Short answer: the JBL 4367 on measured sound quality, the JBL Stage 2 280F on price. The JBL 4367 ranks #12 of 71 floorstanding speakers at $16500. The JBL Stage 2 280F ranks #62 at $529.95, $15970.05 cheaper.
What the JBL Stage 2 280F offers: Genuinely impressive output capability and low compression/distortion for the price, courtesy of the dual 8” woofers - the reviewer’s standout praise for this pair. High sensitivity (89.5dB measured) and low impedance make it easy to drive. Decent bass extension (F3 48Hz, F10 30Hz) reaches about 50Hz in-room. Horizontal dispersion is reasonably consistent (~55 degrees), meaning the speaker takes reasonably well to EQ correction. Watch for: Explicitly called out as disappointing relative to expectations for the JBL name and this price point - lacks native linearity compared to similarly-priced alternatives like the Polk Reserve R500, which the reviewer recommends instead for anyone who doesn’t want to rely on EQ. Treble falls off a cliff above about 10-12kHz, giving a notable lack of air/space that needs real correction (a wide +Q0.5 boost from 10-20kHz) to fix. A sharp impedance resonance around 900Hz-1.1kHz is nearly impossible to EQ out cleanly even with narrow filters. Elevated multitone distortion in the 600Hz-2.5kHz range, tied to the midwoofer rather than the tweeter. Compared to the similarly-priced Klipsch RP-6000F II/RP-8000F II, this JBL is less directive and native-flat but does extend roughly 20Hz deeper in the bass - a real tradeoff either way, not a clean win.
What the JBL 4367 offers: Three-way design pairing a 15” front-ported woofer with a compression driver on a controlled-dispersion horn/waveguide, crossed over at 700Hz. On-axis frequency response is nearly dead flat, holding within about ±1.5dB, with the listening window tracking it closely except right at the crossover. Distortion stays below 1% THD across the entire audible band at both 86dB and 96dB. Compression/dynamic-range linearity is exceptional - within about a quarter of a dB from 76dB to 102dB, among the best the reviewer has measured. High sensitivity (about 92.6dB average) eases the amplifier match despite the speaker’s size. Minimal rear radiation thanks to the 15” woofer’s directivity and front-firing ports - rear energy runs about 20dB down from the primary wavefront, giving it a near-cardioid radiation pattern. Well-controlled horn directivity keeps the soundstage from noticeably shifting in width across the 700Hz crossover region. A natural high-frequency rolloff above about 7-8kHz gives it an easy, non-fatiguing character for extended listening sessions. Watch for: At roughly $16,500/pair, this is a major investment - the reviewer recommends buying from a dealer with a liberal return policy. Vertical response shows dips beyond about ±10-20°, with a larger null further out - an inherent trade-off of mating a 15” woofer to a horn compression driver at a 700Hz crossover, since crossing lower would hurt power handling and dynamic range. Horizontal directivity isn’t perfectly consistent with frequency: narrow (about ±20°) through 200-800Hz, briefly widening to near ±50° above the crossover, then narrowing again at high frequency - an unusual, non-constant pattern. The high-frequency rolloff that gives it an easy-listening character also reduces the sense of air and space in the soundstage when listening from off-center seats. Massive and heavy (about 120 lbs, roughly 36-37” tall) - needs to be raised on a stand to bring the horn to ear level, and isn’t something one person easily moves alone. Only modest EQ adjustment is available on the speaker itself (about ±1-2dB bass/treble trim).
Buy the JBL Stage 2 280F if the price is the priority over sound quality, or the JBL 4367 if sound quality is the priority over the price.
If sound quality matters at all to you, skip the JBL Stage 2 280F. It ranks near the bottom of the 71 floorstanding speakers, so look higher up the list instead.
Want more options? Browse the full Passive Home rankings.
Specifications Side By Side
| JBL Stage 2 280F | JBL 4367 | |
|---|---|---|
| Price | $529.95 per pair | $16500 per pair |
| Ranked | #62 of 71 in Large Size Floorstanding Speakers | #12 of 71 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 30Hz (measured, Erin's Audio Corner) | 31Hz (measured, Erin's Audio Corner) |
| Bass Extension (-3dB) | 48Hz (measured, Erin's Audio Corner) | 43Hz (measured, Erin's Audio Corner) |
| Drivers | 1" anodized aluminum dome tweeter with HDI waveguide, dual 8" polycellulose woofers | 15" (380mm) 2216Nd-1 Dual Differential Drive® woofer, 3" (75mm) D2430K dual compression tweeter |
| Weight | 55.1 lbs (25 kg) each | 119 lbs (54 kg) each |
| Sensitivity | 89.5dB (2.83V/1m, measured by Erin's Audio Corner) | 92.5dB (measured average, Erin's Audio Corner) |
| Dimensions | 43.8" x 14.1" x 16.5" (1113 x 358 x 419 mm) | 37.2"H x 22.2"W x 16.8"D (944.9 x 563.9 x 426.7 mm) |
| Crossover Frequency | 1.1kHz, 2.1kHz | - |
| Power Handling | 125W RMS | - |
| Impedance | 6 ohms nominal, 3.9 ohms minimum (measured, Erin's Audio Corner) | 4 ohms nominal (5.3 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Woofer Cabinet | ported, rear | ported, front |
| Spinorama Preference Score | 3.84 | 4.17 |
| Spinorama Preference Score with Perfect Sub | 5.29 | 5.97 |
Related Speaker Comparisons
How JBL 4367 compares with other leading options:
- KEF Blade Two Meta vs JBL 4367
- MoFi SourcePoint V10 Master Edition vs JBL 4367
- JBL 4367 vs MoFi SourcePoint 888
- Radiant Acoustics Clarity 66 vs JBL 4367
- Ascend Acoustics ELX Ribbon Tower vs JBL 4367
Prices on this page were last checked September 16, 2026 at 12:41 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
JBL Stage 2 280F: $529.95 per pair Amazon eBay
Pros: Genuinely impressive output capability and low compression/distortion for the price, courtesy of the dual 8” woofers - the reviewer’s standout praise for this pair. High sensitivity (89.5dB measured) and low impedance make it easy to drive. Decent bass extension (F3 48Hz, F10 30Hz) reaches about 50Hz in-room. Horizontal dispersion is reasonably consistent (~55 degrees), meaning the speaker takes reasonably well to EQ correction. Measured bass extension of 48Hz (-3dB), with a measured sensitivity of 89.5dB.
