Short answer: the Revel Concerta2 F35 for better sound quality, the JBL Stage 2 280F for the lower price. The Revel Concerta2 F35 ranks #23 of 68 floorstanding speakers at $900. The JBL Stage 2 280F ranks #61 at $529.95, $370.05 cheaper.
What the Revel Concerta2 F35 offers: Two-and-a-half-way, four-driver design: a 1” aluminum dome tweeter on a waveguide, a 5.25” mid-range, and dual 5.25” mid-bass drivers in a rear-ported cabinet. Measured sensitivity of 89.4dB closely matches the 90dB spec, and distortion looks good at both 86dB and 96dB, holding up well even with a high-pass filter applied. At its sale price (around $900/pair, down from full retail), the reviewer calls it a “no-brainer,” undercutting comparable budget floorstanders like the ELAC DF63. Frequency response and directivity mismatches are largely EQ-able, since most of what shows up in measurements traces to physical tweeter/mid-range separation rather than a fundamental flaw. Compression is fairly well controlled for the price - about 1dB of loss around 100Hz under long-term compression, described as “par for the course” at this cost. Watch for: F3 of 61Hz and F10 of 39Hz mean a subwoofer is needed for real bass extension. A dip in the lower midrange/2-3kHz region reduces attack and detail, and a peak around 5kHz adds some edge and sibilance in the lower treble. A peak in off-axis energy around 3kHz reflects off sidewalls at roughly 60-70° off-axis and arrives louder than the direct sound - this specific issue can’t be fixed with EQ (boosting the direct sound would boost the stronger reflection too) and would need acoustic absorption to properly address, though the reviewer considers it a minor, optional fix at this price. A couple of minor resonances appear in the impedance plot, including one around 300Hz that may partly explain a subtle sense of vocal warmth noticed in listening, though it’s more likely room-related. Minimum impedance around 3.8 ohms. Short-term compression testing shows some increased distortion in the tweeter and higher-frequency compression at loud output.
What the JBL Stage 2 280F offers: Genuinely impressive output capability and low compression/distortion for the price, courtesy of the dual 8” woofers - the reviewer’s standout praise for this pair. High sensitivity (89.5dB measured) and low impedance make it easy to drive. Decent bass extension (F3 48Hz, F10 30Hz) reaches about 50Hz in-room. Horizontal dispersion is reasonably consistent (~55 degrees), meaning the speaker takes reasonably well to EQ correction. Watch for: Explicitly called out as disappointing relative to expectations for the JBL name and this price point - lacks native linearity compared to similarly-priced alternatives like the Polk Reserve R500, which the reviewer recommends instead for anyone who doesn’t want to rely on EQ. Treble falls off a cliff above about 10-12kHz, giving a notable lack of air/space that needs real correction (a wide +Q0.5 boost from 10-20kHz) to fix. A sharp impedance resonance around 900Hz-1.1kHz is nearly impossible to EQ out cleanly even with narrow filters. Elevated multitone distortion in the 600Hz-2.5kHz range, tied to the midwoofer rather than the tweeter. Compared to the similarly-priced Klipsch RP-6000F II/RP-8000F II, this JBL is less directive and native-flat but does extend roughly 20Hz deeper in the bass - a real tradeoff either way, not a clean win.
Buy the Revel Concerta2 F35 if sound quality matters more than the price. Buy the JBL Stage 2 280F if the price matters more than sound quality.
If sound quality matters at all to you, skip the JBL Stage 2 280F. It ranks near the bottom of the 68 floorstanding speakers, so look higher up the list instead.
Specifications Side By Side
| Revel Concerta2 F35 | JBL Stage 2 280F | |
|---|---|---|
| Price | $900 | $529.95 |
| Ranked | #23 of 68 in Large Size Floorstanding Speakers | #61 of 68 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 50Hz (measured, Erin’s Audio Corner) | 30Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 70Hz (measured, Erin’s Audio Corner) | 48Hz (measured, Erin’s Audio Corner) |
| Dimensions | 40.3"H x 8.4"W x 12.2"D (1023.6 x 213.4 x 309.9 mm) | 43.8" x 14.1" x 16.5" (1113 x 358 x 419 mm) |
| Impedance | 6 ohms nominal (3.8 ohms minimum, measured by Erin’s Audio Corner) | 6 ohms nominal, 3.9 ohms minimum (measured, Erin’s Audio Corner) |
| Sensitivity | 89.4dB (measured, Erin’s Audio Corner; 90dB manufacturer specified) | 89.5dB (2.83V/1m, measured by Erin’s Audio Corner) |
| Drivers | 3x 5.25" deep anodized aluminum cone woofers, 1" Aluminum Tweeter | 1" anodized aluminum dome tweeter with HDI waveguide, dual 8" polycellulose woofers |
| Weight | 41 lbs / 18.6 kg each | 55.1 lbs / 25 kg (55.2 lb) each |
| Woofer Cabinet | ported, rear | ported, rear |
| Crossover Frequency | - | 1.1kHz, 2.1kHz |
| Output Power | - | 125W RMS |
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The Two Speakers In Full
Revel Concerta2 F35: $900 Crutchfield eBay
Pros: Two-and-a-half-way, four-driver design: a 1” aluminum dome tweeter on a waveguide, a 5.25” mid-range, and dual 5.25” mid-bass drivers in a rear-ported cabinet. Measured sensitivity of 89.4dB closely matches the 90dB spec, and distortion looks good at both 86dB and 96dB, holding up well even with a high-pass filter applied. At its sale price (around $900/pair, down from full retail), the reviewer calls it a “no-brainer,” undercutting comparable budget floorstanders like the ELAC DF63. Frequency response and directivity mismatches are largely EQ-able, since most of what shows up in measurements traces to physical tweeter/mid-range separation rather than a fundamental flaw. Compression is fairly well controlled for the price - about 1dB of loss around 100Hz under long-term compression, described as “par for the course” at this cost.
