Revel Concerta2 F35 vs Infinity Primus 360

Last updated: October 9, 2026

Short answer: the Revel Concerta2 F35. It ranks #30 of 188 floorstanding speakers by sound quality (rated 4.5/5) at $900 and is still sold new; the Infinity Primus 360 ranks #77 (rated 4.2/5) and is discontinued, so it is only an option used.

Revel Concerta2 F35 vs Infinity Primus 360

The case for the Revel Concerta2 F35: Two-and-a-half-way, four-driver design: a 1” aluminum dome tweeter on a waveguide, a 5.25” mid-range, and dual 5.25” mid-bass drivers in a rear-ported cabinet. The tradeoff: F3 of 61Hz and F10 of 39Hz mean a subwoofer is needed for real bass extension.

The Infinity Primus 360 is the deeper-bass option. Its bass reaches about 53Hz before falling 3dB, against 70Hz for the Revel Concerta2 F35. The catch: Manufacturer-spec sensitivity of 93dB runs about 3-4dB optimistic versus the measured 89.4dB average.

Buy the Revel Concerta2 F35. It is rated higher for sound quality, and the Infinity Primus 360 is discontinued, so it is only available used.

Want more options? Browse the full Passive Home rankings.

Specifications Side By Side

Revel Concerta2 F35 Infinity Primus 360
Price$900 per pair$650 per pair Discontinued
Ranked#30 of 188 in Large Size Floorstanding Speakers#77 of 188 in Large Size Floorstanding Speakers
Bass Extension (-10dB)50Hz (measured, Erin’s Audio Corner)37Hz (measured, Erin’s Audio Corner)
Bass Extension (-3dB)70Hz (measured, Erin’s Audio Corner)53Hz (measured, Erin’s Audio Corner)
Dimensions40.3”H x 8.4”W x 12.2”D (1023.6 x 213.4 x 309.9 mm)39” x 8.2” x 13” (990 x 208 x 330 mm)
Impedance6 ohms nominal (3.8 ohms minimum, measured by Erin’s Audio Corner)8 ohms nominal, 3.5 ohms minimum (measured, Erin’s Audio Corner)
Sensitivity89.4dB (measured, Erin’s Audio Corner; 90dB manufacturer specified)89.4dB (measured, Erin’s Audio Corner; 93dB manufacturer specified)
Drivers3x 5.25” deep anodized aluminum cone woofers, 1” Aluminum TweeterTwo 6.5” mid-woofers, 4” mid-range, 0.75” dome tweeter
Weight41 lbs (18.6 kg) each48.5 lbs (22 kg) each
Woofer Cabinetported, rear-
Spinorama Preference Score5.354.97
Spinorama Preference Score with Perfect Sub7.307.10
DIY KitNoNo
Frequency Response-38Hz - 20kHz (±3dB, Manufacturer specified)
Crossover Frequency-350Hz & 3.3kHz, 24dB/octave
Recommended Power-10-200W

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The Two Speakers In Full

Revel Concerta2 F35: $900 per pair Crutchfield eBay

Revel Concerta2 F35 ranking card

Same family: the Revel Concerta2 M16 (bookshelf, rated 4.1/5), the Revel Concerta2 F36 (larger floorstanding, ranked higher, estimated 4.6/5) and the Revel Concerta2 C25 (center, rated 4.1/5).

Pros: Two-and-a-half-way, four-driver design: a 1” aluminum dome tweeter on a waveguide, a 5.25” mid-range, and dual 5.25” mid-bass drivers in a rear-ported cabinet. Measured sensitivity of 89.4dB closely matches the 90dB spec, and distortion looks good at both 86dB and 96dB, holding up well even with a high-pass filter applied. At its sale price of $900/pair, down from full retail, the reviewer calls it a “no-brainer,” undercutting comparable budget floorstanders like the ELAC Debut 3.0 DF63. Frequency response and directivity mismatches are largely EQ-able, since most of what shows up in measurements traces to physical tweeter/mid-range separation rather than a fundamental flaw. Compression is fairly well controlled for the price: about 1dB of loss around 100Hz under long-term compression, described as “par for the course” at this cost. Measured bass extension of 70Hz (-3dB), with a measured sensitivity of 89.4dB.

