Short answer: the Revel F226Be. It ranks #15 of 226 floorstanding speakers by sound quality (rated 4.6/5) at $8,469.90 and is still sold new; the Bose 901 Series V ranks #224 (rated 1.9/5) and is discontinued, so it is only an option used. The Bose 901 Series V’s replacement, the Bose 901 Series VI, is rated 1.9/5.
The Revel F226Be is the more accurate option. Its measured preference score, a predictor of how neutral it sounds, is 5.96 against 0.43 for the Bose 901 Series V. The catch: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle.
What the Bose 901 Series V does well: Historically distinctive direct/reflecting architecture uses eight rear-firing and one front-firing full-range drivers to create a very large, room-filling presentation. The catch: Even with the required EQ, Erin measured only about 81dB sensitivity, grossly non-flat response, numerous impedance/resonance irregularities and very high distortion.
Buy the Revel F226Be. It is rated higher for sound quality and still sold new, while the Bose 901 Series V is discontinued.
Looking for alternatives? See the complete Passive Home rankings.
Specifications Side By Side
| Revel F226Be | Bose 901 Series V | |
|---|---|---|
| Price | $8,469.90 per pair | Discontinued |
| Ranked | #15 of 226 in Large Size Floorstanding Speakers | #224 of 226 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 36Hz (measured, Erin’s Audio Corner) | 34.5Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 56Hz (measured, Erin’s Audio Corner) | 55.8Hz (measured, Erin’s Audio Corner) |
| Dimensions | 41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm) | 21”H x 21”W x 12.6”D (533.4 x 533.4 x 320.7 mm) |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) | 6.2 ohms minimum (measured, Erin’s Audio Corner) |
| Drivers | Two 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter | Nine full-range drivers: eight rear-firing, one front-firing |
| Sensitivity | 89.7dB (measured, Erin’s Audio Corner) | Approximately 81dB/2.83V/1m with tested EQ setting (measured, Erin’s Audio Corner) |
| Weight | 58.2 lbs (26.4 kg) each | 35.3 lbs (16 kg) each |
| Woofer Cabinet | ported, front | - |
| Spinorama Preference Score | 5.96 (spinorama.org) | 0.43 |
| Spinorama Preference Score with Perfect Sub | 8.15 (spinorama.org) | 2.11 |
| DIY Kit | No | No |
| Bass Extension | - | Strongly dependent on supplied active equalizer and room (measured, Erin’s Audio Corner) |
| DSP | - | External analog active equalizer required |
Frequency Response Compared
Both speakers’ spinorama measurements, overlaid. A flatter line is more neutral: peaks sound forward or harsh, dips sound recessed. Each curve is shifted so its average from 300 Hz to 3 kHz sits at 0 dB, so loudness differences between the two are removed and only the shape is compared.
Measurement data: Revel F226Be (measured by Erin’s Audio Corner) and Bose 901 Series V (measured by Erin’s Audio Corner), via spinorama.org.
Related Speaker Comparisons
How Revel F226Be compares with other leading options:
- Revel F226Be vs KEF Blade Two Meta
- Revel F226Be vs MoFi SourcePoint V10 Master Edition
- MoFi SourcePoint 888 vs Revel F226Be
- Revel F328Be vs Revel F226Be
- Radiant Acoustics Clarity 66 vs Revel F226Be
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The Two Speakers In Full
Revel F226Be: $8,469.90 per pair Crutchfield eBay
Older model: the Revel F206 (ranked lower, rated 4.5/5). See every Revel Performa generation.
Same family: the Revel M126Be (bookshelf, rated 4.3/5), the Revel F228Be (larger floorstanding, ranked lower, rated 4.5/5), the Revel F328Be (larger floorstanding, ranked higher, rated 4.7/5) and the Revel C426Be (center, rated 4/5).
Pros: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range, and dual 6.5” woofers (not a coaxial layout): all Deep Ceramic Composite aluminum cones engineered specifically to avoid breakup outside their crossover bands, and it measures that way: neither the woofers nor the mid-range show breakup spikes even well outside their intended pass bands, and even the front port measures unusually clean (only a mild ~3dB bump around 150Hz, well controlled versus the resonances the reviewer typically sees from ports). On-axis frequency response holds within about ±1.5dB above roughly 65Hz (excellent linearity) and off-axis behavior tracks it closely, with only mild, subdued peaking around 4-6kHz that doesn’t show up as real resonance in the spinorama data. Average sensitivity around 90dB (2.83V/1m), notably higher than some competing three-way designs and most bookshelf speakers, translating directly into better dynamic range at both low and high listening levels: one reviewer specifically praised its ability to deliver full transient impact (snare hits, kick drum) even at quiet, conversational volumes rather than needing to be cranked up to feel dynamic. Wide, consistent horizontal radiation of about ±60-70° at the -6dB point, landing right in the reviewer’s preferred range for an enveloping soundstage without excess diffusion, and exceptionally wide vertical dispersion: roughly ±80° up to 10kHz and still ±70° above that, which one reviewer called the widest vertical radiation pattern he had measured to date. Distortion stays under 3% even at 104dB SPL, and in real-world testing up to 105dB from 12-14 feet away, full-range with no crossover, the reviewer heard no audible mechanical noise, port chuffing, or compression at all. Flat enough on- and off-axis response that toeing the speaker 10-15° away from the listener preserves the same tonal balance rather than changing it, and the wide, well-controlled directivity lets sidewall reflections reinforce rather than smear the soundstage. Measured bass extension of 56Hz (-3dB), with a measured sensitivity of 89.7dB.
Cons: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle. F3 of 56Hz and F10 of 36Hz mean it doesn’t extend nearly as low as some three-way rivals with larger woofers: a dedicated subwoofer (10-12”, or 15” for content below 30Hz) is recommended for home theater or bass-heavy music, even though the speaker itself can play surprisingly loud without one. Vertical directivity tolerance is tighter in the crossover handoff region than a true coaxial design would offer, since the tweeter, midrange, and woofers are physically separated: a mild directivity bump appears around 2-2.5kHz that’s typical of non-coaxial multi-way speakers, though not audibly problematic within about ±10° vertically. On-axis, the top end reads as a bit bright according to one reviewer’s subjective impression, generally benefiting from some toe-out. High-gloss cabinet finish can create distracting reflections if used behind a projector screen in a home theater setup. Front-ported, so it can technically sit close to a wall, but doing so makes the bass boomier.
Full Revel F226Be review and specifications →
| Released | Jan 2020 (6 years ago) |
|---|---|
| Bass Extension (-10dB) | 36Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 56Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 41.3”H x 9.8”W x 13.7”D (1049 x 248.9 x 348 mm) |
| Drivers | Two 6.5” (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4” (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1” (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) |
| Sensitivity | 89.7dB (measured, Erin’s Audio Corner) |
| Spinorama Preference Score | 5.96 (spinorama.org) |
| Spinorama Preference Score with Perfect Sub | 8.15 (spinorama.org) |
| Weight | 58.2 lbs (26.4 kg) each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: Revel PerformaBe F226Be Floorstanding Loudspeaker Review. I love this speaker. More from Erin’s Audio Corner →
- Erin’s Audio Corner: Should You Buy the Revel F226Be or the MoFi 888?
- Erin’s Audio Review Website Revel F226B
- Erin’s Audio Corner: My Top 5 Speakers at Any Price
- Erin’s Audio Corner Measurements (spinorama.org)
- Head-to-Head Comparisons
Bose 901 Series V Discontinued eBay
Newer model: the Bose 901 Series VI, ranked lower, estimated 1.9/5, released 1987. See every Bose 901 generation.
Pros: Historically distinctive direct/reflecting architecture uses eight rear-firing and one front-firing full-range drivers to create a very large, room-filling presentation. Erin measured a benign 6.2-ohm minimum impedance, so the raw electrical load is easier than many modern four-ohm speakers. The supplied active equalizer offers user-adjustable tonal balance and is integral to obtaining usable bandwidth. Measured bass extension of 55.8Hz (-3dB), with a measured sensitivity of 81dB.
Cons: Even with the required EQ, Erin measured only about 81dB sensitivity, grossly non-flat response, numerous impedance/resonance irregularities and very high distortion. Output above roughly 90-95dB at his seat became audibly poor; multitone testing reached only about 98dB before the distortion limit. The reflection-dominant radiation prevents precise imaging and makes results strongly room-dependent. It requires the proprietary equalizer and substantial amplifier power despite its benign impedance. Discontinued.
Full Bose 901 Series V review and specifications →
| Released | 1983 (43 years ago) |
|---|---|
| Bass Extension | Strongly dependent on supplied active equalizer and room (measured, Erin’s Audio Corner) |
| Bass Extension (-10dB) | 34.5Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 55.8Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| DSP | External analog active equalizer required |
| Dimensions | 21”H x 21”W x 12.6”D (533.4 x 533.4 x 320.7 mm) |
| Drivers | Nine full-range drivers: eight rear-firing, one front-firing |
| Impedance | 6.2 ohms minimum (measured, Erin’s Audio Corner) |
| Sensitivity | Approximately 81dB/2.83V/1m with tested EQ setting (measured, Erin’s Audio Corner) |
| Spinorama Preference Score | 0.43 |
| Spinorama Preference Score with Perfect Sub | 2.11 |
| Weight | 35.3 lbs (16 kg) each |
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