Short answer: the Polk Audio Reserve R700 for better sound quality, the Sony SS-CS3 for the lower price. The Polk Audio Reserve R700 ranks #32 of 68 floorstanding speakers at $1199. The Sony SS-CS3 ranks #59 at $450, $749 cheaper.
What the Polk Audio Reserve R700 offers: Three-way design with a 1” ring radiator tweeter, 6.5” mid-range, and dual 8” mid-bass drivers in a ported, down-firing cabinet. On-axis frequency response holds within about ±2dB across most of its range, with genuinely deep bass extension (F3 40Hz) reaching into the mid-30s Hz in-room. Wide horizontal radiation of about ±70°, giving a strong, enveloping stereo width and stage-extension effect on well-recorded tracks. Good low-level dynamics - solid bass thump at quiet listening volumes without over-accentuation. Strong distortion and compression control through the bass and midrange. Real nominal impedance closer to 4 ohms than the marketed 8 ohms, so with the right amplifier it can be driven hard - a $3,000 two-channel integrated brought out significantly more life than a budget $300 unit could. Excellent value at its roughly $2,200/pair MSRP, ranking among the reviewer’s top picks under $2,500; outperforms the similarly-priced Klipsch RP-8000F II in bass extension and overall smoothness. Watch for: Compression in the high frequencies rises sharply between 96dB and 102dB output - a real limitation only at very high volumes (around 100dB at 3 meters), but a clear step down from pricier ($5,000+) towers. Horizontal directivity mismatch around 4-5kHz, where the tweeter flares wider than the midrange, can sound a bit forward - especially noticeable when toed out further into the room; sidewall absorption or curtains help tame it. Harmonic distortion crosses the reviewer’s 3% threshold around 7kHz at 96dB output, possibly contributing to that same forward quality at high volume. Narrow vertical sweet spot (about ±15° from the tweeter axis), typical of non-coaxial tower designs - more of a consideration for multi-row home theater seating than single-row listening. The ring-radiator tweeter narrows noticeably above about 7-8kHz, and toeing the speaker out more than about 20° causes the top end to fall off quickly. Needs at least 2 feet of clearance from the rear wall to avoid boomy, exaggerated bass, since it lacks the bass-shelf tuning some rivals use to allow closer wall placement. Compared to the pricier KEF R5 Meta, has narrower horizontal (and much narrower vertical) directivity, so seating flexibility is more limited.
What the Sony SS-CS3 offers: Affordable entry-level floorstanding tower offering solid sensitivity (88.6dB SPL at 2.83V/1m), making it easy to power with standard budget AVRs. Harmonic distortion remains reasonably low at moderate listening levels (86dB SPL) when high-pass filtered above 80-100Hz with a dedicated subwoofer. Front-ported design allows relatively close placement to front boundaries without excessive port occlusion. Watch for: Severe cabinet and driver resonances plague the passband between 100Hz and 600Hz, imparting audible coloration and chesty resonances to male vocals and acoustic instruments. Irregular frequency response peaks and dips make automated receiver room correction difficult to equalize effectively. Poor low-frequency extension (F3 of 72Hz, F10 of 39Hz) for a floorstander, combined with rapid distortion escalation below 80Hz at higher SPLs (96dB+). Supertweeter driver adds crossover complexity without providing audible high-frequency benefit within the human hearing spectrum.
Buy the Polk Audio Reserve R700 if sound quality matters more than the price. Buy the Sony SS-CS3 if the price matters more than sound quality.
If sound quality matters at all to you, skip the Sony SS-CS3. It ranks near the bottom of the 68 floorstanding speakers, so look higher up the list instead.
Specifications Side By Side
| Polk Audio Reserve R700 | Sony SS-CS3 | |
|---|---|---|
| Price | $1,199.00 | $450.00 Discontinued |
| Ranked | #32 of 68 in Large Size Floorstanding Speakers | #59 of 68 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 31Hz (measured, Erin’s Audio Corner) | 39Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 40Hz (measured, Erin’s Audio Corner) | 72Hz (measured, Erin’s Audio Corner) |
| Impedance | 4 ohms nominal, 3.5 ohms minimum (measured above 80Hz, Erin’s Audio Corner) | 6 ohms nominal |
| Sensitivity | 87.5dB (measured average 300Hz-3kHz @ 2.83V/1m, Erin’s Audio Corner) | 88.6dB (measured average, Erin’s Audio Corner) |
| Drivers | 2x 8" polypropylene cone woofers, 1x 6.5" turbine cone midrange, 1x 1" Pinnacle ring radiator tweeter | 0.75 in. supertweeter, 0.98 in. polyester main tweeter, dual 5.12 in. MRC woofers |
| Weight | 102.1 lbs / 46.3 kg | 25.4 lbs / 11.5 kg each |
| Woofer Cabinet | ported, down-firing | ported, front |
| Dimensions | 45"H x 12.6"W x 16.9"D (1143.8 x 320.7 x 428.3 mm) | 36.3"H x 9.1"W x 10.2"D (922 x 230 x 260 mm) |
| Discontinued | - | Yes |
Related Speaker Comparisons
More useful head-to-heads from the same speaker class:
- Dynaudio Emit 30 vs Infinity Reference 253
- Klipsch RP-5000F II vs Infinity Reference 253
- Infinity Reference 253 vs Magnepan LRS+
- Klipsch RP-5000F II vs Sony SS-CS3
- Polk Audio Reserve R700 vs Definitive Technology BP-9020
Prices on this page were last checked August 24, 2026 at 6:53 AM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Speakers In Full
Polk Audio Reserve R700: $1,199.00 Amazon eBay
Pros: Three-way design with a 1” ring radiator tweeter, 6.5” mid-range, and dual 8” mid-bass drivers in a ported, down-firing cabinet. On-axis frequency response holds within about ±2dB across most of its range, with genuinely deep bass extension (F3 40Hz) reaching into the mid-30s Hz in-room. Wide horizontal radiation of about ±70°, giving a strong, enveloping stereo width and stage-extension effect on well-recorded tracks. Good low-level dynamics - solid bass thump at quiet listening volumes without over-accentuation. Strong distortion and compression control through the bass and midrange. Real nominal impedance closer to 4 ohms than the marketed 8 ohms, so with the right amplifier it can be driven hard - a $3,000 two-channel integrated brought out significantly more life than a budget $300 unit could. Excellent value at its roughly $2,200/pair MSRP, ranking among the reviewer’s top picks under $2,500; outperforms the similarly-priced Klipsch RP-8000F II in bass extension and overall smoothness.
