Short answer: a tie on sound quality. Both are rated 3.2/5 (#152 and #155 of 216 over-ear headphones) at nearly the same price ($164.99 vs $160), so choose on features and fit.

Why pick the FiiO FT1: Sub-bass and bass both sit about 2.6 dB above target, so kick drums and bass lines have noticeable punch and rumble without bloating the midrange, which stays within a third of a dB of target. The tradeoff: Treble from 6 to 10 kHz is about 5 dB low with a 8.7 dB dip near 9.5 kHz, which dulls cymbals and takes the edge off sibilance.
The case for the Yamaha HPH-200: The open 40mm dynamic design has an airy, speaker-like staging, and at 48 ohms and 98.5 dB/mW it runs fine from a phone or laptop. The tradeoff: Sub-bass is roughly 9 dB under target, so deep bass is largely absent.
Buy the FiiO FT1 or the Yamaha HPH-200 on features: they are rated the same for sound quality at close to the same price.
Looking for alternatives? See the complete Headphones rankings.
Specifications Side By Side
| FiiO FT1 | Yamaha HPH-200 | |
|---|---|---|
| Price | $164.99 | $160.00 |
| Ranked | #152 of 216 in Over-Ear Headphones | #155 of 216 in Over-Ear Headphones |
| Form Factor | Over-ear | Over-ear |
| Harman Preference Score | 64 (measured by oratory1990, via AutoEQ) | 64 (measured by oratory1990, via AutoEQ) |
| Deviation From Target | 2.56 dB standard deviation | 3.20 dB standard deviation |
| Tonal Tilt | -1.20 (negative is warmer, positive brighter) | -0.64 (negative is warmer, positive brighter) |
| Sub-bass Extension | Within 6 dB of target down to 20 Hz (+3.4 dB at 30 Hz) | Falls 6 dB below target at 42 Hz (-11.2 dB at 30 Hz) |
| Connection | Wired | Wired |
| Back | Closed | Open |
| Driver Type | Dynamic | Dynamic |
| Drivers | 1 x 60mm dynamic | 1 x 40mm dynamic |
| Impedance | 32 ohms | 48 ohms |
| Sensitivity | 98 dB/mW | 98.5 dB/mW |
| Weight | 0.7 lbs (340 g) | - |
| Frequency Response | 10Hz - 40kHz (Manufacturer specified) | 20Hz - 20kHz (Manufacturer specified) |
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- 1MORE Triple Driver Over Ear vs Yamaha HPH-200
Prices on this page were last checked October 11, 2026 at 4:59 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Headphones In Full
FiiO FT1: $164.99 Amazon AliExpress eBay
Pros: Sub-bass and bass both sit about 2.6 dB above target, so kick drums and bass lines have noticeable punch and rumble without bloating the midrange, which stays within a third of a dB of target. The 32 ohm, 98 dB/mW closed-back design runs directly from a phone or laptop, with a smoother response than most at 2.56 dB deviation.
Cons: Treble from 6 to 10 kHz is about 5 dB low with a 8.7 dB dip near 9.5 kHz, which dulls cymbals and takes the edge off sibilance. A 3.7 dB peak near 5.2 kHz and air about 3 dB high make the top end uneven. At 340 g it is on the heavier side.
Full FiiO FT1 review and specifications →
| Released | Sep 2024 (2 years ago) |
|---|---|
| Back | Closed |
| Connection | Wired |
| Deviation From Target | 2.56 dB standard deviation |
| Driver Type | Dynamic |
| Drivers | 1 x 60mm dynamic |
| Form Factor | Over-ear |
| Frequency Response | 10Hz - 40kHz (Manufacturer specified) |
| Harman Preference Score | 64 (measured by oratory1990, via AutoEQ) |
| Impedance | 32 ohms |
| Sensitivity | 98 dB/mW |
| Sub-bass Extension | Within 6 dB of target down to 20 Hz (+3.4 dB at 30 Hz) |
| Tonal Tilt | -1.20 (negative is warmer, positive brighter) |
| Weight | 0.7 lbs (340 g) |
EQ preset to match the Harman target
Set a preamp of -4.3 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | -2.7 dB | 0.70 |
| Peak | 155 Hz | -3.4 dB | 1.47 |
| Peak | 7,882 Hz | +4.5 dB | 1.99 |
| Peak | 3,835 Hz | +4.6 dB | 3.54 |
| Peak | 5,303 Hz | -5.6 dB | 4.56 |
| High shelf | 10,000 Hz | -3.1 dB | 0.70 |
| Peak | 1,735 Hz | -1.9 dB | 3.24 |
| Peak | 61 Hz | +0.9 dB | 2.22 |
| Peak | 579 Hz | +0.8 dB | 1.78 |
| Peak | 239 Hz | -0.5 dB | 2.59 |
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
Yamaha HPH-200: $160.00 Amazon eBay
Pros: The open 40mm dynamic design has an airy, speaker-like staging, and at 48 ohms and 98.5 dB/mW it runs fine from a phone or laptop. Bass from 60 to 200 Hz is about 1.6 dB above target and the midrange sits close to it, giving voices a natural body.
Cons: Sub-bass is roughly 9 dB under target, so deep bass is largely absent. A 12.3 dB dip near 4.8 kHz and presence about 6 dB low are paired with a 4.8 dB peak near 7.4 kHz, which makes vocals recede while hi-hats and sibilants stand out. The open back leaks sound and gives no isolation.
Full Yamaha HPH-200 review and specifications →
| Back | Open |
|---|---|
| Connection | Wired |
| Deviation From Target | 3.20 dB standard deviation |
| Driver Type | Dynamic |
| Drivers | 1 x 40mm dynamic |
| Form Factor | Over-ear |
| Frequency Response | 20Hz - 20kHz (Manufacturer specified) |
| Harman Preference Score | 64 (measured by oratory1990, via AutoEQ) |
| Impedance | 48 ohms |
| Sensitivity | 98.5 dB/mW |
| Sub-bass Extension | Falls 6 dB below target at 42 Hz (-11.2 dB at 30 Hz) |
| Tonal Tilt | -0.64 (negative is warmer, positive brighter) |
EQ preset to match the Harman target
Set a preamp of -6.3 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | +5.8 dB | 0.70 |
| Peak | 83 Hz | -6.4 dB | 0.54 |
| Peak | 4,730 Hz | +6.7 dB | 1.88 |
| Peak | 41 Hz | +3.8 dB | 0.94 |
| Peak | 6,680 Hz | -5.1 dB | 4.60 |
| High shelf | 10,000 Hz | +1.2 dB | 0.70 |
| Peak | 518 Hz | +1.1 dB | 1.05 |
| Peak | 1,328 Hz | -1.1 dB | 2.04 |
| Peak | 8,923 Hz | -2.3 dB | 4.29 |
| Peak | 243 Hz | -0.7 dB | 1.68 |
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons

