Polk Audio Reserve R700 vs Revel F226Be

Last updated: October 6, 2026

Short answer: the Revel F226Be if sound quality matters most, the Polk Audio Reserve R700 if price matters most. The Revel F226Be ranks #15 of 188 floorstanding speakers, rated 4.6/5, at $8,469.90. The Polk Audio Reserve R700 ranks #60, rated 4.3/5, at $2,398, $6,071.90 cheaper.

Polk Audio Reserve R700 vs Revel F226Be

The Polk Audio Reserve R700 is the deeper-bass choice. Three-way design with a 1” ring radiator tweeter, 6.5” mid-range, and dual 8” mid-bass drivers in a ported, down-firing cabinet. Its bass reaches about 40Hz before falling 3dB, against 56Hz for the Revel F226Be. The tradeoff: Compression in the high frequencies rises sharply between 96dB and 102dB output: a real limitation only at very high volumes (around 100dB at 3 meters), but a clear step down from pricier ($5,000+) towers.

What the Revel F226Be does well: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range, and dual 6.5” woofers (not a coaxial layout): all Deep Ceramic Composite aluminum cones engineered specifically to avoid breakup outside their crossover bands, and it measures that way: neither the woofers nor the mid-range show breakup spikes even well outside their intended pass bands, and even the front port measures unusually clean (only a mild ~3dB bump around 150Hz, well controlled versus the resonances the reviewer typically sees from ports). Watch for: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle.

Buy the Polk Audio Reserve R700 if the price is the priority over sound quality, or the Revel F226Be if sound quality is the priority over the price.

Want more options? Browse the full Passive Home rankings.

Specifications Side By Side

Polk Audio Reserve R700 Revel F226Be
Price$2,398 per pair$8,469.90 per pair
Ranked#60 of 188 in Large Size Floorstanding Speakers#15 of 188 in Large Size Floorstanding Speakers
Bass Extension (-10dB)31Hz (measured, Erin’s Audio Corner)36Hz (measured, Erin’s Audio Corner)
Bass Extension (-3dB)40Hz (measured, Erin’s Audio Corner)56Hz (measured, Erin’s Audio Corner)
Impedance4 ohms nominal, 3.5 ohms minimum (measured above 80Hz, Erin’s Audio Corner)8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner)
Sensitivity87.5dB (measured average 300Hz-3kHz @ 2.83V/1m, Erin’s Audio Corner)89.7dB (measured, Erin’s Audio Corner)
Drivers2x 8” polypropylene cone woofers, 1x 6.5” turbine cone midrange, 1x 1” Pinnacle ring radiator tweeterTwo 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter
Weight102.1 lbs (46.3 kg)58.2 lbs (26.4 kg) each
Woofer Cabinetported, down-firingported, front
Dimensions45”H x 12.6”W x 16.9”D (1143.8 x 320.7 x 428.3 mm)41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm)
Spinorama Preference Score6.385.96 (spinorama.org)
Spinorama Preference Score with Perfect Sub7.838.15 (spinorama.org)
DIY KitNoNo

More top alternatives to Revel F226Be:

Prices on this page were last checked October 7, 2026 at 9:25 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.

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The Two Speakers In Full

Polk Audio Reserve R700: $2,398 per pair Amazon eBay

Polk Audio Reserve R700 ranking card

Same family: the Polk Reserve R100 (smaller bookshelf, rated 3.4/5), the Polk R200 (larger bookshelf, rated 3.2/5), the Polk Reserve R500 (smaller floorstanding, ranked lower, rated 4.2/5), the Polk Reserve R600 (smaller floorstanding, ranked lower, estimated 4.2/5), the Polk Audio Reserve R300 (smallest center, estimated 3.6/5), the Polk Audio Reserve R350 (center, rated 3.7/5) and the Polk Audio Reserve R400 (largest center, estimated 3.8/5).

Pros: Three-way design with a 1” ring radiator tweeter, 6.5” mid-range, and dual 8” mid-bass drivers in a ported, down-firing cabinet. On-axis frequency response holds within about ±2dB across most of its range, with genuinely deep bass extension (F3 40Hz) reaching into the mid-30s Hz in-room. Wide horizontal radiation of about ±70°, giving a strong, enveloping stereo width and stage-extension effect on well-recorded tracks. Good low-level dynamics: solid bass thump at quiet listening volumes without over-accentuation. Strong distortion and compression control through the bass and midrange. Real nominal impedance closer to 4 ohms than the marketed 8 ohms, so with the right amplifier it can be driven hard: a $3,000 two-channel integrated brought out significantly more life than a budget $300 unit could. Excellent value at its roughly $1199/pair, ranking among the reviewer’s top picks under $2,500; outperforms the similarly-priced Klipsch RP-8000F II in bass extension and overall smoothness. Measured bass extension of 40Hz (-3dB), with a measured sensitivity of 87.5dB.

