Short answer: the Revel F208 for better sound quality, the Dynaudio Emit 30 for the lower price. The Revel F208 ranks #15 of 68 floorstanding speakers at $2400. The Dynaudio Emit 30 ranks #53 at $1274.25, $1125.75 cheaper.
What the Revel F208 offers: CEA2034 spinorama shows a fairly even on-axis response with sensitivity matching spec at ~87-88dB. Predicted in-room response is a smooth, textbook-quality downward slope that should translate well to most rooms without correction. Early reflections sum so cleanly with the direct sound that side-wall absorption isn’t recommended - it would work against the speaker’s naturally well-integrated off-axis behavior. Distortion stays below 0.5% from 100Hz up at 96dB/1m, with all distortion components falling below audible threshold above 200Hz. Very wide horizontal directivity of about ±75 degrees. Measured performance was judged very close to Revel’s own flagship Salon2, and Revel’s speakers (including this one) are developed using Harman’s double-blind listening test methodology. Preference score of 6.6 (7.7 with a subwoofer added). Watch for: Some directivity error and tweeter-response ripple right at the 2.2kHz crossover point. A notable on-axis dip at about 4kHz, attributed to probable cabinet diffraction. Cumulative spectral decay (waterfall) shows an unexplained resonance around 4-5kHz that the reviewer couldn’t pin down a clear cause for. Vertical directivity shows narrowband interference nulls just above and below the tweeter axis (roughly 2-3kHz), typical of a non-coaxial tower with vertically separated drivers, so listening height matters more than it would with a coincident design. Minimum impedance dips to 3.4 ohms, calling for a robust, high-current amplifier. Distortion climbs substantially below about 80-100Hz (up to ~5% in the deep bass) when driven hard, an excursion-limited trade-off typical of towers at high output. Isolating the woofers alone shows their usable range ending around 500-700Hz at the crossover, with somewhat elevated (though still low in absolute terms) 2nd/3rd harmonic distortion in the 100-300Hz region.
What the Dynaudio Emit 30 offers: A 2.5-way floorstander: two 5.25” mid-woofers paired with a roughly 1” dome tweeter, driven through dual rear bass-reflex ports. The two woofers hand off at staggered crossover points (around 1kHz and 3.5kHz) rather than sharing one, which avoids the acoustic lobing a shared crossover point would cause between the tweeter and the lower woofer, and adds a few dB of sensitivity in the process. Genuinely deep bass for a speaker around this price - measured F3 near 44Hz and extends audibly down to about 40Hz in-room without much difficulty. Harmonic distortion measures clean and low at both 86dB and 96dB SPL/1m. Good CTA-2034 sound power and uniform directivity mean the speaker takes EQ correction well if a listener wants to dial in its one tonal weak point. Dynamic range and compression performance are strong overall, with only a minor, high-Q compression artifact tied to a cone-edge resonance that’s unlikely to be audible. Wide, consistent horizontal dispersion around ±70° with just a small ~10° narrowing between 1-3kHz, and a reasonably forgiving ±20° vertical window centered on the tweeter axis. Watch for: A dip and inconsistency in the lower-treble presence region (roughly 2-5kHz) makes the top end sound uneven - sometimes soft, sometimes forward - depending on the specific instrument or frequency being reproduced; male vocals can lack presence and cymbals can lack sizzle as a result. A cone-edge surround resonance shows up around 1-1.3kHz in burst-decay measurements (a trait the reviewer has also seen on other Dynaudio models) and lines up with elevated multitone distortion across roughly 600Hz-1.5kHz. An enclosure resonance appears around 350Hz in the impedance curve. Placed too close to a rear wall, the dual ports make the bass noticeably boomy - pulling the speaker out is needed to keep the low end from overloading the room. Fully resolving the top-end inconsistency needs a modest EQ correction (roughly +2dB with a Q of about 1, centered 3-6kHz), so out-of-the-box tonal accuracy in that band isn’t quite class-leading despite otherwise strong measured performance.
Buy the Revel F208 if sound quality matters more than the price. Buy the Dynaudio Emit 30 if the price matters more than sound quality.
