Short answer: the Wharfedale Super Linton. It ranks #24 of 130 bookshelf speakers by sound quality at $2699; the Sonus Faber Sonetto II G2 ranks #103 and costs $3500, so there is not much of a tradeoff to weigh.
What the Wharfedale Super Linton offers: Three-way design with a 1” soft dome tweeter, 5” woven Kevlar mid-range, and 8” woven Kevlar woofer in a dual rear-ported, heavily damped MDF/particle-board cabinet. Comes as a genuinely matched pair (measured within about 1dB of each other) and includes custom matching stands. A major dynamic-range improvement over the original Heritage Linton - kick drums retain their impact from low to high volume instead of compressing, the standout objective improvement in this update. Fixes the original Linton’s main flaw: a 1-3kHz scoop that made it sound a bit soft and subdued is filled in here, giving noticeably more attack and dynamic punch. About 3dB more sensitivity than the original Linton (measured ~88.2dB), meaning roughly half the amplifier power for the same output. Wide horizontal radiation of about ±70°, right in the reviewer’s preferred range for an enveloping soundstage. Lower midrange distortion than the original Linton. Bass-shelf tuning intentionally allows closer-to-wall placement (about 1 foot worked well) without excess boominess, more flexible than the original Linton in that regard. Watch for: Rolls off earlier than the original Linton (F3 77Hz versus the original’s 52Hz), a deliberate trade-off for the closer-wall-placement flexibility. On-axis, there’s a mild treble lift around 4-6kHz that can sound a touch sibilant, though the reviewer found it not very noteworthy in practice. Diffraction shows up around 1.5-2kHz on-axis; needs about 10° of toe-out to smooth this out, though going further to 30° starts to lose some top-end air. Distortion peaks slightly higher than the original Linton in the 50-70Hz region. Minimum impedance dips to about 3 ohms around 150Hz, so a 4-ohm-stable amplifier is recommended for best results. Vertical dispersion of about ±20° means multi-row home theater seating outside that window will hear reduced top-end. Asymmetrical design requires attention to setup (tweeters need to face outward) for the most linear in-room response. A costly upgrade for existing Linton owners if the original’s specific flaws didn’t bother them.
What the Sonus Faber Sonetto II G2 offers: Two-way design with a 1.125” damped Apex Dome silk tweeter and 6.5” cone woofer, using a base of concrete, aluminum, and steel with under-cabinet venting. Notably more neutral than Sonus Faber’s own Lumina 2, which runs 2-5dB hotter in the treble. Horizontal directivity narrows at a fairly constant, well-behaved rate rather than narrowing-then-widening-then-narrowing like some rivals (including the Lumina 2), meaning sidewall reflections match the direct sound well enough that the reviewer doesn’t recommend sidewall absorption for this speaker. The tweeter-to-woofer crossover handoff around 3kHz looks clean, suggesting a higher-order crossover than typical for the size/price class. Good dynamic range - the low end loses only about 2dB from 76dB to 96dB, otherwise holding up well. Not a difficult amplifier load (about 4.2 ohms minimum impedance). Bass extension reaches a genuine 50Hz in-room, fuller than the Lumina 2. Watch for: Sounds notably bright pointed directly on-axis; toeing the speaker out about 30° reduces treble energy and sibilance meaningfully. A resonance around 700Hz gives vocals a slightly nasal, hollow quality. A dip in the upper midrange (roughly 1-2kHz) reduces perceived detail and attack, while the elevated treble can read as “analytical” or “detailed” to some listeners despite being a coloration rather than true resolution. Needs more clearance from the rear wall than some rivals - about 1.5-2 feet in an ideal room, more or less depending on your specific room modes - or the 80-120Hz region can become boomy. Vertical listening window is limited to about ±10-15° from the tweeter axis. Some unexplained directivity irregularities appear around 1.2kHz and 1.6kHz, possibly port-related, along with a longer decay in the 800Hz-1600Hz range in burst-decay measurements. Multitone distortion approaches the reviewer’s 3% threshold through the midrange, though likely not obviously audible without direct A/B comparison. A resonance in the cabinet appears around 400Hz in impedance measurements.
Buy the Wharfedale Super Linton. It ranks higher for sound quality than the Sonus Faber Sonetto II G2 and costs less, which settles it without a real tradeoff to make.
If sound quality matters at all to you, skip the Sonus Faber Sonetto II G2. It ranks near the bottom of the 130 bookshelf speakers, so look higher up the list instead.
Want more options? Browse the full Passive Home rankings.
Specifications Side By Side
| Wharfedale Super Linton | Sonus Faber Sonetto II G2 | |
|---|---|---|
| Price | $2,699.00 per pair | $3500 per pair |
| Ranked | #24 of 130 in Large Size Bookshelf Speakers | #103 of 130 in Large Size Bookshelf Speakers |
| Bass Extension (-10dB) | 34Hz (measured, Erin's Audio Corner) | 38Hz (measured, Erin's Audio Corner) |
| Bass Extension (-3dB) | 77Hz (measured, Erin's Audio Corner) | 62Hz (measured, Erin's Audio Corner) |
| Dimensions | 23.8"H x 11.8"W x 13"D (604.5 x 299.7 x 330.2 mm) | 16.3"H x 8.9"W x 14"D (414.3 x 227.0 x 355.6 mm) |
| Impedance | 4 ohms nominal (3 ohms minimum, measured, Erin's Audio Corner) | 4 ohms nominal (4.2 ohms minimum, measured by Erin's Audio Corner) |
| Drivers | 8"(200mm) black woven Kevlar® cone woofer, 5"(135mm) black woven Kevlar® cone midrange, 1" (25mm) soft dome tweeter | 1x 6.5" mid-woofer (paper cone), 1x 1.1" (28mm) DAD soft dome tweeter |
| Sensitivity | 88.2dB (measured, Erin's Audio Corner) | 87dB (measured, Erin's Audio Corner) |
| Weight | 43.7 lbs (19.8 kg) each | 38.4 lbs (17.4 kg) |
| Woofer Cabinet | ported, rear | ported, front |
| Spinorama Preference Score | 5.28 | 3.34 |
| Spinorama Preference Score with Perfect Sub | 7.12 | 5.62 |
Related Speaker Comparisons
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Prices on this page were last checked September 16, 2026 at 12:41 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
Wharfedale Super Linton: $2,699.00 per pair Amazon Crutchfield eBay
Pros: Three-way design with a 1” soft dome tweeter, 5” woven Kevlar mid-range, and 8” woven Kevlar woofer in a dual rear-ported, heavily damped MDF/particle-board cabinet. Comes as a genuinely matched pair (measured within about 1dB of each other) and includes custom matching stands. A major dynamic-range improvement over the original Heritage Linton - kick drums retain their impact from low to high volume instead of compressing, the standout objective improvement in this update. Fixes the original Linton’s main flaw: a 1-3kHz scoop that made it sound a bit soft and subdued is filled in here, giving noticeably more attack and dynamic punch. About 3dB more sensitivity than the original Linton (measured ~88.2dB), meaning roughly half the amplifier power for the same output. Wide horizontal radiation of about ±70°, right in the reviewer’s preferred range for an enveloping soundstage. Lower midrange distortion than the original Linton. Bass-shelf tuning intentionally allows closer-to-wall placement (about 1 foot worked well) without excess boominess, more flexible than the original Linton in that regard. Measured bass extension of 77Hz (-3dB), with a measured sensitivity of 88.2dB.
Cons: Rolls off earlier than the original Linton (F3 77Hz versus the original’s 52Hz), a deliberate trade-off for the closer-wall-placement flexibility. On-axis, there’s a mild treble lift around 4-6kHz that can sound a touch sibilant, though the reviewer found it not very noteworthy in practice. Diffraction shows up around 1.5-2kHz on-axis; needs about 10° of toe-out to smooth this out, though going further to 30° starts to lose some top-end air. Distortion peaks slightly higher than the original Linton in the 50-70Hz region. Minimum impedance dips to about 3 ohms around 150Hz, so a 4-ohm-stable amplifier is recommended for best results. Vertical dispersion of about ±20° means multi-row home theater seating outside that window will hear reduced top-end. Asymmetrical design requires attention to setup (tweeters need to face outward) for the most linear in-room response. A costly upgrade for existing Linton owners if the original’s specific flaws didn’t bother them.
Full Wharfedale Super Linton review and specifications →
| Bass Extension (-10dB) | 34Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 77Hz (measured, Erin's Audio Corner) |
| Dimensions | 23.8"H x 11.8"W x 13"D (604.5 x 299.7 x 330.2 mm) |
| Drivers | 8"(200mm) black woven Kevlar® cone woofer, 5"(135mm) black woven Kevlar® cone midrange, 1" (25mm) soft dome tweeter |
| Impedance | 4 ohms nominal (3 ohms minimum, measured, Erin's Audio Corner) |
| Sensitivity | 88.2dB (measured, Erin's Audio Corner) |
| Spinorama Preference Score | 5.28 |
| Spinorama Preference Score with Perfect Sub | 7.12 |
| Weight | 43.7 lbs (19.8 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: 5 Reasons Wharfedale Super Linton is the Hidden Gem of Audio Equipment More from Erin’s Audio Corner →
- Erin’s Audio Corner Website Wharfedale Super Linton Review
- Erin’s Audio Corner: Upgrade Your Sound with These 6 Surprisingly Affordable Speakers!
- Erin’s Audio Corner: My Absolute Favorite Products of 2024 Revealed
- Erin’s Audio Corner Measurements (spinorama.org)
- Head-to-Head Comparisons
- Wharfedale Super Linton vs Ascend Acoustics CMT-340 SE2
- Wharfedale Super Linton vs Arendal 1528 Monitor 8
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- Wharfedale Super Linton vs Radiant Acoustics Clarity 6.2
- Wharfedale Super Linton vs Dynaudio Heritage Special
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- See all 51 comparisons
Sonus Faber Sonetto II G2: $3500 per pair Crutchfield eBay
Pros: Two-way design with a 1.125” damped Apex Dome silk tweeter and 6.5” cone woofer, using a base of concrete, aluminum, and steel with under-cabinet venting. Notably more neutral than Sonus Faber’s own Lumina 2, which runs 2-5dB hotter in the treble. Horizontal directivity narrows at a fairly constant, well-behaved rate rather than narrowing-then-widening-then-narrowing like some rivals (including the Lumina 2), meaning sidewall reflections match the direct sound well enough that the reviewer doesn’t recommend sidewall absorption for this speaker. The tweeter-to-woofer crossover handoff around 3kHz looks clean, suggesting a higher-order crossover than typical for the size/price class. Good dynamic range - the low end loses only about 2dB from 76dB to 96dB, otherwise holding up well. Not a difficult amplifier load (about 4.2 ohms minimum impedance). Bass extension reaches a genuine 50Hz in-room, fuller than the Lumina 2. Measured bass extension of 62Hz (-3dB), with a measured sensitivity of 87dB.
Cons: Sounds notably bright pointed directly on-axis; toeing the speaker out about 30° reduces treble energy and sibilance meaningfully. A resonance around 700Hz gives vocals a slightly nasal, hollow quality. A dip in the upper midrange (roughly 1-2kHz) reduces perceived detail and attack, while the elevated treble can read as “analytical” or “detailed” to some listeners despite being a coloration rather than true resolution. Needs more clearance from the rear wall than some rivals - about 1.5-2 feet in an ideal room, more or less depending on your specific room modes - or the 80-120Hz region can become boomy. Vertical listening window is limited to about ±10-15° from the tweeter axis. Some unexplained directivity irregularities appear around 1.2kHz and 1.6kHz, possibly port-related, along with a longer decay in the 800Hz-1600Hz range in burst-decay measurements. Multitone distortion approaches the reviewer’s 3% threshold through the midrange, though likely not obviously audible without direct A/B comparison. A resonance in the cabinet appears around 400Hz in impedance measurements.
Full Sonus Faber Sonetto II G2 review and specifications →
| Bass Extension (-10dB) | 38Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 62Hz (measured, Erin's Audio Corner) |
| Dimensions | 16.3"H x 8.9"W x 14"D (414.3 x 227.0 x 355.6 mm) |
| Drivers | 1x 6.5" mid-woofer (paper cone), 1x 1.1" (28mm) DAD soft dome tweeter |
| Impedance | 4 ohms nominal (4.2 ohms minimum, measured by Erin's Audio Corner) |
| Sensitivity | 87dB (measured, Erin's Audio Corner) |
| Spinorama Preference Score | 3.34 |
| Spinorama Preference Score with Perfect Sub | 5.62 |
| Weight | 38.4 lbs (17.4 kg) |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Sonus Faber Sonetto II G2 vs Audio Craftsmen Victoria
- Sonus Faber Sonetto II G2 vs Pylon Jasper Monitor 18
- Sonus Faber Sonetto II G2 vs KEF Q350
- Sonus Faber Sonetto II G2 vs Emotiva Airmotiv B2+
- Sonus Faber Sonetto II G2 vs Sonus Faber Lumina II Amator
- Sonus Faber Sonetto II G2 vs JBL XPL-90
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- Sonus Faber Sonetto II G2 vs Klipsch RP-600M
- See all 59 comparisons