Wharfedale Aura 2 vs Philharmonic BMR Monitor

Last updated: September 16, 2026

Short answer: the Wharfedale Aura 2 on measured sound quality, the Philharmonic BMR Monitor on price. The Wharfedale Aura 2 ranks #13 of 130 bookshelf speakers at $2799. The Philharmonic BMR Monitor ranks #76 at $2200, $599 cheaper.

Wharfedale Aura 2 vs Philharmonic BMR Monitor

What the Wharfedale Aura 2 offers: Three-way “mini tower” design with a 27x90mm AMT tweeter, 4” mid-range, and 6.5” midwoofer, using an unusual bottom-firing port. Nearly “ruler flat” on-axis linearity (within about 1.5dB for most of the range) apart from one specific breakup point. Exceptional output capability with very low distortion even at high volume - the reviewer reached about 100dB average at 10 feet with no audible strain, outperforming rivals like the KEF LS50 Meta in multitone distortion above 1kHz. Wide horizontal radiation of about ±70° combined with excellent imaging and pair matching - passed demanding stereo-separation test tracks with precise instrument placement. Bass reaches a genuine 40Hz in most rooms, potentially eliminating the need for a subwoofer for material that doesn’t demand extreme sub-bass. About 20dB of usable dynamic range with no compression issues at 96dB/1m. Considered by the reviewer one of the best speakers he’s tested, potentially challenging his personal all-time top five. Watch for: A breakup/peak around 13kHz can sound sharp or shrill depending on the track, the main tonal flaw noted. Minor midbase-to-midrange balance discrepancy (about 1dB), most noticeable if the speaker sits more than about 2 feet from the rear wall. Vertical listening window is narrower than typical, a consequence of the AMT ribbon tweeter’s tall physical size - staying within about ±15-20° of the tweeter reference axis (or slightly below it) is important. Impedance dips to about 3.1 ohms with a 1.4-ohm minimum EPDR, meaning a dedicated amplifier is recommended over an AVR due to potential power-supply strain. Distortion rises at the very lowest frequencies (an expected limitation of a 6.5” woofer), and the woofer audibly struggles with extreme 30-35Hz content at high volume. Horizontal directivity narrows from about ±70° to ±50° above roughly 6-7kHz as the ribbon tweeter’s pattern collapses inward.

What the Philharmonic BMR Monitor offers: Three-way design combining a 6” SB Acoustics mid-woofer, a 2.5” Tectonic balanced-mode radiator (BMR) for the midrange, and a ribbon tweeter - premium component choices relative to the asking price. A clear improvement over the V1: the earlier version’s overly hot, plateauing treble has been resolved, leaving a genuinely good in-room response outside of one specific area. Extremely wide horizontal radiation of about ±70-80°, creating an enveloping, wide soundstage that illuminates the sidewalls. Well-built, attractive cabinet. Midrange and tweeter show no stress or elevated distortion even at higher output - all the compression and distortion issues trace back to the mid-woofer alone. Watch for: A 1-2dB bump around 2-3kHz creates a “glare” on vocals, guitars, and strings that the reviewer noticed consistently across many tracks. The extremely wide radiation trades off against imaging precision - instrument placement became noticeably more diffuse and harder to pinpoint in a narrower, more reflective room, though it improved substantially in a larger, more open room with less sidewall interaction. A suspected resonance around 500Hz shows up as an imbalance in sound power and horizontal directivity measurements, loosely correlating with a vague sense of resonance the reviewer heard subjectively. Moderate sensitivity (about 84.1dB anechoic) and a mid-woofer that runs out of steam under real stress - distortion exceeds 3% even at 100Hz at 96dB, and the reviewer notes SB Acoustics’ published excursion specs tend to overstate real-world linear excursion by nearly 2x. Significant compression appears at 102dB: the woofer audibly unloads around 120Hz, and the ribbon tweeter also compresses heavily at high output - not well suited to very loud two-channel listening (above about 90dB at 4 meters). In-room bass rolls off around 50Hz, so a subwoofer is recommended for most music. Benefits noticeably from a few bands of EQ if available.

Buy the Wharfedale Aura 2 if sound quality matters more than the price. Buy the Philharmonic BMR Monitor if the price matters more than sound quality.

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Specifications Side By Side

Wharfedale Aura 2 Philharmonic BMR Monitor
Price$2799 per pair$2200 per pair
Ranked#13 of 130 in Large Size Bookshelf Speakers#76 of 130 in Large Size Bookshelf Speakers
Bass Extension (-10dB)30Hz (measured, Erin's Audio Corner)32Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)56Hz (measured, Erin's Audio Corner)47Hz (measured, Erin's Audio Corner)
Dimensions22.1"H x 11.3"W x 15.3"D (561.3 x 287 x 388.6 mm)20"H x 8"W x 12.5"D (508 x 203.2 x 317.5 mm)
Impedance6 ohms nominal (3.1 ohms minimum above 80Hz, measured, Erin's Audio Corner)4 ohms nominal (3 ohms minimum above 80Hz, measured by Erin's Audio Corner)
Drivers6.5" Black Glass Fibre Matrix Cone woofer, 4" Black Glass Fibre Matrix Cone midrange, 27x90mm AMT tweeter6" Ceramic woofer, Balanced Mode Radiator 2.5" midrange, RAAL 64-10X OEM tweeter
Sensitivity87dB (measured, Erin's Audio Corner)84dB (measured, Erin's Audio Corner)
Weight45 lbs (20.4 kg) each32 lbs (14.5 kg) each
Woofer Cabinetported, rearported, rear
Spinorama Preference Score5.19-
Spinorama Preference Score with Perfect Sub6.81-

How Wharfedale Aura 2 compares with other leading options:

Prices on this page were last checked September 16, 2026 at 12:41 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.

