Short answer: both are discontinued, so this only matters if you are buying used. Used, the Revel M105 is the better pick: it ranks #15 of 160 bookshelf speakers by sound quality (rated 4.2/5), against #143 (rated 2.1/5) for the JBL Stage A130. If you want one new, the Revel Performa4 M145 replaces the Revel M105 and is rated 4.3/5 at $1,999.95.

What the JBL Stage A130 does well: More constant, better-behaved directivity than the smaller JBL Stage A120 once past the tweeter crossover point, giving a more consistent radiation pattern that likely explains some of its positive reception among other reviewers. The tradeoff: Still shows the same underlying “Batman”-shaped response pattern as the JBL Stage A120: a bass bump, a midrange dip, a cabinet-resonance peak around 800Hz-1.7kHz (confirmed via accelerometer testing on the cabinet panels), and roughly a 5dB treble bump around 10kHz.
The Revel M105 is the more accurate choice. CEA2034 spinorama shows an essentially flat on-axis response with only a small 5kHz peak, a smooth listening window, and clean waterfall decay. Its measured preference score, a predictor of how neutral it sounds, is 5.76 against 4.04 for the JBL Stage A130. The tradeoff: Low nominal impedance demands a capable amplifier that can handle low-impedance loads.
Buy the Revel M105 only if you find one used in good condition; both are discontinued, and it is the better rated of the two. For a new speaker, buy the Revel Performa4 M145, which replaces the Revel M105.
Want more options? Browse the full Passive Home rankings.
Specifications Side By Side
| JBL Stage A130 | Revel M105 | |
|---|---|---|
| Price | $399 per pair Discontinued | $1,500 per pair Discontinued |
| Ranked | #143 of 160 in Medium Size Bookshelf Speakers | #15 of 160 in Medium Size Bookshelf Speakers |
| Crossover Frequency | 3.2kHz | - |
| Dimensions | 12.6”H x 7.5”W x 9.1”D (321 x 190 x 230 mm) | 14”H x 7.9”W x 9.8”D (355.6 x 200.7 x 248.9 mm) |
| Impedance | 6 ohms nominal, about 4.3 ohms minimum (measured, Erin’s Audio Corner) | 8 ohms nominal, low minimum |
| Sensitivity | 85.2dB (measured, Erin’s Audio Corner) | 85dB (2.83V/1m, measured, Audio Science Review) |
| Drivers | 5.25” (133mm) polycellulose woofer, 1” (25mm) aluminum dome tweeter | 5.25” aluminum cone woofer, 1” aluminum tweeter with acoustic lens waveguide |
| Weight | 12 lbs (5.45 kg) each | 15.4 lbs (7 kg) each |
| Woofer Cabinet | ported | ported, rear |
| Bass Extension (-3dB) | 66Hz (measured, Erin’s Audio Corner) | 63Hz (measured, Audio Science Review) |
| Bass Extension (-10dB) | 50Hz (measured, Erin’s Audio Corner) | 49.8Hz (derived, log-interpolated between spinorama.org -9dB/-12dB points) |
| Spinorama Preference Score | 4.04 | 5.76 |
| Spinorama Preference Score with Perfect Sub | 6.51 | 8.18 |
| DIY Kit | No | No |
| Frequency Response | - | 60Hz - 44kHz (+/-3dB) (Manufacturer specified) |
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The Two Speakers In Full
JBL Stage A130: $399 per pair Discontinued eBay
Newer model: the JBL Stage 250B, ranked higher, rated 3.2/5.
Older model: the JBL Arena 120 (ranked higher, rated 3.8/5).
Same family: the JBL Stage A120 (smaller bookshelf, ranked higher, rated 2.5/5), the JBL Stage A180 (floorstanding, rated 3.8/5), the JBL Stage A125C (smaller center, rated 3.4/5) and the JBL Stage A135C (larger center, rated 2.9/5).
Pros: More constant, better-behaved directivity than the smaller JBL Stage A120 once past the tweeter crossover point, giving a more consistent radiation pattern that likely explains some of its positive reception among other reviewers. Distortion at 96dB measures slightly better than a direct competitor (Emotiva B1+) in the low end, though slightly worse at high frequencies. The tweeter itself sounded decent to the reviewer, who considers it a reasonable value at its price point despite other reservations. Wide, well-filled horizontal radiation through the midrange. Measured bass extension of 66Hz (-3dB), with a measured sensitivity of 85.2dB.
