Klipsch RP-600M II vs Triad In-Room Gold LCR

Last updated: September 14, 2026

Short answer: the Klipsch RP-600M II. It ranks #74 of 130 bookshelf speakers by sound quality at $449.99; the Triad In-Room Gold LCR ranks #114 and costs $6600, so there is little reason to consider the other one.

Klipsch RP-600M II vs Triad In-Room Gold LCR

What the Klipsch RP-600M II offers: Redesigned waveguide extends flush to the baffle edge, reducing diffraction compared to the original RP-600M. Roughly 10-20° wider horizontal radiation than the original, giving more soundstage envelopment while retaining precise imaging. A major step up in overall tonal neutrality compared to the original RP-600M, largely eliminating that model’s midrange resonance issues. Unusually, sounds better with the grille on - the grille smooths out the elevated treble rather than degrading the sound, a rare trait among speakers the reviewer has tested. More refined back-panel hardware, including anodized binding posts and jumper cables for optional bi-amping. Responds well to EQ correction (verified using measurement software and a miniDSP), letting the on-axis response be made genuinely linear. Watch for: On-axis, the treble runs notably hot - even hotter than the original RP-600M in some respects - and needs about 20° of toe-out or the grille installed to sound balanced. Horizontal dispersion is very slightly less linear across angles than the original RP-600M, a minor trade-off for the wider overall radiation pattern. Klipsch’s marketed sensitivity (about 94.5dB) is, like the original, a half-space rating roughly 9dB above the anechoic reality (closer to 85-86dB). In-room bass rolls off around 60Hz in practice, and a 120Hz boost paired with a midrange scoop gives kick drums their “tambour” without real low-end weight - a subwoofer is still recommended. Vertical listening tolerance is limited to about ±10° from the tweeter axis. Toeing the speaker out for better on-axis tonality (rather than using the grille) introduces slightly more diffuse imaging from added sidewall reflections.

What the Triad In-Room Gold LCR offers: Built for serious home theater output: the sealed three-way layout uses dual 8.5-inch woofers, a 5.5-inch midrange and a 1-inch fabric dome. At 86dB/1m, Erin measured under 1% distortion to 50Hz; at 96dB it remained under 1% only above about 80Hz, supporting Triad’s intended 80Hz subwoofer crossover. Compression and 32-band multitone distortion were both low, even at high playback levels. Broad horizontal coverage (about +/-70 to 80 degrees through the midrange) and a roughly +/-20-degree vertical window give a generous listening area. It can be made substantially more linear with EQ, and its 89dB measured sensitivity is suitable for a capable AVR or power amplifier. Watch for: At $6,600/pair, Erin found the raw response and value hard to defend without EQ: a 100-300Hz dip makes male vocals thin, a 1kHz dip adds hollowness, and a 4-5kHz rise makes sibilants harsh. The directivity begins to narrow above about 5kHz as the tweeter beams. Despite its dual woofers, it requires a subwoofer; Erin measured F3 57Hz and F10 40Hz. Load dips below 3 ohms, so it needs an amplifier stable into 4 ohms. Plain, utilitarian styling will not suit everyone.

Buy the Klipsch RP-600M II. It ranks higher for sound quality than the Triad In-Room Gold LCR and costs less, so there is no real case for the other one.

The Triad In-Room Gold LCR is not a sound-quality pick. It sits near the bottom of the 130 bookshelf speakers; there are better options higher up.

Want more options? Browse the full Passive Home rankings.

Specifications Side By Side

Klipsch RP-600M II Triad In-Room Gold LCR
Price$449.99 per pair$6,600 per pair
Ranked#74 of 130 in Large Size Bookshelf Speakers#114 of 130 in Large Size Bookshelf Speakers
Bass Extension (-10dB)41Hz (measured, Erin's Audio Corner)40Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)70Hz (measured, Erin's Audio Corner)57Hz (measured, Erin's Audio Corner)
Dimensions15.7"H x 8"W x 12.5"D (398.8 x 203.2 x 317.5 mm)29"H x 10.75"W x 11.375"D
Impedance8 ohms nominal (3.5 ohms minimum above 80Hz, measured by Erin's Audio Corner)4 ohms nominal; dips below 3 ohms (measured, Erin's Audio Corner)
Sensitivity86dB (measured, Erin's Audio Corner)88.9dB (2.83V/1m, measured, Erin's Audio Corner; 92dB manufacturer specified)
Drivers6.5" Cerametallic cone woofer, 1" titanium LTS vented tweeter with Tractrix hornTwo 8.5" metal woofers, 5.5" paper/fiber midrange, 1" fabric-dome tweeter
Weight13 lbs (5.9 kg) each54.9 lbs (24.9 kg) each
Woofer Cabinetportedsealed / acoustic suspension
Spinorama Preference Score4.753.13
Spinorama Preference Score with Perfect Sub6.885.50
Power Handling-100W - 450W recommended (manufacturer specified)
Frequency Response-50Hz - 20kHz +/-3dB (manufacturer specified)
Country-USA (handcrafted, manufacturer specified)

How Klipsch RP-600M II compares with other leading options:

Prices on this page were last checked September 14, 2026 at 1:47 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.