Cons: Explicitly called out as disappointing relative to expectations for the JBL name and this price point - lacks native linearity compared to similarly-priced alternatives like the Polk Reserve R500, which the reviewer recommends instead for anyone who doesn’t want to rely on EQ. Treble falls off a cliff above about 10-12kHz, giving a notable lack of air/space that needs real correction (a wide +Q0.5 boost from 10-20kHz) to fix. A sharp impedance resonance around 900Hz-1.1kHz is nearly impossible to EQ out cleanly even with narrow filters. Elevated multitone distortion in the 600Hz-2.5kHz range, tied to the midwoofer rather than the tweeter. Compared to the similarly-priced Klipsch RP-6000F II/RP-8000F II, this JBL is less directive and native-flat but does extend roughly 20Hz deeper in the bass - a real tradeoff either way, not a clean win.
Full JBL Stage 2 280F review and specifications →
| Bass Extension (-10dB) | 30Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 48Hz (measured, Erin's Audio Corner) |
| Crossover Frequency | 1.1kHz, 2.1kHz |
| Dimensions | 43.8" x 14.1" x 16.5" (1113 x 358 x 419 mm) |
| Drivers | 1" anodized aluminum dome tweeter with HDI waveguide, dual 8" polycellulose woofers |
| Impedance | 6 ohms nominal, 3.9 ohms minimum (measured, Erin's Audio Corner) |
| Power Handling | 125W RMS |
| Sensitivity | 89.5dB (2.83V/1m, measured by Erin's Audio Corner) |
| Spinorama Preference Score | 3.84 |
| Spinorama Preference Score with Perfect Sub | 5.29 |
| Weight | 55.1 lbs (25 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
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- JBL Stage 2 280F vs Focal Aria Evo X N°2
- JBL Stage 2 280F vs JBL Studio 590
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JBL 4367: $16500 per pair eBay
Pros: Three-way design pairing a 15” front-ported woofer with a compression driver on a controlled-dispersion horn/waveguide, crossed over at 700Hz. On-axis frequency response is nearly dead flat, holding within about ±1.5dB, with the listening window tracking it closely except right at the crossover. Distortion stays below 1% THD across the entire audible band at both 86dB and 96dB. Compression/dynamic-range linearity is exceptional - within about a quarter of a dB from 76dB to 102dB, among the best the reviewer has measured. High sensitivity (about 92.6dB average) eases the amplifier match despite the speaker’s size. Minimal rear radiation thanks to the 15” woofer’s directivity and front-firing ports - rear energy runs about 20dB down from the primary wavefront, giving it a near-cardioid radiation pattern. Well-controlled horn directivity keeps the soundstage from noticeably shifting in width across the 700Hz crossover region. A natural high-frequency rolloff above about 7-8kHz gives it an easy, non-fatiguing character for extended listening sessions. Measured bass extension of 43Hz (-3dB), with a measured sensitivity of 92.5dB.
Cons: At roughly $16,500/pair, this is a major investment - the reviewer recommends buying from a dealer with a liberal return policy. Vertical response shows dips beyond about ±10-20°, with a larger null further out - an inherent trade-off of mating a 15” woofer to a horn compression driver at a 700Hz crossover, since crossing lower would hurt power handling and dynamic range. Horizontal directivity isn’t perfectly consistent with frequency: narrow (about ±20°) through 200-800Hz, briefly widening to near ±50° above the crossover, then narrowing again at high frequency - an unusual, non-constant pattern. The high-frequency rolloff that gives it an easy-listening character also reduces the sense of air and space in the soundstage when listening from off-center seats. Massive and heavy (about 120 lbs, roughly 36-37” tall) - needs to be raised on a stand to bring the horn to ear level, and isn’t something one person easily moves alone. Only modest EQ adjustment is available on the speaker itself (about ±1-2dB bass/treble trim).
Full JBL 4367 review and specifications →
| Bass Extension (-10dB) | 31Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 43Hz (measured, Erin's Audio Corner) |
| Dimensions | 37.2"H x 22.2"W x 16.8"D (944.9 x 563.9 x 426.7 mm) |
| Drivers | 15" (380mm) 2216Nd-1 Dual Differential Drive® woofer, 3" (75mm) D2430K dual compression tweeter |
| Impedance | 4 ohms nominal (5.3 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Sensitivity | 92.5dB (measured average, Erin's Audio Corner) |
| Spinorama Preference Score | 4.17 |
| Spinorama Preference Score with Perfect Sub | 5.97 |
| Weight | 119 lbs (54 kg) each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons