Short answer: the Wharfedale Super Linton. It ranks #24 of 130 bookshelf speakers by sound quality at $2699; the MoFi SourcePoint 10 ranks #26 and costs $3795, so there is little reason to consider the other one.
What the Wharfedale Super Linton offers: Three-way design with a 1” soft dome tweeter, 5” woven Kevlar mid-range, and 8” woven Kevlar woofer in a dual rear-ported, heavily damped MDF/particle-board cabinet. Comes as a genuinely matched pair (measured within about 1dB of each other) and includes custom matching stands. A major dynamic-range improvement over the original Heritage Linton - kick drums retain their impact from low to high volume instead of compressing, the standout objective improvement in this update. Fixes the original Linton’s main flaw: a 1-3kHz scoop that made it sound a bit soft and subdued is filled in here, giving noticeably more attack and dynamic punch. About 3dB more sensitivity than the original Linton (measured ~88.2dB), meaning roughly half the amplifier power for the same output. Wide horizontal radiation of about ±70°, right in the reviewer’s preferred range for an enveloping soundstage. Lower midrange distortion than the original Linton. Bass-shelf tuning intentionally allows closer-to-wall placement (about 1 foot worked well) without excess boominess, more flexible than the original Linton in that regard. Watch for: Rolls off earlier than the original Linton (F3 77Hz versus the original’s 52Hz), a deliberate trade-off for the closer-wall-placement flexibility. On-axis, there’s a mild treble lift around 4-6kHz that can sound a touch sibilant, though the reviewer found it not very noteworthy in practice. Diffraction shows up around 1.5-2kHz on-axis; needs about 10° of toe-out to smooth this out, though going further to 30° starts to lose some top-end air. Distortion peaks slightly higher than the original Linton in the 50-70Hz region. Minimum impedance dips to about 3 ohms around 150Hz, so a 4-ohm-stable amplifier is recommended for best results. Vertical dispersion of about ±20° means multi-row home theater seating outside that window will hear reduced top-end. Asymmetrical design requires attention to setup (tweeters need to face outward) for the most linear in-room response. A costly upgrade for existing Linton owners if the original’s specific flaws didn’t bother them.
What the MoFi SourcePoint 10 offers: Andrew Jones-designed concentric/coincident driver delivers best-in-class sound power and early-reflections directivity in the reviewer’s testing - a genuine “point source” design. Vertical and horizontal radiation patterns closely match each other (about ±50° horizontal, ±30-40° vertical), a hallmark benefit of a well-executed concentric driver. Distortion stays low - under 1% above 100Hz at 86dB, and under 3% up to 100Hz even at 96dB, better than the reviewer expected from a low-excursion waveguide-loaded woofer. Surprisingly strong dynamic capability with little audible compression at both low and high volume. Widely spaced (about 11 feet apart) with roughly 15° of toe-out produced a huge, expansive soundstage without significant loss of imaging precision. Solidly built cabinet (about 40 lbs, heavily braced) minimizes cabinet resonance. Watch for: Like virtually all coincident designs, sounds notably bright pointed directly on-axis due to a deliberate treble lift (meant to compensate for the 28mm tweeter’s earlier beaming versus a typical 25mm/1” tweeter) combined with a diffraction dip/peak from the waveguide edge; needs about 15° of toe-out to sound neutral, and even then benefits from an extra 1-2dB of treble EQ. Toeing out further (to 30°) flattens the treble further but introduces a dip in the midrange-to-tweeter crossover region - there’s no single toe-out angle that fixes everything at once. F3 of 56Hz and F10 of 38Hz (about 40Hz in-room) mean genuine deep bass is limited; the reviewer would pair it with a sealed 10” or 12” subwoofer for regular daily listening. Bass extension and cabinet placement trade off against midrange cleanliness: placing it close to a wall for more bass risks a wall-bounce suckout in the midrange (roughly 200-500Hz depending on distance). Not perfectly time-aligned between tweeter and woofer (about 0.4ms delta), an inherent limitation of passive coincident drivers versus actively time-corrected designs. Some resonances appear in measurements, likely port-related. Minimum impedance around 6.4 ohms with EPDR near 3 ohms, so the reviewer recommends sticking with a 4-ohm-rated amplifier to be safe.
Buy the Wharfedale Super Linton. It ranks higher for sound quality than the MoFi SourcePoint 10 and costs less, so there is no real case for the other one.
Want more options? Browse the full Passive Home rankings.
Specifications Side By Side
| Wharfedale Super Linton | MoFi SourcePoint 10 | |
|---|---|---|
| Price | $2,699.00 per pair | $3795 per pair |
| Ranked | #24 of 130 in Large Size Bookshelf Speakers | #26 of 130 in Large Size Bookshelf Speakers |
| Bass Extension (-10dB) | 34Hz (measured, Erin's Audio Corner) | 38Hz (measured, Erin's Audio Corner) |
| Bass Extension (-3dB) | 77Hz (measured, Erin's Audio Corner) | 56Hz (measured, Erin's Audio Corner) |
| Dimensions | 23.8"H x 11.8"W x 13"D (604.5 x 299.7 x 330.2 mm) | 22.5"H x 14.5"W x 16.6"D (571.5 x 368.3 x 421.6 mm) |
| Impedance | 4 ohms nominal (3 ohms minimum, measured, Erin's Audio Corner) | 8 ohms nominal, 6.4 ohms minimum (measured, Erin's Audio Corner) |
| Drivers | 8"(200mm) black woven Kevlar® cone woofer, 5"(135mm) black woven Kevlar® cone midrange, 1" (25mm) soft dome tweeter | 10" Paper-pulp Cone woofer, 1.25-inch soft-dome tweeter |
| Sensitivity | 88.2dB (measured, Erin's Audio Corner) | 88.2dB (measured, Erin's Audio Corner) |
| Weight | 43.7 lbs (19.8 kg) each | 46.3 lbs (21.0 kg) each |
| Woofer Cabinet | ported, rear | ported, rear |
| Spinorama Preference Score | 5.28 | 3.25 |
| Spinorama Preference Score with Perfect Sub | 7.12 | 5.27 |
Related Speaker Comparisons
How Wharfedale Super Linton compares with other leading options:
- Wharfedale Super Linton vs Perlisten S4b
- Wharfedale Super Linton vs KEF Reference 1 Meta
- Wharfedale Super Linton vs GR-Research NX-Studio
- Wharfedale Super Linton vs AsciLab C6B
- Wharfedale Super Linton vs Audio First Cadentia 3
Prices on this page were last checked September 16, 2026 at 12:41 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
Wharfedale Super Linton: $2,699.00 per pair Amazon Crutchfield eBay
Pros: Three-way design with a 1” soft dome tweeter, 5” woven Kevlar mid-range, and 8” woven Kevlar woofer in a dual rear-ported, heavily damped MDF/particle-board cabinet. Comes as a genuinely matched pair (measured within about 1dB of each other) and includes custom matching stands. A major dynamic-range improvement over the original Heritage Linton - kick drums retain their impact from low to high volume instead of compressing, the standout objective improvement in this update. Fixes the original Linton’s main flaw: a 1-3kHz scoop that made it sound a bit soft and subdued is filled in here, giving noticeably more attack and dynamic punch. About 3dB more sensitivity than the original Linton (measured ~88.2dB), meaning roughly half the amplifier power for the same output. Wide horizontal radiation of about ±70°, right in the reviewer’s preferred range for an enveloping soundstage. Lower midrange distortion than the original Linton. Bass-shelf tuning intentionally allows closer-to-wall placement (about 1 foot worked well) without excess boominess, more flexible than the original Linton in that regard. Measured bass extension of 77Hz (-3dB), with a measured sensitivity of 88.2dB.
Cons: Rolls off earlier than the original Linton (F3 77Hz versus the original’s 52Hz), a deliberate trade-off for the closer-wall-placement flexibility. On-axis, there’s a mild treble lift around 4-6kHz that can sound a touch sibilant, though the reviewer found it not very noteworthy in practice. Diffraction shows up around 1.5-2kHz on-axis; needs about 10° of toe-out to smooth this out, though going further to 30° starts to lose some top-end air. Distortion peaks slightly higher than the original Linton in the 50-70Hz region. Minimum impedance dips to about 3 ohms around 150Hz, so a 4-ohm-stable amplifier is recommended for best results. Vertical dispersion of about ±20° means multi-row home theater seating outside that window will hear reduced top-end. Asymmetrical design requires attention to setup (tweeters need to face outward) for the most linear in-room response. A costly upgrade for existing Linton owners if the original’s specific flaws didn’t bother them.
Full Wharfedale Super Linton review and specifications →
| Bass Extension (-10dB) | 34Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 77Hz (measured, Erin's Audio Corner) |
| Dimensions | 23.8"H x 11.8"W x 13"D (604.5 x 299.7 x 330.2 mm) |
| Drivers | 8"(200mm) black woven Kevlar® cone woofer, 5"(135mm) black woven Kevlar® cone midrange, 1" (25mm) soft dome tweeter |
| Impedance | 4 ohms nominal (3 ohms minimum, measured, Erin's Audio Corner) |
| Sensitivity | 88.2dB (measured, Erin's Audio Corner) |
| Spinorama Preference Score | 5.28 |
| Spinorama Preference Score with Perfect Sub | 7.12 |
| Weight | 43.7 lbs (19.8 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: 5 Reasons Wharfedale Super Linton is the Hidden Gem of Audio Equipment More from Erin’s Audio Corner →
- Erin’s Audio Corner Website Wharfedale Super Linton Review
- Erin’s Audio Corner: Upgrade Your Sound with These 6 Surprisingly Affordable Speakers!
- Erin’s Audio Corner: My Absolute Favorite Products of 2024 Revealed
- Erin’s Audio Corner Measurements (spinorama.org)
- Head-to-Head Comparisons
- Wharfedale Super Linton vs Ascend Acoustics CMT-340 SE2
- Wharfedale Super Linton vs Arendal 1528 Monitor 8
- Wharfedale Super Linton vs Radiant Acoustics Clarity 6.2
- Wharfedale Super Linton vs Dynaudio Heritage Special
- Wharfedale Super Linton vs AsciLab F6Bs
- Wharfedale Super Linton vs MoFi SourcePoint 8
- Wharfedale Super Linton vs Wharfedale Linton 85
- Wharfedale Super Linton vs Buchardt Audio E50
- See all 51 comparisons
MoFi SourcePoint 10: $3795 per pair Crutchfield eBay
Pros: Andrew Jones-designed concentric/coincident driver delivers best-in-class sound power and early-reflections directivity in the reviewer’s testing - a genuine “point source” design. Vertical and horizontal radiation patterns closely match each other (about ±50° horizontal, ±30-40° vertical), a hallmark benefit of a well-executed concentric driver. Distortion stays low - under 1% above 100Hz at 86dB, and under 3% up to 100Hz even at 96dB, better than the reviewer expected from a low-excursion waveguide-loaded woofer. Surprisingly strong dynamic capability with little audible compression at both low and high volume. Widely spaced (about 11 feet apart) with roughly 15° of toe-out produced a huge, expansive soundstage without significant loss of imaging precision. Solidly built cabinet (about 40 lbs, heavily braced) minimizes cabinet resonance. Measured bass extension of 56Hz (-3dB), with a measured sensitivity of 88.2dB.
Cons: Like virtually all coincident designs, sounds notably bright pointed directly on-axis due to a deliberate treble lift (meant to compensate for the 28mm tweeter’s earlier beaming versus a typical 25mm/1” tweeter) combined with a diffraction dip/peak from the waveguide edge; needs about 15° of toe-out to sound neutral, and even then benefits from an extra 1-2dB of treble EQ. Toeing out further (to 30°) flattens the treble further but introduces a dip in the midrange-to-tweeter crossover region - there’s no single toe-out angle that fixes everything at once. F3 of 56Hz and F10 of 38Hz (about 40Hz in-room) mean genuine deep bass is limited; the reviewer would pair it with a sealed 10” or 12” subwoofer for regular daily listening. Bass extension and cabinet placement trade off against midrange cleanliness: placing it close to a wall for more bass risks a wall-bounce suckout in the midrange (roughly 200-500Hz depending on distance). Not perfectly time-aligned between tweeter and woofer (about 0.4ms delta), an inherent limitation of passive coincident drivers versus actively time-corrected designs. Some resonances appear in measurements, likely port-related. Minimum impedance around 6.4 ohms with EPDR near 3 ohms, so the reviewer recommends sticking with a 4-ohm-rated amplifier to be safe.
Full MoFi SourcePoint 10 review and specifications →
| Bass Extension (-10dB) | 38Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin's Audio Corner) |
| Dimensions | 22.5"H x 14.5"W x 16.6"D (571.5 x 368.3 x 421.6 mm) |
| Drivers | 10" Paper-pulp Cone woofer, 1.25-inch soft-dome tweeter |
| Impedance | 8 ohms nominal, 6.4 ohms minimum (measured, Erin's Audio Corner) |
| Sensitivity | 88.2dB (measured, Erin's Audio Corner) |
| Spinorama Preference Score | 3.25 |
| Spinorama Preference Score with Perfect Sub | 5.27 |
| Weight | 46.3 lbs (21.0 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- MoFi SourcePoint 10 vs Radiant Acoustics Clarity 6.2
- MoFi SourcePoint 10 vs Dynaudio Heritage Special
- MoFi SourcePoint 10 vs Ascend Acoustics CMT-340 SE2
- MoFi SourcePoint 10 vs Arendal 1528 Monitor 8
- MoFi SourcePoint 10 vs Wharfedale Linton 85
- MoFi SourcePoint 10 vs AsciLab F6Bs
- MoFi SourcePoint 10 vs Ascend Acoustics Sierra-LX
- MoFi SourcePoint 10 vs MoFi SourcePoint 8
- See all 48 comparisons