Short answer: the Revel Concerta2 F35 for better sound quality, the Infinity Primus 360 for the lower price. The Revel Concerta2 F35 ranks #23 of 68 floorstanding speakers at $900. The Infinity Primus 360 ranks #40 at $650, $250 cheaper.
What the Revel Concerta2 F35 offers: Two-and-a-half-way, four-driver design: a 1” aluminum dome tweeter on a waveguide, a 5.25” mid-range, and dual 5.25” mid-bass drivers in a rear-ported cabinet. Measured sensitivity of 89.4dB closely matches the 90dB spec, and distortion looks good at both 86dB and 96dB, holding up well even with a high-pass filter applied. At its sale price (around $900/pair, down from full retail), the reviewer calls it a “no-brainer,” undercutting comparable budget floorstanders like the ELAC DF63. Frequency response and directivity mismatches are largely EQ-able, since most of what shows up in measurements traces to physical tweeter/mid-range separation rather than a fundamental flaw. Compression is fairly well controlled for the price - about 1dB of loss around 100Hz under long-term compression, described as “par for the course” at this cost. Watch for: F3 of 61Hz and F10 of 39Hz mean a subwoofer is needed for real bass extension. A dip in the lower midrange/2-3kHz region reduces attack and detail, and a peak around 5kHz adds some edge and sibilance in the lower treble. A peak in off-axis energy around 3kHz reflects off sidewalls at roughly 60-70° off-axis and arrives louder than the direct sound - this specific issue can’t be fixed with EQ (boosting the direct sound would boost the stronger reflection too) and would need acoustic absorption to properly address, though the reviewer considers it a minor, optional fix at this price. A couple of minor resonances appear in the impedance plot, including one around 300Hz that may partly explain a subtle sense of vocal warmth noticed in listening, though it’s more likely room-related. Minimum impedance around 3.8 ohms. Short-term compression testing shows some increased distortion in the tweeter and higher-frequency compression at loud output.
What the Infinity Primus 360 offers: A three-way tower from 2005 (two 6.5” mid-woofers, a 4” mid-range, and a 0.75” dome tweeter, 8 ohms nominal) that holds up remarkably well by modern measurement standards: on-axis linearity is within about ±2dB, and the listening window stays consistent out to roughly ±30° horizontal and ±10° vertical off the mid-range axis. Horizontal directivity is well controlled out to about ±75° before tonality starts to drift, meaning the reflected sound in a room stays close in character to the direct sound - a speaker that takes EQ well without fighting itself. Harmonic distortion measures low at both 86dB and 96dB, and multitone distortion stays under the reviewer’s 3% threshold. Silky, smooth midrange with a rich lower-midrange/upper-bass character. No mechanical issues or surround degradation found in a 20-year-old pair, and a second unit measured within about 1-1.5dB of the first, suggesting good long-term consistency for the design. Watch for: Manufacturer-spec sensitivity of 93dB runs about 3-4dB optimistic versus the measured 89.4dB average. Bass output drops off fairly quickly below about 50Hz in-room (F3 53Hz, F10 37Hz), so a subwoofer is needed for real low-end extension. Resonances show up around 170Hz, 220Hz, and 350Hz. On-axis, the lower treble can sound a bit bright or sibilant when the speaker is aimed directly at the listener; toeing out about 10-15° (rather than the more extreme 30°) gave the best balance, and some sidewall acoustic absorption further tamed a 4-5kHz peak. Placed close to the rear wall, bass gets boomy - pulling the speakers out about a foot resolves most of it, with roughly 1.5 feet from the wall as a good compromise between bass character and typical room aesthetics. Straying beyond about 25° above or below the mid-range axis introduces audible suckout. No longer in production, so it’s a used/secondhand purchase only.
Buy the Revel Concerta2 F35 if sound quality matters more than the price. Buy the Infinity Primus 360 if the price matters more than sound quality.
