Short answer: the MoFi SourcePoint 10 on measured sound quality, the Sonus Faber Lumina II on price. The MoFi SourcePoint 10 ranks #26 of 130 bookshelf speakers at $3795. The Sonus Faber Lumina II ranks #91 at $1600, $2195 cheaper.
What the Sonus Faber Lumina II offers: Handmade in Italy with a gloss-finished front baffle and black leather-wrapped cabinet - genuinely nice-looking speaker with real brand cachet. Bass extension is competitive for the size, reaching about 50 Hz in-room with mild compression and good distortion figures, so higher output levels and greater listening distances aren’t a problem down to that point. About 20 dB of dynamic range at typical listening levels (73 dB at 4m), which comfortably covers most music without the tonal balance shifting as instruments and vocals peak. Off-axis behavior is consistent - toeing the speakers 20-30 degrees out doesn’t meaningfully change the in-room high-frequency character, so placement flexibility is good once you’ve dialed in the tonal balance. Watch for: Not a neutral speaker - has a persistent high-frequency boost/lift that makes it sound forward and bright, present whether pointed directly at the listener or toed out. A slightly nasal quality traced to a resonance around 1 kHz that EQ can address. The reviewer needed to trim treble by about 4 dB on his preamp to get the tonal balance he wanted, meaning most listeners will want equalization available to fully enjoy this speaker. At roughly the same $1,000ish price point, alternatives like the Ascend Acoustics Sierra 1 V2 measure more linear (with a tradeoff in distortion and crossover-region directivity), and the Dynaudio Emit 20 offers deeper bass extension and lower compression at the cost of a more deliberately colored tonal signature.
What the MoFi SourcePoint 10 offers: Andrew Jones-designed concentric/coincident driver delivers best-in-class sound power and early-reflections directivity in the reviewer’s testing - a genuine “point source” design. Vertical and horizontal radiation patterns closely match each other (about ±50° horizontal, ±30-40° vertical), a hallmark benefit of a well-executed concentric driver. Distortion stays low - under 1% above 100Hz at 86dB, and under 3% up to 100Hz even at 96dB, better than the reviewer expected from a low-excursion waveguide-loaded woofer. Surprisingly strong dynamic capability with little audible compression at both low and high volume. Widely spaced (about 11 feet apart) with roughly 15° of toe-out produced a huge, expansive soundstage without significant loss of imaging precision. Solidly built cabinet (about 40 lbs, heavily braced) minimizes cabinet resonance. Watch for: Like virtually all coincident designs, sounds notably bright pointed directly on-axis due to a deliberate treble lift (meant to compensate for the 28mm tweeter’s earlier beaming versus a typical 25mm/1” tweeter) combined with a diffraction dip/peak from the waveguide edge; needs about 15° of toe-out to sound neutral, and even then benefits from an extra 1-2dB of treble EQ. Toeing out further (to 30°) flattens the treble further but introduces a dip in the midrange-to-tweeter crossover region - there’s no single toe-out angle that fixes everything at once. F3 of 56Hz and F10 of 38Hz (about 40Hz in-room) mean genuine deep bass is limited; the reviewer would pair it with a sealed 10” or 12” subwoofer for regular daily listening. Bass extension and cabinet placement trade off against midrange cleanliness: placing it close to a wall for more bass risks a wall-bounce suckout in the midrange (roughly 200-500Hz depending on distance). Not perfectly time-aligned between tweeter and woofer (about 0.4ms delta), an inherent limitation of passive coincident drivers versus actively time-corrected designs. Some resonances appear in measurements, likely port-related. Minimum impedance around 6.4 ohms with EPDR near 3 ohms, so the reviewer recommends sticking with a 4-ohm-rated amplifier to be safe.
Buy the Sonus Faber Lumina II if the price is the priority over sound quality, or the MoFi SourcePoint 10 if sound quality is the priority over the price.
Still deciding? The full Passive Home rankings cover every ranked option.
Specifications Side By Side
| Sonus Faber Lumina II | MoFi SourcePoint 10 | |
|---|---|---|
| Price | $1,600 per pair | $3795 per pair |
| Ranked | #91 of 130 in Large Size Bookshelf Speakers | #26 of 130 in Large Size Bookshelf Speakers |
| Drivers | 29mm DAD dome tweeter, 150mm paper cone mid-woofer | 10" Paper-pulp Cone woofer, 1.25-inch soft-dome tweeter |
| Crossover Frequency | 1800Hz | - |
| Dimensions | 12" x 7.1" x 10.4" (304 x 180 x 263 mm) | 22.5"H x 14.5"W x 16.6"D (571.5 x 368.3 x 421.6 mm) |
| Weight | 12.5 lbs (5.65 kg) each | 46.3 lbs (21.0 kg) each |
| Impedance | 4 ohms nominal, 4.1 ohms minimum (measured, Erin's Audio Corner) | 8 ohms nominal, 6.4 ohms minimum (measured, Erin's Audio Corner) |
| Sensitivity | 86dB (measured average, Erin's Audio Corner; matches manufacturer spec) | 88.2dB (measured, Erin's Audio Corner) |
| Bass Extension (-3dB) | 60Hz (measured, Erin's Audio Corner) | 56Hz (measured, Erin's Audio Corner) |
| Bass Extension (-10dB) | 41Hz (measured, Erin's Audio Corner) | 38Hz (measured, Erin's Audio Corner) |
| Frequency Response | 55Hz - 24kHz (manufacturer specified) | - |
| Recommended Power | 30W - 150W | - |
| Spinorama Preference Score | 3.04 | 3.25 |
| Spinorama Preference Score with Perfect Sub | 5.32 | 5.27 |
| Woofer Cabinet | - | ported, rear |
Related Speaker Comparisons
More top alternatives to MoFi SourcePoint 10:
- MoFi SourcePoint 10 vs Perlisten S4b
- KEF Reference 1 Meta vs MoFi SourcePoint 10
- GR-Research NX-Studio vs MoFi SourcePoint 10
- AsciLab C6B vs MoFi SourcePoint 10
- Audio First Cadentia 3 vs MoFi SourcePoint 10
Prices on this page were last checked September 16, 2026 at 12:41 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
As an eBay Partner, we may be compensated if you make a purchase.
The Two Speakers In Full
Sonus Faber Lumina II: $1,600 per pair Crutchfield eBay
Pros: Handmade in Italy with a gloss-finished front baffle and black leather-wrapped cabinet - genuinely nice-looking speaker with real brand cachet. Bass extension is competitive for the size, reaching about 50 Hz in-room with mild compression and good distortion figures, so higher output levels and greater listening distances aren’t a problem down to that point. About 20 dB of dynamic range at typical listening levels (73 dB at 4m), which comfortably covers most music without the tonal balance shifting as instruments and vocals peak. Off-axis behavior is consistent - toeing the speakers 20-30 degrees out doesn’t meaningfully change the in-room high-frequency character, so placement flexibility is good once you’ve dialed in the tonal balance. Measured bass extension of 60Hz (-3dB), with a measured sensitivity of 86dB.
Cons: Not a neutral speaker - has a persistent high-frequency boost/lift that makes it sound forward and bright, present whether pointed directly at the listener or toed out. A slightly nasal quality traced to a resonance around 1 kHz that EQ can address. The reviewer needed to trim treble by about 4 dB on his preamp to get the tonal balance he wanted, meaning most listeners will want equalization available to fully enjoy this speaker. At roughly the same $1,000ish price point, alternatives like the Ascend Acoustics Sierra 1 V2 measure more linear (with a tradeoff in distortion and crossover-region directivity), and the Dynaudio Emit 20 offers deeper bass extension and lower compression at the cost of a more deliberately colored tonal signature.
