Short answer: the Ascend CBM-170 SE2. It ranks #66 of 130 bookshelf speakers by sound quality at $468; the Philharmonic BMR Monitor ranks #76 and costs $2200, so there is little reason to consider the other one.
What the Ascend CBM-170 SE2 offers: On-axis response is impressively flat from about 100Hz to 2kHz, staying within roughly ±1dB, with a clean, gradual bass rolloff below that. The directivity index rises smoothly and predictably through the crossover region, and the estimated in-room response shows a smooth, consistent downward tilt from 100Hz to 10kHz with no major discontinuities - close to the ideal in-room target shape. Measured sensitivity of 86.8dB nearly matches Ascend’s 87dB spec. The manufacturer’s own preference-score modeling comes out to 5.81 unequalized (rising to 8.17 with an ideal subwoofer, or 6.33/8.41 with EQ applied) - a strong result for a compact 2-way, and a clear step up from the original CBM-170 SE this replaces. Watch for: A narrow dip in the on-axis and listening-window response appears in the 3-5kHz range (down to about -2.7dB), mirrored by a matching dip in the directivity index at the same frequencies - likely a brief widening of dispersion right at the tweeter/woofer crossover. High-frequency directivity narrows substantially above 10kHz, typical for a small dome tweeter, so the top octave will sound more reserved off-axis than on-axis. Bass rolls off as expected for a compact 2-way monitor: -3dB around 70Hz and -10dB around 50Hz, so a subwoofer is needed for full-range use. This data comes from the manufacturer’s own Klippel measurements rather than an independent third-party review, so there’s no outside verification of channel matching, distortion, or unit-to-unit consistency.
What the Philharmonic BMR Monitor offers: Three-way design combining a 6” SB Acoustics mid-woofer, a 2.5” Tectonic balanced-mode radiator (BMR) for the midrange, and a ribbon tweeter - premium component choices relative to the asking price. A clear improvement over the V1: the earlier version’s overly hot, plateauing treble has been resolved, leaving a genuinely good in-room response outside of one specific area. Extremely wide horizontal radiation of about ±70-80°, creating an enveloping, wide soundstage that illuminates the sidewalls. Well-built, attractive cabinet. Midrange and tweeter show no stress or elevated distortion even at higher output - all the compression and distortion issues trace back to the mid-woofer alone. Watch for: A 1-2dB bump around 2-3kHz creates a “glare” on vocals, guitars, and strings that the reviewer noticed consistently across many tracks. The extremely wide radiation trades off against imaging precision - instrument placement became noticeably more diffuse and harder to pinpoint in a narrower, more reflective room, though it improved substantially in a larger, more open room with less sidewall interaction. A suspected resonance around 500Hz shows up as an imbalance in sound power and horizontal directivity measurements, loosely correlating with a vague sense of resonance the reviewer heard subjectively. Moderate sensitivity (about 84.1dB anechoic) and a mid-woofer that runs out of steam under real stress - distortion exceeds 3% even at 100Hz at 96dB, and the reviewer notes SB Acoustics’ published excursion specs tend to overstate real-world linear excursion by nearly 2x. Significant compression appears at 102dB: the woofer audibly unloads around 120Hz, and the ribbon tweeter also compresses heavily at high output - not well suited to very loud two-channel listening (above about 90dB at 4 meters). In-room bass rolls off around 50Hz, so a subwoofer is recommended for most music. Benefits noticeably from a few bands of EQ if available.
Buy the Ascend CBM-170 SE2. It ranks higher for sound quality than the Philharmonic BMR Monitor and costs less, so the other one has nothing left to offer.
Looking for alternatives? See the complete Passive Home rankings.
Specifications Side By Side
| Ascend CBM-170 SE2 | Philharmonic BMR Monitor | |
|---|---|---|
| Price | $468 per pair | $2200 per pair |
| Ranked | #66 of 130 in Large Size Bookshelf Speakers | #76 of 130 in Large Size Bookshelf Speakers |
| Bass Extension (-3dB) | 70Hz (measured, manufacturer spinorama data) | 47Hz (measured, Erin's Audio Corner) |
| Bass Extension (-10dB) | 50Hz (measured, manufacturer spinorama data) | 32Hz (measured, Erin's Audio Corner) |
| Sensitivity | 86.8dB (2.83V/1m, measured, manufacturer spinorama data; 87dB manufacturer specified) | 84dB (measured, Erin's Audio Corner) |
| Drivers | 27mm custom SEAS soft dome tweeter, 6.5" proprietary composite polygel cone woofer | 6" Ceramic woofer, Balanced Mode Radiator 2.5" midrange, RAAL 64-10X OEM tweeter |
| Dimensions | 12H x 9W x 9.5D in | 20"H x 8"W x 12.5"D (508 x 203.2 x 317.5 mm) |
| Weight | 15 lbs (6.8 kg) each | 32 lbs (14.5 kg) each |
| Impedance | 8 ohms | 4 ohms nominal (3 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Power Handling | 200W continuous, 400W peak | - |
| Woofer Cabinet | ported, rear | ported, rear |
| Spinorama Preference Score | 5.81 | - |
| Spinorama Preference Score with Perfect Sub | 8.17 | - |
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The Two Speakers In Full
Ascend CBM-170 SE2: $468 per pair Ascend Acoustics eBay
Pros: On-axis response is impressively flat from about 100Hz to 2kHz, staying within roughly ±1dB, with a clean, gradual bass rolloff below that. The directivity index rises smoothly and predictably through the crossover region, and the estimated in-room response shows a smooth, consistent downward tilt from 100Hz to 10kHz with no major discontinuities - close to the ideal in-room target shape. Measured sensitivity of 86.8dB nearly matches Ascend’s 87dB spec. The manufacturer’s own preference-score modeling comes out to 5.81 unequalized (rising to 8.17 with an ideal subwoofer, or 6.33/8.41 with EQ applied) - a strong result for a compact 2-way, and a clear step up from the original CBM-170 SE this replaces. Measured sensitivity of 86.8dB.
