Short answer: the Revel F226Be for better sound quality, the Polk T50 for the lower price. The Revel F226Be ranks #11 of 68 floorstanding speakers at $7700. The Polk T50 ranks #55 at $249, $7451 cheaper.
What the Polk T50 offers: Pretty deep bass for the price. Distortion at 86dB SPL/1m is reasonably controlled outside a narrow spike around 250Hz. The reviewer notes performance is “not too bad for a budget speaker” once the two main tonal issues are addressed with EQ. Watch for: 5dB peak at 1khz, 4dB bright top end from 11khz on up. Just okay vertical off axis. Impedance and phase show several resonances between 200Hz-1kHz, with a minimum impedance of 4.2 ohms. Distortion rises substantially at 96dB SPL/1m across the midrange, with repeated peaks between 100Hz-2kHz.
What the Revel F226Be offers: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range, and dual 6.5” woofers (not a coaxial layout) - all Deep Ceramic Composite aluminum cones engineered specifically to avoid breakup outside their crossover bands, and it measures that way: neither the woofers nor the mid-range show breakup spikes even well outside their intended pass bands, and even the front port measures unusually clean (only a mild ~3dB bump around 150Hz, well controlled versus the resonances the reviewer typically sees from ports). On-axis frequency response holds within about ±1.5dB above roughly 65Hz - excellent linearity - and off-axis behavior tracks it closely, with only mild, subdued peaking around 4-6kHz that doesn’t show up as real resonance in the spinorama data. Average sensitivity around 90dB (2.83V/1m), notably higher than some competing three-way designs and most bookshelf speakers, translating directly into better dynamic range at both low and high listening levels - one reviewer specifically praised its ability to deliver full transient impact (snare hits, kick drum) even at quiet, conversational volumes rather than needing to be cranked up to feel dynamic. Wide, consistent horizontal radiation of about ±60-70° at the -6dB point, landing right in the reviewer’s preferred range for an enveloping soundstage without excess diffusion, and exceptionally wide vertical dispersion - roughly ±80° up to 10kHz and still ±70° above that, which one reviewer called the widest vertical radiation pattern he had measured to date. Distortion stays under 3% even at 104dB SPL, and in real-world testing up to 105dB from 12-14 feet away, full-range with no crossover, the reviewer heard no audible mechanical noise, port chuffing, or compression at all. Flat enough on- and off-axis response that toeing the speaker 10-15° away from the listener preserves the same tonal balance rather than changing it, and the wide, well-controlled directivity lets sidewall reflections reinforce rather than smear the soundstage. Watch for: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle. F3 of 56Hz and F10 of 36Hz mean it doesn’t extend nearly as low as some three-way rivals with larger woofers - a dedicated subwoofer (10-12”, or 15” for content below 30Hz) is recommended for home theater or bass-heavy music, even though the speaker itself can play surprisingly loud without one. Vertical directivity tolerance is tighter in the crossover handoff region than a true coaxial design would offer, since the tweeter, midrange, and woofers are physically separated - a mild directivity bump appears around 2-2.5kHz that’s typical of non-coaxial multi-way speakers, though not audibly problematic within about ±10° vertically. On-axis, the top end reads as a bit bright according to one reviewer’s subjective impression, generally benefiting from some toe-out. High-gloss cabinet finish can create distracting reflections if used behind a projector screen in a home theater setup. Front-ported, so it can technically sit close to a wall, but doing so makes the bass boomier.
Buy the Polk T50 if the price matters more than sound quality. Buy the Revel F226Be if sound quality matters more than the price.
If sound quality matters at all to you, skip the Polk T50. It ranks near the bottom of the 68 floorstanding speakers, so look higher up the list instead.
Specifications Side By Side
| Polk T50 | Revel F226Be | |
|---|---|---|
| Price | $249.00 | $7700 |
| Ranked | #55 of 68 in Large Size Floorstanding Speakers | #11 of 68 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 38Hz (measured, Audio Science Review) | 36Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 47Hz (measured, Audio Science Review) | 56Hz (measured, Erin’s Audio Corner) |
| Impedance | 4 ohms nominal (4.2 ohms minimum, measured by Audio Science Review) | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) |
| Drivers | 2x 6.5" bi-laminate paper cone woofers, 1x 1" Terylene dome tweeter + 2x 8" passive bass radiators | Two 6.5" (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4" (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1" (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Weight | 75.4 lbs / 34.2 kg | 58.2 lbs / 26.4 kg each |
| Sensitivity | 86.3dB (2.83V/1m, measured by Audio Science Review) | 89.7dB (measured, Erin’s Audio Corner) |
| Dimensions | 40.4"H x 9.3"W x 12.5"D (1026.2 x 235.0 x 317.5 mm) | 41.3"H x 9.8"W x 13.7"D (1049 x 248.9 x 348 mm) |
| Woofer Cabinet | passive radiator | ported, front |
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- MoFi SourcePoint V10 Master Edition vs Polk T50
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The Two Speakers In Full
Polk T50: $249.00 Amazon eBay
Pros: Pretty deep bass for the price. Distortion at 86dB SPL/1m is reasonably controlled outside a narrow spike around 250Hz. The reviewer notes performance is “not too bad for a budget speaker” once the two main tonal issues are addressed with EQ.
