Short answer: the JBL 4367 for better sound quality, the Magnepan LRS+ for the lower price. The JBL 4367 ranks #12 of 71 floorstanding speakers at $16500. The Magnepan LRS+ ranks #63 at $1300, $15200 cheaper.
What the Magnepan LRS+ offers: Thin, two-way planar-magnetic open-baffle/dipole panel design (about 48” tall, just 1” deep). Delivers a uniquely dramatic and enveloping soundstage with genuinely three-dimensional depth effects that work across all music genres, not just classical or orchestral material as commonly assumed. Extremely tight, locked-in center-phantom imaging when set up correctly. Open-baffle design avoids the “boxy” enclosure coloration of conventional cabinet speakers. Multitone distortion is remarkably consistent from low to high frequency, a characteristic the reviewer hasn’t observed in conventional cone-and-dome speakers. Compression at high output stays modest (about 0.5-1dB) through the midrange and treble, giving roughly 20-26dB of usable dynamic range in that region. At its price, a strong contender for a dedicated secondary listening room, even if not a main-system replacement. Watch for: Extremely current-hungry and power-hungry: even a pair of 600W Macintosh monoblock amplifiers only averaged about 90dB output - a robust, high-power amplifier is essentially mandatory, and budget amps won’t cut it. Bass rolls off very quickly (F3 74Hz, F10 67Hz, described as falling off “like a rock”), making a subwoofer an absolute requirement for any low-end content. A roughly 3dB dip in the mid-bass (100-300Hz) region thins out vocal body and fullness compared to a conventional bookshelf speaker. A resonance/bump around 400Hz adds a mild boxy quality, though it responds well to about 2dB of EQ correction. Extraordinarily fussy about exact positioning - both seating height (must align with the acoustic reference point between the panel’s lower tie-down points) and horizontal aiming are unusually critical; moving just a couple of inches can cause treble content above roughly 500-600Hz to nearly vanish. Distinct off-axis cancellation zones exist directly to the sides of the panel, where very little sound is audible at all. Fails badly under extreme dynamic-transient testing in the bass, and the reviewer blew fuses pushing the speaker during testing - not built for high-volume or highly dynamic playback. A genuinely different category from conventional hi-fi speakers, requiring more setup patience and experimentation than a typical monopole design.
What the JBL 4367 offers: Three-way design pairing a 15” front-ported woofer with a compression driver on a controlled-dispersion horn/waveguide, crossed over at 700Hz. On-axis frequency response is nearly dead flat, holding within about ±1.5dB, with the listening window tracking it closely except right at the crossover. Distortion stays below 1% THD across the entire audible band at both 86dB and 96dB. Compression/dynamic-range linearity is exceptional - within about a quarter of a dB from 76dB to 102dB, among the best the reviewer has measured. High sensitivity (about 92.6dB average) eases the amplifier match despite the speaker’s size. Minimal rear radiation thanks to the 15” woofer’s directivity and front-firing ports - rear energy runs about 20dB down from the primary wavefront, giving it a near-cardioid radiation pattern. Well-controlled horn directivity keeps the soundstage from noticeably shifting in width across the 700Hz crossover region. A natural high-frequency rolloff above about 7-8kHz gives it an easy, non-fatiguing character for extended listening sessions. Watch for: At roughly $16,500/pair, this is a major investment - the reviewer recommends buying from a dealer with a liberal return policy. Vertical response shows dips beyond about ±10-20°, with a larger null further out - an inherent trade-off of mating a 15” woofer to a horn compression driver at a 700Hz crossover, since crossing lower would hurt power handling and dynamic range. Horizontal directivity isn’t perfectly consistent with frequency: narrow (about ±20°) through 200-800Hz, briefly widening to near ±50° above the crossover, then narrowing again at high frequency - an unusual, non-constant pattern. The high-frequency rolloff that gives it an easy-listening character also reduces the sense of air and space in the soundstage when listening from off-center seats. Massive and heavy (about 120 lbs, roughly 36-37” tall) - needs to be raised on a stand to bring the horn to ear level, and isn’t something one person easily moves alone. Only modest EQ adjustment is available on the speaker itself (about ±1-2dB bass/treble trim).
Buy the Magnepan LRS+ if the price matters more than sound quality. Buy the JBL 4367 if sound quality matters more than the price.
If sound quality matters at all to you, skip the Magnepan LRS+. It ranks near the bottom of the 71 floorstanding speakers, so look higher up the list instead.
Specifications Side By Side
| Magnepan LRS+ | JBL 4367 | |
|---|---|---|
| Price | $1300 | $16500 |
| Ranked | #63 of 71 in Large Size Floorstanding Speakers | #12 of 71 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 67Hz (measured, Erin’s Audio Corner) | 31Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 74Hz (measured, Erin’s Audio Corner) | 43Hz (measured, Erin’s Audio Corner) |
| Sensitivity | 85.1dB (measured, Erin’s Audio Corner) | 92.5dB (measured average, Erin’s Audio Corner) |
| Drivers | Full-range planar magnetic dipole panel (48" tall x 13.5" wide); quasi-ribbon design, two-way with separate mid/bass and tweeter ribbon sections | 15" (380mm) 2216Nd-1 Dual Differential Drive® woofer, 3" (75mm) D2430K dual compression tweeter |
| Weight | 30 lbs / 13.6 kg | 119 lbs / 54 kg each |
| Woofer Cabinet | open baffle | ported, front |
| Impedance | 4 ohms nominal, 3 ohms minimum (measured, Erin’s Audio Corner) | 4 ohms nominal (5.3 ohms minimum above 80Hz, measured by Erin’s Audio Corner) |
| Dimensions | 48"H x 13.5"W x 1"D (1219.2 x 342.9 x 25.4 mm) | 37.2"H x 22.2"W x 16.8"D (944.9 x 563.9 x 426.7 mm) |
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The Two Speakers In Full
Magnepan LRS+: $1300 Magnepan eBay
Pros: Thin, two-way planar-magnetic open-baffle/dipole panel design (about 48” tall, just 1” deep). Delivers a uniquely dramatic and enveloping soundstage with genuinely three-dimensional depth effects that work across all music genres, not just classical or orchestral material as commonly assumed. Extremely tight, locked-in center-phantom imaging when set up correctly. Open-baffle design avoids the “boxy” enclosure coloration of conventional cabinet speakers. Multitone distortion is remarkably consistent from low to high frequency, a characteristic the reviewer hasn’t observed in conventional cone-and-dome speakers. Compression at high output stays modest (about 0.5-1dB) through the midrange and treble, giving roughly 20-26dB of usable dynamic range in that region. At its price, a strong contender for a dedicated secondary listening room, even if not a main-system replacement.
Cons: Extremely current-hungry and power-hungry: even a pair of 600W Macintosh monoblock amplifiers only averaged about 90dB output - a robust, high-power amplifier is essentially mandatory, and budget amps won’t cut it. Bass rolls off very quickly (F3 74Hz, F10 67Hz, described as falling off “like a rock”), making a subwoofer an absolute requirement for any low-end content. A roughly 3dB dip in the mid-bass (100-300Hz) region thins out vocal body and fullness compared to a conventional bookshelf speaker. A resonance/bump around 400Hz adds a mild boxy quality, though it responds well to about 2dB of EQ correction. Extraordinarily fussy about exact positioning - both seating height (must align with the acoustic reference point between the panel’s lower tie-down points) and horizontal aiming are unusually critical; moving just a couple of inches can cause treble content above roughly 500-600Hz to nearly vanish. Distinct off-axis cancellation zones exist directly to the sides of the panel, where very little sound is audible at all. Fails badly under extreme dynamic-transient testing in the bass, and the reviewer blew fuses pushing the speaker during testing - not built for high-volume or highly dynamic playback. A genuinely different category from conventional hi-fi speakers, requiring more setup patience and experimentation than a typical monopole design.