If sound quality matters at all to you, skip the Dynaudio Emit 30. It ranks near the bottom of the 68 floorstanding speakers, so look higher up the list instead.
Specifications Side By Side
| Revel F208 | Dynaudio Emit 30 | |
|---|---|---|
| Price | $2400 used, Discontinued | $1,274.25 |
| Ranked | #15 of 68 in Large Size Floorstanding Speakers | #53 of 68 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 24Hz (measured, Audio Science Review) | 36Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 47Hz (measured, Audio Science Review) | 44Hz (measured, Erin’s Audio Corner) |
| Dimensions | 46.6"H x 13.5"W x 14.8"D (1183.6 x 342.9 x 375.9 mm) | 35.4"H x 6.7"W x 10.7"D (900.0 x 170.0 x 272.0 mm) |
| Impedance | 8 ohms nominal, 3.5 ohms minimum (measured, Audio Science Review) | 4 ohms |
| Drivers | Dual 8" (20 cm) Aluminum Cone, Cast-frame Woofers, 5.25" (13.3 cm) Aluminum Cone, Cast-frame Midrange, 1" (2.5 cm) Aluminum Tweeter with Acoustic Lens Waveguide | Dual 5.25" mid-woofers, 1" soft dome tweeter |
| Sensitivity | 88.2dB (measured by Audio Science Review; 88.5dB manufacturer specified) | 87dB |
| Weight | 79.4 lbs / 36 kg each | 34.2 lbs / 15.5 kg |
| Woofer Cabinet | ported, front | ported, rear (dual) |
| Discontinued | Yes | - |
| Frequency Response | - | 44Hz - 25kHz (±3dB, manufacturer specified) |
| Power Handling | - | 180W (IEC rated) |
| Country of Origin | - | Denmark |
Related Speaker Comparisons
More useful head-to-heads from the same speaker class:
- PSB Imagine T65 vs Focal Chora 816
- KLH Model Five vs Klipsch RP-8000F II
- Revel F206 vs Klipsch RP-8000F II
- Dynaudio Emit 30 vs Focal Aria Evo X N°2
- KEF Q11 Meta vs Revel F208
Prices on this page were last checked August 24, 2026 at 6:53 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
As an eBay Partner, we may be compensated if you make a purchase.
The Two Speakers In Full
Revel F208: $2400 used, Discontinued eBay
Pros: CEA2034 spinorama shows a fairly even on-axis response with sensitivity matching spec at ~87-88dB. Predicted in-room response is a smooth, textbook-quality downward slope that should translate well to most rooms without correction. Early reflections sum so cleanly with the direct sound that side-wall absorption isn’t recommended - it would work against the speaker’s naturally well-integrated off-axis behavior. Distortion stays below 0.5% from 100Hz up at 96dB/1m, with all distortion components falling below audible threshold above 200Hz. Very wide horizontal directivity of about ±75 degrees. Measured performance was judged very close to Revel’s own flagship Salon2, and Revel’s speakers (including this one) are developed using Harman’s double-blind listening test methodology. Preference score of 6.6 (7.7 with a subwoofer added).
Cons: Some directivity error and tweeter-response ripple right at the 2.2kHz crossover point. A notable on-axis dip at about 4kHz, attributed to probable cabinet diffraction. Cumulative spectral decay (waterfall) shows an unexplained resonance around 4-5kHz that the reviewer couldn’t pin down a clear cause for. Vertical directivity shows narrowband interference nulls just above and below the tweeter axis (roughly 2-3kHz), typical of a non-coaxial tower with vertically separated drivers, so listening height matters more than it would with a coincident design. Minimum impedance dips to 3.4 ohms, calling for a robust, high-current amplifier. Distortion climbs substantially below about 80-100Hz (up to ~5% in the deep bass) when driven hard, an excursion-limited trade-off typical of towers at high output. Isolating the woofers alone shows their usable range ending around 500-700Hz at the crossover, with somewhat elevated (though still low in absolute terms) 2nd/3rd harmonic distortion in the 100-300Hz region. Discontinued.
Full Revel F208 review and specifications →
| Bass Extension (-10dB) | 24Hz (measured, Audio Science Review) |
|---|---|
| Bass Extension (-3dB) | 47Hz (measured, Audio Science Review) |
| Dimensions | 46.6"H x 13.5"W x 14.8"D (1183.6 x 342.9 x 375.9 mm) |
| Discontinued | Yes |
| Drivers | Dual 8" (20 cm) Aluminum Cone, Cast-frame Woofers, 5.25" (13.3 cm) Aluminum Cone, Cast-frame Midrange, 1" (2.5 cm) Aluminum Tweeter with Acoustic Lens Waveguide |
| Impedance | 8 ohms nominal, 3.5 ohms minimum (measured, Audio Science Review) |
| Sensitivity | 88.2dB (measured by Audio Science Review; 88.5dB manufacturer specified) |
| Weight | 79.4 lbs / 36 kg each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
Dynaudio Emit 30: $1,274.25 Amazon eBay
Pros: A 2.5-way floorstander: two 5.25” mid-woofers paired with a roughly 1” dome tweeter, driven through dual rear bass-reflex ports. The two woofers hand off at staggered crossover points (around 1kHz and 3.5kHz) rather than sharing one, which avoids the acoustic lobing a shared crossover point would cause between the tweeter and the lower woofer, and adds a few dB of sensitivity in the process. Genuinely deep bass for a speaker around this price - measured F3 near 44Hz and extends audibly down to about 40Hz in-room without much difficulty. Harmonic distortion measures clean and low at both 86dB and 96dB SPL/1m. Good CTA-2034 sound power and uniform directivity mean the speaker takes EQ correction well if a listener wants to dial in its one tonal weak point. Dynamic range and compression performance are strong overall, with only a minor, high-Q compression artifact tied to a cone-edge resonance that’s unlikely to be audible. Wide, consistent horizontal dispersion around ±70° with just a small ~10° narrowing between 1-3kHz, and a reasonably forgiving ±20° vertical window centered on the tweeter axis.
Cons: A dip and inconsistency in the lower-treble presence region (roughly 2-5kHz) makes the top end sound uneven - sometimes soft, sometimes forward - depending on the specific instrument or frequency being reproduced; male vocals can lack presence and cymbals can lack sizzle as a result. A cone-edge surround resonance shows up around 1-1.3kHz in burst-decay measurements (a trait the reviewer has also seen on other Dynaudio models) and lines up with elevated multitone distortion across roughly 600Hz-1.5kHz. An enclosure resonance appears around 350Hz in the impedance curve. Placed too close to a rear wall, the dual ports make the bass noticeably boomy - pulling the speaker out is needed to keep the low end from overloading the room. Fully resolving the top-end inconsistency needs a modest EQ correction (roughly +2dB with a Q of about 1, centered 3-6kHz), so out-of-the-box tonal accuracy in that band isn’t quite class-leading despite otherwise strong measured performance.
Full Dynaudio Emit 30 review and specifications →
| Bass Extension (-10dB) | 36Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 44Hz (measured, Erin's Audio Corner) |
| Country of Origin | Denmark |
| Dimensions | 35.4"H x 6.7"W x 10.7"D (900.0 x 170.0 x 272.0 mm) |
| Drivers | Dual 5.25" mid-woofers, 1" soft dome tweeter |
| Frequency Response | 44Hz - 25kHz (±3dB, manufacturer specified) |
| Impedance | 4 ohms |
| Power Handling | 180W (IEC rated) |
| Sensitivity | 87dB |
| Weight | 34.2 lbs / 15.5 kg |
| Woofer Cabinet | ported, rear (dual) |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Dynaudio Emit 30 vs Klipsch RP-6000F II
- Dynaudio Emit 30 vs Klipsch RP-8000F II
- Dynaudio Emit 30 vs Polk T50
- Dynaudio Emit 30 vs SVS Ultra Evolution Pinnacle
- Dynaudio Emit 30 vs Focal Aria Evo X N°2
- Dynaudio Emit 30 vs Klipsch RP-5000F II
- Dynaudio Emit 30 vs Sony SS-CS3
- Dynaudio Emit 30 vs Infinity Reference 253
- See all 28 comparisons