Short answer: the Wharfedale Super Linton for better sound quality, the Dynaudio Emit 20 for the lower price. The Wharfedale Super Linton ranks #24 of 130 bookshelf speakers at $2699. The Dynaudio Emit 20 ranks #75 at $1049, $1650 cheaper.
What the Wharfedale Super Linton offers: Three-way design with a 1” soft dome tweeter, 5” woven Kevlar mid-range, and 8” woven Kevlar woofer in a dual rear-ported, heavily damped MDF/particle-board cabinet. Comes as a genuinely matched pair (measured within about 1dB of each other) and includes custom matching stands. A major dynamic-range improvement over the original Heritage Linton - kick drums retain their impact from low to high volume instead of compressing, the standout objective improvement in this update. Fixes the original Linton’s main flaw: a 1-3kHz scoop that made it sound a bit soft and subdued is filled in here, giving noticeably more attack and dynamic punch. About 3dB more sensitivity than the original Linton (measured ~88.2dB), meaning roughly half the amplifier power for the same output. Wide horizontal radiation of about ±70°, right in the reviewer’s preferred range for an enveloping soundstage. Lower midrange distortion than the original Linton. Bass-shelf tuning intentionally allows closer-to-wall placement (about 1 foot worked well) without excess boominess, more flexible than the original Linton in that regard. Watch for: Rolls off earlier than the original Linton (F3 77Hz versus the original’s 52Hz), a deliberate trade-off for the closer-wall-placement flexibility. On-axis, there’s a mild treble lift around 4-6kHz that can sound a touch sibilant, though the reviewer found it not very noteworthy in practice. Diffraction shows up around 1.5-2kHz on-axis; needs about 10° of toe-out to smooth this out, though going further to 30° starts to lose some top-end air. Distortion peaks slightly higher than the original Linton in the 50-70Hz region. Minimum impedance dips to about 3 ohms around 150Hz, so a 4-ohm-stable amplifier is recommended for best results. Vertical dispersion of about ±20° means multi-row home theater seating outside that window will hear reduced top-end. Asymmetrical design requires attention to setup (tweeters need to face outward) for the most linear in-room response. A costly upgrade for existing Linton owners if the original’s specific flaws didn’t bother them.
What the Dynaudio Emit 20 offers: Two-way design with a 28mm Esotar soft dome tweeter (Hexis-damped) and an 18cm mid-woofer, using a first-order crossover on the tweeter and second-order on the woofer. Exceptional bass extension for a bookshelf speaker - reaches a clean, authoritative 40Hz in-room, rare enough that the reviewer says most listeners could skip a subwoofer for typical music. Very low distortion across the board, staying below 1% THD down to 40Hz at 86dB and below 3% even at 96dB - unusually clean bass performance where most two-way bookshelf speakers start rising in distortion around 80Hz. Wide, remarkably consistent horizontal directivity (about ±50-60°) that holds steady up to roughly 13kHz - rare for a speaker in this format, thanks to a beveled tweeter edge that acts as a mild waveguide. Excellent compression and dynamic-range linearity at the frequency extremes, actually showing slight bass enhancement rather than the sharp low-end compression common in similarly-sized bookshelf speakers. Watch for: A resonance around 600-800Hz gives snares and similar percussion a muffled, flat quality lacking impact - confirmed as originating in the woofer itself (isolated via measurements of the raw driver out of the cabinet), and attempts at constrained-layer damping didn’t resolve it. A peak around 4kHz adds a sharp, edgy quality to some male vocals. A roughly 5dB boost above 10kHz gives cymbals and hi-hats excess shimmer that can sound unnatural, especially pointed directly on-axis. Vertical dispersion shows two separate crossover-related notches (above and below the tweeter reference line around 5kHz) rather than the usual single one, a direct consequence of the shallow crossover slopes used on both drivers. Multitone distortion is elevated in the midrange, possibly due to the woofer’s magnet structure lacking a shorting ring. Best aimed slightly off-axis (about 10-15° of toe-out) to tame the excess high-frequency shimmer, rather than pointed straight at the listener.
Buy the Wharfedale Super Linton if sound quality is the priority over the price, or the Dynaudio Emit 20 if the price is the priority over sound quality.
Looking for alternatives? See the complete Passive Home rankings.