Full Magnepan LRS+ review and specifications →
| Bass Extension (-10dB) | 67Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 74Hz (measured, Erin's Audio Corner) |
| Dimensions | 48"H x 13.5"W x 1"D (1219.2 x 342.9 x 25.4 mm) |
| Drivers | Full-range planar magnetic dipole panel (48" tall x 13.5" wide); quasi-ribbon design, two-way with separate mid/bass and tweeter ribbon sections |
| Impedance | 4 ohms nominal, 3 ohms minimum (measured, Erin's Audio Corner) |
| Sensitivity | 85.1dB (measured, Erin's Audio Corner) |
| Weight | 30 lbs / 13.6 kg |
| Woofer Cabinet | open baffle |
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: Grab Your Pitchforks! The Magnepan LRS+ Review You Didn’t See Coming! More from Erin’s Audio Corner →
- Erin’s Audio Review Website Magnepan LRS+
- Erin’s Audio Corner: I Tested 250 Speakers So You Don’t Have To!
- Erin’s Audio Corner Measurements (spinorama.org)
- Reddit Search for Magnepan LRS+ Review
- Head-to-Head Comparisons
JBL 4367: $16500 eBay
Pros: Three-way design pairing a 15” front-ported woofer with a compression driver on a controlled-dispersion horn/waveguide, crossed over at 700Hz. On-axis frequency response is nearly dead flat, holding within about ±1.5dB, with the listening window tracking it closely except right at the crossover. Distortion stays below 1% THD across the entire audible band at both 86dB and 96dB. Compression/dynamic-range linearity is exceptional - within about a quarter of a dB from 76dB to 102dB, among the best the reviewer has measured. High sensitivity (about 92.6dB average) eases the amplifier match despite the speaker’s size. Minimal rear radiation thanks to the 15” woofer’s directivity and front-firing ports - rear energy runs about 20dB down from the primary wavefront, giving it a near-cardioid radiation pattern. Well-controlled horn directivity keeps the soundstage from noticeably shifting in width across the 700Hz crossover region. A natural high-frequency rolloff above about 7-8kHz gives it an easy, non-fatiguing character for extended listening sessions.
Cons: At roughly $16,500/pair, this is a major investment - the reviewer recommends buying from a dealer with a liberal return policy. Vertical response shows dips beyond about ±10-20°, with a larger null further out - an inherent trade-off of mating a 15” woofer to a horn compression driver at a 700Hz crossover, since crossing lower would hurt power handling and dynamic range. Horizontal directivity isn’t perfectly consistent with frequency: narrow (about ±20°) through 200-800Hz, briefly widening to near ±50° above the crossover, then narrowing again at high frequency - an unusual, non-constant pattern. The high-frequency rolloff that gives it an easy-listening character also reduces the sense of air and space in the soundstage when listening from off-center seats. Massive and heavy (about 120 lbs, roughly 36-37” tall) - needs to be raised on a stand to bring the horn to ear level, and isn’t something one person easily moves alone. Only modest EQ adjustment is available on the speaker itself (about ±1-2dB bass/treble trim).
Full JBL 4367 review and specifications →
| Bass Extension (-10dB) | 31Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 43Hz (measured, Erin's Audio Corner) |
| Dimensions | 37.2"H x 22.2"W x 16.8"D (944.9 x 563.9 x 426.7 mm) |
| Drivers | 15" (380mm) 2216Nd-1 Dual Differential Drive® woofer, 3" (75mm) D2430K dual compression tweeter |
| Impedance | 4 ohms nominal (5.3 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Sensitivity | 92.5dB (measured average, Erin's Audio Corner) |
| Weight | 119 lbs / 54 kg each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons