Short answer: the Revel F226Be on measured sound quality, the JBL Studio 698 on price. The Revel F226Be ranks #10 of 74 floorstanding speakers, rated 4.6/5, at $7,700. The JBL Studio 698 ranks #30, rated 4.3/5, at $1,499.90, $6,200.10 cheaper.
Buy the Revel F226Be if sound quality matters more than the price. Buy the JBL Studio 698 if the price matters more than sound quality.
Want more options? Browse the full Passive Home rankings.
Specifications Side By Side
| Revel F226Be | JBL Studio 698 | |
|---|---|---|
| Price | $7700 per pair | $1,499.90 per pair |
| Ranked | #10 of 74 in Large Size Floorstanding Speakers | #30 of 74 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 36Hz (measured, Erin’s Audio Corner) | 34Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 56Hz (measured, Erin’s Audio Corner) | 53Hz (measured, Erin’s Audio Corner) |
| Dimensions | 41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm) | 41.7”H x 11.8”W x 15.7”D (1058 x 300 x 400 mm) |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) | 6 ohms nominal (4.1 ohms minimum above 80Hz, measured by Erin’s Audio Corner) |
| Drivers | Two 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter | 1 in. High-Definition Imaging compression driver, 6 in. PolyPlas midrange, dual 8 in. PolyPlas woofers |
| Sensitivity | 89.7dB (measured, Erin’s Audio Corner) | 90dB (measured average, Erin’s Audio Corner) |
| Weight | 58.2 lbs (26.4 kg) each | 78.9 lbs (35.8 kg) each |
| Woofer Cabinet | ported, front | ported, rear |
| Spinorama Preference Score | 5.96 (spinorama.org) | 4.20 |
| Spinorama Preference Score with Perfect Sub | 8.15 (spinorama.org) | 6.14 |
| DIY Kit | No | No |
Related Speaker Comparisons
More top alternatives to Revel F226Be:
- Revel F226Be vs KEF Blade Two Meta
- Revel F226Be vs MoFi SourcePoint V10 Master Edition
- MoFi SourcePoint 888 vs Revel F226Be
- Revel F328Be vs Revel F226Be
- Radiant Acoustics Clarity 66 vs Revel F226Be
Prices on this page were last checked October 2, 2026 at 10:18 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
As an eBay Partner, we may be compensated if you make a purchase.
The Two Speakers In Full
Revel F226Be: $7700 per pair Crutchfield eBay
Older model: the Revel F206 (ranked lower, rated 4.5/5).
Pros: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range, and dual 6.5” woofers (not a coaxial layout): all Deep Ceramic Composite aluminum cones engineered specifically to avoid breakup outside their crossover bands, and it measures that way: neither the woofers nor the mid-range show breakup spikes even well outside their intended pass bands, and even the front port measures unusually clean (only a mild ~3dB bump around 150Hz, well controlled versus the resonances the reviewer typically sees from ports). On-axis frequency response holds within about ±1.5dB above roughly 65Hz (excellent linearity) and off-axis behavior tracks it closely, with only mild, subdued peaking around 4-6kHz that doesn’t show up as real resonance in the spinorama data. Average sensitivity around 90dB (2.83V/1m), notably higher than some competing three-way designs and most bookshelf speakers, translating directly into better dynamic range at both low and high listening levels: one reviewer specifically praised its ability to deliver full transient impact (snare hits, kick drum) even at quiet, conversational volumes rather than needing to be cranked up to feel dynamic. Wide, consistent horizontal radiation of about ±60-70° at the -6dB point, landing right in the reviewer’s preferred range for an enveloping soundstage without excess diffusion, and exceptionally wide vertical dispersion: roughly ±80° up to 10kHz and still ±70° above that, which one reviewer called the widest vertical radiation pattern he had measured to date. Distortion stays under 3% even at 104dB SPL, and in real-world testing up to 105dB from 12-14 feet away, full-range with no crossover, the reviewer heard no audible mechanical noise, port chuffing, or compression at all. Flat enough on- and off-axis response that toeing the speaker 10-15° away from the listener preserves the same tonal balance rather than changing it, and the wide, well-controlled directivity lets sidewall reflections reinforce rather than smear the soundstage. Measured bass extension of 56Hz (-3dB), with a measured sensitivity of 89.7dB.
Cons: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle. F3 of 56Hz and F10 of 36Hz mean it doesn’t extend nearly as low as some three-way rivals with larger woofers: a dedicated subwoofer (10-12”, or 15” for content below 30Hz) is recommended for home theater or bass-heavy music, even though the speaker itself can play surprisingly loud without one. Vertical directivity tolerance is tighter in the crossover handoff region than a true coaxial design would offer, since the tweeter, midrange, and woofers are physically separated: a mild directivity bump appears around 2-2.5kHz that’s typical of non-coaxial multi-way speakers, though not audibly problematic within about ±10° vertically. On-axis, the top end reads as a bit bright according to one reviewer’s subjective impression, generally benefiting from some toe-out. High-gloss cabinet finish can create distracting reflections if used behind a projector screen in a home theater setup. Front-ported, so it can technically sit close to a wall, but doing so makes the bass boomier.
Full Revel F226Be review and specifications →
| Bass Extension (-10dB) | 36Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm) |
| Drivers | Two 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) |
| Sensitivity | 89.7dB (measured, Erin’s Audio Corner) |
| Spinorama Preference Score | 5.96 (spinorama.org) |
| Spinorama Preference Score with Perfect Sub | 8.15 (spinorama.org) |
| Weight | 58.2 lbs (26.4 kg) each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: Revel PerformaBe F226Be Floorstanding Loudspeaker Review. I love this speaker. More from Erin’s Audio Corner →
- Erin’s Audio Corner: Should You Buy the Revel F226Be or the MoFi 888?
- Erin’s Audio Review Website Revel F226B
- Erin’s Audio Corner: My Top 5 Speakers at Any Price
- Erin’s Audio Corner Measurements (spinorama.org)
- Head-to-Head Comparisons
JBL Studio 698: $1,499.90 per pair Crutchfield eBay
Older model: the JBL Studio 590 (ranked lower, rated 2.8/5).
Pros: High-Definition Imaging (HDI) horn waveguide paired with a 1” compression driver provides excellent high-frequency directivity control and seamless acoustic handoff to the 6” PolyPlas midrange. Dual 8” PolyPlas woofers deliver robust low-end authority with solid bass extension down to an F3 of 53Hz and F10 of 34Hz. High voltage sensitivity (90dB SPL at 2.83V/1m) and clean power handling provide effortless dynamic headroom and low distortion for home theater and music listening. Measured bass extension of 53Hz (-3dB), with a measured sensitivity of 90dB.
Cons: Measured response exhibits a prominent mid-bass emphasis bump around 80Hz that can sound overly thick or chesty in smaller rooms without DSP EQ. Treble response lacks top-octave ‘air’ above 12kHz compared to high-end dome or ribbon tweeters. Physically large, heavy cabinet (35.8 kg per speaker) requires careful room placement and a wide acoustic footprint.
Full JBL Studio 698 review and specifications →
| Bass Extension (-10dB) | 34Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 53Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 41.7”H x 11.8”W x 15.7”D (1058 x 300 x 400 mm) |
| Drivers | 1 in. High-Definition Imaging compression driver, 6 in. PolyPlas midrange, dual 8 in. PolyPlas woofers |
| Impedance | 6 ohms nominal (4.1 ohms minimum above 80Hz, measured by Erin’s Audio Corner) |
| Sensitivity | 90dB (measured average, Erin’s Audio Corner) |
| Spinorama Preference Score | 4.20 |
| Spinorama Preference Score with Perfect Sub | 6.14 |
| Weight | 78.9 lbs (35.8 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- JBL Studio 698 vs JBL HDI-3600
- JBL Studio 698 vs Morel Avyra 633
- JBL Studio 698 vs Polk Audio Reserve R700
- JBL Studio 698 vs Arendal 1961 Tower
- JBL Studio 698 vs KEF R11 Meta
- JBL Studio 698 vs PSB Imagine T65
- JBL Studio 698 vs Emotiva Airmotiv T2+
- JBL Studio 698 vs Ascend Acoustics Sierra Titan Tower
- See all 51 comparisons