Cons: F3 of 61Hz and F10 of 39Hz mean a subwoofer is needed for real bass extension. A dip in the lower midrange/2-3kHz region reduces attack and detail, and a peak around 5kHz adds some edge and sibilance in the lower treble. A peak in off-axis energy around 3kHz reflects off sidewalls at roughly 60-70° off-axis and arrives louder than the direct sound - this specific issue can’t be fixed with EQ (boosting the direct sound would boost the stronger reflection too) and would need acoustic absorption to properly address, though the reviewer considers it a minor, optional fix at this price. A couple of minor resonances appear in the impedance plot, including one around 300Hz that may partly explain a subtle sense of vocal warmth noticed in listening, though it’s more likely room-related. Minimum impedance around 3.8 ohms. Short-term compression testing shows some increased distortion in the tweeter and higher-frequency compression at loud output.
Full Revel Concerta2 F35 review and specifications →
| Bass Extension (-10dB) | 50Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 70Hz (measured, Erin's Audio Corner) |
| Dimensions | 40.3"H x 8.4"W x 12.2"D (1023.6 x 213.4 x 309.9 mm) |
| Drivers | 3x 5.25" deep anodized aluminum cone woofers, 1" Aluminum Tweeter |
| Impedance | 6 ohms nominal (3.8 ohms minimum, measured by Erin's Audio Corner) |
| Sensitivity | 89.4dB (measured, Erin's Audio Corner; 90dB manufacturer specified) |
| Weight | 41 lbs / 18.6 kg each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Audio Science Review Revel Concerta2 F35 More from Audio Science Review →
- Erin’s Audio Corner: Revel F35 Review: Great Sound, Lower Price! More from Erin’s Audio Corner →
- Erin’s Audio Review Website Revel Concerta2 F35
- Audio Science Review Measurements (spinorama.org)
- Reddit Search for Revel Concerta2 F35 Review
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JBL Stage 2 280F: $529.95 Amazon eBay
Pros: Genuinely impressive output capability and low compression/distortion for the price, courtesy of the dual 8” woofers - the reviewer’s standout praise for this pair. High sensitivity (89.5dB measured) and low impedance make it easy to drive. Decent bass extension (F3 48Hz, F10 30Hz) reaches about 50Hz in-room. Horizontal dispersion is reasonably consistent (~55 degrees), meaning the speaker takes reasonably well to EQ correction.
Cons: Explicitly called out as disappointing relative to expectations for the JBL name and this price point - lacks native linearity compared to similarly-priced alternatives like the Polk Reserve R500, which the reviewer recommends instead for anyone who doesn’t want to rely on EQ. Treble falls off a cliff above about 10-12kHz, giving a notable lack of air/space that needs real correction (a wide +Q0.5 boost from 10-20kHz) to fix. A sharp impedance resonance around 900Hz-1.1kHz is nearly impossible to EQ out cleanly even with narrow filters. Elevated multitone distortion in the 600Hz-2.5kHz range, tied to the midwoofer rather than the tweeter. Compared to the similarly-priced Klipsch RP-6000F II/RP-8000F II, this JBL is less directive and native-flat but does extend roughly 20Hz deeper in the bass - a real tradeoff either way, not a clean win.
Full JBL Stage 2 280F review and specifications →
| Bass Extension (-10dB) | 30Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 48Hz (measured, Erin's Audio Corner) |
| Crossover Frequency | 1.1kHz, 2.1kHz |
| Dimensions | 43.8" x 14.1" x 16.5" (1113 x 358 x 419 mm) |
| Drivers | 1" anodized aluminum dome tweeter with HDI waveguide, dual 8" polycellulose woofers |
| Impedance | 6 ohms nominal, 3.9 ohms minimum (measured, Erin's Audio Corner) |
| Output Power | 125W RMS |
| Sensitivity | 89.5dB (2.83V/1m, measured by Erin's Audio Corner) |
| Weight | 55.1 lbs / 25 kg (55.2 lb) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- JBL Stage 2 280F vs Infinity Reference 253
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