Short answer: the Polk Audio Reserve R700, if you are buying new. The Revel F208 ranks higher than it (#16 vs #33 of 74 floorstanding speakers, 4.5/5 vs 4.3/5) but is discontinued, so only consider it used; the Polk Audio Reserve R700 is still sold new at $2,398.
Buy the Polk Audio Reserve R700 if you want one new; the Revel F208 is discontinued, so only look for it used.
Looking for alternatives? See the complete Passive Home rankings.
Specifications Side By Side
| Revel F208 | Polk Audio Reserve R700 | |
|---|---|---|
| Price | $4,800 per pair used, Discontinued | $2,398 per pair |
| Ranked | #16 of 74 in Large Size Floorstanding Speakers | #33 of 74 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 24Hz (measured, Audio Science Review) | 31Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 47Hz (measured, Audio Science Review) | 40Hz (measured, Erin’s Audio Corner) |
| Dimensions | 46.6”H x 13.5”W x 14.8”D (1183.6 x 342.9 x 375.9 mm) | 45”H x 12.6”W x 16.9”D (1143.8 x 320.7 x 428.3 mm) |
| Impedance | 8 ohms nominal, 3.5 ohms minimum (measured, Audio Science Review) | 4 ohms nominal, 3.5 ohms minimum (measured above 80Hz, Erin’s Audio Corner) |
| Drivers | Dual 8” (20 cm) Aluminum Cone, Cast-frame Woofers, 5.25” (13.3 cm) Aluminum Cone, Cast-frame Midrange, 1” (2.5 cm) Aluminum Tweeter with Acoustic Lens Waveguide | 2x 8” polypropylene cone woofers, 1x 6.5” turbine cone midrange, 1x 1” Pinnacle ring radiator tweeter |
| Sensitivity | 88.2dB (measured by Audio Science Review; 88.5dB manufacturer specified) | 87.5dB (measured average 300Hz-3kHz @ 2.83V/1m, Erin’s Audio Corner) |
| Weight | 79.4 lbs (36 kg) each | 102.1 lbs (46.3 kg) |
| Woofer Cabinet | ported, front | ported, down-firing |
| Spinorama Preference Score | 6.35 | 6.38 |
| Spinorama Preference Score with Perfect Sub | 7.67 | 7.83 |
| DIY Kit | No | No |
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The Two Speakers In Full
Revel F208: $4,800 per pair used Discontinued eBay
Newer model: the Revel F228Be, ranked lower, rated 4.5/5.
Pros: CEA2034 spinorama shows a fairly even on-axis response with sensitivity matching spec at ~87-88dB. Predicted in-room response is a smooth, textbook-quality downward slope that should translate well to most rooms without correction. Early reflections sum so cleanly with the direct sound that side-wall absorption isn’t recommended: it would work against the speaker’s naturally well-integrated off-axis behavior. Distortion stays below 0.5% from 100Hz up at 96dB/1m, with all distortion components falling below audible threshold above 200Hz. Very wide horizontal directivity of about ±75 degrees. Measured performance was judged very close to Revel’s own flagship Salon2, and Revel’s speakers (including this one) are developed using Harman’s double-blind listening test methodology. Preference score of 7.4 (7.7 with a subwoofer added). Measured bass extension of 47Hz (-3dB), with a measured sensitivity of 88.2dB.
Cons: Some directivity error and tweeter-response ripple right at the 2.2kHz crossover point. A notable on-axis dip at about 4kHz, attributed to probable cabinet diffraction. Cumulative spectral decay (waterfall) shows an unexplained resonance around 4-5kHz that the reviewer couldn’t pin down a clear cause for. Vertical directivity shows narrowband interference nulls just above and below the tweeter axis (roughly 2-3kHz), typical of a non-coaxial tower with vertically separated drivers, so listening height matters more than it would with a coincident design. Minimum impedance dips to 3.4 ohms, calling for a robust, high-current amplifier. Distortion climbs substantially below about 80-100Hz (up to ~5% in the deep bass) when driven hard, an excursion-limited trade-off typical of towers at high output. Isolating the woofers alone shows their usable range ending around 500-700Hz at the crossover, with somewhat elevated (though still low in absolute terms) 2nd/3rd harmonic distortion in the 100-300Hz region. Discontinued.
