Short answer: the Revel F226Be. It ranks #15 of 188 floorstanding speakers by sound quality, rated 4.6/5, at $8,469.90. The Q Acoustics 5040 ranks #97, rated 4.1/5, at $4,014.96, $4,454.94 cheaper, a saving that is not big enough to make up the sound-quality gap.
The Revel F226Be is the more accurate, deeper-bass choice. Its measured preference score, a predictor of how neutral it sounds, is 5.96 against 3.80 for the Q Acoustics 5040. Its bass reaches about 56Hz before falling 3dB, against 70Hz for the Q Acoustics 5040. Watch for: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle.
The case for the Q Acoustics 5040: C3 (Continuous Curved Cone) driver profile technology provides smooth midrange integration, controlled cone breakup, and improved bass damping. The catch: Free-field frequency response exhibits a noticeable mid-bass scoop around 200Hz (~6dB lower than mean SPL), causing an F3 of 70Hz (F10 of 39Hz) in open space and requiring boundary placement (11-22 inches from front wall) to reinforce upper bass output.
Buy the Revel F226Be. It is rated higher for sound quality, and the $4,454.94 you would save on the Q Acoustics 5040 does not close the gap.
Looking for alternatives? See the complete Passive Home rankings.
Specifications Side By Side
| Revel F226Be | Q Acoustics 5040 | |
|---|---|---|
| Price | $8,469.90 per pair | $4,014.96 per pair |
| Ranked | #15 of 188 in Large Size Floorstanding Speakers | #97 of 188 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 36Hz (measured, Erin’s Audio Corner) | 39Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 56Hz (measured, Erin’s Audio Corner) | 70Hz (measured, Erin’s Audio Corner) |
| Dimensions | 41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm) | 38.1”H x 11.5”W x 14.2”D (967 x 293 x 361 mm) |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) | 6 ohms nominal (3.0 ohms minimum, measured by Erin’s Audio Corner) |
| Drivers | Two 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter | 0.88 in. decoupled dome tweeter, twin 5.0 in. C3 Continuous Curved Cone woofers |
| Sensitivity | 89.7dB (measured, Erin’s Audio Corner) | 91.5dB (measured average, Erin’s Audio Corner) |
| Weight | 58.2 lbs (26.4 kg) each | 39.7 lbs (18.0 kg) each |
| Woofer Cabinet | ported, front | ported, rear |
| Spinorama Preference Score | 5.96 (spinorama.org) | 3.80 |
| Spinorama Preference Score with Perfect Sub | 8.15 (spinorama.org) | 6.41 |
| DIY Kit | No | No |
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Prices on this page were last checked October 7, 2026 at 9:25 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
Revel F226Be: $8,469.90 per pair Crutchfield eBay
Older model: the Revel F206 (ranked lower, rated 4.5/5).
Same family: the Revel M126Be (bookshelf, rated 4.3/5), the Revel F228Be (larger floorstanding, ranked lower, rated 4.5/5), the Revel F328Be (larger floorstanding, ranked higher, rated 4.7/5) and the Revel C426Be (center, rated 4/5).
Pros: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range, and dual 6.5” woofers (not a coaxial layout): all Deep Ceramic Composite aluminum cones engineered specifically to avoid breakup outside their crossover bands, and it measures that way: neither the woofers nor the mid-range show breakup spikes even well outside their intended pass bands, and even the front port measures unusually clean (only a mild ~3dB bump around 150Hz, well controlled versus the resonances the reviewer typically sees from ports). On-axis frequency response holds within about ±1.5dB above roughly 65Hz (excellent linearity) and off-axis behavior tracks it closely, with only mild, subdued peaking around 4-6kHz that doesn’t show up as real resonance in the spinorama data. Average sensitivity around 90dB (2.83V/1m), notably higher than some competing three-way designs and most bookshelf speakers, translating directly into better dynamic range at both low and high listening levels: one reviewer specifically praised its ability to deliver full transient impact (snare hits, kick drum) even at quiet, conversational volumes rather than needing to be cranked up to feel dynamic. Wide, consistent horizontal radiation of about ±60-70° at the -6dB point, landing right in the reviewer’s preferred range for an enveloping soundstage without excess diffusion, and exceptionally wide vertical dispersion: roughly ±80° up to 10kHz and still ±70° above that, which one reviewer called the widest vertical radiation pattern he had measured to date. Distortion stays under 3% even at 104dB SPL, and in real-world testing up to 105dB from 12-14 feet away, full-range with no crossover, the reviewer heard no audible mechanical noise, port chuffing, or compression at all. Flat enough on- and off-axis response that toeing the speaker 10-15° away from the listener preserves the same tonal balance rather than changing it, and the wide, well-controlled directivity lets sidewall reflections reinforce rather than smear the soundstage. Measured bass extension of 56Hz (-3dB), with a measured sensitivity of 89.7dB.