Cons: Still shows the same underlying “Batman”-shaped response pattern as the JBL Stage A120: a bass bump, a midrange dip, a cabinet-resonance peak around 800Hz-1.7kHz (confirmed via accelerometer testing on the cabinet panels), and roughly a 5dB treble bump around 10kHz. Does not include a port bung, so sealed-cabinet listening requires DIY stuffing rather than a proper factory solution. The reviewer’s own measurements notably diverge from another well-known publication’s results on this same model, possibly reflecting a running production change, though this couldn’t be confirmed. Overall sound quality struck the reviewer as not a good-sounding speaker despite the more favorable measurements relative to the JBL Stage A120. Output-limited at extreme volumes (102dB), similar to its smaller sibling. Loses to the similarly-priced Emotiva B1+ in overall linearity and neutrality, according to the reviewer’s direct comparison. Discontinued.
Full JBL Stage A130 review and specifications →
| Bass Extension (-10dB) | 50Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 66Hz (measured, Erin’s Audio Corner) |
| Crossover Frequency | 3.2kHz |
| DIY Kit | No |
| Dimensions | 12.6”H x 7.5”W x 9.1”D (321 x 190 x 230 mm) |
| Drivers | 5.25” (133mm) polycellulose woofer, 1” (25mm) aluminum dome tweeter |
| Impedance | 6 ohms nominal, about 4.3 ohms minimum (measured, Erin’s Audio Corner) |
| Sensitivity | 85.2dB (measured, Erin’s Audio Corner) |
| Spinorama Preference Score | 4.04 |
| Spinorama Preference Score with Perfect Sub | 6.51 |
| Weight | 12 lbs (5.45 kg) each |
| Woofer Cabinet | ported |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- JBL Stage A130 vs Fluance Signature HFS
- JBL Stage A130 vs JBL Control 1 Pro
- JBL Stage A130 vs Q Acoustics 5020
- JBL Stage A130 vs Polk T15
- JBL Stage A130 vs Micca RB42
- JBL Stage A130 vs Definitive Technology ProMonitor 1000
- JBL Stage A130 vs Pioneer Elite SP-EBS73-LR
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Revel M105: $1,500 per pair Discontinued eBay
Newer model: the Revel Performa4 M145, ranked higher, estimated 4.3/5.
Same family: the Revel M106 (larger bookshelf, rated 4.6/5), the Revel F206 (smaller floorstanding, rated 4.5/5), the Revel F208 (larger floorstanding, rated 4.5/5), the Revel Performa3 C205 (smaller center, rated 4.1/5) and the Revel Performa3 C208 (larger center, rated 4/5).
Pros: CEA2034 spinorama shows an essentially flat on-axis response with only a small 5kHz peak, a smooth listening window, and clean waterfall decay. Wide horizontal dispersion gives flexibility with toe-in. The reviewer called it reference-quality performance with minor EQ correction applied. Measured bass extension of 63Hz (-3dB), with a measured sensitivity of 85dB.
Cons: Low nominal impedance demands a capable amplifier that can handle low-impedance loads. Bass distortion runs high in the 80-250Hz range from woofer displacement, and maximum output is limited compared to larger designs. Discontinued.
Full Revel M105 review and specifications →
| Bass Extension (-10dB) | 49.8Hz (derived, log-interpolated between spinorama.org -9dB/-12dB points) |
|---|---|
| Bass Extension (-3dB) | 63Hz (measured, Audio Science Review) |
| DIY Kit | No |
| Dimensions | 14”H x 7.9”W x 9.8”D (355.6 x 200.7 x 248.9 mm) |
| Drivers | 5.25” aluminum cone woofer, 1” aluminum tweeter with acoustic lens waveguide |
| Frequency Response | 60Hz - 44kHz (+/-3dB) (Manufacturer specified) |
| Impedance | 8 ohms nominal, low minimum |
| Sensitivity | 85dB (2.83V/1m, measured, Audio Science Review) |
| Spinorama Preference Score | 5.76 |
| Spinorama Preference Score with Perfect Sub | 8.18 |
| Weight | 15.4 lbs (7 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons

