1MORE Triple Driver Over Ear vs Yamaha HPH-200

Short answer: a tie on sound quality. Both are rated 3.2/5 (#159 and #155 of 216 over-ear headphones) at nearly the same price ($164.28 vs $160), so choose on features and fit.

The case for the 1MORE Triple Driver Over Ear: Mids from 200 Hz to 6 kHz sit within about 1.4 dB of the Harman target in oratory1990’s measurement, so vocals and guitars keep a natural balance. The tradeoff: A deep 10.5 dB dip near 10 kHz takes the shimmer off cymbals and hi-hats, and treble from 6 to 10 kHz sits about 2.4 dB under target, so the top end sounds dull.

What the Yamaha HPH-200 does well: The open 40mm dynamic design has an airy, speaker-like staging, and at 48 ohms and 98.5 dB/mW it runs fine from a phone or laptop. The catch: Sub-bass is roughly 9 dB under target, so deep bass is largely absent.

Buy the 1MORE Triple Driver Over Ear or the Yamaha HPH-200 on features: they are rated the same for sound quality at close to the same price.

Want more options? Browse the full Headphones rankings.

Specifications Side By Side

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How Yamaha HPH-200 compares with other leading options:

• Austrian Audio Hi-X15 vs Yamaha HPH-200
• FiiO FT1 vs Yamaha HPH-200
• Audio-Technica ATH-AD700X vs Yamaha HPH-200
• Fostex T40RP Mk3 vs Yamaha HPH-200
• 1MORE Triple Driver Over Ear vs FiiO FT1

Prices on this page were last checked October 11, 2026 at 4:59 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.

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The Two Headphones In Full

1MORE Triple Driver Over Ear: $164.28 Amazon eBay

Pros: Mids from 200 Hz to 6 kHz sit within about 1.4 dB of the Harman target in oratory1990’s measurement, so vocals and guitars keep a natural balance. Bass runs about 3 dB above target from the sub-bass through the upper bass, adding warmth and punch that suits pop and hip hop. At 32 ohms and 104 dB sensitivity it plays loudly straight from a phone or laptop, and the closed back keeps a fair amount of outside noise out.

Cons: A deep 10.5 dB dip near 10 kHz takes the shimmer off cymbals and hi-hats, and treble from 6 to 10 kHz sits about 2.4 dB under target, so the top end sounds dull. The extra bass can bleed into the lower mids on bass-heavy tracks. It is wired only and has no microphone listed, so it cannot be used for calls or wireless listening.

Full 1MORE Triple Driver Over Ear review and specifications →

Back	Closed
Connection	Wired
Deviation From Target	2.65 dB standard deviation
Driver Type	Dynamic
Drivers	1 x 40mm dynamic + ceramic tweeter
Form Factor	Over-ear
Frequency Response	20Hz - 40kHz
Harman Preference Score	63 (measured by oratory1990, via AutoEQ)
Impedance	32 ohms
Sensitivity	104 dB
Sub-bass Extension	Within 6 dB of target down to 20 Hz (+3.4 dB at 30 Hz)
Tonal Tilt	-1.14 (negative is warmer, positive brighter)
Weight	0.6 lbs (293 g)

EQ preset to match the Harman target

Set a preamp of -2.9 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.

Filter	Frequency	Gain	Q
Low shelf	105 Hz	-2.4 dB	0.70
Peak	319 Hz	-4.4 dB	0.18
Peak	343 Hz	+7.2 dB	1.09
Peak	8,715 Hz	+2.8 dB	3.19
Peak	1,974 Hz	+4.1 dB	1.17
High shelf	10,000 Hz	-0.3 dB	0.70
Peak	6,063 Hz	-2.6 dB	4.91
Peak	47 Hz	-0.4 dB	1.53
Peak	7,478 Hz	+1.4 dB	6.00
Peak	80 Hz	+0.7 dB	3.32

• Reviews, Comparisons and Sound Samples
  • AutoEQ results for the 1MORE Triple Driver Over Ear (oratory1990 measurement)
• Head-to-Head Comparisons
  • 1MORE Triple Driver Over Ear vs Fostex T40RP Mk3
  • 1MORE Triple Driver Over Ear vs Audio-Technica ATH-AD700X
  • 1MORE Triple Driver Over Ear vs FiiO FT1

Yamaha HPH-200: $160.00 Amazon eBay

Pros: The open 40mm dynamic design has an airy, speaker-like staging, and at 48 ohms and 98.5 dB/mW it runs fine from a phone or laptop. Bass from 60 to 200 Hz is about 1.6 dB above target and the midrange sits close to it, giving voices a natural body.

Cons: Sub-bass is roughly 9 dB under target, so deep bass is largely absent. A 12.3 dB dip near 4.8 kHz and presence about 6 dB low are paired with a 4.8 dB peak near 7.4 kHz, which makes vocals recede while hi-hats and sibilants stand out. The open back leaks sound and gives no isolation.

Full Yamaha HPH-200 review and specifications →

Back	Open
Connection	Wired
Deviation From Target	3.20 dB standard deviation
Driver Type	Dynamic
Drivers	1 x 40mm dynamic
Form Factor	Over-ear
Frequency Response	20Hz - 20kHz (Manufacturer specified)
Harman Preference Score	64 (measured by oratory1990, via AutoEQ)
Impedance	48 ohms
Sensitivity	98.5 dB/mW
Sub-bass Extension	Falls 6 dB below target at 42 Hz (-11.2 dB at 30 Hz)
Tonal Tilt	-0.64 (negative is warmer, positive brighter)

EQ preset to match the Harman target

Set a preamp of -6.3 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.

Filter	Frequency	Gain	Q
Low shelf	105 Hz	+5.8 dB	0.70
Peak	83 Hz	-6.4 dB	0.54
Peak	4,730 Hz	+6.7 dB	1.88
Peak	41 Hz	+3.8 dB	0.94
Peak	6,680 Hz	-5.1 dB	4.60
High shelf	10,000 Hz	+1.2 dB	0.70
Peak	518 Hz	+1.1 dB	1.05
Peak	1,328 Hz	-1.1 dB	2.04
Peak	8,923 Hz	-2.3 dB	4.29
Peak	243 Hz	-0.7 dB	1.68

• Reviews, Comparisons and Sound Samples
  • AutoEQ results for the Yamaha HPH-200 (oratory1990 measurement)
• Head-to-Head Comparisons
  • Yamaha HPH-200 vs Audio-Technica ATH-AD700X
  • Yamaha HPH-200 vs FiiO FT1
  • Yamaha HPH-200 vs Fostex T40RP Mk3
  • Yamaha HPH-200 vs Austrian Audio Hi-X15