Short answer: the Polk Reserve R500. It ranks #36 of 68 floorstanding speakers by sound quality at $699; the Focal Aria Evo X N°2 ranks #58 and costs $2399, so there is not much of a tradeoff to weigh.
What the Focal Aria Evo X N°2 offers: Solid bass with a deliberate mid-bass bump (80-120Hz) that gives extra thump and weight, extending to about 40-50Hz in-room. High sensitivity (measured 88.2dB) makes it easy to drive, and distortion is low throughout the range even at high output - the reviewer found only a minor compression “glare” around 4.5kHz at very high volumes, not a real concern. Directivity components (mid-range and tweeter) transition smoothly rather than abruptly, and the overall soundstage is wide and enveloping. Watch for: Sounds very bright pointed directly at the listener - the tweeter comes in 5-6dB above the midrange with an unusually wide, roughly two-octave dip (1kHz-4kHz) leading into it, giving a laid-back, low-attack character even after toeing out ~20 degrees. Fixing this properly requires real EQ (a mini DSP or similar), not just toe-out or absorption alone; without EQ, expect it to sound bright for stereo listening. A mild dip around 200Hz makes male vocals sound slightly subdued. Narrow vertical directivity (about +/-15 degrees) means you need to stay close to tweeter-axis height. Impedance dips to 3.4 ohms (EPDR 1.4 ohms), so it wants a 4-ohm-capable amplifier, and requires a plinth for floor clearance since it’s bottom-ported.
What the Polk Reserve R500 offers: Dual 5.25” midwoofers paired with a ring radiator tweeter in a floorstanding tower design. Surprisingly neutral overall compared to Polk’s smaller bookshelf models - notably more even-handed than the brighter-sounding R200 the reviewer tested previously. Good linearity on-axis, within about -3/+2dB. Sensitivity close to 86dB, easily driven to adequate levels in a small-to-medium room with a 100W-capable amplifier. Takes very well to EQ - a single band of correction (about a 2dB cut around 4-5kHz) resolves the main tonal issue and transforms the sound. Dynamic range and compression performance is solidly “medium,” holding up fine through about 20dB of level increase before higher-frequency and bass output start to taper at extreme volumes. Watch for: A bump around 4-6kHz gives a “shouty,” mildly sibilant quality in the lower treble. Counterintuitively, toeing the speaker out to reduce brightness makes this worse rather than better, since the ring-radiator tweeter’s directivity narrows rapidly above about 6-7kHz - pointed on-axis retains enough top-end air to balance the bump, but toed away that air drops off and the shoutiness stands out more. Bass is adequate for its 5.25” woofers but lacks real weight below about 40-50Hz; a subwoofer is still needed for movies and bass-heavy music. A cabinet resonance around 160-170Hz subtracts from rather than adds boom to the mid-bass region. Vertical listening window is fairly narrow - sitting more than about 10-20° above or below the tweeter axis causes a suckout in the 2-5kHz range, reducing clarity and attack. Multitone distortion ramps up noticeably around 1kHz, and crossing over to a subwoofer at 80Hz doesn’t meaningfully reduce it - likely a surround-related effect rather than excursion-related. Without applying corrective EQ, the reviewer says the 4-6kHz brightness would make it harder to live with day to day.
Buy the Polk Reserve R500. It ranks higher for sound quality than the Focal Aria Evo X N°2 and costs less, so there is no real case for the other one.
If sound quality matters at all to you, skip the Focal Aria Evo X N°2. It ranks near the bottom of the 68 floorstanding speakers, so look higher up the list instead.
Specifications Side By Side
| Focal Aria Evo X N°2 | Polk Reserve R500 | |
|---|---|---|
| Price | $2399 | $699.00 |
| Ranked | #58 of 68 in Large Size Floorstanding Speakers | #36 of 68 in Large Size Floorstanding Speakers |
| Bass Extension (-10dB) | 38Hz (measured, Erin’s Audio Corner) | 33Hz (measured, Erin’s Audio Corner) |
| Bass Extension (-3dB) | 50Hz (measured, Erin’s Audio Corner) | 51Hz (measured, Erin’s Audio Corner) |
| Impedance | 8 ohms nominal (2.9 ohms minimum, Manufacturer specified; 3.4 ohms minimum measured by Erin’s Audio Corner) | 4.1 ohms minimum above 80Hz (measured, Erin’s Audio Corner; 8 ohms nominal per manufacturer) |
| Sensitivity | 88.2dB (2.83V/1m, measured by Erin’s Audio Corner; 91.5dB Manufacturer specified) | 86.2dB (measured, Erin’s Audio Corner) |
| Drivers | Aluminum-magnesium inverted dome tweeter with waveguide, 6.5" flax midrange, dual 6.5" flax midbass woofers | Two 5.25" Turbine Cone woofer, 1" Pinnacle Ring Radiator tweeter |
| Weight | 55.1 lbs / 25 kg (55 lbs) each | 39.2 lbs / 17.8 kg each |
| Dimensions | 40.7"H x 14.6"W x 11.6"D (1035 x 371 x 294 mm) (40.25 x 14.62 x 11.56 in) | 40.3"H x 6.8"W x 12.4"D (1023.6 x 172.7 x 315 mm) |
| Woofer Cabinet | 3-way, bass reflex (bottom-firing port, requires plinth) | ported, rear |
| Frequency Response | 45Hz - 30kHz (Manufacturer specified) | - |
| Recommended Power | 40-250W | - |
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The Two Speakers In Full
Focal Aria Evo X N°2: $2399 Music Direct eBay
Pros: Solid bass with a deliberate mid-bass bump (80-120Hz) that gives extra thump and weight, extending to about 40-50Hz in-room. High sensitivity (measured 88.2dB) makes it easy to drive, and distortion is low throughout the range even at high output - the reviewer found only a minor compression “glare” around 4.5kHz at very high volumes, not a real concern. Directivity components (mid-range and tweeter) transition smoothly rather than abruptly, and the overall soundstage is wide and enveloping.
