Short answer: a tie on sound quality. Both are rated 3.9/5 (#299 and #277 of 450 in-ear headphones), so choose on features and fit.

What the Kiwi Ears Orchestra does well: Eight balanced armatures per side earn a preference score of 72 in crinacle’s measurement. The tradeoff: Presence sits 5.5 dB below target with a 6.7 dB dip near 5.3 kHz, which pushes vocals and guitar bite back and makes some recordings sound distant.
Why pick the Tin HiFi T4: It earns a preference score of 73 in crinacle’s measurement, and across squig.link measurements bass and mids stay within about 1.3 dB of target from 20 Hz to 3 kHz, giving natural voices and well judged bass. The tradeoff: In squig.link measurements a 6.7 dB dip near 10 kHz and about 3 dB less presence from 3 to 6 kHz take some sparkle and edge off cymbals and guitars.
Buy the Kiwi Ears Orchestra or the Tin HiFi T4 on features: they are rated the same for sound quality at close to the same price.
Looking for alternatives? See the complete Headphones rankings.
Specifications Side By Side
| Kiwi Ears Orchestra | Tin HiFi T4 | |
|---|---|---|
| Price | - | $89.00 |
| Ranked | #299 of 450 in In-Ear Headphones | #277 of 450 in In-Ear Headphones |
| Form Factor | In-ear | In-ear |
| Back | Closed | Closed |
| Harman Preference Score | 72 (measured by crinacle, via AutoEQ) | 73 (measured by crinacle, via AutoEQ) |
| Deviation From Target | 2.33 dB standard deviation | 2.44 dB standard deviation |
| Tonal Tilt | +0.13 (negative is warmer, positive brighter) | +0.10 (negative is warmer, positive brighter) |
| Connection | Wired | Wired |
| Driver Type | Balanced armature | Dynamic |
| Drivers | 8 x balanced armature | 1 x 10mm dynamic |
| Impedance | 17 ohms | 32 ohms |
| Sensitivity | 111 dB | 102 dB |
| Frequency Response | 20Hz - 20kHz (Manufacturer specified) | 10Hz - 20kHz (Manufacturer specified) |
| Sub-bass Extension | Within 6 dB of target down to 20 Hz (-5.3 dB at 30 Hz) | Within 6 dB of target down to 20 Hz (-1.1 dB at 30 Hz) |
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Prices on this page were last checked October 11, 2026 at 4:59 PM UTC. Product prices and availability are accurate as of that date/time and are subject to change; the price and availability shown on Amazon at the time of purchase will apply to the purchase of this product.
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The Two Headphones In Full
Kiwi Ears Orchestra AliExpress eBay
Pros: Eight balanced armatures per side earn a preference score of 72 in crinacle’s measurement. Across hobbyist measurements on squig.link the bass and lower midrange sit within 1 dB of target and the largest treble peak is only 2.4 dB, so the sound stays clean and free of harshness. At 17 ohms and 111 dB it plays loud from a phone or small dongle.
Cons: Presence sits 5.5 dB below target with a 6.7 dB dip near 5.3 kHz, which pushes vocals and guitar bite back and makes some recordings sound distant. Sub-bass runs 4.4 dB under target and is 5.3 dB down at 30 Hz, so the all armature design gives less deep rumble than a dynamic driver set. It is wired only.
Full Kiwi Ears Orchestra review and specifications →
| Released | May 2021 (5 years ago) |
|---|---|
| Back | Closed |
| Connection | Wired |
| Deviation From Target | 2.33 dB standard deviation |
| Driver Type | Balanced armature |
| Drivers | 8 x balanced armature |
| Form Factor | In-ear |
| Frequency Response | 20Hz - 20kHz (Manufacturer specified) |
| Harman Preference Score | 72 (measured by crinacle, via AutoEQ) |
| Impedance | 17 ohms |
| Sensitivity | 111 dB |
| Sub-bass Extension | Within 6 dB of target down to 20 Hz (-5.3 dB at 30 Hz) |
| Tonal Tilt | +0.13 (negative is warmer, positive brighter) |
EQ preset to match the Harman target
Set a preamp of -4.3 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | +2.8 dB | 0.70 |
| Peak | 4,518 Hz | +4.3 dB | 1.08 |
| Peak | 203 Hz | -2.0 dB | 0.70 |
| Peak | 6,642 Hz | -3.1 dB | 4.68 |
| Peak | 1,670 Hz | -1.6 dB | 2.02 |
| High shelf | 10,000 Hz | -2.3 dB | 0.70 |
| Peak | 879 Hz | +1.0 dB | 2.21 |
| Peak | 443 Hz | -0.3 dB | 1.47 |
| Peak | 1,294 Hz | -0.6 dB | 3.70 |
| Peak | 5,298 Hz | +1.0 dB | 6.00 |
- Reviews, Comparisons and Sound Samples
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Tin HiFi T4: $89.00 Amazon eBay
Pros: It earns a preference score of 73 in crinacle’s measurement, and across squig.link measurements bass and mids stay within about 1.3 dB of target from 20 Hz to 3 kHz, giving natural voices and well judged bass. Sub-bass is only about 1 dB down at 30 Hz, so kick drums keep their weight. At 32 ohms and 102 dB it runs from a phone, and it rates level with the Etymotic ER2XR for less money and above the KZ PR1 at a similar price.
Cons: In squig.link measurements a 6.7 dB dip near 10 kHz and about 3 dB less presence from 3 to 6 kHz take some sparkle and edge off cymbals and guitars. Listeners who want a brighter, more vivid top end may find it slightly polite.
Full Tin HiFi T4 review and specifications →
| Released | Nov 2019 (6 years ago) |
|---|---|
| Back | Closed |
| Connection | Wired |
| Deviation From Target | 2.44 dB standard deviation |
| Driver Type | Dynamic |
| Drivers | 1 x 10mm dynamic |
| Form Factor | In-ear |
| Frequency Response | 10Hz - 20kHz (Manufacturer specified) |
| Harman Preference Score | 73 (measured by crinacle, via AutoEQ) |
| Impedance | 32 ohms |
| Sensitivity | 102 dB |
| Sub-bass Extension | Within 6 dB of target down to 20 Hz (-1.1 dB at 30 Hz) |
| Tonal Tilt | +0.10 (negative is warmer, positive brighter) |
EQ preset to match the Harman target
Set a preamp of -4.2 dB, then add these filters in any parametric equalizer (Wavelet, Equalizer APO, Peace, or a player with parametric EQ). Calculated by AutoEQ from its measured frequency response.
| Filter | Frequency | Gain | Q |
|---|---|---|---|
| Low shelf | 105 Hz | +2.8 dB | 0.70 |
| Peak | 9,358 Hz | +4.2 dB | 2.59 |
| Peak | 149 Hz | -2.1 dB | 0.84 |
| Peak | 1,877 Hz | -3.4 dB | 2.54 |
| Peak | 3,450 Hz | +4.1 dB | 3.07 |
| High shelf | 10,000 Hz | -0.1 dB | 0.70 |
| Peak | 853 Hz | +1.7 dB | 1.24 |
| Peak | 5,343 Hz | -3.7 dB | 5.41 |
| Peak | 1,332 Hz | -1.5 dB | 2.76 |
| Peak | 6,775 Hz | +1.3 dB | 3.54 |
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