some sidewall acoustic absorption further tamed a 4-5kHz peak. Placed close to the rear wall, bass gets boomy - pulling the speakers out about a foot resolves most of it, with roughly 1.5 feet from the wall as a good compromise between bass character and typical room aesthetics. Straying beyond about 25° above or below the mid-range axis introduces audible suckout. No longer in production, so it’s a used/secondhand purchase only.

Buy the Revel F208 if sound quality matters more than the price. Buy the Infinity Primus 360 if the price matters more than sound quality.

Revel F208 vs Infinity Primus 360

Specifications Side By Side

Revel F208 Infinity Primus 360
Price$2400 used, Discontinued$650.00 Discontinued
Ranked#15 of 71 in Large Size Floorstanding Speakers#40 of 71 in Large Size Floorstanding Speakers
Bass Extension (-10dB)24Hz (measured, Audio Science Review)37Hz (measured, Erin’s Audio Corner)
Bass Extension (-3dB)47Hz (measured, Audio Science Review)53Hz (measured, Erin’s Audio Corner)
Dimensions46.6"H x 13.5"W x 14.8"D (1183.6 x 342.9 x 375.9 mm)39"H x 8-1/8"W x 13-7/8"D (990 x 208 x 330mm)
Impedance8 ohms nominal, 3.5 ohms minimum (measured, Audio Science Review)8 ohms nominal, 3.5 ohms minimum (measured, Erin’s Audio Corner)
DriversDual 8" (20 cm) Aluminum Cone, Cast-frame Woofers, 5.25" (13.3 cm) Aluminum Cone, Cast-frame Midrange, 1" (2.5 cm) Aluminum Tweeter with Acoustic Lens WaveguideTwo 6.5" mid-woofers, 4" mid-range, 0.75" dome tweeter
Sensitivity88.2dB (measured by Audio Science Review; 88.5dB manufacturer specified)89.4dB (measured, Erin’s Audio Corner; 93dB manufacturer specified)
Weight79.4 lbs / 36 kg each48.5 lbs (48.5 lbs / 22 kg) each
Woofer Cabinetported, front-
DiscontinuedYesYes
Frequency Response-38Hz - 20kHz (±3dB, Manufacturer specified)
Crossovers-350Hz & 3.3kHz, 24dB/octave
Recommended Power-10-200W

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The Two Speakers In Full

Revel F208: $2400 used, Discontinued eBay

Revel F208 ranking card

Pros: CEA2034 spinorama shows a fairly even on-axis response with sensitivity matching spec at ~87-88dB. Predicted in-room response is a smooth, textbook-quality downward slope that should translate well to most rooms without correction. Early reflections sum so cleanly with the direct sound that side-wall absorption isn’t recommended - it would work against the speaker’s naturally well-integrated off-axis behavior. Distortion stays below 0.5% from 100Hz up at 96dB/1m, with all distortion components falling below audible threshold above 200Hz. Very wide horizontal directivity of about ±75 degrees. Measured performance was judged very close to Revel’s own flagship Salon2, and Revel’s speakers (including this one) are developed using Harman’s double-blind listening test methodology. Preference score of 6.6 (7.7 with a subwoofer added).

Cons: Some directivity error and tweeter-response ripple right at the 2.2kHz crossover point. A notable on-axis dip at about 4kHz, attributed to probable cabinet diffraction. Cumulative spectral decay (waterfall) shows an unexplained resonance around 4-5kHz that the reviewer couldn’t pin down a clear cause for. Vertical directivity shows narrowband interference nulls just above and below the tweeter axis (roughly 2-3kHz), typical of a non-coaxial tower with vertically separated drivers, so listening height matters more than it would with a coincident design. Minimum impedance dips to 3.4 ohms, calling for a robust, high-current amplifier. Distortion climbs substantially below about 80-100Hz (up to ~5% in the deep bass) when driven hard, an excursion-limited trade-off typical of towers at high output. Isolating the woofers alone shows their usable range ending around 500-700Hz at the crossover, with somewhat elevated (though still low in absolute terms) 2nd/3rd harmonic distortion in the 100-300Hz region. Discontinued.

Bass Extension (-10dB)24Hz (measured, Audio Science Review)
Bass Extension (-3dB)47Hz (measured, Audio Science Review)
Dimensions46.6"H x 13.5"W x 14.8"D (1183.6 x 342.9 x 375.9 mm)
DiscontinuedYes
DriversDual 8" (20 cm) Aluminum Cone, Cast-frame Woofers, 5.25" (13.3 cm) Aluminum Cone, Cast-frame Midrange, 1" (2.5 cm) Aluminum Tweeter with Acoustic Lens Waveguide
Impedance8 ohms nominal, 3.5 ohms minimum (measured, Audio Science Review)
Sensitivity88.2dB (measured by Audio Science Review; 88.5dB manufacturer specified)
Weight79.4 lbs / 36 kg each
Woofer Cabinetported, front

Infinity Primus 360: $650.00 Discontinued eBay

Infinity Primus 360 ranking card

Pros: A three-way tower from 2005 (two 6.5” mid-woofers, a 4” mid-range, and a 0.75” dome tweeter, 8 ohms nominal) that holds up remarkably well by modern measurement standards: on-axis linearity is within about ±2dB, and the listening window stays consistent out to roughly ±30° horizontal and ±10° vertical off the mid-range axis. Horizontal directivity is well controlled out to about ±75° before tonality starts to drift, meaning the reflected sound in a room stays close in character to the direct sound - a speaker that takes EQ well without fighting itself. Harmonic distortion measures low at both 86dB and 96dB, and multitone distortion stays under the reviewer’s 3% threshold. Silky, smooth midrange with a rich lower-midrange/upper-bass character. No mechanical issues or surround degradation found in a 20-year-old pair, and a second unit measured within about 1-1.5dB of the first, suggesting good long-term consistency for the design.

Cons: Manufacturer-spec sensitivity of 93dB runs about 3-4dB optimistic versus the measured 89.4dB average. Bass output drops off fairly quickly below about 50Hz in-room (F3 53Hz, F10 37Hz), so a subwoofer is needed for real low-end extension. Resonances show up around 170Hz, 220Hz, and 350Hz. On-axis, the lower treble can sound a bit bright or sibilant when the speaker is aimed directly at the listener; toeing out about 10-15° (rather than the more extreme 30°) gave the best balance, and some sidewall acoustic absorption further tamed a 4-5kHz peak. Placed close to the rear wall, bass gets boomy - pulling the speakers out about a foot resolves most of it, with roughly 1.5 feet from the wall as a good compromise between bass character and typical room aesthetics. Straying beyond about 25° above or below the mid-range axis introduces audible suckout. No longer in production, so it’s a used/secondhand purchase only. Discontinued.

Bass Extension (-10dB)37Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)53Hz (measured, Erin's Audio Corner)
Crossovers350Hz & 3.3kHz, 24dB/octave
Dimensions39"H x 8-1/8"W x 13-7/8"D (990 x 208 x 330mm)
DiscontinuedYes
DriversTwo 6.5" mid-woofers, 4" mid-range, 0.75" dome tweeter
Frequency Response38Hz - 20kHz (±3dB, Manufacturer specified)
Impedance8 ohms nominal, 3.5 ohms minimum (measured, Erin's Audio Corner)
Recommended Power10-200W
Sensitivity89.4dB (measured, Erin's Audio Corner; 93dB manufacturer specified)
Weight48.5 lbs (48.5 lbs / 22 kg) each