Cons: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle. F3 of 56Hz and F10 of 36Hz mean it doesn’t extend nearly as low as some three-way rivals with larger woofers: a dedicated subwoofer (10-12”, or 15” for content below 30Hz) is recommended for home theater or bass-heavy music, even though the speaker itself can play surprisingly loud without one. Vertical directivity tolerance is tighter in the crossover handoff region than a true coaxial design would offer, since the tweeter, midrange, and woofers are physically separated: a mild directivity bump appears around 2-2.5kHz that’s typical of non-coaxial multi-way speakers, though not audibly problematic within about ±10° vertically. On-axis, the top end reads as a bit bright according to one reviewer’s subjective impression, generally benefiting from some toe-out. High-gloss cabinet finish can create distracting reflections if used behind a projector screen in a home theater setup. Front-ported, so it can technically sit close to a wall, but doing so makes the bass boomier.
Full Revel F226Be review and specifications →
| Bass Extension (-10dB) | 36Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm) |
| Drivers | Two 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) |
| Sensitivity | 89.7dB (measured, Erin’s Audio Corner) |
| Spinorama Preference Score | 5.96 (spinorama.org) |
| Spinorama Preference Score with Perfect Sub | 8.15 (spinorama.org) |
| Weight | 58.2 lbs (26.4 kg) each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: Revel PerformaBe F226Be Floorstanding Loudspeaker Review. I love this speaker. More from Erin’s Audio Corner →
- Erin’s Audio Corner: Should You Buy the Revel F226Be or the MoFi 888?
- Erin’s Audio Review Website Revel F226B
- Erin’s Audio Corner: My Top 5 Speakers at Any Price
- Erin’s Audio Corner Measurements (spinorama.org)
- Head-to-Head Comparisons
Q Acoustics 5040: $4,014.96 per pair Amazon eBay
Same family: the Q Acoustics 5010 (smaller bookshelf, estimated 3.5/5), the Q Acoustics 5020 (larger bookshelf, rated 2.2/5), the Q Acoustics 5050 (larger floorstanding, ranked higher, estimated 4.3/5) and the Q Acoustics 5090 (center, estimated 3.7/5).
Pros: C3 (Continuous Curved Cone) driver profile technology provides smooth midrange integration, controlled cone breakup, and improved bass damping. High voltage sensitivity (91.5dB SPL at 2.83V/1m) allows loud listening with low-to-moderate amplifier wattage. Cabinet features Point-to-Point (P2P) internal bracing and Helmholtz Pressure Equalizer (HPE) tubes to suppress internal standing waves and panel vibrations. Measured bass extension of 70Hz (-3dB), with a measured sensitivity of 91.5dB.
Cons: Free-field frequency response exhibits a noticeable mid-bass scoop around 200Hz (~6dB lower than mean SPL), causing an F3 of 70Hz (F10 of 39Hz) in open space and requiring boundary placement (11-22 inches from front wall) to reinforce upper bass output. Measurements indicate an enclosure resonance near 300Hz visible in sound power data. Minimum impedance drops to 3.0 ohms, demanding a stable 4-ohm rated amplifier despite high sensitivity.
Full Q Acoustics 5040 review and specifications →
| Bass Extension (-10dB) | 39Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 70Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 38.1”H x 11.5”W x 14.2”D (967 x 293 x 361 mm) |
| Drivers | 0.88 in. decoupled dome tweeter, twin 5.0 in. C3 Continuous Curved Cone woofers |
| Impedance | 6 ohms nominal (3.0 ohms minimum, measured by Erin’s Audio Corner) |
| Sensitivity | 91.5dB (measured average, Erin’s Audio Corner) |
| Spinorama Preference Score | 3.80 |
| Spinorama Preference Score with Perfect Sub | 6.41 |
| Weight | 39.7 lbs (18.0 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
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