Short answer: the Revel F226Be for better sound quality, the Klipsch RP-8000F II for the lower price. The Revel F226Be ranks #11 of 68 floorstanding speakers at $7700. The Klipsch RP-8000F II ranks #52 at $1800, $5900 cheaper.
What the Klipsch RP-8000F II offers: Highest sensitivity of the RP II floorstander line (~92dB measured) and the best dynamics/compression behavior of the three under load - the cleanest at high output. Dual 8-inch woofers and the highest power handling in the line. Watch for: Mid-bass sounds lean despite the dual 8-inch woofers, and bass extension disappointed for its size - expected to reach 50Hz, didn’t get there in-room. Has its own edgy upper-mid bump (2-6kHz) that’s harder to EQ out than the other two models’ issues, since it stems from the vertical horn/woofer offset rather than simple tonal balance. The most placement-critical of the three, with the narrowest horizontal (~40-50 degrees) and vertical (+5/-10 degrees) dispersion.
What the Revel F226Be offers: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range, and dual 6.5” woofers (not a coaxial layout) - all Deep Ceramic Composite aluminum cones engineered specifically to avoid breakup outside their crossover bands, and it measures that way: neither the woofers nor the mid-range show breakup spikes even well outside their intended pass bands, and even the front port measures unusually clean (only a mild ~3dB bump around 150Hz, well controlled versus the resonances the reviewer typically sees from ports). On-axis frequency response holds within about ±1.5dB above roughly 65Hz - excellent linearity - and off-axis behavior tracks it closely, with only mild, subdued peaking around 4-6kHz that doesn’t show up as real resonance in the spinorama data. Average sensitivity around 90dB (2.83V/1m), notably higher than some competing three-way designs and most bookshelf speakers, translating directly into better dynamic range at both low and high listening levels - one reviewer specifically praised its ability to deliver full transient impact (snare hits, kick drum) even at quiet, conversational volumes rather than needing to be cranked up to feel dynamic. Wide, consistent horizontal radiation of about ±60-70° at the -6dB point, landing right in the reviewer’s preferred range for an enveloping soundstage without excess diffusion, and exceptionally wide vertical dispersion - roughly ±80° up to 10kHz and still ±70° above that, which one reviewer called the widest vertical radiation pattern he had measured to date. Distortion stays under 3% even at 104dB SPL, and in real-world testing up to 105dB from 12-14 feet away, full-range with no crossover, the reviewer heard no audible mechanical noise, port chuffing, or compression at all. Flat enough on- and off-axis response that toeing the speaker 10-15° away from the listener preserves the same tonal balance rather than changing it, and the wide, well-controlled directivity lets sidewall reflections reinforce rather than smear the soundstage. Watch for: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle. F3 of 56Hz and F10 of 36Hz mean it doesn’t extend nearly as low as some three-way rivals with larger woofers - a dedicated subwoofer (10-12”, or 15” for content below 30Hz) is recommended for home theater or bass-heavy music, even though the speaker itself can play surprisingly loud without one. Vertical directivity tolerance is tighter in the crossover handoff region than a true coaxial design would offer, since the tweeter, midrange, and woofers are physically separated - a mild directivity bump appears around 2-2.5kHz that’s typical of non-coaxial multi-way speakers, though not audibly problematic within about ±10° vertically. On-axis, the top end reads as a bit bright according to one reviewer’s subjective impression, generally benefiting from some toe-out. High-gloss cabinet finish can create distracting reflections if used behind a projector screen in a home theater setup. Front-ported, so it can technically sit close to a wall, but doing so makes the bass boomier.
Buy the Klipsch RP-8000F II if the price matters more than sound quality. Buy the Revel F226Be if sound quality matters more than the price.
If sound quality matters at all to you, skip the Klipsch RP-8000F II. It ranks near the bottom of the 68 floorstanding speakers, so look higher up the list instead.
Specifications Side By Side
| Klipsch RP-8000F II | Revel F226Be | |
|---|---|---|
| Price | $1800 | $7700 |
| Ranked | #52 of 68 in Large Size Floorstanding Speakers | #11 of 68 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 33Hz (measured, Erin’s Audio Corner) | 36Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 67Hz (measured, Erin’s Audio Corner) | 56Hz (measured, Erin’s Audio Corner) |
| Sensitivity | 92dB (2.83V/1m, measured by Erin’s Audio Corner) | 89.7dB (measured, Erin’s Audio Corner) |
| Drivers | 1" titanium tweeter with 90x90 Tractrix horn, dual 8" cerametallic woofers | Two 6.5" (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4" (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1" (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Weight | 61.3 lbs / 27.8 kg | 58.2 lbs / 26.4 kg each |
| Impedance | 8 ohms nominal (3.7 ohms minimum above 80Hz, measured by Erin’s Audio Corner) | 8 ohms nominal (3.7 ohms minimum, measured, Erin’s Audio Corner) |
| Frequency Response | 35Hz - 25kHz (+-3dB, Manufacturer specified) | - |
| Crossover Frequency | 1630Hz | - |
| Output Power | 150W continuous, 600W peak | - |
| Dimensions | 43.1" x 10.8" x 18.3" (1095 x 275 x 464 mm) | 41.3"H x 9.8"W x 13.7"D (1049 x 248.9 x 348 mm) |
| Woofer Cabinet | ported, rear | ported, front |
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The Two Speakers In Full
Klipsch RP-8000F II: $1800 Amazon eBay
Pros: Highest sensitivity of the RP II floorstander line (~92dB measured) and the best dynamics/compression behavior of the three under load - the cleanest at high output. Dual 8-inch woofers and the highest power handling in the line.
Cons: Mid-bass sounds lean despite the dual 8-inch woofers, and bass extension disappointed for its size - expected to reach 50Hz, didn’t get there in-room. Has its own edgy upper-mid bump (2-6kHz) that’s harder to EQ out than the other two models’ issues, since it stems from the vertical horn/woofer offset rather than simple tonal balance. The most placement-critical of the three, with the narrowest horizontal (~40-50 degrees) and vertical (+5/-10 degrees) dispersion.
Full Klipsch RP-8000F II review and specifications →
| Bass Extension (-10dB) | 33Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 67Hz (measured, Erin's Audio Corner) |
| Crossover Frequency | 1630Hz |
| Dimensions | 43.1" x 10.8" x 18.3" (1095 x 275 x 464 mm) |
| Drivers | 1" titanium tweeter with 90x90 Tractrix horn, dual 8" cerametallic woofers |
| Frequency Response | 35Hz - 25kHz (+-3dB, Manufacturer specified) |
| Impedance | 8 ohms nominal (3.7 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Output Power | 150W continuous, 600W peak |
| Sensitivity | 92dB (2.83V/1m, measured by Erin's Audio Corner) |
| Weight | 61.3 lbs / 27.8 kg |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
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Revel F226Be: $7700 Crutchfield eBay
Pros: Compact three-way tower with a beryllium dome tweeter in an acoustic lens waveguide, a dedicated 5.25” mid-range, and dual 6.5” woofers (not a coaxial layout) - all Deep Ceramic Composite aluminum cones engineered specifically to avoid breakup outside their crossover bands, and it measures that way: neither the woofers nor the mid-range show breakup spikes even well outside their intended pass bands, and even the front port measures unusually clean (only a mild ~3dB bump around 150Hz, well controlled versus the resonances the reviewer typically sees from ports). On-axis frequency response holds within about ±1.5dB above roughly 65Hz - excellent linearity - and off-axis behavior tracks it closely, with only mild, subdued peaking around 4-6kHz that doesn’t show up as real resonance in the spinorama data. Average sensitivity around 90dB (2.83V/1m), notably higher than some competing three-way designs and most bookshelf speakers, translating directly into better dynamic range at both low and high listening levels - one reviewer specifically praised its ability to deliver full transient impact (snare hits, kick drum) even at quiet, conversational volumes rather than needing to be cranked up to feel dynamic. Wide, consistent horizontal radiation of about ±60-70° at the -6dB point, landing right in the reviewer’s preferred range for an enveloping soundstage without excess diffusion, and exceptionally wide vertical dispersion - roughly ±80° up to 10kHz and still ±70° above that, which one reviewer called the widest vertical radiation pattern he had measured to date. Distortion stays under 3% even at 104dB SPL, and in real-world testing up to 105dB from 12-14 feet away, full-range with no crossover, the reviewer heard no audible mechanical noise, port chuffing, or compression at all. Flat enough on- and off-axis response that toeing the speaker 10-15° away from the listener preserves the same tonal balance rather than changing it, and the wide, well-controlled directivity lets sidewall reflections reinforce rather than smear the soundstage.
Cons: Minimum impedance dips to about 3.7-4 ohms below roughly 500Hz despite the 8-ohm nominal rating, so it wants a genuine 4-ohm-capable two-channel amplifier; budget AVRs rated only for 6 or 8 ohms may struggle. F3 of 56Hz and F10 of 36Hz mean it doesn’t extend nearly as low as some three-way rivals with larger woofers - a dedicated subwoofer (10-12”, or 15” for content below 30Hz) is recommended for home theater or bass-heavy music, even though the speaker itself can play surprisingly loud without one. Vertical directivity tolerance is tighter in the crossover handoff region than a true coaxial design would offer, since the tweeter, midrange, and woofers are physically separated - a mild directivity bump appears around 2-2.5kHz that’s typical of non-coaxial multi-way speakers, though not audibly problematic within about ±10° vertically. On-axis, the top end reads as a bit bright according to one reviewer’s subjective impression, generally benefiting from some toe-out. High-gloss cabinet finish can create distracting reflections if used behind a projector screen in a home theater setup. Front-ported, so it can technically sit close to a wall, but doing so makes the bass boomier.
Full Revel F226Be review and specifications →
| Bass Extension (-10dB) | 36Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin's Audio Corner) |
| Dimensions | 41.3"H x 9.8"W x 13.7"D (1049 x 248.9 x 348 mm) |
| Drivers | Two 6.5" (165mm) Deep Ceramic Composite aluminum cones, with cast frames woofer, 5-1/4" (130mm) Deep Ceramic Composite aluminum cone, with cast frame midrange, 1" (25mm) Beryllium dome, with acoustic lens waveguide tweeter |
| Impedance | 8 ohms nominal (3.7 ohms minimum, measured, Erin's Audio Corner) |
| Sensitivity | 89.7dB (measured, Erin's Audio Corner) |
| Weight | 58.2 lbs / 26.4 kg each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: Revel PerformaBe F226Be Floorstanding Loudspeaker Review. I love this speaker. More from Erin’s Audio Corner →
- Erin’s Audio Corner: Should You Buy the Revel F226Be or the MoFi 888?
- Erin’s Audio Review Website Revel F226B
- Erin’s Audio Corner: My Top 5 Speakers at Any Price
- Erin’s Audio Corner Measurements (spinorama.org)
- Reddit Search for Revel F226Be Review
- Head-to-Head Comparisons