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The Two Speakers In Full

Wharfedale Aura 2: $2799 per pair Crutchfield eBay

Wharfedale Aura 2 ranking card

Pros: Three-way “mini tower” design with a 27x90mm AMT tweeter, 4” mid-range, and 6.5” midwoofer, using an unusual bottom-firing port. Nearly “ruler flat” on-axis linearity (within about 1.5dB for most of the range) apart from one specific breakup point. Exceptional output capability with very low distortion even at high volume - the reviewer reached about 100dB average at 10 feet with no audible strain, outperforming rivals like the KEF LS50 Meta in multitone distortion above 1kHz. Wide horizontal radiation of about ±70° combined with excellent imaging and pair matching - passed demanding stereo-separation test tracks with precise instrument placement. Bass reaches a genuine 40Hz in most rooms, potentially eliminating the need for a subwoofer for material that doesn’t demand extreme sub-bass. About 20dB of usable dynamic range with no compression issues at 96dB/1m. Considered by the reviewer one of the best speakers he’s tested, potentially challenging his personal all-time top five. Measured bass extension of 56Hz (-3dB), with a measured sensitivity of 87dB.

Cons: A breakup/peak around 13kHz can sound sharp or shrill depending on the track, the main tonal flaw noted. Minor midbase-to-midrange balance discrepancy (about 1dB), most noticeable if the speaker sits more than about 2 feet from the rear wall. Vertical listening window is narrower than typical, a consequence of the AMT ribbon tweeter’s tall physical size - staying within about ±15-20° of the tweeter reference axis (or slightly below it) is important. Impedance dips to about 3.1 ohms with a 1.4-ohm minimum EPDR, meaning a dedicated amplifier is recommended over an AVR due to potential power-supply strain. Distortion rises at the very lowest frequencies (an expected limitation of a 6.5” woofer), and the woofer audibly struggles with extreme 30-35Hz content at high volume. Horizontal directivity narrows from about ±70° to ±50° above roughly 6-7kHz as the ribbon tweeter’s pattern collapses inward.

Bass Extension (-10dB)30Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)56Hz (measured, Erin's Audio Corner)
Dimensions22.1"H x 11.3"W x 15.3"D (561.3 x 287 x 388.6 mm)
Drivers6.5" Black Glass Fibre Matrix Cone woofer, 4" Black Glass Fibre Matrix Cone midrange, 27x90mm AMT tweeter
Impedance6 ohms nominal (3.1 ohms minimum above 80Hz, measured, Erin's Audio Corner)
Sensitivity87dB (measured, Erin's Audio Corner)
Spinorama Preference Score5.19
Spinorama Preference Score with Perfect Sub6.81
Weight45 lbs (20.4 kg) each
Woofer Cabinetported, rear

Philharmonic BMR Monitor: $2200 per pair Philharmonicaudio eBay

Philharmonic BMR Monitor ranking card

Pros: Three-way design combining a 6” SB Acoustics mid-woofer, a 2.5” Tectonic balanced-mode radiator (BMR) for the midrange, and a ribbon tweeter - premium component choices relative to the asking price. A clear improvement over the V1: the earlier version’s overly hot, plateauing treble has been resolved, leaving a genuinely good in-room response outside of one specific area. Extremely wide horizontal radiation of about ±70-80°, creating an enveloping, wide soundstage that illuminates the sidewalls. Well-built, attractive cabinet. Midrange and tweeter show no stress or elevated distortion even at higher output - all the compression and distortion issues trace back to the mid-woofer alone. Measured bass extension of 47Hz (-3dB), with a measured sensitivity of 84dB.

Cons: A 1-2dB bump around 2-3kHz creates a “glare” on vocals, guitars, and strings that the reviewer noticed consistently across many tracks. The extremely wide radiation trades off against imaging precision - instrument placement became noticeably more diffuse and harder to pinpoint in a narrower, more reflective room, though it improved substantially in a larger, more open room with less sidewall interaction. A suspected resonance around 500Hz shows up as an imbalance in sound power and horizontal directivity measurements, loosely correlating with a vague sense of resonance the reviewer heard subjectively. Moderate sensitivity (about 84.1dB anechoic) and a mid-woofer that runs out of steam under real stress - distortion exceeds 3% even at 100Hz at 96dB, and the reviewer notes SB Acoustics’ published excursion specs tend to overstate real-world linear excursion by nearly 2x. Significant compression appears at 102dB: the woofer audibly unloads around 120Hz, and the ribbon tweeter also compresses heavily at high output - not well suited to very loud two-channel listening (above about 90dB at 4 meters). In-room bass rolls off around 50Hz, so a subwoofer is recommended for most music. Benefits noticeably from a few bands of EQ if available.

Bass Extension (-10dB)32Hz (measured, Erin's Audio Corner)
Bass Extension (-3dB)47Hz (measured, Erin's Audio Corner)
Dimensions20"H x 8"W x 12.5"D (508 x 203.2 x 317.5 mm)
Drivers6" Ceramic woofer, Balanced Mode Radiator 2.5" midrange, RAAL 64-10X OEM tweeter
Impedance4 ohms nominal (3 ohms minimum above 80Hz, measured by Erin's Audio Corner)
Sensitivity84dB (measured, Erin's Audio Corner)
Weight32 lbs (14.5 kg) each
Woofer Cabinetported, rear