Cons: 5dB peak at 1khz, 4dB bright top end from 11khz on up. Just okay vertical off axis. Impedance and phase show several resonances between 200Hz-1kHz, with a minimum impedance of 4.2 ohms. Distortion rises substantially at 96dB SPL/1m across the midrange, with repeated peaks between 100Hz-2kHz.
Full Polk T50 review and specifications →
| Bass Extension (-10dB) | 38Hz (measured, Audio Science Review) |
|---|---|
| Bass Extension (-3dB) | 47Hz (measured, Audio Science Review) |
| Dimensions | 40.4"H x 9.3"W x 12.5"D (1026.2 x 235.0 x 317.5 mm) |
| Drivers | 2x 6.5" bi-laminate paper cone woofers, 1x 1" Terylene dome tweeter + 2x 8" passive bass radiators |
| Impedance | 4 ohms nominal (4.2 ohms minimum, measured by Audio Science Review) |
| Sensitivity | 86.3dB (2.83V/1m, measured by Audio Science Review) |
| Weight | 75.4 lbs / 34.2 kg |
| Woofer Cabinet | passive radiator |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
Revel F226Be: $7700 Crutchfield eBay
Pros: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range, and dual 6.5” woofers (not a coaxial layout) - all Deep Ceramic Composite aluminum cones engineered specifically to avoid breakup outside their crossover bands, and it measures that way: neither the woofers nor the mid-range show breakup spikes even well outside their intended pass bands, and even the front port measures unusually clean (only a mild ~3dB bump around 150Hz, well controlled versus the resonances the reviewer typically sees from ports). On-axis frequency response holds within about ±1.5dB above roughly 65Hz - excellent linearity - and off-axis behavior tracks it closely, with only mild, subdued peaking around 4-6kHz that doesn’t show up as real resonance in the spinorama data. Average sensitivity around 90dB (2.83V/1m), notably higher than some competing three-way designs and most bookshelf speakers, translating directly into better dynamic range at both low and high listening levels - one reviewer specifically praised its ability to deliver full transient impact (snare hits, kick drum) even at quiet, conversational volumes rather than needing to be cranked up to feel dynamic. Wide, consistent horizontal radiation of about ±60-70° at the -6dB point, landing right in the reviewer’s preferred range for an enveloping soundstage without excess diffusion, and exceptionally wide vertical dispersion - roughly ±80° up to 10kHz and still ±70° above that, which one reviewer called the widest vertical radiation pattern he had measured to date. Distortion stays under 3% even at 104dB SPL, and in real-world testing up to 105dB from 12-14 feet away, full-range with no crossover, the reviewer heard no audible mechanical noise, port chuffing, or compression at all. Flat enough on- and off-axis response that toeing the speaker 10-15° away from the listener preserves the same tonal balance rather than changing it, and the wide, well-controlled directivity lets sidewall reflections reinforce rather than smear the soundstage.
Cons: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle. F3 of 56Hz and F10 of 36Hz mean it doesn’t extend nearly as low as some three-way rivals with larger woofers - a dedicated subwoofer (10-12”, or 15” for content below 30Hz) is recommended for home theater or bass-heavy music, even though the speaker itself can play surprisingly loud without one. Vertical directivity tolerance is tighter in the crossover handoff region than a true coaxial design would offer, since the tweeter, midrange, and woofers are physically separated - a mild directivity bump appears around 2-2.5kHz that’s typical of non-coaxial multi-way speakers, though not audibly problematic within about ±10° vertically. On-axis, the top end reads as a bit bright according to one reviewer’s subjective impression, generally benefiting from some toe-out. High-gloss cabinet finish can create distracting reflections if used behind a projector screen in a home theater setup. Front-ported, so it can technically sit close to a wall, but doing so makes the bass boomier.
Full Revel F226Be review and specifications →
| Bass Extension (-10dB) | 36Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin's Audio Corner) |
| Dimensions | 41.3"H x 9.8"W x 13.7"D (1049 x 248.9 x 348 mm) |
| Drivers | Two 6.5" (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4" (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1" (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin's Audio Corner) |
| Sensitivity | 89.7dB (measured, Erin's Audio Corner) |
| Weight | 58.2 lbs / 26.4 kg each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: Revel PerformaBe F226Be Floorstanding Loudspeaker Review. I love this speaker. More from Erin’s Audio Corner →
- Erin’s Audio Corner: Should You Buy the Revel F226Be or the MoFi 888?
- Erin’s Audio Review Website Revel F226B
- Erin’s Audio Corner: My Top 5 Speakers at Any Price
- Erin’s Audio Corner Measurements (spinorama.org)
- Reddit Search for Revel F226Be Review
- Head-to-Head Comparisons