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The Two Speakers In Full

Klipsch RP-600M II: $449.99 per pair Amazon eBay

Klipsch RP-600M II ranking card

Pros: Redesigned waveguide extends flush to the baffle edge, reducing diffraction compared to the original RP-600M. Roughly 10-20° wider horizontal radiation than the original, giving more soundstage envelopment while retaining precise imaging. A major step up in overall tonal neutrality compared to the original RP-600M, largely eliminating that model’s midrange resonance issues. Unusually, sounds better with the grille on - the grille smooths out the elevated treble rather than degrading the sound, a rare trait among speakers the reviewer has tested. More refined back-panel hardware, including anodized binding posts and jumper cables for optional bi-amping. Responds well to EQ correction (verified using measurement software and a miniDSP), letting the on-axis response be made genuinely linear. Measured bass extension of 70Hz (-3dB), with a measured sensitivity of 86dB.

Cons: On-axis, the treble runs notably hot - even hotter than the original RP-600M in some respects - and needs about 20° of toe-out or the grille installed to sound balanced. Horizontal dispersion is very slightly less linear across angles than the original RP-600M, a minor trade-off for the wider overall radiation pattern. Klipsch’s marketed sensitivity (about 94.5dB) is, like the original, a half-space rating roughly 9dB above the anechoic reality (closer to 85-86dB). In-room bass rolls off around 60Hz in practice, and a 120Hz boost paired with a midrange scoop gives kick drums their “tambour” without real low-end weight - a subwoofer is still recommended. Vertical listening tolerance is limited to about ±10° from the tweeter axis. Toeing the speaker out for better on-axis tonality (rather than using the grille) introduces slightly more diffuse imaging from added sidewall reflections.

Bass Extension (-10dB)41Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)70Hz (measured, Erin's Audio Corner)
Dimensions15.7"H x 8"W x 12.5"D (398.8 x 203.2 x 317.5 mm)
Drivers6.5" Cerametallic cone woofer, 1" titanium LTS vented tweeter with Tractrix horn
Impedance8 ohms nominal (3.5 ohms minimum above 80Hz, measured by Erin's Audio Corner)
Sensitivity86dB (measured, Erin's Audio Corner)
Spinorama Preference Score4.75
Spinorama Preference Score with Perfect Sub6.88
Weight13 lbs (5.9 kg) each
Woofer Cabinetported

Triad In-Room Gold LCR: $6,600 per pair Triad Authorized Dealer eBay

Triad In-Room Gold LCR ranking card

Pros: Built for serious home theater output: the sealed three-way layout uses dual 8.5-inch woofers, a 5.5-inch midrange and a 1-inch fabric dome. At 86dB/1m, Erin measured under 1% distortion to 50Hz; at 96dB it remained under 1% only above about 80Hz, supporting Triad’s intended 80Hz subwoofer crossover. Compression and 32-band multitone distortion were both low, even at high playback levels. Broad horizontal coverage (about +/-70 to 80 degrees through the midrange) and a roughly +/-20-degree vertical window give a generous listening area. It can be made substantially more linear with EQ, and its 89dB measured sensitivity is suitable for a capable AVR or power amplifier. Measured bass extension of 57Hz (-3dB), with a measured sensitivity of 88.9dB.

Cons: At $6,600/pair, Erin found the raw response and value hard to defend without EQ: a 100-300Hz dip makes male vocals thin, a 1kHz dip adds hollowness, and a 4-5kHz rise makes sibilants harsh. The directivity begins to narrow above about 5kHz as the tweeter beams. Despite its dual woofers, it requires a subwoofer; Erin measured F3 57Hz and F10 40Hz. Load dips below 3 ohms, so it needs an amplifier stable into 4 ohms. Plain, utilitarian styling will not suit everyone.

Bass Extension (-10dB)40Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)57Hz (measured, Erin's Audio Corner)
CountryUSA (handcrafted, manufacturer specified)
Dimensions29"H x 10.75"W x 11.375"D
DriversTwo 8.5" metal woofers, 5.5" paper/fiber midrange, 1" fabric-dome tweeter
Frequency Response50Hz - 20kHz +/-3dB (manufacturer specified)
Impedance4 ohms nominal; dips below 3 ohms (measured, Erin's Audio Corner)
Power Handling100W - 450W recommended (manufacturer specified)
Sensitivity88.9dB (2.83V/1m, measured, Erin's Audio Corner; 92dB manufacturer specified)
Spinorama Preference Score3.13
Spinorama Preference Score with Perfect Sub5.50
Weight54.9 lbs (24.9 kg) each
Woofer Cabinetsealed / acoustic suspension