Short answer: the Wharfedale Super Linton. It ranks #24 of 130 bookshelf speakers by sound quality at $2699; the Dynaudio Contour 20i ranks #60 and costs $5750, which makes this an easy call rather than a real tradeoff.
What the Wharfedale Super Linton offers: Three-way design with a 1” soft dome tweeter, 5” woven Kevlar mid-range, and 8” woven Kevlar woofer in a dual rear-ported, heavily damped MDF/particle-board cabinet. Comes as a genuinely matched pair (measured within about 1dB of each other) and includes custom matching stands. A major dynamic-range improvement over the original Heritage Linton - kick drums retain their impact from low to high volume instead of compressing, the standout objective improvement in this update. Fixes the original Linton’s main flaw: a 1-3kHz scoop that made it sound a bit soft and subdued is filled in here, giving noticeably more attack and dynamic punch. About 3dB more sensitivity than the original Linton (measured ~88.2dB), meaning roughly half the amplifier power for the same output. Wide horizontal radiation of about ±70°, right in the reviewer’s preferred range for an enveloping soundstage. Lower midrange distortion than the original Linton. Bass-shelf tuning intentionally allows closer-to-wall placement (about 1 foot worked well) without excess boominess, more flexible than the original Linton in that regard. Watch for: Rolls off earlier than the original Linton (F3 77Hz versus the original’s 52Hz), a deliberate trade-off for the closer-wall-placement flexibility. On-axis, there’s a mild treble lift around 4-6kHz that can sound a touch sibilant, though the reviewer found it not very noteworthy in practice. Diffraction shows up around 1.5-2kHz on-axis; needs about 10° of toe-out to smooth this out, though going further to 30° starts to lose some top-end air. Distortion peaks slightly higher than the original Linton in the 50-70Hz region. Minimum impedance dips to about 3 ohms around 150Hz, so a 4-ohm-stable amplifier is recommended for best results. Vertical dispersion of about ±20° means multi-row home theater seating outside that window will hear reduced top-end. Asymmetrical design requires attention to setup (tweeters need to face outward) for the most linear in-room response. A costly upgrade for existing Linton owners if the original’s specific flaws didn’t bother them.
What the Dynaudio Contour 20i offers: Two-way design with a 1.125” Esotar2i silk dome tweeter and a 7” magnesium silicate polymer woofer in a vented enclosure. A shallow bass rolloff profile lets it sit closer to a wall (about 1-2 feet worked best in testing) without becoming boomy, and makes subwoofer integration comparatively easy. Very wide horizontal radiation (about ±70° through the midrange) gives an enveloping, spacious sound in a suitably sized room. On-axis response holds within about ±3dB overall and ±1.5dB through the midrange. Attractive build quality with a distinctive metal front baffle and gloss finish options. Long-term compression stays good up to 96dB, and short-term compression is within about 0.5dB at that same level. Watch for: Notably room-dependent: sounds too bright in the lower treble in smaller rooms with close sidewalls, needing sidewall absorption to sound neutral, while performing better in larger or more open rooms without that treatment. A roughly 2dB lift in the lower treble combined with wide dispersion means more energy reflecting off sidewalls than some listeners will prefer. Relatively low sensitivity (about 82.5dB measured). Unusually sensitive to amplifier output impedance - high-output-impedance amps like tube or SET designs introduce up to a 2dB dip in the midrange, making the sound more mellow rather than “warmer,” the opposite of what many tube-amp buyers expect. Elevated harmonic and multitone distortion around 700Hz, which the reviewer attributes to typical cone-edge/surround behavior common across many driver brands, though it stands out on the measurement graphs. An upper-midrange dip around 2kHz can reduce attack and clarity on vocals and brass instruments. Vertical listening window is fairly narrow (roughly -20° to +30°) - moving outside that range causes a noticeable tonal shift, unlike coaxial designs that tolerate more vertical movement.
Buy the Wharfedale Super Linton. It ranks higher for sound quality than the Dynaudio Contour 20i and costs less, so there is no real case for the other one.
Still deciding? The full Passive Home rankings cover every ranked option.
Specifications Side By Side
| Wharfedale Super Linton | Dynaudio Contour 20i | |
|---|---|---|
| Price | $2,699.00 per pair | $5750 per pair |
| Ranked | #24 of 130 in Large Size Bookshelf Speakers | #60 of 130 in Large Size Bookshelf Speakers |
| Bass Extension (-10dB) | 34Hz (measured, Erin's Audio Corner) | 32Hz (measured, Erin's Audio Corner) |
| Bass Extension (-3dB) | 77Hz (measured, Erin's Audio Corner) | 56Hz (measured, Erin's Audio Corner) |
| Dimensions | 23.8"H x 11.8"W x 13"D (604.5 x 299.7 x 330.2 mm) | 17.4"H x 8.5"W x 14.2"D (442 x 215.9 x 360.7 mm) |
| Impedance | 4 ohms nominal (3 ohms minimum, measured, Erin's Audio Corner) | 4 ohms |
| Drivers | 8"(200mm) black woven Kevlar® cone woofer, 5"(135mm) black woven Kevlar® cone midrange, 1" (25mm) soft dome tweeter | 18 cm MSP woofer, 28mm Esotar 2i with Hexis tweeter |
| Sensitivity | 88.2dB (measured, Erin's Audio Corner) | 82.5dB |
| Weight | 43.7 lbs (19.8 kg) each | 30.9 lbs (14 kg) each |
| Woofer Cabinet | ported, rear | ported, rear |
| Spinorama Preference Score | 5.28 | - |
| Spinorama Preference Score with Perfect Sub | 7.12 | - |
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Prices on this page were last checked September 16, 2026 at 12:41 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
Wharfedale Super Linton: $2,699.00 per pair Amazon Crutchfield eBay
Pros: Three-way design with a 1” soft dome tweeter, 5” woven Kevlar mid-range, and 8” woven Kevlar woofer in a dual rear-ported, heavily damped MDF/particle-board cabinet. Comes as a genuinely matched pair (measured within about 1dB of each other) and includes custom matching stands. A major dynamic-range improvement over the original Heritage Linton - kick drums retain their impact from low to high volume instead of compressing, the standout objective improvement in this update. Fixes the original Linton’s main flaw: a 1-3kHz scoop that made it sound a bit soft and subdued is filled in here, giving noticeably more attack and dynamic punch. About 3dB more sensitivity than the original Linton (measured ~88.2dB), meaning roughly half the amplifier power for the same output. Wide horizontal radiation of about ±70°, right in the reviewer’s preferred range for an enveloping soundstage. Lower midrange distortion than the original Linton. Bass-shelf tuning intentionally allows closer-to-wall placement (about 1 foot worked well) without excess boominess, more flexible than the original Linton in that regard. Measured bass extension of 77Hz (-3dB), with a measured sensitivity of 88.2dB.
Cons: Rolls off earlier than the original Linton (F3 77Hz versus the original’s 52Hz), a deliberate trade-off for the closer-wall-placement flexibility. On-axis, there’s a mild treble lift around 4-6kHz that can sound a touch sibilant, though the reviewer found it not very noteworthy in practice. Diffraction shows up around 1.5-2kHz on-axis; needs about 10° of toe-out to smooth this out, though going further to 30° starts to lose some top-end air. Distortion peaks slightly higher than the original Linton in the 50-70Hz region. Minimum impedance dips to about 3 ohms around 150Hz, so a 4-ohm-stable amplifier is recommended for best results. Vertical dispersion of about ±20° means multi-row home theater seating outside that window will hear reduced top-end. Asymmetrical design requires attention to setup (tweeters need to face outward) for the most linear in-room response. A costly upgrade for existing Linton owners if the original’s specific flaws didn’t bother them.
Full Wharfedale Super Linton review and specifications →
| Bass Extension (-10dB) | 34Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 77Hz (measured, Erin's Audio Corner) |
| Dimensions | 23.8"H x 11.8"W x 13"D (604.5 x 299.7 x 330.2 mm) |
| Drivers | 8"(200mm) black woven Kevlar® cone woofer, 5"(135mm) black woven Kevlar® cone midrange, 1" (25mm) soft dome tweeter |
| Impedance | 4 ohms nominal (3 ohms minimum, measured, Erin's Audio Corner) |
| Sensitivity | 88.2dB (measured, Erin's Audio Corner) |
| Spinorama Preference Score | 5.28 |
| Spinorama Preference Score with Perfect Sub | 7.12 |
| Weight | 43.7 lbs (19.8 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: 5 Reasons Wharfedale Super Linton is the Hidden Gem of Audio Equipment More from Erin’s Audio Corner →
- Erin’s Audio Corner Website Wharfedale Super Linton Review
- Erin’s Audio Corner: Upgrade Your Sound with These 6 Surprisingly Affordable Speakers!
- Erin’s Audio Corner: My Absolute Favorite Products of 2024 Revealed
- Erin’s Audio Corner Measurements (spinorama.org)
- Head-to-Head Comparisons
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Dynaudio Contour 20i: $5750 per pair Safeandsoundhq eBay
Pros: Two-way design with a 1.125” Esotar2i silk dome tweeter and a 7” magnesium silicate polymer woofer in a vented enclosure. A shallow bass rolloff profile lets it sit closer to a wall (about 1-2 feet worked best in testing) without becoming boomy, and makes subwoofer integration comparatively easy. Very wide horizontal radiation (about ±70° through the midrange) gives an enveloping, spacious sound in a suitably sized room. On-axis response holds within about ±3dB overall and ±1.5dB through the midrange. Attractive build quality with a distinctive metal front baffle and gloss finish options. Long-term compression stays good up to 96dB, and short-term compression is within about 0.5dB at that same level. Measured bass extension of 56Hz (-3dB).
Cons: Notably room-dependent: sounds too bright in the lower treble in smaller rooms with close sidewalls, needing sidewall absorption to sound neutral, while performing better in larger or more open rooms without that treatment. A roughly 2dB lift in the lower treble combined with wide dispersion means more energy reflecting off sidewalls than some listeners will prefer. Relatively low sensitivity (about 82.5dB measured). Unusually sensitive to amplifier output impedance - high-output-impedance amps like tube or SET designs introduce up to a 2dB dip in the midrange, making the sound more mellow rather than “warmer,” the opposite of what many tube-amp buyers expect. Elevated harmonic and multitone distortion around 700Hz, which the reviewer attributes to typical cone-edge/surround behavior common across many driver brands, though it stands out on the measurement graphs. An upper-midrange dip around 2kHz can reduce attack and clarity on vocals and brass instruments. Vertical listening window is fairly narrow (roughly -20° to +30°) - moving outside that range causes a noticeable tonal shift, unlike coaxial designs that tolerate more vertical movement.
Full Dynaudio Contour 20i review and specifications →
| Bass Extension (-10dB) | 32Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin's Audio Corner) |
| Dimensions | 17.4"H x 8.5"W x 14.2"D (442 x 215.9 x 360.7 mm) |
| Drivers | 18 cm MSP woofer, 28mm Esotar 2i with Hexis tweeter |
| Impedance | 4 ohms |
| Sensitivity | 82.5dB |
| Weight | 30.9 lbs (14 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Dynaudio Contour 20i vs SVS Ultra Bookshelf
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