Specifications Side By Side
| Revel Concerta2 F35 | Infinity Primus 360 | |
|---|---|---|
| Price | $900 | $650.00 Discontinued |
| Ranked | #23 of 68 in Large Size Floorstanding Speakers | #40 of 68 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 50Hz (measured, Erin’s Audio Corner) | 37Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 70Hz (measured, Erin’s Audio Corner) | 53Hz (measured, Erin’s Audio Corner) |
| Dimensions | 40.3"H x 8.4"W x 12.2"D (1023.6 x 213.4 x 309.9 mm) | 39"H x 8-1/8"W x 13-7/8"D (990 x 208 x 330mm) |
| Impedance | 6 ohms nominal (3.8 ohms minimum, measured by Erin’s Audio Corner) | 8 ohms nominal, 3.5 ohms minimum (measured, Erin’s Audio Corner) |
| Sensitivity | 89.4dB (measured, Erin’s Audio Corner; 90dB manufacturer specified) | 89.4dB (measured, Erin’s Audio Corner; 93dB manufacturer specified) |
| Drivers | 3x 5.25" deep anodized aluminum cone woofers, 1" Aluminum Tweeter | Two 6.5" mid-woofers, 4" mid-range, 0.75" dome tweeter |
| Weight | 41 lbs / 18.6 kg each | 48.5 lbs (48.5 lbs / 22 kg) each |
| Woofer Cabinet | ported, rear | - |
| Discontinued | - | Yes |
| Frequency Response | - | 38Hz - 20kHz (±3dB, Manufacturer specified) |
| Crossovers | - | 350Hz & 3.3kHz, 24dB/octave |
| Recommended Power | - | 10-200W |
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- Polk Audio Reserve R700 vs Definitive Technology BP-9020
- Definitive Technology BP-9020 vs Klipsch RP-5000F II
- Revel Concerta2 F35 vs ELAC Debut 3.0 DF63
- Revel Concerta2 F35 vs Polk Reserve R500
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The Two Speakers In Full
Revel Concerta2 F35: $900 Crutchfield eBay
Pros: Two-and-a-half-way, four-driver design: a 1” aluminum dome tweeter on a waveguide, a 5.25” mid-range, and dual 5.25” mid-bass drivers in a rear-ported cabinet. Measured sensitivity of 89.4dB closely matches the 90dB spec, and distortion looks good at both 86dB and 96dB, holding up well even with a high-pass filter applied. At its sale price (around $900/pair, down from full retail), the reviewer calls it a “no-brainer,” undercutting comparable budget floorstanders like the ELAC DF63. Frequency response and directivity mismatches are largely EQ-able, since most of what shows up in measurements traces to physical tweeter/mid-range separation rather than a fundamental flaw. Compression is fairly well controlled for the price - about 1dB of loss around 100Hz under long-term compression, described as “par for the course” at this cost.
Cons: F3 of 61Hz and F10 of 39Hz mean a subwoofer is needed for real bass extension. A dip in the lower midrange/2-3kHz region reduces attack and detail, and a peak around 5kHz adds some edge and sibilance in the lower treble. A peak in off-axis energy around 3kHz reflects off sidewalls at roughly 60-70° off-axis and arrives louder than the direct sound - this specific issue can’t be fixed with EQ (boosting the direct sound would boost the stronger reflection too) and would need acoustic absorption to properly address, though the reviewer considers it a minor, optional fix at this price. A couple of minor resonances appear in the impedance plot, including one around 300Hz that may partly explain a subtle sense of vocal warmth noticed in listening, though it’s more likely room-related. Minimum impedance around 3.8 ohms. Short-term compression testing shows some increased distortion in the tweeter and higher-frequency compression at loud output.
