Revel Concerta2 F35 vs Arendal 1961 Tower

Last updated: August 25, 2026

Short answer: the Revel Concerta2 F35. It ranks #23 of 71 floorstanding speakers by sound quality at $900; the Arendal 1961 Tower ranks #27 and costs $1900, so there is not much of a tradeoff to weigh.

What the Revel Concerta2 F35 offers: Two-and-a-half-way, four-driver design: a 1” aluminum dome tweeter on a waveguide, a 5.25” mid-range, and dual 5.25” mid-bass drivers in a rear-ported cabinet. Measured sensitivity of 89.4dB closely matches the 90dB spec, and distortion looks good at both 86dB and 96dB, holding up well even with a high-pass filter applied. At its sale price (around $900/pair, down from full retail), the reviewer calls it a “no-brainer,” undercutting comparable budget floorstanders like the ELAC DF63. Frequency response and directivity mismatches are largely EQ-able, since most of what shows up in measurements traces to physical tweeter/mid-range separation rather than a fundamental flaw. Compression is fairly well controlled for the price - about 1dB of loss around 100Hz under long-term compression, described as “par for the course” at this cost. Watch for: F3 of 61Hz and F10 of 39Hz mean a subwoofer is needed for real bass extension. A dip in the lower midrange/2-3kHz region reduces attack and detail, and a peak around 5kHz adds some edge and sibilance in the lower treble. A peak in off-axis energy around 3kHz reflects off sidewalls at roughly 60-70° off-axis and arrives louder than the direct sound - this specific issue can’t be fixed with EQ (boosting the direct sound would boost the stronger reflection too) and would need acoustic absorption to properly address, though the reviewer considers it a minor, optional fix at this price. A couple of minor resonances appear in the impedance plot, including one around 300Hz that may partly explain a subtle sense of vocal warmth noticed in listening, though it’s more likely room-related. Minimum impedance around 3.8 ohms. Short-term compression testing shows some increased distortion in the tweeter and higher-frequency compression at loud output.

What the Arendal 1961 Tower offers: Exceptional output cleanliness for a slim tower: Erin measured under 1% THD to about 100Hz at 96dB/1m and only crossed 3% near 80Hz, while compression was better than several physically larger competitors. The response and listening window are broadly neutral, early-reflections and sound-power directivity are well controlled, and the waveguided dome supports stable imaging. A sealed HDF cabinet, four 5.5-inch woofers and a ten-year warranty provide serious theater-grade engineering in a tiny footprint. Watch for: Erin measured F3 at 62Hz and F10 at 43Hz, so the four woofers prioritize clean output over deep extension; a subwoofer remains necessary. Sensitivity is a moderate 86.5dB and impedance dips below four ohms, which may challenge budget AVRs even though a competent power amplifier has no issue. The optimal axis is roughly 5° above the tweeter and radiation begins narrowing around 1.3kHz, so seat height and toe-in deserve attention.

Buy the Revel Concerta2 F35. It ranks higher for sound quality than the Arendal 1961 Tower and costs less, so there is no real case for the other one.

Revel Concerta2 F35 vs Arendal 1961 Tower

Specifications Side By Side

Revel Concerta2 F35 Arendal 1961 Tower
Price$900$1,900/pair
Ranked#23 of 71 in Large Size Floorstanding Speakers#27 of 71 in Large Size Floorstanding Speakers
Bass Extension (-10dB)50Hz (measured, Erin’s Audio Corner)43Hz (measured, Erin’s Audio Corner)
Bass Extension (-3dB)70Hz (measured, Erin’s Audio Corner)62Hz (measured, Erin’s Audio Corner)
Dimensions40.3"H x 8.4"W x 12.2"D (1023.6 x 213.4 x 309.9 mm)-
Impedance6 ohms nominal (3.8 ohms minimum, measured by Erin’s Audio Corner)4 ohms nominal; dips below 4 ohms (measured, Erin’s Audio Corner)
Sensitivity89.4dB (measured, Erin’s Audio Corner; 90dB manufacturer specified)86.5dB/2.83V/1m (measured, Erin’s Audio Corner)
Drivers3x 5.25" deep anodized aluminum cone woofers, 1" Aluminum TweeterFour 5.5-inch woofers; 28mm waveguided soft dome
Weight41 lbs / 18.6 kg each-
Woofer Cabinetported, rear-
Enclosure-Sealed HDF