Cons: Sounds very bright pointed directly at the listener - the tweeter comes in 5-6dB above the midrange with an unusually wide, roughly two-octave dip (1kHz-4kHz) leading into it, giving a laid-back, low-attack character even after toeing out ~20 degrees. Fixing this properly requires real EQ (a mini DSP or similar), not just toe-out or absorption alone; without EQ, expect it to sound bright for stereo listening. A mild dip around 200Hz makes male vocals sound slightly subdued. Narrow vertical directivity (about +/-15 degrees) means you need to stay close to tweeter-axis height. Impedance dips to 3.4 ohms (EPDR 1.4 ohms), so it wants a 4-ohm-capable amplifier, and requires a plinth for floor clearance since it’s bottom-ported.
Full Focal Aria Evo X N°2 review and specifications →
| Bass Extension (-10dB) | 38Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 50Hz (measured, Erin's Audio Corner) |
| Dimensions | 40.7"H x 14.6"W x 11.6"D (1035 x 371 x 294 mm) (40.25 x 14.62 x 11.56 in) |
| Drivers | Aluminum-magnesium inverted dome tweeter with waveguide, 6.5" flax midrange, dual 6.5" flax midbass woofers |
| Frequency Response | 45Hz - 30kHz (Manufacturer specified) |
| Impedance | 8 ohms nominal (2.9 ohms minimum, Manufacturer specified; 3.4 ohms minimum measured by Erin's Audio Corner) |
| Recommended Power | 40-250W |
| Sensitivity | 88.2dB (2.83V/1m, measured by Erin's Audio Corner; 91.5dB Manufacturer specified) |
| Weight | 55.1 lbs / 25 kg (55 lbs) each |
| Woofer Cabinet | 3-way, bass reflex (bottom-firing port, requires plinth) |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Focal Aria Evo X N°2 vs Sony SS-CS3
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Polk Reserve R500: $699.00 Amazon eBay
Pros: Dual 5.25” midwoofers paired with a ring radiator tweeter in a floorstanding tower design. Surprisingly neutral overall compared to Polk’s smaller bookshelf models - notably more even-handed than the brighter-sounding R200 the reviewer tested previously. Good linearity on-axis, within about -3/+2dB. Sensitivity close to 86dB, easily driven to adequate levels in a small-to-medium room with a 100W-capable amplifier. Takes very well to EQ - a single band of correction (about a 2dB cut around 4-5kHz) resolves the main tonal issue and transforms the sound. Dynamic range and compression performance is solidly “medium,” holding up fine through about 20dB of level increase before higher-frequency and bass output start to taper at extreme volumes.
Cons: A bump around 4-6kHz gives a “shouty,” mildly sibilant quality in the lower treble. Counterintuitively, toeing the speaker out to reduce brightness makes this worse rather than better, since the ring-radiator tweeter’s directivity narrows rapidly above about 6-7kHz - pointed on-axis retains enough top-end air to balance the bump, but toed away that air drops off and the shoutiness stands out more. Bass is adequate for its 5.25” woofers but lacks real weight below about 40-50Hz; a subwoofer is still needed for movies and bass-heavy music. A cabinet resonance around 160-170Hz subtracts from rather than adds boom to the mid-bass region. Vertical listening window is fairly narrow - sitting more than about 10-20° above or below the tweeter axis causes a suckout in the 2-5kHz range, reducing clarity and attack. Multitone distortion ramps up noticeably around 1kHz, and crossing over to a subwoofer at 80Hz doesn’t meaningfully reduce it - likely a surround-related effect rather than excursion-related. Without applying corrective EQ, the reviewer says the 4-6kHz brightness would make it harder to live with day to day.
Full Polk Reserve R500 review and specifications →
| Bass Extension (-10dB) | 33Hz (measured, Erin's Audio Corner) |
|---|---|
| Bass Extension (-3dB) | 51Hz (measured, Erin's Audio Corner) |
| Dimensions | 40.3"H x 6.8"W x 12.4"D (1023.6 x 172.7 x 315 mm) |
| Drivers | Two 5.25" Turbine Cone woofer, 1" Pinnacle Ring Radiator tweeter |
| Impedance | 4.1 ohms minimum above 80Hz (measured, Erin's Audio Corner; 8 ohms nominal per manufacturer) |
| Sensitivity | 86.2dB (measured, Erin's Audio Corner) |
| Weight | 39.2 lbs / 17.8 kg each |
| Woofer Cabinet | ported, rear |
- Links
- Reviews, Comparisons and Sound Samples
- Head-to-Head Comparisons
- Polk Reserve R500 vs ELAC Debut 3.0 DF63
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