Cons: Compression in the high frequencies rises sharply between 96dB and 102dB output: a real limitation only at very high volumes (around 100dB at 3 meters), but a clear step down from pricier ($5,000+) towers. Horizontal directivity mismatch around 4-5kHz, where the tweeter flares wider than the midrange, can sound a bit forward, especially noticeable when toed out further into the room; sidewall absorption or curtains help tame it. Harmonic distortion crosses the reviewer’s 3% threshold around 7kHz at 96dB output, possibly contributing to that same forward quality at high volume. Narrow vertical sweet spot (about ±15° from the tweeter axis), typical of non-coaxial tower designs: more of a consideration for multi-row home theater seating than single-row listening. The ring-radiator tweeter narrows noticeably above about 7-8kHz, and toeing the speaker out more than about 20° causes the top end to fall off quickly. Needs at least 2 feet of clearance from the rear wall to avoid boomy, exaggerated bass, since it lacks the bass-shelf tuning some rivals use to allow closer wall placement. Compared to the pricier KEF R5 Meta, has narrower horizontal (and much narrower vertical) directivity, so seating flexibility is more limited.

Bass Extension (-10dB)31Hz (measured, Erin’s Audio Corner)
Bass Extension (-3dB)40Hz (measured, Erin’s Audio Corner)
DIY KitNo
Dimensions45”H x 12.6”W x 16.9”D (1143.8 x 320.7 x 428.3 mm)
Drivers2x 8” polypropylene cone woofers, 1x 6.5” turbine cone midrange, 1x 1” Pinnacle ring radiator tweeter
Impedance4 ohms nominal, 3.5 ohms minimum (measured above 80Hz, Erin’s Audio Corner)
Sensitivity87.5dB (measured average 300Hz-3kHz @ 2.83V/1m, Erin’s Audio Corner)
Spinorama Preference Score6.38
Spinorama Preference Score with Perfect Sub7.83
Weight102.1 lbs (46.3 kg)
Woofer Cabinetported, down-firing

Revel F226Be: $8,469.90 per pair Crutchfield eBay

Revel F226Be ranking card

Older model: the Revel F206 (ranked lower, rated 4.5/5).

Same family: the Revel M126Be (bookshelf, rated 4.3/5), the Revel F228Be (larger floorstanding, ranked lower, rated 4.5/5), the Revel F328Be (larger floorstanding, ranked higher, rated 4.7/5) and the Revel C426Be (center, rated 4/5).

Pros: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range, and dual 6.5” woofers (not a coaxial layout): all Deep Ceramic Composite aluminum cones engineered specifically to avoid breakup outside their crossover bands, and it measures that way: neither the woofers nor the mid-range show breakup spikes even well outside their intended pass bands, and even the front port measures unusually clean (only a mild ~3dB bump around 150Hz, well controlled versus the resonances the reviewer typically sees from ports). On-axis frequency response holds within about ±1.5dB above roughly 65Hz (excellent linearity) and off-axis behavior tracks it closely, with only mild, subdued peaking around 4-6kHz that doesn’t show up as real resonance in the spinorama data. Average sensitivity around 90dB (2.83V/1m), notably higher than some competing three-way designs and most bookshelf speakers, translating directly into better dynamic range at both low and high listening levels: one reviewer specifically praised its ability to deliver full transient impact (snare hits, kick drum) even at quiet, conversational volumes rather than needing to be cranked up to feel dynamic. Wide, consistent horizontal radiation of about ±60-70° at the -6dB point, landing right in the reviewer’s preferred range for an enveloping soundstage without excess diffusion, and exceptionally wide vertical dispersion: roughly ±80° up to 10kHz and still ±70° above that, which one reviewer called the widest vertical radiation pattern he had measured to date. Distortion stays under 3% even at 104dB SPL, and in real-world testing up to 105dB from 12-14 feet away, full-range with no crossover, the reviewer heard no audible mechanical noise, port chuffing, or compression at all. Flat enough on- and off-axis response that toeing the speaker 10-15° away from the listener preserves the same tonal balance rather than changing it, and the wide, well-controlled directivity lets sidewall reflections reinforce rather than smear the soundstage. Measured bass extension of 56Hz (-3dB), with a measured sensitivity of 89.7dB.

Cons: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle. F3 of 56Hz and F10 of 36Hz mean it doesn’t extend nearly as low as some three-way rivals with larger woofers: a dedicated subwoofer (10-12”, or 15” for content below 30Hz) is recommended for home theater or bass-heavy music, even though the speaker itself can play surprisingly loud without one. Vertical directivity tolerance is tighter in the crossover handoff region than a true coaxial design would offer, since the tweeter, midrange, and woofers are physically separated: a mild directivity bump appears around 2-2.5kHz that’s typical of non-coaxial multi-way speakers, though not audibly problematic within about ±10° vertically. On-axis, the top end reads as a bit bright according to one reviewer’s subjective impression, generally benefiting from some toe-out. High-gloss cabinet finish can create distracting reflections if used behind a projector screen in a home theater setup. Front-ported, so it can technically sit close to a wall, but doing so makes the bass boomier.

Bass Extension (-10dB)36Hz (measured, Erin’s Audio Corner)
Bass Extension (-3dB)56Hz (measured, Erin’s Audio Corner)
DIY KitNo
Dimensions41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm)
DriversTwo 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter
Impedance8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner)
Sensitivity89.7dB (measured, Erin’s Audio Corner)
Spinorama Preference Score5.96 (spinorama.org)
Spinorama Preference Score with Perfect Sub8.15 (spinorama.org)
Weight58.2 lbs (26.4 kg) each
Woofer Cabinetported, front