Full Revel Concerta2 F35 review and specifications →
| Bass Extension (-10dB) | 50Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 70Hz (measured, Erin's Audio Corner) |
| Dimensions | 40.3"H x 8.4"W x 12.2"D (1023.6 x 213.4 x 309.9 mm) |
| Drivers | 3x 5.25" deep anodized aluminum cone woofers, 1" Aluminum Tweeter |
| Impedance | 6 ohms nominal (3.8 ohms minimum, measured by Erin's Audio Corner) |
| Sensitivity | 89.4dB (measured, Erin's Audio Corner; 90dB manufacturer specified) |
| Weight | 41 lbs / 18.6 kg each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Audio Science Review Revel Concerta2 F35 More from Audio Science Review →
- Erin’s Audio Corner: Revel F35 Review: Great Sound, Lower Price! More from Erin’s Audio Corner →
- Erin’s Audio Review Website Revel Concerta2 F35
- Audio Science Review Measurements (spinorama.org)
- Reddit Search for Revel Concerta2 F35 Review
- Head-to-Head Comparisons
- Revel Concerta2 F35 vs Revel F206
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- Revel Concerta2 F35 vs KEF R11 Meta
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- Revel Concerta2 F35 vs Revel F228Be
- Revel Concerta2 F35 vs Revel F208
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Infinity Primus 360: $650.00 Discontinued eBay
Pros: A three-way tower from 2005 (two 6.5” mid-woofers, a 4” mid-range, and a 0.75” dome tweeter, 8 ohms nominal) that holds up remarkably well by modern measurement standards: on-axis linearity is within about ±2dB, and the listening window stays consistent out to roughly ±30° horizontal and ±10° vertical off the mid-range axis. Horizontal directivity is well controlled out to about ±75° before tonality starts to drift, meaning the reflected sound in a room stays close in character to the direct sound - a speaker that takes EQ well without fighting itself. Harmonic distortion measures low at both 86dB and 96dB, and multitone distortion stays under the reviewer’s 3% threshold. Silky, smooth midrange with a rich lower-midrange/upper-bass character. No mechanical issues or surround degradation found in a 20-year-old pair, and a second unit measured within about 1-1.5dB of the first, suggesting good long-term consistency for the design.
Cons: Manufacturer-spec sensitivity of 93dB runs about 3-4dB optimistic versus the measured 89.4dB average. Bass output drops off fairly quickly below about 50Hz in-room (F3 53Hz, F10 37Hz), so a subwoofer is needed for real low-end extension. Resonances show up around 170Hz, 220Hz, and 350Hz. On-axis, the lower treble can sound a bit bright or sibilant when the speaker is aimed directly at the listener; toeing out about 10-15° (rather than the more extreme 30°) gave the best balance, and some sidewall acoustic absorption further tamed a 4-5kHz peak. Placed close to the rear wall, bass gets boomy - pulling the speakers out about a foot resolves most of it, with roughly 1.5 feet from the wall as a good compromise between bass character and typical room aesthetics. Straying beyond about 25° above or below the mid-range axis introduces audible suckout. No longer in production, so it’s a used/secondhand purchase only. Discontinued.
Full Infinity Primus 360 review and specifications →
| Bass Extension (-10dB) | 37Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 53Hz (measured, Erin's Audio Corner) |
| Crossovers | 350Hz & 3.3kHz, 24dB/octave |
| Dimensions | 39"H x 8-1/8"W x 13-7/8"D (990 x 208 x 330mm) |
| Discontinued | Yes |
| Drivers | Two 6.5" mid-woofers, 4" mid-range, 0.75" dome tweeter |
| Frequency Response | 38Hz - 20kHz (±3dB, Manufacturer specified) |
| Impedance | 8 ohms nominal, 3.5 ohms minimum (measured, Erin's Audio Corner) |
| Recommended Power | 10-200W |
| Sensitivity | 89.4dB (measured, Erin's Audio Corner; 93dB manufacturer specified) |
| Weight | 48.5 lbs (48.5 lbs / 22 kg) each |
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Infinity Primus 360 vs Definitive Technology BP-9020
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