Short answer: the GR-Research X-LS Encore. It ranks #83 of 130 bookshelf speakers by sound quality at $1300; the Sonus Faber Sonetto II G2 ranks #103 and costs $3500, so there is little reason to consider the other one.
What the GR-Research X-LS Encore offers: An amazing value, especially if you managed to snag one of these built by AV123 in the early 2000s for $200-300. CEA2034 spinorama shows a generally flat on-axis response, especially in the listening window. Predicted in-room response is generally smooth and on-target. Distortion at 86dB SPL/1m is pretty clean above 200Hz. Watch for: A slight depression in the upper bass and some peaking in the lower bass shows up on-axis, along with directivity error in the crossover region. Vertical directivity requires staying within about 20 degrees of the tweeter axis. At 96dB SPL/1m distortion becomes “rather unhappy,” with bass distortion, a possible woofer issue around 2kHz, and a tweeter problem above 7kHz. As a DIY kit, it requires building the cabinet and crossover yourself.
What the Sonus Faber Sonetto II G2 offers: Two-way design with a 1.125” damped Apex Dome silk tweeter and 6.5” cone woofer, using a base of concrete, aluminum, and steel with under-cabinet venting. Notably more neutral than Sonus Faber’s own Lumina 2, which runs 2-5dB hotter in the treble. Horizontal directivity narrows at a fairly constant, well-behaved rate rather than narrowing-then-widening-then-narrowing like some rivals (including the Lumina 2), meaning sidewall reflections match the direct sound well enough that the reviewer doesn’t recommend sidewall absorption for this speaker. The tweeter-to-woofer crossover handoff around 3kHz looks clean, suggesting a higher-order crossover than typical for the size/price class. Good dynamic range - the low end loses only about 2dB from 76dB to 96dB, otherwise holding up well. Not a difficult amplifier load (about 4.2 ohms minimum impedance). Bass extension reaches a genuine 50Hz in-room, fuller than the Lumina 2. Watch for: Sounds notably bright pointed directly on-axis; toeing the speaker out about 30° reduces treble energy and sibilance meaningfully. A resonance around 700Hz gives vocals a slightly nasal, hollow quality. A dip in the upper midrange (roughly 1-2kHz) reduces perceived detail and attack, while the elevated treble can read as “analytical” or “detailed” to some listeners despite being a coloration rather than true resolution. Needs more clearance from the rear wall than some rivals - about 1.5-2 feet in an ideal room, more or less depending on your specific room modes - or the 80-120Hz region can become boomy. Vertical listening window is limited to about ±10-15° from the tweeter axis. Some unexplained directivity irregularities appear around 1.2kHz and 1.6kHz, possibly port-related, along with a longer decay in the 800Hz-1600Hz range in burst-decay measurements. Multitone distortion approaches the reviewer’s 3% threshold through the midrange, though likely not obviously audible without direct A/B comparison. A resonance in the cabinet appears around 400Hz in impedance measurements.
Buy the GR-Research X-LS Encore. It ranks higher for sound quality than the Sonus Faber Sonetto II G2 and costs less, so there is no real case for the other one.
If sound quality matters at all to you, skip the Sonus Faber Sonetto II G2. It ranks near the bottom of the 130 bookshelf speakers, so look higher up the list instead.
Want more options? Browse the full Passive Home rankings.
Specifications Side By Side
| GR-Research X-LS Encore | Sonus Faber Sonetto II G2 | |
|---|---|---|
| Price | $1300 per pair | $3500 per pair |
| Ranked | #83 of 130 in Large Size Bookshelf Speakers | #103 of 130 in Large Size Bookshelf Speakers |
| Bass Extension (-10dB) | 44Hz (measured, Audio Science Review) | 38Hz (measured, Erin's Audio Corner) |
| Bass Extension (-3dB) | 64Hz (measured, Audio Science Review) | 62Hz (measured, Erin's Audio Corner) |
| Dimensions | 13.5"H x 8.5"W x 12.1"D (342.9 x 215.9 x 308 mm) | 16.3"H x 8.9"W x 14"D (414.3 x 227.0 x 355.6 mm) |
| Impedance | 8 ohms | 4 ohms nominal (4.2 ohms minimum, measured by Erin's Audio Corner) |
| Sensitivity | 84.4dB (measured by Audio Science Review; 87dB manufacturer specified) | 87dB (measured, Erin's Audio Corner) |
| Drivers | 6.5" Peerless M-165 paper composite cone, non-resonant polymer frame woofer, 1" Peerless India T26SG tweeter | 1x 6.5" mid-woofer (paper cone), 1x 1.1" (28mm) DAD soft dome tweeter |
| Weight | 17 lbs (7.7 kg) each | 38.4 lbs (17.4 kg) |
| Woofer Cabinet | ported | ported, front |
| Spinorama Preference Score | - | 3.34 |
| Spinorama Preference Score with Perfect Sub | - | 5.62 |
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The Two Speakers In Full
GR-Research X-LS Encore: $1300 per pair Gr-research eBay
Pros: An amazing value, especially if you managed to snag one of these built by AV123 in the early 2000s for $200-300. CEA2034 spinorama shows a generally flat on-axis response, especially in the listening window. Predicted in-room response is generally smooth and on-target. Distortion at 86dB SPL/1m is pretty clean above 200Hz. Measured bass extension of 64Hz (-3dB), with a measured sensitivity of 84.4dB.
Cons: A slight depression in the upper bass and some peaking in the lower bass shows up on-axis, along with directivity error in the crossover region. Vertical directivity requires staying within about 20 degrees of the tweeter axis. At 96dB SPL/1m distortion becomes “rather unhappy,” with bass distortion, a possible woofer issue around 2kHz, and a tweeter problem above 7kHz. As a DIY kit, it requires building the cabinet and crossover yourself.
Full GR-Research X-LS Encore review and specifications →
| Bass Extension (-10dB) | 44Hz (measured, Audio Science Review) |
|---|---|
| Bass Extension (-3dB) | 64Hz (measured, Audio Science Review) |
| Dimensions | 13.5"H x 8.5"W x 12.1"D (342.9 x 215.9 x 308 mm) |
| Drivers | 6.5" Peerless M-165 paper composite cone, non-resonant polymer frame woofer, 1" Peerless India T26SG tweeter |
| Impedance | 8 ohms |
| Sensitivity | 84.4dB (measured by Audio Science Review; 87dB manufacturer specified) |
| Weight | 17 lbs (7.7 kg) each |
| Woofer Cabinet | ported |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- GR-Research X-LS Encore vs Dynaudio Special Forty
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- GR-Research X-LS Encore vs SVS Prime Bookshelf
- GR-Research X-LS Encore vs KEF Q3 Meta
- GR-Research X-LS Encore vs Polk Monitor XT20
- GR-Research X-LS Encore vs Philharmonic BMR Monitor
- GR-Research X-LS Encore vs Sonus Faber Lumina II
- See all 47 comparisons
Sonus Faber Sonetto II G2: $3500 per pair Crutchfield eBay
Pros: Two-way design with a 1.125” damped Apex Dome silk tweeter and 6.5” cone woofer, using a base of concrete, aluminum, and steel with under-cabinet venting. Notably more neutral than Sonus Faber’s own Lumina 2, which runs 2-5dB hotter in the treble. Horizontal directivity narrows at a fairly constant, well-behaved rate rather than narrowing-then-widening-then-narrowing like some rivals (including the Lumina 2), meaning sidewall reflections match the direct sound well enough that the reviewer doesn’t recommend sidewall absorption for this speaker. The tweeter-to-woofer crossover handoff around 3kHz looks clean, suggesting a higher-order crossover than typical for the size/price class. Good dynamic range - the low end loses only about 2dB from 76dB to 96dB, otherwise holding up well. Not a difficult amplifier load (about 4.2 ohms minimum impedance). Bass extension reaches a genuine 50Hz in-room, fuller than the Lumina 2. Measured bass extension of 62Hz (-3dB), with a measured sensitivity of 87dB.
Cons: Sounds notably bright pointed directly on-axis; toeing the speaker out about 30° reduces treble energy and sibilance meaningfully. A resonance around 700Hz gives vocals a slightly nasal, hollow quality. A dip in the upper midrange (roughly 1-2kHz) reduces perceived detail and attack, while the elevated treble can read as “analytical” or “detailed” to some listeners despite being a coloration rather than true resolution. Needs more clearance from the rear wall than some rivals - about 1.5-2 feet in an ideal room, more or less depending on your specific room modes - or the 80-120Hz region can become boomy. Vertical listening window is limited to about ±10-15° from the tweeter axis. Some unexplained directivity irregularities appear around 1.2kHz and 1.6kHz, possibly port-related, along with a longer decay in the 800Hz-1600Hz range in burst-decay measurements. Multitone distortion approaches the reviewer’s 3% threshold through the midrange, though likely not obviously audible without direct A/B comparison. A resonance in the cabinet appears around 400Hz in impedance measurements.
Full Sonus Faber Sonetto II G2 review and specifications →
| Bass Extension (-10dB) | 38Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 62Hz (measured, Erin's Audio Corner) |
| Dimensions | 16.3"H x 8.9"W x 14"D (414.3 x 227.0 x 355.6 mm) |
| Drivers | 1x 6.5" mid-woofer (paper cone), 1x 1.1" (28mm) DAD soft dome tweeter |
| Impedance | 4 ohms nominal (4.2 ohms minimum, measured by Erin's Audio Corner) |
| Sensitivity | 87dB (measured, Erin's Audio Corner) |
| Spinorama Preference Score | 3.34 |
| Spinorama Preference Score with Perfect Sub | 5.62 |
| Weight | 38.4 lbs (17.4 kg) |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Sonus Faber Sonetto II G2 vs Audio Craftsmen Victoria
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