Short answer: the JBL Studio 698. It ranks #21 of 68 floorstanding speakers by sound quality at $599; the KEF Q11 Meta ranks #46 and costs $1249.99, so there is not much of a tradeoff to weigh.
What the JBL Studio 698 offers: High-Definition Imaging (HDI) horn waveguide paired with a 1” compression driver provides excellent high-frequency directivity control and seamless acoustic handoff to the 6” PolyPlas midrange. Dual 8” PolyPlas woofers deliver robust low-end authority with solid bass extension down to an F3 of 53Hz and F10 of 34Hz. High voltage sensitivity (90dB SPL at 2.83V/1m) and clean power handling provide effortless dynamic headroom and low distortion for home theater and music listening. Watch for: Measured response exhibits a prominent mid-bass emphasis bump around 80Hz that can sound overly thick or chesty in smaller rooms without DSP EQ. Treble response lacks top-octave ‘air’ above 12kHz compared to high-end dome or ribbon tweeters. Physically large, heavy cabinet (35.8 kg per speaker) requires careful room placement and a wide acoustic footprint.
What the KEF Q11 Meta offers: Three-way tower design with a coaxial layout: a 3/4” aluminum dome tweeter (with KEF’s Metamaterial Absorption Technology behind it) mounted at the center of a 4” mid-range, plus three 6.5” bass drivers. Extremely linear estimated in-room response when placed correctly, thanks to a deliberately declining on-axis response paired with well-controlled directivity - a technically sound design philosophy, even though it reads as “dark” in raw anechoic on-axis measurements. In-room bass extension to about 40-50Hz when placed near a wall, thanks to extended bass-shelf tuning. Sounds excellent whether pointed directly at the listener or toed out a full 30° parallel to the back wall - unusually flexible placement. More vertical listening leeway than standard non-coaxial two-way designs, thanks to the coincident tweeter/midrange. Distortion looks good at both 86dB and 96dB, and multitone distortion holds up well too. Comes with a plinth/outrigger kit for stability given its floorstanding height (about 43-44”). Watch for: Genuinely dark-sounding on raw on-axis measurement, and needs a typical room with sidewall reflections (within about 6 feet/2 meters) to sound properly neutral - in a large room with little sidewall interaction, it may sound too dull for some listeners. Must be placed close to a rear wall (about 1 foot) to get proper bass - pulling it out to the “standard” 3-foot audiophile recommendation causes bass output to drop off noticeably. Horizontal radiation of about ±50° is narrower than the reviewer’s preferred ±60°, giving a slightly less enveloping soundstage than some rivals. Notably darker than sibling KEF models in the same product family - measures 2-5dB less top-end energy than the R3 Meta and a few dB less than the Q Concerto Meta. Minor lingering resonances appear in burst decay measurements between 500Hz-1kHz. The tweeter shows some strain at very high output volumes, a limitation the reviewer notes is common even among more budget-friendly speakers generally.
Buy the JBL Studio 698. It ranks higher for sound quality than the KEF Q11 Meta and costs less, so there is no real case for the other one.
Specifications Side By Side
| JBL Studio 698 | KEF Q11 Meta | |
|---|---|---|
| Price | $599.00 | $1,249.99 |
| Ranked | #21 of 68 in Large Size Floorstanding Speakers | #46 of 68 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 34Hz (measured, Erin’s Audio Corner) | 29Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 53Hz (measured, Erin’s Audio Corner) | 60Hz (measured, Erin’s Audio Corner) |
| Dimensions | 41.7"H x 11.8"W x 15.7"D (1058 x 300 x 400 mm) | 43.8"H x 12.5"W x 15"D (1112.8 x 317.5 x 381.0 mm) |
| Impedance | 6 ohms nominal (4.1 ohms minimum above 80Hz, measured by Erin’s Audio Corner) | 4 ohms nominal (3.2 ohms minimum, measured, Erin’s Audio Corner) |
| Sensitivity | 90dB (measured average, Erin’s Audio Corner) | 88.6dB (measured, Erin’s Audio Corner) |
| Drivers | 1 in. High-Definition Imaging compression driver, 6 in. PolyPlas midrange, dual 8 in. PolyPlas woofers | 25mm tweeter + dual 165mm drivers |
| Weight | 78.9 lbs / 35.8 kg each | 106.9 lbs / 48.5 kg |
| Woofer Cabinet | ported, rear | ported, rear |
Related Speaker Comparisons
More useful head-to-heads from the same speaker class:
- Revel F206 vs ELAC Debut 3.0 DF63
- Revel F206 vs Polk Reserve R500
- Focal Chora 816 vs Revel F206
- JBL Studio 698 vs Q Acoustics 5040
- JBL Studio 698 vs Dynaudio Emit 30
Prices on this page were last checked August 24, 2026 at 6:53 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
As an eBay Partner, we may be compensated if you make a purchase.