Full Revel F208 review and specifications →
| Bass Extension (-10dB) | 24Hz (measured, Audio Science Review) |
|---|---|
| Bass Extension (-3dB) | 47Hz (measured, Audio Science Review) |
| DIY Kit | No |
| Dimensions | 46.6”H x 13.5”W x 14.8”D (1183.6 x 342.9 x 375.9 mm) |
| Drivers | Dual 8” (20 cm) Aluminum Cone, Cast-frame Woofers, 5.25” (13.3 cm) Aluminum Cone, Cast-frame Midrange, 1” (2.5 cm) Aluminum Tweeter with Acoustic Lens Waveguide |
| Impedance | 8 ohms nominal, 3.5 ohms minimum (measured, Audio Science Review) |
| Sensitivity | 88.2dB (measured by Audio Science Review; 88.5dB manufacturer specified) |
| Spinorama Preference Score | 6.35 |
| Spinorama Preference Score with Perfect Sub | 7.67 |
| Weight | 79.4 lbs (36 kg) each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
Polk Audio Reserve R700: $2,398 per pair Amazon eBay
Pros: Three-way design with a 1” ring radiator tweeter, 6.5” mid-range, and dual 8” mid-bass drivers in a ported, down-firing cabinet. On-axis frequency response holds within about ±2dB across most of its range, with genuinely deep bass extension (F3 40Hz) reaching into the mid-30s Hz in-room. Wide horizontal radiation of about ±70°, giving a strong, enveloping stereo width and stage-extension effect on well-recorded tracks. Good low-level dynamics: solid bass thump at quiet listening volumes without over-accentuation. Strong distortion and compression control through the bass and midrange. Real nominal impedance closer to 4 ohms than the marketed 8 ohms, so with the right amplifier it can be driven hard: a $3,000 two-channel integrated brought out significantly more life than a budget $300 unit could. Excellent value at its roughly $1199/pair, ranking among the reviewer’s top picks under $2,500; outperforms the similarly-priced Klipsch RP-8000F II in bass extension and overall smoothness. Measured bass extension of 40Hz (-3dB), with a measured sensitivity of 87.5dB.
Cons: Compression in the high frequencies rises sharply between 96dB and 102dB output: a real limitation only at very high volumes (around 100dB at 3 meters), but a clear step down from pricier ($5,000+) towers. Horizontal directivity mismatch around 4-5kHz, where the tweeter flares wider than the midrange, can sound a bit forward, especially noticeable when toed out further into the room; sidewall absorption or curtains help tame it. Harmonic distortion crosses the reviewer’s 3% threshold around 7kHz at 96dB output, possibly contributing to that same forward quality at high volume. Narrow vertical sweet spot (about ±15° from the tweeter axis), typical of non-coaxial tower designs: more of a consideration for multi-row home theater seating than single-row listening. The ring-radiator tweeter narrows noticeably above about 7-8kHz, and toeing the speaker out more than about 20° causes the top end to fall off quickly. Needs at least 2 feet of clearance from the rear wall to avoid boomy, exaggerated bass, since it lacks the bass-shelf tuning some rivals use to allow closer wall placement. Compared to the pricier KEF R5 Meta, has narrower horizontal (and much narrower vertical) directivity, so seating flexibility is more limited.
Full Polk Audio Reserve R700 review and specifications →
| Bass Extension (-10dB) | 31Hz (measured, Erin’s Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 40Hz (measured, Erin’s Audio Corner) |
| DIY Kit | No |
| Dimensions | 45”H x 12.6”W x 16.9”D (1143.8 x 320.7 x 428.3 mm) |
| Drivers | 2x 8” polypropylene cone woofers, 1x 6.5” turbine cone midrange, 1x 1” Pinnacle ring radiator tweeter |
| Impedance | 4 ohms nominal, 3.5 ohms minimum (measured above 80Hz, Erin’s Audio Corner) |
| Sensitivity | 87.5dB (measured average 300Hz-3kHz @ 2.83V/1m, Erin’s Audio Corner) |
| Spinorama Preference Score | 6.38 |
| Spinorama Preference Score with Perfect Sub | 7.83 |
| Weight | 102.1 lbs (46.3 kg) |
| Woofer Cabinet | ported, down-firing |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
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