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The Two Speakers In Full

Revel Concerta2 F35: $900 Crutchfield eBay

Revel Concerta2 F35 ranking card

Pros: Two-and-a-half-way, four-driver design: a 1” aluminum dome tweeter on a waveguide, a 5.25” mid-range, and dual 5.25” mid-bass drivers in a rear-ported cabinet. Measured sensitivity of 89.4dB closely matches the 90dB spec, and distortion looks good at both 86dB and 96dB, holding up well even with a high-pass filter applied. At its sale price (around $900/pair, down from full retail), the reviewer calls it a “no-brainer,” undercutting comparable budget floorstanders like the ELAC DF63. Frequency response and directivity mismatches are largely EQ-able, since most of what shows up in measurements traces to physical tweeter/mid-range separation rather than a fundamental flaw. Compression is fairly well controlled for the price - about 1dB of loss around 100Hz under long-term compression, described as “par for the course” at this cost.

Cons: F3 of 61Hz and F10 of 39Hz mean a subwoofer is needed for real bass extension. A dip in the lower midrange/2-3kHz region reduces attack and detail, and a peak around 5kHz adds some edge and sibilance in the lower treble. A peak in off-axis energy around 3kHz reflects off sidewalls at roughly 60-70° off-axis and arrives louder than the direct sound - this specific issue can’t be fixed with EQ (boosting the direct sound would boost the stronger reflection too) and would need acoustic absorption to properly address, though the reviewer considers it a minor, optional fix at this price. A couple of minor resonances appear in the impedance plot, including one around 300Hz that may partly explain a subtle sense of vocal warmth noticed in listening, though it’s more likely room-related. Minimum impedance around 3.8 ohms. Short-term compression testing shows some increased distortion in the tweeter and higher-frequency compression at loud output.

Bass Extension (-10dB)50Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)70Hz (measured, Erin's Audio Corner)
Dimensions40.3"H x 8.4"W x 12.2"D (1023.6 x 213.4 x 309.9 mm)
Drivers3x 5.25" deep anodized aluminum cone woofers, 1" Aluminum Tweeter
Impedance6 ohms nominal (3.8 ohms minimum, measured by Erin's Audio Corner)
Sensitivity89.4dB (measured, Erin's Audio Corner; 90dB manufacturer specified)
Weight41 lbs / 18.6 kg each
Woofer Cabinetported, rear

Arendal 1961 Tower: $1,900/pair Arendal Sound eBay

Arendal 1961 Tower ranking card

Pros: Exceptional output cleanliness for a slim tower: Erin measured under 1% THD to about 100Hz at 96dB/1m and only crossed 3% near 80Hz, while compression was better than several physically larger competitors. The response and listening window are broadly neutral, early-reflections and sound-power directivity are well controlled, and the waveguided dome supports stable imaging. A sealed HDF cabinet, four 5.5-inch woofers and a ten-year warranty provide serious theater-grade engineering in a tiny footprint.

Cons: Erin measured F3 at 62Hz and F10 at 43Hz, so the four woofers prioritize clean output over deep extension; a subwoofer remains necessary. Sensitivity is a moderate 86.5dB and impedance dips below four ohms, which may challenge budget AVRs even though a competent power amplifier has no issue. The optimal axis is roughly 5° above the tweeter and radiation begins narrowing around 1.3kHz, so seat height and toe-in deserve attention.

Bass Extension (-10dB)43Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)62Hz (measured, Erin's Audio Corner)
DriversFour 5.5-inch woofers; 28mm waveguided soft dome
EnclosureSealed HDF
Impedance4 ohms nominal; dips below 4 ohms (measured, Erin's Audio Corner)
Sensitivity86.5dB/2.83V/1m (measured, Erin's Audio Corner)