Cons: Compression in the high frequencies rises sharply between 96dB and 102dB output - a real limitation only at very high volumes (around 100dB at 3 meters), but a clear step down from pricier ($5,000+) towers. Horizontal directivity mismatch around 4-5kHz, where the tweeter flares wider than the midrange, can sound a bit forward - especially noticeable when toed out further into the room; sidewall absorption or curtains help tame it. Harmonic distortion crosses the reviewer’s 3% threshold around 7kHz at 96dB output, possibly contributing to that same forward quality at high volume. Narrow vertical sweet spot (about ±15° from the tweeter axis), typical of non-coaxial tower designs - more of a consideration for multi-row home theater seating than single-row listening. The ring-radiator tweeter narrows noticeably above about 7-8kHz, and toeing the speaker out more than about 20° causes the top end to fall off quickly. Needs at least 2 feet of clearance from the rear wall to avoid boomy, exaggerated bass, since it lacks the bass-shelf tuning some rivals use to allow closer wall placement. Compared to the pricier KEF R5 Meta, has narrower horizontal (and much narrower vertical) directivity, so seating flexibility is more limited.
Full Polk Audio Reserve R700 review and specifications →
| Bass Extension (-10dB) | 31Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 40Hz (measured, Erin's Audio Corner) |
| Dimensions | 45"H x 12.6"W x 16.9"D (1143.8 x 320.7 x 428.3 mm) |
| Drivers | 2x 8" polypropylene cone woofers, 1x 6.5" turbine cone midrange, 1x 1" Pinnacle ring radiator tweeter |
| Impedance | 4 ohms nominal, 3.5 ohms minimum (measured above 80Hz, Erin's Audio Corner) |
| Sensitivity | 87.5dB (measured average 300Hz-3kHz @ 2.83V/1m, Erin's Audio Corner) |
| Weight | 102.1 lbs / 46.3 kg |
| Woofer Cabinet | ported, down-firing |
- Links
- Reviews, Comparisons and Sound Samples
- Erin’s Audio Corner: My Top 5 Just Changed: Polk Audio Reserve R700 Review More from Erin’s Audio Corner →
- Erin’s Audio Corner: My Absolute Favorite Products of 2024 Revealed
- Erin’s Audio Corner Website: Polk Audio Reserve R700
- Erin’s Audio Corner Measurements (spinorama.org)
- Reddit Search for Polk Audio Reserve R700 Review
- Head-to-Head Comparisons
- Polk Audio Reserve R700 vs Q Acoustics 5040
- Polk Audio Reserve R700 vs Emotiva Airmotiv T2+
- Polk Audio Reserve R700 vs PSB Imagine T65
- Polk Audio Reserve R700 vs ELAC Debut 3.0 DF63
- Polk Audio Reserve R700 vs Polk Reserve R500
- Polk Audio Reserve R700 vs JBL HDI-3600
- Polk Audio Reserve R700 vs KEF R11 Meta
- Polk Audio Reserve R700 vs Definitive Technology BP-9020
- See all 27 comparisons
Sony SS-CS3: $450.00 Discontinued eBay
Pros: Affordable entry-level floorstanding tower offering solid sensitivity (88.6dB SPL at 2.83V/1m), making it easy to power with standard budget AVRs. Harmonic distortion remains reasonably low at moderate listening levels (86dB SPL) when high-pass filtered above 80-100Hz with a dedicated subwoofer. Front-ported design allows relatively close placement to front boundaries without excessive port occlusion.
Cons: Severe cabinet and driver resonances plague the passband between 100Hz and 600Hz, imparting audible coloration and chesty resonances to male vocals and acoustic instruments. Irregular frequency response peaks and dips make automated receiver room correction difficult to equalize effectively. Poor low-frequency extension (F3 of 72Hz, F10 of 39Hz) for a floorstander, combined with rapid distortion escalation below 80Hz at higher SPLs (96dB+). Supertweeter driver adds crossover complexity without providing audible high-frequency benefit within the human hearing spectrum. Discontinued.
Full Sony SS-CS3 review and specifications →
| Bass Extension (-10dB) | 39Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 72Hz (measured, Erin's Audio Corner) |
| Dimensions | 36.3"H x 9.1"W x 10.2"D (922 x 230 x 260 mm) |
| Discontinued | Yes |
| Drivers | 0.75 in. supertweeter, 0.98 in. polyester main tweeter, dual 5.12 in. MRC woofers |
| Impedance | 6 ohms nominal |
| Sensitivity | 88.6dB (measured average, Erin's Audio Corner) |
| Weight | 25.4 lbs / 11.5 kg each |
| Woofer Cabinet | ported, front |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons