Short answer: the Revel Concerta2 F35. It ranks #23 of 71 floorstanding speakers by sound quality at $900; the Revival Audio Atalante 5 ranks #45 and costs $5000, so there is not much of a tradeoff to weigh.
What the Revel Concerta2 F35 offers: Two-and-a-half-way, four-driver design: a 1” aluminum dome tweeter on a waveguide, a 5.25” mid-range, and dual 5.25” mid-bass drivers in a rear-ported cabinet. Measured sensitivity of 89.4dB closely matches the 90dB spec, and distortion looks good at both 86dB and 96dB, holding up well even with a high-pass filter applied. At its sale price (around $900/pair, down from full retail), the reviewer calls it a “no-brainer,” undercutting comparable budget floorstanders like the ELAC DF63. Frequency response and directivity mismatches are largely EQ-able, since most of what shows up in measurements traces to physical tweeter/mid-range separation rather than a fundamental flaw. Compression is fairly well controlled for the price - about 1dB of loss around 100Hz under long-term compression, described as “par for the course” at this cost. Watch for: F3 of 61Hz and F10 of 39Hz mean a subwoofer is needed for real bass extension. A dip in the lower midrange/2-3kHz region reduces attack and detail, and a peak around 5kHz adds some edge and sibilance in the lower treble. A peak in off-axis energy around 3kHz reflects off sidewalls at roughly 60-70° off-axis and arrives louder than the direct sound - this specific issue can’t be fixed with EQ (boosting the direct sound would boost the stronger reflection too) and would need acoustic absorption to properly address, though the reviewer considers it a minor, optional fix at this price. A couple of minor resonances appear in the impedance plot, including one around 300Hz that may partly explain a subtle sense of vocal warmth noticed in listening, though it’s more likely room-related. Minimum impedance around 3.8 ohms. Short-term compression testing shows some increased distortion in the tweeter and higher-frequency compression at loud output.
What the Revival Audio Atalante 5 offers: Strong, punchy mid-bass at moderate-to-loud volumes with no port chuffing or excursion strain even pushed hard - a rarity at this price. Good bass extension for the class (F3 42Hz, F10 30Hz), reaching about 40Hz in-room with authority. Distortion is very low (under 1% through most of the range) and compression is well controlled outside the extreme top octave. Striking build and looks, with a large 12” woofer and 3” dome midrange that give real visual presence. Watch for: A pronounced on-axis peak around 4kHz creates real glare/shoutiness on some material, and combined with a mid-bass emphasis that overshadows lower-midrange detail at higher volumes, tonal balance can feel inconsistent - the reviewer described some tracks as sounding notably different from the neutral mix. Imaging precision is looser than more directivity-controlled designs (coaxial or waveguide speakers), with instrument placement sounding a bit fuzzy rather than pinpoint. Horizontal directivity fluctuates between about 40-60 degrees rather than staying constant, worst right around the mid/tweeter crossover. Needs real room to breathe - at least 2-3 feet from the rear wall in ported mode (about a foot if sealed via the included port bungs), and benefits from 5-10 degrees of toe-out to tame the top end.
Buy the Revel Concerta2 F35. It ranks higher for sound quality than the Revival Audio Atalante 5 and costs less, so there is no real case for the other one.
Specifications Side By Side
| Revel Concerta2 F35 | Revival Audio Atalante 5 | |
|---|---|---|
| Price | $900 | $5000 |
| Ranked | #23 of 71 in Large Size Floorstanding Speakers | #45 of 71 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 50Hz (measured, Erin’s Audio Corner) | 30Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 70Hz (measured, Erin’s Audio Corner) | 42Hz (measured, Erin’s Audio Corner) |
| Dimensions | 40.3"H x 8.4"W x 12.2"D (1023.6 x 213.4 x 309.9 mm) | 28" x 16.5" x 14" (710 x 420 x 355 mm) |
| Impedance | 6 ohms nominal (3.8 ohms minimum, measured by Erin’s Audio Corner) | 4 ohms nominal (3.2 ohms minimum, measured above 80Hz, Erin’s Audio Corner) |
| Sensitivity | 89.4dB (measured, Erin’s Audio Corner; 90dB manufacturer specified) | 88.6dB (2.83V/1m, measured by Erin’s Audio Corner) |
| Drivers | 3x 5.25" deep anodized aluminum cone woofers, 1" Aluminum Tweeter | 1.1" (28mm) dome tweeter, 3" dome midrange, 12" woofer |
| Weight | 41 lbs / 18.6 kg each | 72.8 lbs / 33 kg (73 lb) |
| Woofer Cabinet | ported, rear | 3-way, switchable ported/sealed via port bungs |
| Crossover Frequency | - | 450Hz, 3.5kHz |
| Output Power | - | 30-200W recommended |
| Frequency Response | - | 28Hz - 22kHz -3dB (Manufacturer specified) |
| Country of Origin | - | France |
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The Two Speakers In Full
Revel Concerta2 F35: $900 Crutchfield eBay
Pros: Two-and-a-half-way, four-driver design: a 1” aluminum dome tweeter on a waveguide, a 5.25” mid-range, and dual 5.25” mid-bass drivers in a rear-ported cabinet. Measured sensitivity of 89.4dB closely matches the 90dB spec, and distortion looks good at both 86dB and 96dB, holding up well even with a high-pass filter applied. At its sale price (around $900/pair, down from full retail), the reviewer calls it a “no-brainer,” undercutting comparable budget floorstanders like the ELAC DF63. Frequency response and directivity mismatches are largely EQ-able, since most of what shows up in measurements traces to physical tweeter/mid-range separation rather than a fundamental flaw. Compression is fairly well controlled for the price - about 1dB of loss around 100Hz under long-term compression, described as “par for the course” at this cost.