Specifications Side By Side
| Wharfedale Super Linton | Dynaudio Emit 20 | |
|---|---|---|
| Price | $2,699.00 per pair | $1,049.00 per pair |
| Ranked | #24 of 130 in Large Size Bookshelf Speakers | #75 of 130 in Large Size Bookshelf Speakers |
| Bass Extension (-10dB) | 34Hz (measured, Erin's Audio Corner) | 33Hz (measured, Erin's Audio Corner) |
| Bass Extension (-3dB) | 77Hz (measured, Erin's Audio Corner) | 54Hz (measured, Erin's Audio Corner) |
| Dimensions | 23.8"H x 11.8"W x 13"D (604.5 x 299.7 x 330.2 mm) | 14.6"H x 8.1"W x 12.3"D (370.0 x 205.0 x 312.0 mm) |
| Impedance | 4 ohms nominal (3 ohms minimum, measured, Erin's Audio Corner) | 6 ohms nominal (5.5 ohms minimum above 80Hz, measured, Erin's Audio Corner) |
| Drivers | 8"(200mm) black woven Kevlar® cone woofer, 5"(135mm) black woven Kevlar® cone midrange, 1" (25mm) soft dome tweeter | 7.1" Magnesium Silicate Polymer woofer, 1.1" Cerotar soft dome with Hexis tweeter |
| Sensitivity | 88.2dB (measured, Erin's Audio Corner) | 83.5dB (measured, Erin's Audio Corner; 86dB manufacturer specified) |
| Weight | 43.7 lbs (19.8 kg) each | 12.8 lbs (5.8 kg) |
| Woofer Cabinet | ported, rear | ported, rear |
| Spinorama Preference Score | 5.28 | 3.35 |
| Spinorama Preference Score with Perfect Sub | 7.12 | 5.05 |
Related Speaker Comparisons
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- Wharfedale Super Linton vs Perlisten S4b
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- Wharfedale Super Linton vs GR-Research NX-Studio
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Prices on this page were last checked September 16, 2026 at 12:41 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
Wharfedale Super Linton: $2,699.00 per pair Amazon Crutchfield eBay
Pros: Three-way design with a 1” soft dome tweeter, 5” woven Kevlar mid-range, and 8” woven Kevlar woofer in a dual rear-ported, heavily damped MDF/particle-board cabinet. Comes as a genuinely matched pair (measured within about 1dB of each other) and includes custom matching stands. A major dynamic-range improvement over the original Heritage Linton - kick drums retain their impact from low to high volume instead of compressing, the standout objective improvement in this update. Fixes the original Linton’s main flaw: a 1-3kHz scoop that made it sound a bit soft and subdued is filled in here, giving noticeably more attack and dynamic punch. About 3dB more sensitivity than the original Linton (measured ~88.2dB), meaning roughly half the amplifier power for the same output. Wide horizontal radiation of about ±70°, right in the reviewer’s preferred range for an enveloping soundstage. Lower midrange distortion than the original Linton. Bass-shelf tuning intentionally allows closer-to-wall placement (about 1 foot worked well) without excess boominess, more flexible than the original Linton in that regard. Measured bass extension of 77Hz (-3dB), with a measured sensitivity of 88.2dB.
Cons: Rolls off earlier than the original Linton (F3 77Hz versus the original’s 52Hz), a deliberate trade-off for the closer-wall-placement flexibility. On-axis, there’s a mild treble lift around 4-6kHz that can sound a touch sibilant, though the reviewer found it not very noteworthy in practice. Diffraction shows up around 1.5-2kHz on-axis; needs about 10° of toe-out to smooth this out, though going further to 30° starts to lose some top-end air. Distortion peaks slightly higher than the original Linton in the 50-70Hz region. Minimum impedance dips to about 3 ohms around 150Hz, so a 4-ohm-stable amplifier is recommended for best results. Vertical dispersion of about ±20° means multi-row home theater seating outside that window will hear reduced top-end. Asymmetrical design requires attention to setup (tweeters need to face outward) for the most linear in-room response. A costly upgrade for existing Linton owners if the original’s specific flaws didn’t bother them.
Full Wharfedale Super Linton review and specifications →
| Bass Extension (-10dB) | 34Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 77Hz (measured, Erin's Audio Corner) |
| Dimensions | 23.8"H x 11.8"W x 13"D (604.5 x 299.7 x 330.2 mm) |
| Drivers | 8"(200mm) black woven Kevlar® cone woofer, 5"(135mm) black woven Kevlar® cone midrange, 1" (25mm) soft dome tweeter |
| Impedance | 4 ohms nominal (3 ohms minimum, measured, Erin's Audio Corner) |
| Sensitivity | 88.2dB (measured, Erin's Audio Corner) |
| Spinorama Preference Score | 5.28 |
| Spinorama Preference Score with Perfect Sub | 7.12 |
| Weight | 43.7 lbs (19.8 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: 5 Reasons Wharfedale Super Linton is the Hidden Gem of Audio Equipment More from Erin’s Audio Corner →
- Erin’s Audio Corner Website Wharfedale Super Linton Review
- Erin’s Audio Corner: Upgrade Your Sound with These 6 Surprisingly Affordable Speakers!
- Erin’s Audio Corner: My Absolute Favorite Products of 2024 Revealed
- Erin’s Audio Corner Measurements (spinorama.org)
- Head-to-Head Comparisons
- Wharfedale Super Linton vs Ascend Acoustics CMT-340 SE2
- Wharfedale Super Linton vs Arendal 1528 Monitor 8
- Wharfedale Super Linton vs MoFi SourcePoint 10
- Wharfedale Super Linton vs Radiant Acoustics Clarity 6.2
- Wharfedale Super Linton vs Dynaudio Heritage Special
- Wharfedale Super Linton vs AsciLab F6Bs
- Wharfedale Super Linton vs MoFi SourcePoint 8
- Wharfedale Super Linton vs Wharfedale Linton 85
- See all 51 comparisons
Dynaudio Emit 20: $1,049.00 per pair Amazon eBay
Pros: Two-way design with a 28mm Esotar soft dome tweeter (Hexis-damped) and an 18cm mid-woofer, using a first-order crossover on the tweeter and second-order on the woofer. Exceptional bass extension for a bookshelf speaker - reaches a clean, authoritative 40Hz in-room, rare enough that the reviewer says most listeners could skip a subwoofer for typical music. Very low distortion across the board, staying below 1% THD down to 40Hz at 86dB and below 3% even at 96dB - unusually clean bass performance where most two-way bookshelf speakers start rising in distortion around 80Hz. Wide, remarkably consistent horizontal directivity (about ±50-60°) that holds steady up to roughly 13kHz - rare for a speaker in this format, thanks to a beveled tweeter edge that acts as a mild waveguide. Excellent compression and dynamic-range linearity at the frequency extremes, actually showing slight bass enhancement rather than the sharp low-end compression common in similarly-sized bookshelf speakers. Measured bass extension of 54Hz (-3dB), with a measured sensitivity of 83.5dB.
Cons: A resonance around 600-800Hz gives snares and similar percussion a muffled, flat quality lacking impact - confirmed as originating in the woofer itself (isolated via measurements of the raw driver out of the cabinet), and attempts at constrained-layer damping didn’t resolve it. A peak around 4kHz adds a sharp, edgy quality to some male vocals. A roughly 5dB boost above 10kHz gives cymbals and hi-hats excess shimmer that can sound unnatural, especially pointed directly on-axis. Vertical dispersion shows two separate crossover-related notches (above and below the tweeter reference line around 5kHz) rather than the usual single one, a direct consequence of the shallow crossover slopes used on both drivers. Multitone distortion is elevated in the midrange, possibly due to the woofer’s magnet structure lacking a shorting ring. Best aimed slightly off-axis (about 10-15° of toe-out) to tame the excess high-frequency shimmer, rather than pointed straight at the listener.
Full Dynaudio Emit 20 review and specifications →
| Bass Extension (-10dB) | 33Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 54Hz (measured, Erin's Audio Corner) |
| Dimensions | 14.6"H x 8.1"W x 12.3"D (370.0 x 205.0 x 312.0 mm) |
| Drivers | 7.1" Magnesium Silicate Polymer woofer, 1.1" Cerotar soft dome with Hexis tweeter |
| Impedance | 6 ohms nominal (5.5 ohms minimum above 80Hz, measured, Erin's Audio Corner) |
| Sensitivity | 83.5dB (measured, Erin's Audio Corner; 86dB manufacturer specified) |
| Spinorama Preference Score | 3.35 |
| Spinorama Preference Score with Perfect Sub | 5.05 |
| Weight | 12.8 lbs (5.8 kg) |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Dynaudio Emit 20 vs Klipsch RP-600M II
- Dynaudio Emit 20 vs Philharmonic BMR Monitor
- Dynaudio Emit 20 vs JBL Studio 630
- Dynaudio Emit 20 vs Behringer B2030P
- Dynaudio Emit 20 vs Mission LX-3 MKII
- Dynaudio Emit 20 vs Polk Signature Elite ES20
- Dynaudio Emit 20 vs GR-Research X-LS Encore
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- See all 63 comparisons


