Short answer: the Revel F226Be for better sound quality, the Magnepan LRS+ for the lower price. The Revel F226Be ranks #15 of 188 floorstanding speakers, rated 4.6/5, at $8,469.90. The Magnepan LRS+ ranks #149, rated 3.5/5, at $1,300, $7,169.90 cheaper.
The Revel F226Be is the more accurate, deeper-bass pick. Its measured preference score, a predictor of how neutral it sounds, is 5.96 against 1.27 for the Magnepan LRS+. Its bass reaches about 56Hz before falling 3dB, against 74Hz for the Magnepan LRS+. Watch for: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle.
What the Magnepan LRS+ does well: Thin, two-way planar-magnetic open-baffle/dipole panel design (about 48” tall, just 1” deep). Watch for: Extremely current-hungry and power-hungry: even a pair of 600W Macintosh monoblock amplifiers only averaged about 90dB output.
Buy the Revel F226Be if sound quality matters more than the price. Buy the Magnepan LRS+ if the price matters more than sound quality.
Want more options? Browse the full Passive Home rankings.
Specifications Side By Side
| Revel F226Be | Magnepan LRS+ | |
|---|---|---|
| Price | $8,469.90 per pair | $1300 per pair |
| Ranked | #15 of 188 in Large Size Floorstanding Speakers | #149 of 188 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 36Hz (measured, Erin’s Audio Corner) | 67Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 56Hz (measured, Erin’s Audio Corner) | 74Hz (measured, Erin’s Audio Corner) |
| Dimensions | 41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm) | 48”H x 13.5”W x 1”D (1219.2 x 342.9 x 25.4 mm) |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) | 4 ohms nominal, 3 ohms minimum (measured, Erin’s Audio Corner) |
| Drivers | Two 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter | Full-range planar magnetic dipole panel (48” tall x 13.5” wide); quasi-ribbon design, two-way with separate mid/bass and tweeter ribbon sections |
| Sensitivity | 89.7dB (measured, Erin’s Audio Corner) | 85.1dB (measured, Erin’s Audio Corner) |
| Weight | 58.2 lbs (26.4 kg) each | 30 lbs (13.6 kg) |
| Woofer Cabinet | ported, front | open baffle |
| Spinorama Preference Score | 5.96 (spinorama.org) | 1.27 |
| Spinorama Preference Score with Perfect Sub | 8.15 (spinorama.org) | 4.32 |
| DIY Kit | No | No |
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Prices on this page were last checked October 7, 2026 at 9:25 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
Revel F226Be: $8,469.90 per pair Crutchfield eBay
Older model: the Revel F206 (ranked lower, rated 4.5/5).
Same family: the Revel M126Be (bookshelf, rated 4.3/5), the Revel F228Be (larger floorstanding, ranked lower, rated 4.5/5), the Revel F328Be (larger floorstanding, ranked higher, rated 4.7/5) and the Revel C426Be (center, rated 4/5).
Pros: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range, and dual 6.5” woofers (not a coaxial layout): all Deep Ceramic Composite aluminum cones engineered specifically to avoid breakup outside their crossover bands, and it measures that way: neither the woofers nor the mid-range show breakup spikes even well outside their intended pass bands, and even the front port measures unusually clean (only a mild ~3dB bump around 150Hz, well controlled versus the resonances the reviewer typically sees from ports). On-axis frequency response holds within about ±1.5dB above roughly 65Hz (excellent linearity) and off-axis behavior tracks it closely, with only mild, subdued peaking around 4-6kHz that doesn’t show up as real resonance in the spinorama data. Average sensitivity around 90dB (2.83V/1m), notably higher than some competing three-way designs and most bookshelf speakers, translating directly into better dynamic range at both low and high listening levels: one reviewer specifically praised its ability to deliver full transient impact (snare hits, kick drum) even at quiet, conversational volumes rather than needing to be cranked up to feel dynamic. Wide, consistent horizontal radiation of about ±60-70° at the -6dB point, landing right in the reviewer’s preferred range for an enveloping soundstage without excess diffusion, and exceptionally wide vertical dispersion: roughly ±80° up to 10kHz and still ±70° above that, which one reviewer called the widest vertical radiation pattern he had measured to date. Distortion stays under 3% even at 104dB SPL, and in real-world testing up to 105dB from 12-14 feet away, full-range with no crossover, the reviewer heard no audible mechanical noise, port chuffing, or compression at all. Flat enough on- and off-axis response that toeing the speaker 10-15° away from the listener preserves the same tonal balance rather than changing it, and the wide, well-controlled directivity lets sidewall reflections reinforce rather than smear the soundstage. Measured bass extension of 56Hz (-3dB), with a measured sensitivity of 89.7dB.
Cons: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle. F3 of 56Hz and F10 of 36Hz mean it doesn’t extend nearly as low as some three-way rivals with larger woofers: a dedicated subwoofer (10-12”, or 15” for content below 30Hz) is recommended for home theater or bass-heavy music, even though the speaker itself can play surprisingly loud without one. Vertical directivity tolerance is tighter in the crossover handoff region than a true coaxial design would offer, since the tweeter, midrange, and woofers are physically separated: a mild directivity bump appears around 2-2.5kHz that’s typical of non-coaxial multi-way speakers, though not audibly problematic within about ±10° vertically. On-axis, the top end reads as a bit bright according to one reviewer’s subjective impression, generally benefiting from some toe-out. High-gloss cabinet finish can create distracting reflections if used behind a projector screen in a home theater setup. Front-ported, so it can technically sit close to a wall, but doing so makes the bass boomier.
Full Revel F226Be review and specifications →
| Bass Extension (-10dB) | 36Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm) |
| Drivers | Two 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) |
| Sensitivity | 89.7dB (measured, Erin’s Audio Corner) |
| Spinorama Preference Score | 5.96 (spinorama.org) |
| Spinorama Preference Score with Perfect Sub | 8.15 (spinorama.org) |
| Weight | 58.2 lbs (26.4 kg) each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: Revel PerformaBe F226Be Floorstanding Loudspeaker Review. I love this speaker. More from Erin’s Audio Corner →
- Erin’s Audio Corner: Should You Buy the Revel F226Be or the MoFi 888?
- Erin’s Audio Review Website Revel F226B
- Erin’s Audio Corner: My Top 5 Speakers at Any Price
- Erin’s Audio Corner Measurements (spinorama.org)
- Head-to-Head Comparisons
Magnepan LRS+: $1300 per pair Magnepan eBay
Pros: Thin, two-way planar-magnetic open-baffle/dipole panel design (about 48” tall, just 1” deep). Delivers a uniquely dramatic and enveloping soundstage with genuinely three-dimensional depth effects that work across all music genres, not just classical or orchestral material as commonly assumed. Extremely tight, locked-in center-phantom imaging when set up correctly. Open-baffle design avoids the “boxy” enclosure coloration of conventional cabinet speakers. Multitone distortion is remarkably consistent from low to high frequency, a characteristic the reviewer hasn’t observed in conventional cone-and-dome speakers. Compression at high output stays modest (about 0.5-1dB) through the midrange and treble, giving roughly 20-26dB of usable dynamic range in that region. At its price, a strong contender for a dedicated secondary listening room, even if not a main-system replacement. Measured bass extension of 74Hz (-3dB), with a measured sensitivity of 85.1dB.
Cons: Extremely current-hungry and power-hungry: even a pair of 600W Macintosh monoblock amplifiers only averaged about 90dB output. A robust, high-power amplifier is essentially mandatory, and budget amps won’t cut it. Bass rolls off very quickly (F3 74Hz, F10 67Hz, described as falling off “like a rock”), making a subwoofer an absolute requirement for any low-end content. A roughly 3dB dip in the mid-bass (100-300Hz) region thins out vocal body and fullness compared to a conventional bookshelf speaker. A resonance/bump around 400Hz adds a mild boxy quality, though it responds well to about 2dB of EQ correction. Extraordinarily fussy about exact positioning: both seating height (must align with the acoustic reference point between the panel’s lower tie-down points) and horizontal aiming are unusually critical; moving just a couple of inches can cause treble content above roughly 500-600Hz to nearly vanish. Distinct off-axis cancellation zones exist directly to the sides of the panel, where very little sound is audible at all. Fails badly under extreme dynamic-transient testing in the bass, and the reviewer blew fuses pushing the speaker during testing: not built for high-volume or highly dynamic playback. A genuinely different category from conventional hi-fi speakers, requiring more setup patience and experimentation than a typical monopole design.
Full Magnepan LRS+ review and specifications →
| Bass Extension (-10dB) | 67Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 74Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 48”H x 13.5”W x 1”D (1219.2 x 342.9 x 25.4 mm) |
| Drivers | Full-range planar magnetic dipole panel (48” tall x 13.5” wide); quasi-ribbon design, two-way with separate mid/bass and tweeter ribbon sections |
| Impedance | 4 ohms nominal, 3 ohms minimum (measured, Erin’s Audio Corner) |
| Sensitivity | 85.1dB (measured, Erin’s Audio Corner) |
| Spinorama Preference Score | 1.27 |
| Spinorama Preference Score with Perfect Sub | 4.32 |
| Weight | 30 lbs (13.6 kg) |
| Woofer Cabinet | open baffle |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
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