Cons: A narrow dip in the on-axis and listening-window response appears in the 3-5kHz range (down to about -2.7dB), mirrored by a matching dip in the directivity index at the same frequencies - likely a brief widening of dispersion right at the tweeter/woofer crossover. High-frequency directivity narrows substantially above 10kHz, typical for a small dome tweeter, so the top octave will sound more reserved off-axis than on-axis. Bass rolls off as expected for a compact 2-way monitor: -3dB around 70Hz and -10dB around 50Hz, so a subwoofer is needed for full-range use. This data comes from the manufacturer’s own Klippel measurements rather than an independent third-party review, so there’s no outside verification of channel matching, distortion, or unit-to-unit consistency.
Full Ascend CBM-170 SE2 review and specifications →
| Bass Extension (-10dB) | 50Hz (measured, manufacturer spinorama data) |
|---|---|
| Bass Extension (-3dB) | 70Hz (measured, manufacturer spinorama data) |
| Dimensions | 12H x 9W x 9.5D in |
| Drivers | 27mm custom SEAS soft dome tweeter, 6.5" proprietary composite polygel cone woofer |
| Impedance | 8 ohms |
| Power Handling | 200W continuous, 400W peak |
| Sensitivity | 86.8dB (2.83V/1m, measured, manufacturer spinorama data; 87dB manufacturer specified) |
| Spinorama Preference Score | 5.81 |
| Spinorama Preference Score with Perfect Sub | 8.17 |
| Weight | 15 lbs (6.8 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Ascend CBM-170 SE2 vs Polk Signature Elite ES20
- Ascend CBM-170 SE2 vs Dynaudio Contour 20i
- Ascend CBM-170 SE2 vs Klipsch RP-600M II
- Ascend CBM-170 SE2 vs Dynaudio Emit 20
- Ascend CBM-170 SE2 vs ELAC DBR62
- Ascend CBM-170 SE2 vs Mission LX-3 MKII
- Ascend CBM-170 SE2 vs GR-Research X-LS Encore
- Ascend CBM-170 SE2 vs Dynaudio Special Forty
- See all 44 comparisons
Philharmonic BMR Monitor: $2200 per pair Philharmonicaudio eBay
Pros: Three-way design combining a 6” SB Acoustics mid-woofer, a 2.5” Tectonic balanced-mode radiator (BMR) for the midrange, and a ribbon tweeter - premium component choices relative to the asking price. A clear improvement over the V1: the earlier version’s overly hot, plateauing treble has been resolved, leaving a genuinely good in-room response outside of one specific area. Extremely wide horizontal radiation of about ±70-80°, creating an enveloping, wide soundstage that illuminates the sidewalls. Well-built, attractive cabinet. Midrange and tweeter show no stress or elevated distortion even at higher output - all the compression and distortion issues trace back to the mid-woofer alone. Measured bass extension of 47Hz (-3dB), with a measured sensitivity of 84dB.
Cons: A 1-2dB bump around 2-3kHz creates a “glare” on vocals, guitars, and strings that the reviewer noticed consistently across many tracks. The extremely wide radiation trades off against imaging precision - instrument placement became noticeably more diffuse and harder to pinpoint in a narrower, more reflective room, though it improved substantially in a larger, more open room with less sidewall interaction. A suspected resonance around 500Hz shows up as an imbalance in sound power and horizontal directivity measurements, loosely correlating with a vague sense of resonance the reviewer heard subjectively. Moderate sensitivity (about 84.1dB anechoic) and a mid-woofer that runs out of steam under real stress - distortion exceeds 3% even at 100Hz at 96dB, and the reviewer notes SB Acoustics’ published excursion specs tend to overstate real-world linear excursion by nearly 2x. Significant compression appears at 102dB: the woofer audibly unloads around 120Hz, and the ribbon tweeter also compresses heavily at high output - not well suited to very loud two-channel listening (above about 90dB at 4 meters). In-room bass rolls off around 50Hz, so a subwoofer is recommended for most music. Benefits noticeably from a few bands of EQ if available.
Full Philharmonic BMR Monitor review and specifications →
| Bass Extension (-10dB) | 32Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 47Hz (measured, Erin's Audio Corner) |
| Dimensions | 20"H x 8"W x 12.5"D (508 x 203.2 x 317.5 mm) |
| Drivers | 6" Ceramic woofer, Balanced Mode Radiator 2.5" midrange, RAAL 64-10X OEM tweeter |
| Impedance | 4 ohms nominal (3 ohms minimum above 80Hz, measured by Erin's Audio Corner) |
| Sensitivity | 84dB (measured, Erin's Audio Corner) |
| Weight | 32 lbs (14.5 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Philharmonic BMR Monitor vs Dynaudio Emit 20
- Philharmonic BMR Monitor vs Klipsch RP-600M II
- Philharmonic BMR Monitor vs Mission LX-3 MKII
- Philharmonic BMR Monitor vs GR-Research X-LS Encore
- Philharmonic BMR Monitor vs Polk Signature Elite ES20
- Philharmonic BMR Monitor vs Dynaudio Special Forty
- Philharmonic BMR Monitor vs ELAC Debut 2.0 B6.2
- Philharmonic BMR Monitor vs Buchardt S400 MKII
- See all 47 comparisons