Full Sonus Faber Lumina II review and specifications →
| Bass Extension (-10dB) | 41Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 60Hz (measured, Erin's Audio Corner) |
| Crossover Frequency | 1800Hz |
| Dimensions | 12" x 7.1" x 10.4" (304 x 180 x 263 mm) |
| Drivers | 29mm DAD dome tweeter, 150mm paper cone mid-woofer |
| Frequency Response | 55Hz - 24kHz (manufacturer specified) |
| Impedance | 4 ohms nominal, 4.1 ohms minimum (measured, Erin's Audio Corner) |
| Recommended Power | 30W - 150W |
| Sensitivity | 86dB (measured average, Erin's Audio Corner; matches manufacturer spec) |
| Spinorama Preference Score | 3.04 |
| Spinorama Preference Score with Perfect Sub | 5.32 |
| Weight | 12.5 lbs (5.65 kg) each |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Sonus Faber Lumina II vs Polk Monitor XT20
- Sonus Faber Lumina II vs XTZ Spirit 4
- Sonus Faber Lumina II vs Focal Aria 906
- Sonus Faber Lumina II vs KEF Q3 Meta
- Sonus Faber Lumina II vs Revel Performa M22
- Sonus Faber Lumina II vs SVS Prime Bookshelf
- Sonus Faber Lumina II vs ELAC Debut 2.0 B6.2
- Sonus Faber Lumina II vs Dynaudio Special Forty
- See all 56 comparisons
MoFi SourcePoint 10: $3795 per pair Crutchfield eBay
Pros: Andrew Jones-designed concentric/coincident driver delivers best-in-class sound power and early-reflections directivity in the reviewer’s testing - a genuine “point source” design. Vertical and horizontal radiation patterns closely match each other (about ±50° horizontal, ±30-40° vertical), a hallmark benefit of a well-executed concentric driver. Distortion stays low - under 1% above 100Hz at 86dB, and under 3% up to 100Hz even at 96dB, better than the reviewer expected from a low-excursion waveguide-loaded woofer. Surprisingly strong dynamic capability with little audible compression at both low and high volume. Widely spaced (about 11 feet apart) with roughly 15° of toe-out produced a huge, expansive soundstage without significant loss of imaging precision. Solidly built cabinet (about 40 lbs, heavily braced) minimizes cabinet resonance. Measured bass extension of 56Hz (-3dB), with a measured sensitivity of 88.2dB.
Cons: Like virtually all coincident designs, sounds notably bright pointed directly on-axis due to a deliberate treble lift (meant to compensate for the 28mm tweeter’s earlier beaming versus a typical 25mm/1” tweeter) combined with a diffraction dip/peak from the waveguide edge; needs about 15° of toe-out to sound neutral, and even then benefits from an extra 1-2dB of treble EQ. Toeing out further (to 30°) flattens the treble further but introduces a dip in the midrange-to-tweeter crossover region - there’s no single toe-out angle that fixes everything at once. F3 of 56Hz and F10 of 38Hz (about 40Hz in-room) mean genuine deep bass is limited; the reviewer would pair it with a sealed 10” or 12” subwoofer for regular daily listening. Bass extension and cabinet placement trade off against midrange cleanliness: placing it close to a wall for more bass risks a wall-bounce suckout in the midrange (roughly 200-500Hz depending on distance). Not perfectly time-aligned between tweeter and woofer (about 0.4ms delta), an inherent limitation of passive coincident drivers versus actively time-corrected designs. Some resonances appear in measurements, likely port-related. Minimum impedance around 6.4 ohms with EPDR near 3 ohms, so the reviewer recommends sticking with a 4-ohm-rated amplifier to be safe.
Full MoFi SourcePoint 10 review and specifications →
| Bass Extension (-10dB) | 38Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 56Hz (measured, Erin's Audio Corner) |
| Dimensions | 22.5"H x 14.5"W x 16.6"D (571.5 x 368.3 x 421.6 mm) |
| Drivers | 10" Paper-pulp Cone woofer, 1.25-inch soft-dome tweeter |
| Impedance | 8 ohms nominal, 6.4 ohms minimum (measured, Erin's Audio Corner) |
| Sensitivity | 88.2dB (measured, Erin's Audio Corner) |
| Spinorama Preference Score | 3.25 |
| Spinorama Preference Score with Perfect Sub | 5.27 |
| Weight | 46.3 lbs (21.0 kg) each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- MoFi SourcePoint 10 vs Radiant Acoustics Clarity 6.2
- MoFi SourcePoint 10 vs Wharfedale Super Linton
- MoFi SourcePoint 10 vs Dynaudio Heritage Special
- MoFi SourcePoint 10 vs Ascend Acoustics CMT-340 SE2
- MoFi SourcePoint 10 vs Arendal 1528 Monitor 8
- MoFi SourcePoint 10 vs Wharfedale Linton 85
- MoFi SourcePoint 10 vs AsciLab F6Bs
- MoFi SourcePoint 10 vs Ascend Acoustics Sierra-LX
- See all 48 comparisons