The Two Speakers In Full
JBL Studio 698: $599.00 Amazon Crutchfield eBay
Pros: High-Definition Imaging (HDI) horn waveguide paired with a 1” compression driver provides excellent high-frequency directivity control and seamless acoustic handoff to the 6” PolyPlas midrange. Dual 8” PolyPlas woofers deliver robust low-end authority with solid bass extension down to an F3 of 53Hz and F10 of 34Hz. High voltage sensitivity (90dB SPL at 2.83V/1m) and clean power handling provide effortless dynamic headroom and low distortion for home theater and music listening.
Cons: Measured response exhibits a prominent mid-bass emphasis bump around 80Hz that can sound overly thick or chesty in smaller rooms without DSP EQ. Treble response lacks top-octave ‘air’ above 12kHz compared to high-end dome or ribbon tweeters. Physically large, heavy cabinet (35.8 kg per speaker) requires careful room placement and a wide acoustic footprint.
Full JBL Studio 698 review and specifications →
| Bass Extension (-10dB) | 34Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 53Hz (measured, Erin's Audio Corner) |
| Dimensions | 41.7"H x 11.8"W x 15.7"D (1058 x 300 x 400 mm) |
| Drivers | 1 in. High-Definition Imaging compression driver, 6 in. PolyPlas midrange, dual 8 in. PolyPlas woofers |
| Impedance | 6 ohms nominal (4.1 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Sensitivity | 90dB (measured average, Erin's Audio Corner) |
| Weight | 78.9 lbs / 35.8 kg each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- JBL Studio 698 vs Revel F206
- JBL Studio 698 vs Ascend Acoustics Sierra Titan Tower
- JBL Studio 698 vs Revel Concerta2 F35
- JBL Studio 698 vs Revel F228Be
- JBL Studio 698 vs KEF R11 Meta
- JBL Studio 698 vs Arendal 1961 Tower
- JBL Studio 698 vs Revel F208
- JBL Studio 698 vs Focal Chora 816
- See all 34 comparisons
KEF Q11 Meta: $1,249.99 Amazon eBay
Pros: Three-way tower design with a coaxial layout: a 3/4” aluminum dome tweeter (with KEF’s Metamaterial Absorption Technology behind it) mounted at the center of a 4” mid-range, plus three 6.5” bass drivers. Extremely linear estimated in-room response when placed correctly, thanks to a deliberately declining on-axis response paired with well-controlled directivity - a technically sound design philosophy, even though it reads as “dark” in raw anechoic on-axis measurements. In-room bass extension to about 40-50Hz when placed near a wall, thanks to extended bass-shelf tuning. Sounds excellent whether pointed directly at the listener or toed out a full 30° parallel to the back wall - unusually flexible placement. More vertical listening leeway than standard non-coaxial two-way designs, thanks to the coincident tweeter/midrange. Distortion looks good at both 86dB and 96dB, and multitone distortion holds up well too. Comes with a plinth/outrigger kit for stability given its floorstanding height (about 43-44”).
Cons: Genuinely dark-sounding on raw on-axis measurement, and needs a typical room with sidewall reflections (within about 6 feet/2 meters) to sound properly neutral - in a large room with little sidewall interaction, it may sound too dull for some listeners. Must be placed close to a rear wall (about 1 foot) to get proper bass - pulling it out to the “standard” 3-foot audiophile recommendation causes bass output to drop off noticeably. Horizontal radiation of about ±50° is narrower than the reviewer’s preferred ±60°, giving a slightly less enveloping soundstage than some rivals. Notably darker than sibling KEF models in the same product family - measures 2-5dB less top-end energy than the R3 Meta and a few dB less than the Q Concerto Meta. Minor lingering resonances appear in burst decay measurements between 500Hz-1kHz. The tweeter shows some strain at very high output volumes, a limitation the reviewer notes is common even among more budget-friendly speakers generally.
Full KEF Q11 Meta review and specifications →
| Bass Extension (-10dB) | 29Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 60Hz (measured, Erin's Audio Corner) |
| Dimensions | 43.8"H x 12.5"W x 15"D (1112.8 x 317.5 x 381.0 mm) |
| Drivers | 25mm tweeter + dual 165mm drivers |
| Impedance | 4 ohms nominal (3.2 ohms minimum, measured, Erin's Audio Corner) |
| Sensitivity | 88.6dB (measured, Erin's Audio Corner) |
| Weight | 106.9 lbs / 48.5 kg |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- KEF Q11 Meta vs KLH Model Five
- KEF Q11 Meta vs Klipsch RP-5000F II
- KEF Q11 Meta vs Klipsch Heresy IV
- KEF Q11 Meta vs SVS Ultra Evolution Pinnacle
- KEF Q11 Meta vs Polk Audio XT60
- KEF Q11 Meta vs Monolith THX-365T
- KEF Q11 Meta vs Klipsch Forte IV
- KEF Q11 Meta vs Klipsch RP-8000F II
- See all 28 comparisons