Cons: F3 of 61Hz and F10 of 39Hz mean a subwoofer is needed for real bass extension. A dip in the lower midrange/2-3kHz region reduces attack and detail, and a peak around 5kHz adds some edge and sibilance in the lower treble. A peak in off-axis energy around 3kHz reflects off sidewalls at roughly 60-70° off-axis and arrives louder than the direct sound: this specific issue can’t be fixed with EQ (boosting the direct sound would boost the stronger reflection too) and would need acoustic absorption to properly address, though the reviewer considers it a minor, optional fix at this price. A couple of minor resonances appear in the impedance plot, including one around 300Hz that may partly explain a subtle sense of vocal warmth noticed in listening, though it’s more likely room-related. Minimum impedance around 3.8 ohms. Short-term compression testing shows some increased distortion in the tweeter and higher-frequency compression at loud output.

Bass Extension (-10dB)50Hz (measured, Erin’s Audio Corner)
Bass Extension (-3dB)70Hz (measured, Erin’s Audio Corner)
DIY KitNo
Dimensions40.3”H x 8.4”W x 12.2”D (1023.6 x 213.4 x 309.9 mm)
Drivers3x 5.25” deep anodized aluminum cone woofers, 1” Aluminum Tweeter
Impedance6 ohms nominal (3.8 ohms minimum, measured by Erin’s Audio Corner)
Sensitivity89.4dB (measured, Erin’s Audio Corner; 90dB manufacturer specified)
Spinorama Preference Score5.35
Spinorama Preference Score with Perfect Sub7.30
Weight41 lbs (18.6 kg) each
Woofer Cabinetported, rear

Infinity Primus 360: $650 per pair Discontinued eBay

Infinity Primus 360 ranking card

Same family: the Infinity Primus 150 (bookshelf, rated 3.4/5).

Pros: A three-way tower from 2005 (two 6.5” mid-woofers, a 4” mid-range, and a 0.75” dome tweeter, 8 ohms nominal) that holds up remarkably well by modern measurement standards: on-axis linearity is within about ±2dB, and the listening window stays consistent out to roughly ±30° horizontal and ±10° vertical off the mid-range axis. Horizontal directivity is well controlled out to about ±75° before tonality starts to drift, meaning the reflected sound in a room stays close in character to the direct sound: a speaker that takes EQ well without fighting itself. Harmonic distortion measures low at both 86dB and 96dB, and multitone distortion stays under the reviewer’s 3% threshold. Silky, smooth midrange with a rich lower-midrange/upper-bass character. No mechanical issues or surround degradation found in a 20-year-old pair, and a second unit measured within about 1-1.5dB of the first, suggesting good long-term consistency for the design. Measured bass extension of 53Hz (-3dB), with a measured sensitivity of 89.4dB.

Cons: Manufacturer-spec sensitivity of 93dB runs about 3-4dB optimistic versus the measured 89.4dB average. Bass output drops off fairly quickly below about 50Hz in-room (F3 53Hz, F10 37Hz), so a subwoofer is needed for real low-end extension. Resonances show up around 170Hz, 220Hz, and 350Hz. On-axis, the lower treble can sound a bit bright or sibilant when the speaker is aimed directly at the listener; toeing out about 10-15° (rather than the more extreme 30°) gave the best balance, and some sidewall acoustic absorption further tamed a 4-5kHz peak. Placed close to the rear wall, bass gets boomy: pulling the speakers out about a foot resolves most of it, with roughly 1.5 feet from the wall as a good compromise between bass character and typical room aesthetics. Straying beyond about 25° above or below the mid-range axis introduces audible suckout. No longer in production, so it’s a used/secondhand purchase only.

Bass Extension (-10dB)37Hz (measured, Erin’s Audio Corner)
Bass Extension (-3dB)53Hz (measured, Erin’s Audio Corner)
Crossover Frequency350Hz & 3.3kHz, 24dB/octave
DIY KitNo
Dimensions39” x 8.2” x 13” (990 x 208 x 330 mm)
DriversTwo 6.5” mid-woofers, 4” mid-range, 0.75” dome tweeter
Frequency Response38Hz - 20kHz (±3dB, Manufacturer specified)
Impedance8 ohms nominal, 3.5 ohms minimum (measured, Erin’s Audio Corner)
Recommended Power10-200W
Sensitivity89.4dB (measured, Erin’s Audio Corner; 93dB manufacturer specified)
Spinorama Preference Score4.97
Spinorama Preference Score with Perfect Sub7.10
Weight48.5 lbs (22 kg) each