Cons: F3 of 61Hz and F10 of 39Hz mean a subwoofer is needed for real bass extension. A dip in the lower midrange/2-3kHz region reduces attack and detail, and a peak around 5kHz adds some edge and sibilance in the lower treble. A peak in off-axis energy around 3kHz reflects off sidewalls at roughly 60-70° off-axis and arrives louder than the direct sound - this specific issue can’t be fixed with EQ (boosting the direct sound would boost the stronger reflection too) and would need acoustic absorption to properly address, though the reviewer considers it a minor, optional fix at this price. A couple of minor resonances appear in the impedance plot, including one around 300Hz that may partly explain a subtle sense of vocal warmth noticed in listening, though it’s more likely room-related. Minimum impedance around 3.8 ohms. Short-term compression testing shows some increased distortion in the tweeter and higher-frequency compression at loud output.
Full Revel Concerta2 F35 review and specifications →
| Bass Extension (-10dB) | 50Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 70Hz (measured, Erin's Audio Corner) |
| Dimensions | 40.3"H x 8.4"W x 12.2"D (1023.6 x 213.4 x 309.9 mm) |
| Drivers | 3x 5.25" deep anodized aluminum cone woofers, 1" Aluminum Tweeter |
| Impedance | 6 ohms nominal (3.8 ohms minimum, measured by Erin's Audio Corner) |
| Sensitivity | 89.4dB (measured, Erin's Audio Corner; 90dB manufacturer specified) |
| Weight | 41 lbs / 18.6 kg each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Audio Science Review Revel Concerta2 F35 More from Audio Science Review →
- Erin’s Audio Corner: Revel F35 Review: Great Sound, Lower Price! More from Erin’s Audio Corner →
- Erin’s Audio Review Website Revel Concerta2 F35
- Audio Science Review Measurements (spinorama.org)
- Reddit Search for Revel Concerta2 F35 Review
- Head-to-Head Comparisons
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Revival Audio Atalante 5: $5000 Don Better Audio eBay
Pros: Strong, punchy mid-bass at moderate-to-loud volumes with no port chuffing or excursion strain even pushed hard - a rarity at this price. Good bass extension for the class (F3 42Hz, F10 30Hz), reaching about 40Hz in-room with authority. Distortion is very low (under 1% through most of the range) and compression is well controlled outside the extreme top octave. Striking build and looks, with a large 12” woofer and 3” dome midrange that give real visual presence.
Cons: A pronounced on-axis peak around 4kHz creates real glare/shoutiness on some material, and combined with a mid-bass emphasis that overshadows lower-midrange detail at higher volumes, tonal balance can feel inconsistent - the reviewer described some tracks as sounding notably different from the neutral mix. Imaging precision is looser than more directivity-controlled designs (coaxial or waveguide speakers), with instrument placement sounding a bit fuzzy rather than pinpoint. Horizontal directivity fluctuates between about 40-60 degrees rather than staying constant, worst right around the mid/tweeter crossover. Needs real room to breathe - at least 2-3 feet from the rear wall in ported mode (about a foot if sealed via the included port bungs), and benefits from 5-10 degrees of toe-out to tame the top end.
Full Revival Audio Atalante 5 review and specifications →
| Bass Extension (-10dB) | 30Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 42Hz (measured, Erin's Audio Corner) |
| Country of Origin | France |
| Crossover Frequency | 450Hz, 3.5kHz |
| Dimensions | 28" x 16.5" x 14" (710 x 420 x 355 mm) |
| Drivers | 1.1" (28mm) dome tweeter, 3" dome midrange, 12" woofer |
| Frequency Response | 28Hz - 22kHz -3dB (Manufacturer specified) |
| Impedance | 4 ohms nominal (3.2 ohms minimum, measured above 80Hz, Erin's Audio Corner) |
| Output Power | 30-200W recommended |
| Sensitivity | 88.6dB (2.83V/1m, measured by Erin's Audio Corner) |
| Weight | 72.8 lbs / 33 kg (73 lb) |
| Woofer Cabinet | 3-way, switchable ported/sealed via port bungs |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons